Latest Posts by moviesarefun1 - Page 3

come back to me

come back to me

Tis the season for loving robots falalala 🎵,, Have some festive bot boys! 😂<33

Don’t make it complicated I said,,

It will take forever I said,,

Then boom, +20 festive inspiration,, ò-o🙌

I see you like not one but two of my hyperfixations

Do you wanna be fwens

mama k :)) ❤️🔥

hello - do you have any dick grayson-centric fic recs?

do i-do i have any dick grayson centric fic recs?? oh babe you have come to the riGHT PLACE. as any of my mutuals could tell you, i have so many goddamn fic recs it’s not even funny anymore. here are some of my personal top favourites:

1. And The World Came Crashing Down by @zhe-angst-diary  ~5k. a fic centered around dick’s self-sacrificial tendencies, especially for the batfam. a bit angsty, very much feels, a tad ooc, but i really did love it

2. bad signal by @prismatic-et-al 38k. the plotfic to end all plotfics. this author is one of the most brilliant dc fic authors i have ever come across, and the way they weave this dark, mysterious story is nothing short of ingenious. i was on the edge of my seat the entire time. again, brilliant.

3. Breathe In, Breathe Out by @kirazalea ~20k. this woman is one of my all time favourite writers for just some really really good stories about the batfam working through and overcoming their issues. this series is comprised of 2 fics that deal with the batfam discovering how much of an impact other people’s blatant sexualization and dehumanization of dick does to him, and how, over time and with help from his family, he picks himself up and starts to defend himself. really just a wonderful series

4. Declensions by @dustorange 13k. the best rom dick grayson fic to ever exist ever. you ever look at dc making dick romani and how they fuck up all the time and think “this could have had so much potential?” this work of art tackles that issue and creates something spectacular. each line of this fic had me screaming with joy. the robin cape symbolism? beautiful. i reread it all. the. time.

5. Don’t by @haunt-the-stars ~4k. do i have too many fics on here about dick dealing with + recovering from sexual assault and rape? probably. do i care? no. this fic takes a dive into trauma and how it can affect victims. it was absolutely heartbreaking, but also has the actual best wally + dick friendship i’ve ever read ever. seriously. if “wally west is a Good Bro” could be condensed into one fic, it would be this one. 

6. the fit of the cowl by @quillium ~4k. some people could argue dick was the best batman. other could argue the cowl only hurt dick. still others say dick could’ve been a much better batman if was better written. regardless of your opinion, you should definitely read this fic. it delves into the different reactions the batfam have to batman!dick. the family dynamics in this one were super interesting, and it’s always wonderful to read a fic about dick grayson  but from someone else’s eyes

7. Hard Truths and Other Realities by @ckbookish  ~108k. a series about dick feeling lost after being fired from robin and eventually finding his way again. featuring very very much wonderful uncle clark, and bruce isn’t an asshole, he’s just a worried dad that fucks up a lot but tries his best to make amends. also, dick bonding with jason. it basically takes you through that time period from the end of dick’s robin to him solidly affirming himself as nightwing and starting to forgive bruce. a really cool take on canon, loved this series!

8. Job Performance by @i-just-want-to-destroy ~3k. ohhhhhh dear god does this fic give me the feels. set during s1 yj, it shows what being a vigilante since the grand age of 9 does to someone, how much it hurts dick to compartmentalize, how much he doesn’t even realize it. this fic leaves you with a sense of “wow. this child. he’s really fucked up.” in a heartwrenching way.

9. a soft place to land by @bluebeauregard 3k. the best dick + tim being brothers fic i’ve ever read. people like to expand on his gradual acceptance and love of jason, people go batshit crazy over him practically parenting damian. and while i do love those, dick and tim had the best canon sibling relationship in the comics (at least, in pre52). this fic takes that and runs with it, and it’s so goddamn unique. i have literally never read this idea anywhere, so i was blown away by both the fic and the way the author wrote it. 

10. touch starved by @iwhumpyou ~4k. we’ve all seen fics where timmy’s touch starved from not receiving much affection from his parents growing up and the rest of the batfam smothers him in hugs. but what i really want is a fic where dick’s the one touchstarved because he grew up in the goddamn circus where everyone was close, but ever since he came to live with bruce, he’s been starved of the affection he used to so freely get, because his entire family is most certainly not the touchy-feely type. and for added angst, he doesn’t do anything about it because he knows his family has issues with trust/intimacy and he wants to make them as comfortable as possible. anyway apparently that fic exists and it’s this one read it and sob with me will you?

11. you gotta tip on the tightrope by Anonymous 12k. for people that don’t actually know much about comics canon and why exactly dick went undercover at spyral, this fic is absolutely wonderful. it shows the lead up of events that led to dick faking his death and leaving, and why exactly he chose to listen to bruce. (i’m using “chose” liberally here). plus, sibling bonding!! specifically with jason!

12. young volcanoes by @dottie-wan-kenobi 3k. i haven’t read this fic in a while, so i don’t remember some of the finer details, but i do remember loving it. also i have it bookmarked on ao3 with the tag “THIS!!!!!!!” so that counts for something. this fic focuses more on dick’s relationship with the titans rather than bruce or the jl, and centers around what their friendship has done for dick/how it’s helped him, and how much he loves them. a wonderful team fic. 

anyway, i hope you enjoy these babe!! these fics are all so so incredible, and i just want to give all of these amazingly talented authors one big incredible hug. 

dont think ive ever seen anyone put curly’s character in a way ive liked more than this one youtube comment, so i thought i’d share it

they can be best friends. they can be lovers. whatever they are, i am rooting for them

A fun, happy dc story for a change

Look I can be very critical of Winick's writing because I'm so ambivalent about it but damn if it isn't, on a meta level, a really satisfying spite story.

At the core of this story, there is Jim Starlin. Now Starlin's writing has many flaws, not least of all the blatant racism and sexism. And if there's one thing Jim hates, it's Robin. He wants to kill that little boy so bad, oh how he hates that bright coloured child in tights that's just holding Batman back from reaching his true potential as an absolute badass... And hey, good news! Dc, in trying to bring a second Robin after the first got a new identity, has dropped the ball, and the new boy is unpopular amongst the fans who miss the previous iteration! This is his opportunity to kill Robin, definitely!

But how? People may not have voted him dead yet, but Jim is already planning, setting up plots and trying his damndest to get him killed. And the thing about Jim- the thing that makes him a good writer, you see, the thing that separates him from those losers who fail to see Batman's true potential, is that his writing is gritty. He's not afraid to write a true dark knight facing the grimdark horrors of a town laden with crime, to shy away from the real dark, gritty topic that are mature and dark like rape. And uh, sexual violence against women. And uh, serial raping and killing women. (I'm kidding, of course, I didn't forget the native american cult leader who bathes in blood to prolongate his life. Or about the kgb agent Batman straight-up kills after he tries to kill Reagan. Or about the suicides, god I haven't forgotten about that. Don't worry.) But anyway, sexual abuse in general is a big theme for Jim. It shows how serious and dark and gritty he can be. So he has an idea: why not make Robin a child sexual abuse victim and give him AIDS? That way that's a justification to write Robin unlikeable (by making him emotional when exposed to situations of sexual abuse, unable to restrain his anger when defending a prostitute...) and at the same time it's the perfect way to kill Robin! DC has been considering giving a character AIDS, it's perfect! It will show everyone how dark and gritty Jim's writing is, he can make Robin even more unlikeable on top of how people are upset about the transition between Robins, and then he can finally kill Robin! It's perfect! Jim is a genius!!!

Now, of course, we know that plan failed: first because dc rejected Starlin's idea for Jason to die of AIDS, and second because as soon as Jason (as a character, which is what DC apparently had a problem with) died, they fired Starlin as a Batman writer and introduced a new Robin, making Starlin's vehement campaign against a fictional fifteen years old completely vain.

So that's it, right? Crisis avoided, we almost had some even worst writing that what already was, everyone sigh in relief and go home?

Enter Judd Winick stage left.

Now, remember how DC wanted to give a character AIDS? In 2003, Green Arrow #43 reveals that Mia Dearden, Oliver Queen's ward and a csa survivor of underage prostitution, is HIV positive, and in #45, she takes on the mantle of the second Speedy, becoming, according to Wikipedia, the most prominent HIV-positive superhero to star in an ongoing comic book. (And also one of my favourite comics characters, but that's unrelated.) An important thing about Winick, who wrote those issues, is that he is personally invested in education about AIDS, continuing his friend Pedro Zamora's educational work after his death of AIDS-related progressive multifocal leukoencephalopathy. (He also wrote a graphic novel about it, called Pedro and Me: Friendship, Loss and What I've Learned). So kudos! We finally got someone who has done research and actually holds respect for HIV+ people writing HIV+ characters. And Mia is so cool, man- but not only is she a really interesting character, she is, first and foremost, a survivor. That's how she characterizes herself, sees what happened to her: she did what she had to do to survive, and now she's a fucking superhero and she's here to help others and you know what she's not gonna do? Die "of AIDS."

Yeah, I haven't forgotten Starlin's terrible writing. And, if Winick's writing is any identification, it seems like he hasn't either. The idea of making the second Speedy a parallel with the second Robin isn't groundbreaking, but it's cool that it's there (and also, incidentally, a reminder that parallels are interesting and fun and backstories are not a finite resource characters can run out of or steal from eachother.) Anyway, this includes Winick altering Mia's backstory and making her a street kid to make it more similar to Jason's, as well as Mia's on-screen murder offering a nice parallel to Jason's ambiguous murder in Starlin's Diplomat Son (a parallel I can't help but regard with vindicative snark, because that's how you handle a teenager who has just caused, directly or not, a man's death out of hopelessness in a situation that felt impossible. A little snark of See? Now this is how it's done. Yeah, Starlin's Bruce isn't winning any parenting against Winick's Ollie, that's for sure.) So there it is! Our fun spite story, Winick taking on Starlin's terrible ideas, a teen vigilante and survivor taking on a hero identity to mirror a teen vigilant's loss and death, a good old fashioned schooling. Cool? Cool!

And then, in 2005, Winick buries Starlin's last remaining impact on DC by bringing back Jason Todd, in a move so audacious in the back-then landscape it would be kinda akin to bringing Ben Parker back to life in Spiderman's life as a villain (please don't tell me this happens in the comics I don't read Marvel and if someone wrote that I would honestly prefer not to know). Now, of course, the impact of Jason's death on the narrative can't and shouldn't be undone by that move, but that's not important, because that's not what Starlin wanted when killing Jason - he wanted to kill Jason/Robin, not give everyone grief-induced hallucinations where Jason/Robin had an incredibly salient place in the narrative, so he didn't get what he wanted anyway.

Personally, my view on Winick's writing of Jason is contrasted (and the fact that there are some elements of Starlin's characterization of Jason that I prefer to Winick's deeply amazes me, incredibly ironic situation. Which only serves to point that even Starlin' goal of making us hate his version of robin failed drastically, as me and my jaybin fan mutuals can attest. Sucks to suck!). But as much as some of the decisions frustrate me, do you understand how much of a power move it is to take this child, this victim who has been victim-blamed for years, and bring him back to life with a vengeance and a demand that his life mattered, that his death was a bad thing that shouldn't be tolerated? Do you know how good that story feels, especially to victims when reading it and see that indignation validated, that rebellion against the status quo and victim-blaming, how good it feels to see a "bad victim" that refuses to stay down ? And in the context of Starlin's intent to write Jason a CSA victim, Winick writing Mia, the HIV+ plot for them both- do you understand the genuine and violent glee I feel, that it's Winick that wrote Jason coming back to life and hunting down the narrative with a machine gun?

So yeah. This is the context in which I talk about acknowledging the csa subtext in Green Arrow: Seeing Red, but this post isn't about lecturing you to accept it as canon or imply that you're bad for not sharing that interpretation. It's about spite -towards Jim Starlin specifically. And it's about that interpretation, but the context in which it was written in general, is not just a victory against Starlin, that guy lost long ago, but the narrative equivalent of that Green Arrow meme about taking a funny selfie over a gravestone. In Seeing Red (specifically in the line that's discussed when questioning the csa headcanon), Jason tells Mia they are similar because of what they had to do to survive, framing the sexual trauma on Mia's part (and thus allegedly also on Jason's) again firmly on the side of survival rather than victimhood. Whether it's by becoming a villain or a hero, there's this rebellion against being an object to the violence, which is at the core of Starlin's treatment of sexual violence. This is fun. We're having fun. I'm repeating myself, but do you understand how satisfying, electrifying it is? I'm filled with unreasonable amounts of glee. You don't always need the context in which a story was written to enjoy it but in this case, doesn't this make it so much more enjoyable? (And on top of that, kudos to Winick for killing Captain Nazi, I hope it was as satisfying to write as it looked.) Anyway, Mia Dearden and Jason Todd, the characters that you are. I love them so much.

nobody got hurt so im allowed to giggle about this extremely looney tunes looking accident on a part of 64 i used to drive down at least once a week

cleaning out my files and found an old animatic whoops

Transformers "More Than Meets The Eye" comic has recently torpedoed me down the feelsy space car robots hellhole, an therefore i present a sketchy collection of Lost Light crew as homo sapiens. I had SO MUCH fun coming up with the designs! Now off to actually learn how to draw robots i guess

Sigh

a beautiful little family.

He was about to go home, about to return to the place where he had had a family […] The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him. (chapter 16, dh)

saw a megatron version of this going around, but personally i find starscream a lot more interesting. so i made my own

something i feel very strongly about is that the IT films do a bad job making the adults feel like friends. i don't know if it's a script issue, a directing issue, or an acting issue, but it's incredibly frustrating to me.

the movie does a great job showing close relationships between the losers in specific pairs (richie and eddie, ben and beverly, mike and bill), but otherwise they do not feel like friends to me (they almost get there in the jade scene, but nothing like in the miniseries, and the rest of the movie is awful in this regard). like you want me to believe eddie died and beverly and ben are just??? making out??? like richie is here sobbing on a rock and he loses his glasses and the other losers go looking and bev and ben are just???? kissing? like these are not beverly and ben these are imposters. like tell me why richie was the only one who showed any significant emotion over eddie dying. they were all friends, thats the whole goddamn point.

and idk what happens in the book, but the losers leaving eddie in the sewers is so stupid, like he is constantly noted to be tiny, and you're telling me none of the losers could carry him out? ben's whole thing (which i will be ranting about later because it pisses me off that ben had to get skinny and buff to be hot like shut the fuck up) is that he got buff and he couldn't pick up eddie? seriously? it makes no sense for the losers to leave him down there he hated the sewers the last place in the world that he would ever want to rest forever would be in a disgusting sewer. they love him and they know him they would never leave him down there

the relationships between the losers in the miniseries feel so much more substantial, yes richie and eddie are shown to be notably close, same with ben and bev, but that doesn't mean they don't all love each other. it's very notable to me that in the miniseries the losers are always touching each other, and not just in brief offhand ways, they lean into each other, they lay on each other, they caress each others faces. it isn't just that they love each other and are comfortable sitting close together on the couch or something, they are constantly actively touching each other, both because they love each other, and probably because they're so amazed to have each other back and want to commit their friends to memory. like literally any scene with more than one loser in it? they're touching each other or otherwise very close, whereas in the film you don't get that impression at all.

[The Horror and the Wild]

someone somewhere probably already drew this but here's the centaur kiss anyway

I wasn’t lying when I said Ian is slowly becoming one of my favourite companions of doctor who

(I’m sorry this isn’t Magnus protocol related i have other interests lol) I haven’t drawn grey scale for so long

Rodimus prime or whatever 🔥

OP warm ups from twitter

epithets

*I worship you Tumblr don’t remove it

Red means I love you.

Falin, Oil on paper and digital

God there's something about the idea that Hector was wearing Achilles's old armor when he faced him to die. when Achilles saw Hector he saw a mirror of himself, and he knew exactly where to aim

I absolutely love this direct parallel. Thundercracker is always such an interesting character when he's portrayed like this - he's loyal to the Decepticon cause, but not interested in wanton destruction and death the way many other Decepticons are. He pities small weak things and finds no entertainment or honour in killing them unless he absolutely has to.

It's going to be fun seeing how his reluctance to kill for the crime of being small affects his relationships with some of the most brutal Decepticons we've seen.

Commission! Re8/ethan winters tattoo design for @monsterfuxxxxer (shared with permission!)

small guy