would anyone like for me to ramble about how enjolras and grantaire are performing masculinity in opposite ways, with enjolras being a stereotypical "pretty boy" while grantaire is the more rugged, masculine, drunk type of typical man.
that could hint at their upbringing, with enjolras's being very obviously bourgeois, while grantaire's allows more leeway. a strong, ugly alcoholic can be found in all social classes with varying amounts, but beautiful intellectuals are usually a higher class staple.
and, to say more on the performance of masculinity thing, i would argue that both enjolras and grantaire subvert their respective stereotypes in their own ways.
enjolras rejects his wealth and works for the people, but even more importantly (in discussing gender roles), he is very much not interested in women. and not in a marius way, a way virginal and messy, but still generally heterosexual. no, enjolras devotes himself to his patria, trampling over societal expectations in the process.
i will not be touching on things such as enjolras shedding a tear over killing the artillery officer or other ways he expresses emotions, as 19th century france is still a time in which emotions were yet to be a taboo for men. and they're maybe-possibly a saint just reference.
grantaire's biggest act of defying gender roles and his stereotype is, quite clearly, his adoration of enjolras. even, if one argues against it being love (and i do believe grantaire loves enjolras, as unhealthy at most points in the brick that love is), there is no denying that such deep infatuation with a man, and not his ideals or anything, is not standard in 19th century france.
plus, to mark a thought, grantaire also makes quite a lousy nihilist. in his brick introduction, he is specifically stated not to care for ideas or himself, but to care for his friends. "his mind could live without ideals, but his heart could not live without friendship". so even presenting as a guy that does not believe in anything, grantaire fails, because he loves his friends and believes in enjolras.
An all too short TV commercial with rare footage of the first Canadian cast of Les Mis, 1989.
not rlly sure how tumblr works but heres knife wife and the babygirl antichrist
Javert when I get my hands on him
I absolutely love how Marguerite, in Chauvelin’s eyes, is a symbol of wisdom and freedom in the musical.
He wants her. He objectifies her not as a woman, but like a national treasure. He is possessive of what was once her ideals. He wants her to be like him. He wants her to become a martyr. He wants to eternalize her into a symbol of their new society.
I believe this is also what the 1982 film tried to portray (the musical is directly inspired by this film adaptation).
They got rid of Marguerite’s agency over her own sins and completely antagonized Chauvelin in order to put an emphasis on this form of objectification.
As the story nears its end, Chauvelin loses all interest in Marguerite, upholding his own ideals above his yearning for her. He was to make an example out of her. Instead of a symbol of the revolution, he would turn her into a national traitor, a symbol of evil, everything that goes against his idea of “democracy”.
this is so fun i need to make more homoerotic twin cinema poems thank you and goodbye
“Dedma” has been an interesting word for me. I never personally used it but it’s been on my mind for the longest time.
ignoring • the act of ignoring • feigning unawareness • short for "dead malice"
Like it doesn’t just mean ignoring!! It is used with the assumption that someone did you wrong. Like it specifically has something to do with someone who you are trying to be petty with. It’s inherently petty.
It’s interesting to me that we had to create words like these to describe this specific action. We couldn’t just say, “pabayaan mo na.” NO.
We created and use this word because we feel the need to acknowledge or recognize the idea that we are deliberately ignoring someone to keep our own peace, when in fact, we are being petty as hell.
Don’t you think that’s fucking interesting? We are so obsessed with the image of our lives that we try to describe our own experiences for other people in fear of them mischaracterizing us. We have to shape our slangs and language around the idea of being perceived.
We can’t just say we’re ignoring someone. No, we have to say that we’re ignoring them in spite of their shitty attitude. We have to make sure that we are in the right. This slang was so intentionally created for the sake of the “bigger person”.
That shit is interesting to me. To me, personally, I can never use this word because I can never be so petty, though I wish I could. “Dedma.” Wow. Using this word really does give you the image of the bigger person.
There’s certain hobbies and interests that aren’t inherently conservative or regressive but do attract a lot of people who are those things or worse and when you’re a progressive person involved in those hobbies hearing that someone else is interested in your hobby usually has to involve some “But are you normal about it?” conversations before you get too excited
father daughter nose boops part 2 🥲
🎥 @medium-observation
“The man remained silent for a moment, then said abruptly, ‘So you’ve no mother?’
‘I don’t know,’ replied the child.
Before the man had time to respond she added, ‘I don’t think so. Other people do. But I don’t.’
And after a pause she went on, ‘I think I never had one.’”
(LM 2.3.7)
everything about this exchange kills me. cosette’s simple acceptance of “I don’t” as if her existence as a motherless child is just the way it is. not a mystery, not a tragedy—she just inherently exists outside of other children’s reality.
it’s one small moment, but it encapsulates the age-old attitude that the status-quo will never change, that systems of oppression are simply a natural and unavoidable reality. and that perception squashes any potential to imagine a different way of life.
(only for valjean to show up at the inn all like “actually cosette, you are NOT inherently alone and unloveable, you are NOT destined to an existence of servitude and poverty, there IS another way of life for you and we’re going to go find it together”)
forever my favorite part of west end productions- the handshake :)
(again, sorry for the mediocre quality, this is from 2011!!)
nel || 19 || they/them || aroace || every once in a while I scream about something other than Les Miserables || if you know me irl no you don’t
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