𝐓𝐀𝐑𝐎𝐓 𝐁𝐀𝐒𝐄𝐃 𝐒𝐂𝐄𝐍𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 . . . ( 𝐢𝐧𝐬𝐩𝐢𝐫𝐞𝐝 𝐛𝐲 𝐝𝐞𝐚𝐭𝐡 ) The Death card often represents endings, transformation, and rebirth. It brings themes of inevitable change and the shedding of the old to make way for the new. These are great ways for Mun's to explore the shadow work their muses may need to deal with loss. Here are scene prompts to capture that sense of profound change, whether it’s the end of an era, the loss of something or someone significant, or the dawning of a new phase in life. Learn more about death here. *Themes: Horror, Loss, rebirth, transformation, endings. → ∗ ⁽¹⁾ Find the collection of tarot-based scene starters here!
REVELATION: A storm rages as the sender uncovers a family secret. They turn to receiver for support.
BLOODLINE: In the receiver's house, the sender stands over a box of old photos and secrets.
DAWN: At the break of dawn, the receiver watches the sender as they struggle with the loss of a loved one.
SURRENDER: The sender holds the receiver’s hand as they walk through a graveyard.
AWAKENING: After a near-fatal accident, the sender awakens to the receiver by them.
BRAID: The sender braids the hair of the grieving receiver.
INESCAPEABLE: The sender looks at the receiver, a deep fear in their eyes, knowing that death is inevitable.
AFTERMATH: The receiver stands silently as the sender stares at the aftermath of a choice made, a life lost, and the painful consequences weighing heavily on them both.
REVENGE: The sender turns to the receiver, filled with bitter resolve as they prepare to avenge a death that's connected them both.
FORGIVENESS: In the stillness of the night, the sender kneels before the receiver, seeking forgiveness.
BENEATH: The sender pulls the receiver from the wreckage, their hands bloodied, both knowing there’s no way to survive this other than together.
+ DEATH: create your own prompt
girl u r not making any sense i love u
emilia didn’t move. not when sayuri leaned in, not when that familiar, too-sure smirk tugged at her mouth, all sharp edges and thinly veiled provocation. it was the kind of smile people wore when they thought they’d won something. when they believed proximity could be mistaken for power. she’d seen it before — in nobles who mistook charm for cunning, in demons who thought a well-dressed threat could outmatch centuries of silence. she’d learned to wait. to let the theatrics run their course. sayuri’s voice lilted with practiced confidence, each word polished to provoke, laced with just enough mockery to test her reaction. the jab about the crystal ball was a tired one — she didn’t let it land. she rarely did. mockery was a poor currency to trade in when your opponent had learned to live without the need for validation. ʸᵒᵘ ʷᵃⁿᵗᵉᵈ ᵗʰᶦˢ, emilia thought. ʸᵒᵘ ᵇᵘᶦˡᵗ ᵗʰᶦˢ ᵐᵒᵐᵉⁿᵗ ᵖᶦᵉᶜᵉ ᵇʸ ᵖᶦᵉᶜᵉ. ᵃⁿᵈ ⁿᵒʷ ʸᵒᵘ'ʳᵉ ʷᵃᶦᵗᶦⁿᵍ ᵗᵒ ˢᵉᵉ ʰᵒʷ ᶦ’ˡˡ ᵖˡᵃʸ ᶦᵗ. she let a beat of silence pass before answering — long enough to be deliberate. then, with the faintest curl of irony at the edge of her voice ❝ you must be fun at parties. ❞ she shifted, not out of discomfort but control, creating distance with the kind of easy grace that said: i decide how close you stand. her gaze swept over sayuri again, not in challenge, but in quiet recalibration. the arrogance wasn’t surprising — what interested her was what wasn’t being said. the hints tucked beneath the performance. the weight behind the word business. sayuri wasn’t bluffing. that much was clear. but she also wasn’t being entirely honest — which made her interesting. ❝ i don’t need ᶠᵒʳᵉˢᶦᵍʰᵗ to recognize someone who likes the sound of their own schemes, ❞ emilia said, tone mild. ❝ or someone who confuses being clever with being in control. ❞ and yet — she didn’t walk away. because as much as sayuri was a disruption, a complication … she was also a window. and emilia had learned to pay attention when the world handed her one. ❝ fine. business. talk. ❞ she turned her back fully now, unbothered. ❝ just don’t waste my time pretending you’re doing me a favor. ❞ let sayuri think she had the upper hand for now. emilia wasn’t in the business of showing her cards until it mattered.
@ncantari, continued from here !
A smirk, subtle in both amusement and triumph, tugged at Sayuri’s lips at the witch’s blunt, yet truthful accusation. She reveled in both pride and immense satisfaction at the fact that her plan had worked, and at the vague acknowledgement of her wit. Of course she had planned this — known for her meticulous nature and aversion to chance, there was no way the ghoula would leave anything to fate, least of all let herself end up in such a compromising position if it weren’t for a larger scheme at play, a woven intrigue. Sayuri nodded, a gesture betraying her overflowing delight, her expression radiating the brimming confidence born of arrogance — of the firm belief that she held the upper hand.
❛ That’s where you are correct, ❜ she chimed, her voice laced with playful mockery. ❛ Didn’t see that one coming in that little crystal ball of yours, did you? Tsk. You know, I thought witches were supposed to have foresight — or is that just a marketing gimmick? ❜ Borrowing from the tired clichés and overused prejudices often hurled at witches, each of her words was designed to subtly undermine her opponent, to paint her as predictable and limited. Truth was, Sayuri had never bothered to delve beyond surface-level understandings of witchcraft, unwilling to concern herself with something that didn’t seem to directly affect her.
Leaning in, eyes gleaming with a predatory light, she closed the distance between them, invading Emilia’s personal space. ❛ But don’t look so sour. I wouldn’t have gone through all this trouble if I didn’t think you had something worthwhile to offer. So, how about we skip the dramatics and talk? Seems like the perfect opportunity to discuss business, don’t you think? ❜ For Sayuri, the word ‘business’ carried a weight of unspoken implications. It usually meant that she wanted something, as simple as that — and her negotiation methods were rarely fair.
Ada Limón, from "To the Busted Among Us", Sharks in the Rivers
cinq bridal collection iv presentation, nyc .
♱ ⠀⠀… ⠀⠀𝐅𝐋𝐀𝐔𝐍𝐓 ⠀⠀𝐈𝐓 ⠀⠀𝐅𝐑𝐈𝐃𝐀𝐘 ⠀⠀.
⠀⠀… ⠀⠀non⠀è⠀un⠀𝔦𝔫𝔠𝔞𝔫𝔱𝔢𝔰𝔦𝔪𝔬,⠀sei⠀solo⠀IN⠀FISSA⠀.
𝐓𝐀𝐆𝐆𝐄𝐃⠀𝐁𝐘⠀﹕⠀@ashbalfour & @gunfear i could only ever dream of being able to keep up with you beauties but thank u for letting me try
𝐓𝐀𝐆𝐆𝐈𝐍𝐆⠀⠀ ⠀﹕⠀@herfacade , @gorekissed , @heiliqe & @pistolmadeofroscs
I am She, endowed with secrets of the holy […]
— FOUAD MOHAMMAD FOUAD ⚜️ My Voice: A Decade of Poems from the Poetry Translation Centre (Ed. Sarah Maguire), transl. by Samuel Wilder, (2014)
Byzantine silver cross pendant, 10-11th century.
love note to my mutuals ﹕ I'm trying to get to know you all, so if you're interested in an ❪ ɪɴ ᴄʜᴀʀᴀᴄᴛᴇʀ ❫ DM, please give this post a ♡ and I will be in touch !
" would you believe me if i said wrong place, wrong time ? "
the sorceress studied him carefully, her gaze sweeping over the pristine cut of his coat, the polished cufflinks, the effortless poise of someone who had never wanted for anything. his words were smooth, his demeanor composed — but there was something just a little too measured about it.
she let out a slow breath, eyebrows lifted as she regarded him with quiet scrutiny ❝ would you believe me if I said I didn't believe in coincidences? ❞
her voice was steady, laced with the unmistakable lilt of her sicilian accent and edged with quiet sᴜsᴘɪᴄɪᴏɴ — and yet ᴄᴜʀɪᴏsɪᴛʏ flickered beneath it. men like him didn’t end up in the wrong place at the wrong time — unless they meant to be there.