Writeblr Intro Circa 2024

Chapter 4 - The Protest.

The next morning, Jesse woke with a groan, the dull ache in her shoulder a solemn reminder of the danger she put herself into last night.

She looked over at Lira, who was still sitting with her knees to her chest. A wave of emotions washed over her. Guilt? Sadness? Love? Right now it was all too hard to parse over the pain.

“Hey, you wake yet?” Jesse asked, her voice hoarse from the ragged breaths she took.

“Yeah…” Lira yawned out, her gaze slowly lifting from the single tile on the floor she had been looking at all night, her eyelids drooping.

“…You didn’t sleep, huh?” Jesse’s voice was oozing for concern with her friend.

“Is it that obvious?” Lira whispered, a soft chuckle escaping her lips momentarily.

“Well…normally you look like a flame roaring to life when you wake up, but now you look like a raccoon,” Jesse said, a small smirk playing across her lips as she gestured toward her own eyes.

Suddenly, something on the TV caught their attention.

“Last night in Serath, protests broke out regarding…”

They both tuned out the broadcast, locking eyes.

Jesse spoke first, voice quiet with disbelief. “We… We started something, didn’t we? With our art?”

Lira nodded, her voice a hushed whisper. “Yeah… we did. Wish I’d finished mine, though.” She chuckled softly, her hands sliding from her knees to the floor as she pushed herself upright.

Jesse tried to stand too, wincing with every movement.

Lira laughed and smirked, stepping over to catch her before she could fall. “Careful, soldier. Don’t go hurting yourself now.”

Jesse couldn’t help but giggle, rolling her eyes.

The TV faded back into their awareness. “For those of you looking to stay safe, we recommend avoiding Duskline Avenue…”

“Let me guess… you wanna go there today, huh?” Jesse smiled, stretching out her stiff limbs. “Safety’s never been your thing.”

Lira huffed, smirking. “Guess you can read me like a book.”

“Not hard to do when I’m used to tagging along on all your little missions, Lira.”

“Yeah, yeah…” Lira chuckled, brushing off the tease. “C’mon, let’s get you ready.”

As Lira helped Jesse pull on her jacket from the night before, she couldn’t help but notice something. Jesse was still wearing the gloves from their run-in with Vance.

“You really like those gloves, huh?” Lira teased.

Jesse did her best to hide the blush rising in her cheeks. “So what if I do? They’re comfy!”

Lira chuckled, shaking her head. “Nothing wrong with liking the gloves you used to beat your first debt collector.”

The heat on Jesse’s face grew, and she quickly turned away, tugging the jacket on the rest of the way. For once, she was completely speechless — not from the hollow ache she knew too well, but from the sudden, fragile warmth blooming in her chest.

Satisfied, Lira smirked and tapped Jesse’s shoulder. “Time to go, soldier.”

Jesse took a deep breath, nodded, and smiled softly before leading the way out.

They wound their way through the maze of backstreets and alleyways, careful to avoid prying eyes. Eventually, they found themselves at the center of an enormous protest—voices bounced off the monolithic buildings towering over Duskline Avenue.

One message cut through the chaos, sharp as a blade: “RELEASE THE FILES. SHOW THE TRUTH.”

The chant thundered across the avenue, a living, breathing thing.

Lira joined in first, shouting with her whole chest. Jesse quickly followed, her voice softer but no less determined. “RELEASE THE FILES. SHOW THE TRUTH.”

Lira climbed onto the roof of a battered car, raising her firsts and leading the chant, fully caught in the moment. Jesse stayed close, feet on the ground, her presence quieter but no less vital.

The sight of it all—the passion, the sheer mass of people—moved Jesse in ways she hadn’t thought possible. Her simple little tag had helped spark this. It felt unreal, overwhelming…but she couldn’t stop herself from chanting alongside the crowd.

Their voices grew hoarse, lost in the sound and the safety of the numbers around them—the unwitting masses never realizing their two ghost leaders stood right there among them.

Eventually, the crowd began to die down—until a single gunshot cracked through the air, slicing past a wall of bodies and slamming into the hood of the car Lira was standing on with a sickening crunch.

Screams erupted in an instant. Panic spread like a wildfire. Lira leapt from the car just as another shot hit the metal frame behind her, sending the crowd into full-blown chaos. People pushed and stumbled, nearly trampling one another in their rush to escape.

“Where the fuck did that come from?” Lira shouted, eyes darting across the windows of the far buildings as she searched for the source.

Then—another shot. This one shattered the side of the car near her landing point.

Before Jesse could react, Lira grabbed her hand and yanked her toward a nearby pillar. She’d seen it: the telltale flash of glass. A scope. They weren’t aiming to kill yet. Just playing with them. But they knew where they were.

A third shot slammed into the pillar with a sharp thud.

Then silence.

Too quiet.

Where had the protestors gone? Were they hiding? Watching? Had they scattered completely?

Questions raced through Lira’s mind, but she pushed them down. No time. Can’t look. That sniper’s still watching.

A soft crack—a new gunshot, muffled this time. Silenced. A warning. Either the sniper had changed tactics, or there were two.

Jesse’s fingers began to tap a quiet rhythm on her thigh, the one she always fell into when the fear crept too close. Her eyes scanned the nearby doors, the pillars, the shadows. Can’t go down the street. Shots were too low. They’ll have it covered. Need an alley. Something tight.

Lira stayed still, her breathing shallow, eyes flicking between possible exits.

Then her thoughts turned, as they always did, toward Jesse.

If I give myself up… would they let her go?

She clenched her jaw. No. No, don’t think like that. We get out. Together.

Jesse tore one glove off and lobbed it around the corner of the pillar. Two shots rang out—simultaneous. The glove shredded mid-air.

Shit. Two of them. Her thoughts raced, calculating.

Bolt action? Maybe. Could give us a second to run for an alley. But I can’t keep tossing things and hoping they reload.

Her rhythm picked up—fingers tapping frantically now—as her eyes met Lira’s.

Without hesitation, Lira pulled Jesse into her chest, shielding her. Every muscle in her body coiled. Then she moved—scooping Jesse up like she weighed nothing and sprinting toward the next concrete cover.

They almost made it.

Two more shots ripped through either side of Jesse’s jacket, far too close for comfort—too precise.

Lira’s instincts screamed. She pivoted sharply, the sunlight catching a puddle in the alley just ahead. She veered toward it, taking a hard turn just as two more bullets slammed into the corner where they’d been just milliseconds before.

Don’t stop. Not yet. Too close. Her legs burned, lungs heaving, but she pushed through it all—darting between shadows, diving behind dumpsters, weaving through tight alleyways.

Only once they broke into a crowded market, loud and alive, did she slow. She set Jesse down in front of her, breath ragged.

“You okay?” she asked, scanning her friend for blood.

Jesse winced, taking a deep breath to calm the adrenaline coursing through her veins. “No more hurt than I was this morning…unless you count sentimental damage.”

Lira let out an exasperated sigh and wrapped her arms around Jesse, holding her tightly, as if sheer force could keep her safe. “Thank god… I don’t know what I’d do if I let you get hurt again.”

Jesse smiled softly at her words, unspoken words and emotion curling at the corners of her lips.

The market buzzed around them—a wash of voices, bartering, footsteps, and laughter. After the gunfire and hollow silence, the sound of normal life was almost surreal. Comforting in its chaos.

“Was it a setup?” Jesse asked, her voice low.

Lira’s stomach tightened. It was the only thing that made sense. “We can’t be sure just yet.” She knew she was lying, but it was better than facing the truth.

Jesse nodded, drawing in a deep, shaky breath. “Yeah…but if it was a setup, they gave us a way out. Almost like they didn’t want us dead. Like it was a test.”

They began moving, weaving through the crowd. Lira leaned in closer, her voice almost drowned in the noise. “And if they wanted us there, who knows how many of those protestors were agents?”

Jesse went quiet, her shoulders tensing slightly beneath the ripped jacket.

Just as they were relaxing slightly, a voice cut through the noise of the merchants behind them.

“You two made quite the mess back there.”

They spun around. A woman stood half-shadowed beneath the canopy of a market stall, fingers tucked into her coat pockets. She looked calm—too calm for someone who’d supposedly just walked out of a sniper ambush.

Jesse instinctively stepped back, her body still wired from adrenaline. Lira moved in front of her without thinking.

“We don’t know you,” Lira said flatly.

“You don’t need to.” The woman glanced up, letting them catch a brief glimpse of her face. She looked vaguely familiar. Maybe someone who’d been part of the protest. Or the building. “But I know you.”

Jesse tensed.

The woman continued, her voice just above the murmur of the crowd. “You weren’t the only ones painting last night. But you were the loudest. Most visible. And now? People are listening.”

She paused, looking at Lira. “They’ll come again. Louder next time. You need to be somewhere safe.”

“And let me guess,” Lira said with a bitter smirk, “you just so happen to know a place?”

“I know the place.”

The woman turned and started walking away without another word. Lira hesitated. Jesse touched her arm.

“I think we should hear her out.” Jesse’s voice was soft and meek, like a mouse.

Lira didn’t move, eyes narrowed. “It could be a trap.”

Jesse exhaled. “Maybe. But we’re running out of alleys and markets to hide in.”

Lira hesitantly nodded, knowing their safety was limited if they stayed on the run.

With that, the two women followed this new anomaly of a woman.

IRIS - Spoilers Disguised As Memes [PART 3]

This is the fourth and last option of the community poll. Next up: yet another poll! If you wish to choose what to see next, join us!

Work on IRIS the remaster has officially began! Content is shown on the B/T community a couple days prior blog posts.

IRIS' L. is the placeholder title for an upcoming (Teen bordering on Young Adult) book: a portal fantasy, whimsical story with teen drama, mystery, venturing and body horror. It is part of the Creation And Destruction (Standalone) Tetralogy, the very first installment of the first BAD TOKENS story.

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

Hand kissing is sacred, high romance and I think we need to revive it.

i loveeeeeee nonlinear storytelling. show me where we are. now show me how we got here. the end before the beginning. show me how it was inevitable or how many chances we had to change things(nothing was ever going to change). let's meet in the middle as all the puzzle pieces slide into place hell yeah that's the good shit.

It irks me unreasonably when people will baselessly argue that the absence of something is automatically the opposite of the thing. That logic would apply to everything, and render it null. The opposite of a thing can't just lack the features of the said thing, but have the opposite features. Why would darkness be the opposite of sunlight? Sunlight is natural, comes from space, enables the existence of life, and feels so nice that both people and animals go out of their way to bask in it when they have the chance. Darkness is also natural, does not come from any particular source, does not harm living things, and even though some people are afraid of the dark, being in darkness isn't physically painful.

The opposite of sunlight would have to be someting that is unnatural, comes from planet Earth, actively kills living things, is painful to experience, and people seek to avoid exposure to it at all costs. The opposite of sunlight is weaponised nuclear radiation.

Writing Update 5/22/2025

I am continuing to work on Every Hero Needs a Villain and I am super happy to announce that I'm actually making great progress when it comes to both hero and villain descriptions. Each category has six, with each hero having a villain and vice versa. I hope I've gotten a good spattering of personalities for people to enjoy this way.

Here's a snippet from Straight Shooter's, a cowboy object head:

He can inspire a state of restfulness depending on the color of his scarf. Red is for physical restfulness, purple is mental restfulness, blue is emotional restfulness, green is spiritual restfulness, yellow is instinct restfulness, and sometimes he has a rare rainbow of all these colors. Yet, to do so, he too must also achieve this restfulness for himself.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere

Hey, whatever you find the most fun. I can sort of relate. For some of my stories it's more about the idea or world than the characters.

Happy storyteller saturday! What are you most looking forward to writing in your current WIP?

Honestly? No idea. I don't think like that. I don't (usually) have a scene, a specific character, or even a theme when I start a story. I have the seed of an idea and just write. Thanks for the ask.

I think a lot of what pro-AI people are really wanting is stuff that already exists but they don't know it's out there like

can't format a work email? templates

don't know how to write a resume? templates

writing a thank you card or a condolences card or a wedding invitation? templates templates templates

not sure how to format your citations in MLA or whatever format? citationmachine.net

summary of something you're reading for school/work? cliffnotes.com

recipe based on ingredients in your fridge? whatsintherefrigerator.com

there's a million more like, guys, we don't need AI, we never needed generative AI