*wrinkles nose* shouldnt you be repressing that
šššššĀ šššššĀ šššššĀ šššššššĀ .Ā .Ā .Ā (Ā Ā š¢š§š¬š©š¢š«ššĀ šš²Ā ššššš”Ā )Ā Ā TheĀ DeathĀ cardĀ oftenĀ representsĀ endings,Ā transformation,Ā andĀ rebirth.Ā ItĀ bringsĀ themesĀ ofĀ inevitableĀ changeĀ andĀ theĀ sheddingĀ ofĀ theĀ oldĀ toĀ makeĀ wayĀ forĀ theĀ new.Ā Ā Ā TheseĀ areĀ greatĀ waysĀ forĀ Mun'sĀ toĀ exploreĀ theĀ shadowĀ workĀ theirĀ musesĀ mayĀ needĀ toĀ dealĀ withĀ loss.Ā Ā Ā HereĀ areĀ sceneĀ promptsĀ toĀ captureĀ thatĀ senseĀ ofĀ profoundĀ change,Ā whetherĀ itāsĀ theĀ endĀ ofĀ anĀ era,Ā theĀ lossĀ ofĀ somethingĀ orĀ someoneĀ significant,Ā orĀ theĀ dawningĀ ofĀ aĀ newĀ phaseĀ inĀ life.Ā Ā Ā LearnĀ Ā moreĀ Ā aboutĀ Ā deathĀ Ā here.Ā Ā Ā *Themes:Ā Horror,Ā Loss,Ā rebirth,Ā transformation,Ā endings.Ā Ā Ā Ā āĀ āĀ ā½Ā¹ā¾Ā FindĀ theĀ collectionĀ ofĀ tarot-basedĀ sceneĀ startersĀ here!
REVELATION:Ā AĀ stormĀ ragesĀ asĀ theĀ senderĀ uncoversĀ aĀ familyĀ secret.Ā TheyĀ turnĀ toĀ receiverĀ forĀ support.Ā
BLOODLINE:Ā InĀ theĀ receiver'sĀ house,Ā theĀ senderĀ standsĀ overĀ aĀ boxĀ ofĀ oldĀ photosĀ andĀ secrets.Ā
DAWN:Ā AtĀ theĀ breakĀ ofĀ dawn,Ā theĀ receiverĀ watchesĀ theĀ senderĀ asĀ theyĀ struggleĀ withĀ theĀ lossĀ ofĀ aĀ lovedĀ one.Ā
SURRENDER:Ā TheĀ senderĀ holdsĀ theĀ receiverāsĀ handĀ asĀ theyĀ walkĀ throughĀ aĀ graveyard.Ā
AWAKENING:Ā AfterĀ aĀ near-fatalĀ accident,Ā theĀ senderĀ awakensĀ toĀ theĀ receiverĀ byĀ them.
BRAID:Ā TheĀ senderĀ braidsĀ theĀ hairĀ ofĀ theĀ grievingĀ receiver.Ā Ā
INESCAPEABLE:Ā TheĀ senderĀ looksĀ atĀ theĀ receiver,Ā aĀ deepĀ fearĀ inĀ theirĀ eyes,Ā knowingĀ thatĀ deathĀ isĀ inevitable.
AFTERMATH:Ā TheĀ receiverĀ standsĀ silentlyĀ asĀ theĀ senderĀ staresĀ atĀ theĀ aftermathĀ ofĀ aĀ choiceĀ made,Ā aĀ lifeĀ lost,Ā andĀ theĀ painfulĀ consequencesĀ weighingĀ heavilyĀ onĀ themĀ both.
REVENGE:Ā TheĀ senderĀ turnsĀ toĀ theĀ receiver,Ā filledĀ withĀ bitterĀ resolveĀ asĀ theyĀ prepareĀ toĀ avengeĀ aĀ deathĀ that'sĀ connectedĀ themĀ both.Ā
FORGIVENESS:Ā InĀ theĀ stillnessĀ ofĀ theĀ night,Ā theĀ senderĀ kneelsĀ beforeĀ theĀ receiver,Ā seekingĀ forgiveness.
BENEATH:Ā TheĀ senderĀ pullsĀ theĀ receiverĀ fromĀ theĀ wreckage,Ā theirĀ handsĀ bloodied,Ā bothĀ knowingĀ thereāsĀ noĀ wayĀ toĀ surviveĀ thisĀ otherĀ thanĀ together.Ā
+Ā DEATH:Ā createĀ yourĀ ownĀ promptĀ
An absolutely stunning axe, probably used for hunting, Sicily, Italy, ca. 16th century, housed at the Waddesdon Manor Art Collection.
...she sits alone at her table, shuffling her tarot deck compulsively.
Erin Morgenstern, from 'The Night Circus'
ššš ššššššš to all who celebrate ā”
Yennefer of Vengerberg in The Witcher - Bottled AppetitesĀ
I be like ''lord'' ''god'' ''jesus christ'' and the mfs dont even mean anything to me
ā takeā meā toā šššš,ā Ė”įµįµā įµŹ°įµā įµįµįµį¶¦Ė”Ė¢ā Ź°įµįµŹ³ā įµŹøā āæįµįµįµ ļ¹ ā forā Iā haveā āį“ŗį“¼ā šššā leftā toā ŹÉɹdā toā .ā
ā ̳āāššššššššāāā¦āāa privateĀ Ā and selectiveĀ Ā portrayalĀ Ā ofĀ š¬š“š°š³š°šØ š«š° šŖšØš¹š³š¶āāāø»āā šš ššššššš ššššššššš .
ā ā ā ā ā¦ā ā ā ā aĀ šššššššĀ bornĀ toĀ anĀ ancientĀ bloodline,Ā EmiliaĀ isĀ theĀ daughterĀ ofĀ aĀ legacyĀ whisperedĀ inĀ candlelitĀ ritualsĀ andĀ boundĀ byĀ theĀ secretsĀ ofĀ witchesĀ whoĀ haveĀ livedĀ amongĀ mortalsĀ forĀ centuries.Ā RaisedĀ inĀ theĀ sun-drenchedĀ heartĀ ofĀ šššššš,Ā sheĀ andĀ herĀ twinĀ sister,Ā Vittoria,Ā spentĀ theirĀ daysĀ steepedĀ inĀ traditionĀ āĀ tendingĀ toĀ theirĀ familyāsĀ bustlingĀ trattoria,Ā grindingĀ fragrantĀ herbs,Ā andĀ weavingĀ magicĀ hiddenĀ beneathĀ ordinaryĀ touch.Ā EmiliaĀ wasĀ theĀ carefulĀ one,Ā theĀ dreamerĀ withĀ aĀ cautiousĀ heart,Ā raisedĀ underĀ theĀ watchfulĀ eyeĀ ofĀ herĀ grandmother,Ā whoĀ taughtĀ herĀ theĀ sacredĀ waysĀ ofĀ ššššš šš ššššĀ andĀ theĀ perilĀ ofĀ steppingĀ tooĀ closeĀ toĀ theĀ darkness.Ā [Ā ...Ā ] AndĀ thenĀ šššĀ šššššĀ šš Ā šššššĀ came.Ā Emilia'sĀ worldĀ shatteredĀ withĀ herĀ twinĀ sister'sĀ brutalĀ murder.Ā ššššš Ā burnedĀ awayĀ theĀ girlĀ sheĀ onceĀ was.Ā šššššššššĀ forgedĀ theĀ womanĀ sheĀ wouldĀ become.Ā TheĀ carefulĀ witchĀ turnedĀ reckless.Ā TheĀ believerĀ inĀ ššššššĀ ššššĀ becameĀ theĀ oneĀ whoĀ brokeĀ them.Ā InĀ herĀ desperateĀ searchĀ forĀ truth,Ā EmiliaĀ venturedĀ intoĀ theĀ realmĀ ofĀ š'šššš šššššš,Ā walkingĀ pathsĀ fromĀ whichĀ noĀ witchĀ hadĀ returnedĀ unscathed.Ā WhatĀ wasĀ onceĀ forbiddenĀ becameĀ herĀ ššššššššš,Ā herĀ weapon.Ā WithĀ everyĀ stepĀ deeperĀ intoĀ theĀ unknown,Ā sheĀ feltĀ herselfĀ unravelingĀ āĀ becomingĀ somethingĀ new,Ā somethingĀ feared.Ā AĀ forceĀ willingĀ toĀ tearĀ apartĀ theĀ heavensĀ andĀ theĀ underworldĀ alikeĀ toĀ reclaimĀ whatĀ wasĀ takenĀ fromĀ her.Ā šššššĀ šššĀ ššššššššĀ warĀ withinĀ her,Ā butĀ oneĀ thingĀ isĀ certainĀ āĀ sheĀ willĀ notĀ stopĀ untilĀ theĀ wickedĀ haveĀ ššššĀ ššĀ ššššš.
šš šššššš šššššā ļ¹ ā cursed lineage ā āā š¦šš š¢š š¢š¬ šš§ ššššš š®š§šš¢š„ š¢š š¢š¬ š ˢʰįµį¶įµĖ”įµā āā ļ¹ā sicilian gothicā ļ¹ā ancient propheciesā ļ¹ā forbidden scriptureā ļ¹ā flour dusted handsā ļ¹ā the seven deadly sinsā āā ššØš« šš”š š°šš šš¬ šØš ššš š¢š¬ ššššš”ā āā ļ¹ā veiled griefā ļ¹ā
āāā.šššššāāāā.šššššššššāāāā.ššššššššāāāā.ššššššš ā ššššš [āare always welcome !ā]āāāā .ššššššš
āāāø»āāindieĀ &Ā singleĀ museĀ craftedĀ forĀ āĀ butĀ notĀ exclusiveĀ toĀ āĀ fakevz. mutualsĀ only,Ā mdni,Ā crossover friendly, always down to plot, activity varies. triggers willĀ notĀ beĀ tagged!Ā cursedĀ by ļ¹ luna, she / her, 25+Ā āĀ side blog.
[āāā¦āātied to the kingdom of the wicked series by kerri maniscalco ± taking visual and plot inspiration from a variety of other sources such as ļ¹ monica bellucci, yennefer von vengenberg, wanda maximoff, alicent hightower, mary stuart āŖā reignā ā«, my lady jane, various book series, mirror palais, catherine zeta jonesāāįµįµ įµĖ”āā]
emiliaĀ didnātĀ move.Ā notĀ whenĀ sayuriĀ leanedĀ in,Ā notĀ whenĀ thatĀ familiar,Ā too-sureĀ smirkĀ tuggedĀ atĀ herĀ mouth,Ā allĀ sharpĀ edgesĀ andĀ thinlyĀ veiledĀ provocation.Ā itĀ wasĀ theĀ kindĀ ofĀ smileĀ peopleĀ woreĀ whenĀ theyĀ thoughtĀ theyādĀ wonĀ something.Ā whenĀ theyĀ believedĀ proximityĀ couldĀ beĀ mistakenĀ forĀ power.Ā sheādĀ seenĀ itĀ beforeĀ āĀ inĀ noblesĀ whoĀ mistookĀ charmĀ forĀ cunning,Ā inĀ demonsĀ whoĀ thoughtĀ aĀ well-dressedĀ threatĀ couldĀ outmatchĀ centuriesĀ ofĀ silence.Ā sheādĀ learnedĀ toĀ wait.Ā toĀ letĀ theĀ theatricsĀ runĀ theirĀ course. sayuriāsĀ voiceĀ liltedĀ withĀ practicedĀ confidence,Ā eachĀ wordĀ polishedĀ toĀ provoke,Ā lacedĀ withĀ justĀ enoughĀ mockeryĀ toĀ testĀ herĀ reaction.Ā theĀ jabĀ aboutĀ theĀ crystalĀ ballĀ wasĀ aĀ tiredĀ oneĀ āĀ sheĀ didnātĀ letĀ itĀ land.Ā sheĀ rarelyĀ did.Ā mockeryĀ wasĀ aĀ poorĀ currencyĀ toĀ tradeĀ inĀ whenĀ yourĀ opponentĀ hadĀ learnedĀ toĀ liveĀ withoutĀ theĀ needĀ forĀ validation. ŹøįµįµĀ Ź·įµāæįµįµįµĀ įµŹ°į¶¦Ė¢,Ā emiliaĀ thought.Ā ŹøįµįµĀ įµįµį¶¦Ė”įµĀ įµŹ°į¶¦Ė¢Ā įµįµįµįµāæįµĀ įµį¶¦įµį¶įµĀ įµŹøĀ įµį¶¦įµį¶įµ.Ā įµāæįµĀ āæįµŹ·Ā Źøįµįµ'ʳįµĀ Ź·įµį¶¦įµį¶¦āæįµĀ įµįµĀ Ė¢įµįµĀ Ź°įµŹ·Ā ᶦā˔˔ įµĖ”įµŹøĀ ᶦįµ. sheĀ letĀ aĀ beatĀ ofĀ silenceĀ passĀ beforeĀ answeringĀ āĀ longĀ enoughĀ toĀ beĀ deliberate.Ā then,Ā withĀ theĀ faintestĀ curlĀ ofĀ ironyĀ atĀ theĀ edgeĀ ofĀ herĀ voiceĀ āĀ youĀ mustĀ beĀ funĀ atĀ parties.Ā āĀ sheĀ shifted,Ā notĀ outĀ ofĀ discomfortĀ butĀ control,Ā creatingĀ distanceĀ withĀ theĀ kindĀ ofĀ easyĀ graceĀ thatĀ said:Ā iĀ decideĀ howĀ closeĀ youĀ stand. herĀ gazeĀ sweptĀ overĀ sayuriĀ again,Ā notĀ inĀ challenge,Ā butĀ inĀ quietĀ recalibration.Ā theĀ arroganceĀ wasnātĀ surprisingĀ āĀ whatĀ interestedĀ herĀ wasĀ whatĀ wasnātĀ beingĀ said.Ā theĀ hintsĀ tuckedĀ beneathĀ theĀ performance.Ā theĀ weightĀ behindĀ theĀ wordĀ business.Ā sayuriĀ wasnātĀ bluffing.Ā thatĀ muchĀ wasĀ clear.Ā butĀ sheĀ alsoĀ wasnātĀ beingĀ entirelyĀ honestĀ āĀ whichĀ madeĀ herĀ interesting.Ā āĀ iĀ donātĀ needĀ į¶ įµŹ³įµĖ¢į¶¦įµŹ°įµĀ toĀ recognizeĀ someoneĀ whoĀ likesĀ theĀ soundĀ ofĀ theirĀ ownĀ schemes,Ā āĀ emiliaĀ said,Ā toneĀ mild.Ā āĀ orĀ someoneĀ whoĀ confusesĀ beingĀ cleverĀ withĀ beingĀ inĀ control.Ā āĀ andĀ yetĀ āĀ sheĀ didnātĀ walkĀ away.Ā becauseĀ asĀ muchĀ asĀ sayuriĀ wasĀ aĀ disruption,Ā aĀ complicationĀ ā¦Ā sheĀ wasĀ alsoĀ aĀ window.Ā andĀ emiliaĀ hadĀ learnedĀ toĀ payĀ attentionĀ whenĀ theĀ worldĀ handedĀ herĀ one. āĀ fine.Ā business.Ā talk.Ā āĀ sheĀ turnedĀ herĀ backĀ fullyĀ now,Ā unbothered.Ā āĀ justĀ donātĀ wasteĀ myĀ timeĀ pretendingĀ youāreĀ doingĀ meĀ aĀ favor.Ā āĀ letĀ sayuriĀ thinkĀ sheĀ hadĀ theĀ upperĀ handĀ forĀ now.Ā emiliaĀ wasnātĀ inĀ theĀ businessĀ ofĀ showingĀ herĀ cardsĀ untilĀ itĀ mattered.Ā
@ncantari,Ā continuedĀ fromĀ hereĀ !
A smirk, subtle in both amusement and triumph, tugged at Sayuriās lips at the witchās blunt, yet truthful accusation. She reveled in both pride and immense satisfaction at the fact that her plan had worked, and at the vague acknowledgement of her wit. Of course she had planned this ā known for her meticulous nature and aversion to chance, there was no way the ghoula would leave anything to fate, least of all let herself end up in such a compromising position if it werenāt for a larger scheme at play, a woven intrigue. Sayuri nodded, a gesture betraying her overflowing delight, her expression radiating the brimming confidence born of arrogance ā of the firm belief that she held the upper hand.
ā Thatās where you are correct, ā she chimed, her voice laced with playful mockery. ā Didnāt see that one coming in that little crystal ball of yours, did you? Tsk. You know, I thought witches were supposed to have foresight ā or is that just a marketing gimmick? ā Borrowing from the tired clichĆ©s and overused prejudices often hurled at witches, each of her words was designed to subtly undermine her opponent, to paint her as predictable and limited. Truth was, Sayuri had never bothered to delve beyond surface-level understandings of witchcraft, unwilling to concern herself with something that didnāt seem to directly affect her. Ā
Leaning in, eyes gleaming with a predatory light, she closed the distance between them, invading Emiliaās personal space. ā But donāt look so sour. I wouldnāt have gone through all this trouble if I didnāt think you had something worthwhile to offer. So, how about weĀ skip the dramaticsĀ and talk?Ā Seems like the perfect opportunity to discuss business,Ā donāt you think? ā For Sayuri, the word ābusinessā carried a weight of unspoken implications. It usually meant that she wanted something, as simple as that ā and her negotiation methods were rarely fair.Ā
loveĀ Ā noteĀ Ā toĀ Ā myĀ Ā mutuals ļ¹Ā Ā I'mĀ Ā tryingĀ Ā toĀ Ā getĀ Ā toĀ Ā knowĀ Ā youĀ Ā all, soĀ Ā ifĀ Ā you'reĀ Ā interestedĀ Ā inĀ Ā anĀ Ā āŖ ÉŖÉ“ į“Źį“Źį“į“į“į“Ź ā« DM,Ā Ā pleaseĀ Ā giveĀ Ā thisĀ Ā postĀ Ā aĀ Ā ā”Ā Ā Ā andĀ Ā IĀ Ā willĀ Ā beĀ Ā inĀ Ā touchĀ Ā !
ā±ā ā į“sį“Źį“ā ā ÉŖÉ“į“ŹÉŖÉ“į“É“į“ ššš ššš šššššššš.
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