I am She, endowed with secrets of the holy […]
— FOUAD MOHAMMAD FOUAD ⚜️ My Voice: A Decade of Poems from the Poetry Translation Centre (Ed. Sarah Maguire), transl. by Samuel Wilder, (2014)
That […] mixture of sensuality and cruelty which has always seemed to me to be the real “witches’ brew.”
— Friedrich Nietzsche, The Medusa Reader, transl by Walter Kaufmann, (2013)
— Nietzsche
there was a long beat of silence before emilia spoke ... long enough for the hush of the room to grow thick, broken only by the soft drag of linen over skin as she gently wiped the ʙʟᴏᴏᴅ from emory’s hands with a damp cloth. her touch was careful, practiced, almost reverent. as if tending to something fragile, not just flesh, but what still lived beneath it. ❝ i’ve asked myself the same thing before, ❞ she murmured, not quite looking up. her voice was low, warm in a way that didn’t try to comfort — but offered a kind of quiet understanding. ❝ what makes a stranger stop for someone like me. offer kindness when i expected none. ❞ the cloth, stained pink now, moved in slow circles along emory’s knuckles. her hands weren’t trembling, but there was tension in the way she held them — tension emilia didn’t force away, only worked around. ❝ maybe i see something in you. ❞ her eyes lifted then — dark and steady, but not searching. just seeing. ❝ maybe i don’t need a reason. ❞ she folded the cloth once more, exposing a clean side, her movements unhurried. ❝ or maybe i just know what it’s like to be afraid and have ɴᴏ ᴏɴᴇ reach back. ❞ her accent curled through the words like smoke — rich and unshaken. she tilted her head slightly, a subtle furrow in her brow that made her expression seem almost tender, though her gaze was sharp beneath it. ❝ i won’t ask for trust. i won’t even expect it. but questioning kindness doesn’t mean you don’t need it. ❞ and then, quieter — like a truth wrapped in silk, just for her : ❝ sometimes the right people show up when we’re most afraid to be seen. ❞
continued from here (@ncantari).
her brows furrowed as she observed the stranger, confused and curious at once. the woman's demeanour appeared to change with every passing minute ﹕ while she seemed guarded at first, she now looked soft and welcoming – almost motherly. it had a soothing effect on emory, disarming her and most of her defenses right with it. her shoulders relaxed, folding her hands to keep them from trembling and taking a calming breath. for the first time in the past hour she felt somewhat safe, but still she wouldn't let her guard down completely. she couldn't. ❛ why would you want to help me? ❜, she asked, wary of the stranger's motives.
In no version are they not hunting us.
— Jihyun Yun, from “The Daughter Transmorphic,” Some Are Always Hungry
The Times, Shreveport, Louisiana, November 30, 1913
Adelaide Kane as MARY STUART REIGN (2013 — 2017)
...she sits alone at her table, shuffling her tarot deck compulsively.
Erin Morgenstern, from 'The Night Circus'
i feel like i'm going Italian
Safia Elhillo, from Girls That Never Die: Poems