The Secret History set in the modern day and everything is the same except Francis has no less than four strawberry ice vapes on his person at all times
If We Were Villains and The Secret History are siblings. One is the pretentious, intellectual older sibling and the other is the earnest, romantic younger sibling. One makes tongue-in-cheek jokes at the expense of the other and one rolls their eyes at the drama of it all, but they share the same nose and have the same taste in red wine because they're in the same FAMILY.
UNDERSTOOD??????
the greek class has hands soft as silk, except for richard. his are full of calluses
The urge to learn every language and play every instrument and travel the world and live through every historical time period and be a writer and a poet and an actor and
Alignment chart of dark academia books, emphasis on the academia. I have read them all and this is my take on it all.
Is the novel a dark academia because it takes place in a school and there are a lot of "dark" themes or is it a dark academia because the atmosphere is grim and the characters are pursuing knowledge.
Also book recommendations, I think people would like the books that fall in the same quadrant.
Books under the read more.
Top Left: My favourite corner where I just want the author to flex their niche knowledge.
Piranesi - Susanna Clarke
The Historian - Elizabeth Kostova
If We Were Villains - M. L. Rio
Emily Wilde's Encyclopedia of Fairies - Heather Fawcett
Ninth House - Leigh Bardugo
The Raven Boys - Maggie Steifvater
The Secret History - Donna Tarte
Babel - R. F. Kuang
Bottom right: The intersection between lots of deaths and some niche knowledge. This one is a bit more hand wavey so here are some explanations.
Blood Over Bright Haven - M. L. Wang: Often compared to Babel but has way less niche knowledge and more transactional deaths.
Harrow the Ninth - Tamsyn Muir: This one is a sequel but the convoluted plot lives in my head rent free and it’s Dark (Goth) Academia.
Bunny - Mona Awad: Lots of allusion to literature and mythology. Also lots of dark, bunnies and swans.
Bottom Left: Takes place in a school that people are trying to survive.
The Magicians - Lev Grossman
Vicious - V. E. Schwab
Legendborn - Tracy Deonn
Ace of Spades - Faridah Àbíké-Íyímídé
Atlas Six - Olivie Blake
Deadly Education - Naomi Naovik
Top Left: Happens in a school and pretty light on death but has “dark” themes.
The River King - Alice Hoffman
A Good Girl’s Guide to Murder - Holly Jackson
The Initial Insult - Mindy McGinnis
A Study in Drowning - Ava Reid
To Shape a Dragon’s Breath - Moniquill Blackgoose
Never Let Me Go - Kazuo Ishiguro
You Feel It Just Below the Ribs - Janina Matthewson and Jeffrey Cranor
Am I the only one who thinks The Secret History would be way more interesting as a stage play than a movie? It could be put on in the same style as a Greek tragedy, taking inspiration from ancient performances. Or there could be constant rotating sets and backgrounds, but the mountains and the cliffs always being present onstage, reminding us that what no matter what Richard is telling us, and no matter how much Richard and the Greek class try to rationalize it, they will always be haunted by what they have done. THINK ABOUT HOW THE BACCHANAL COULD BE SHOWN
Penelope: Would I fall in love with you again? Hmmm, well. Can you also move our marriage bed over there? Hmmm? What? I thought we were pretending to be stupid by asking the most idiotic questions.
My peak comedy moment
The Secret History by Donna Tartt
The Atsushi effect is real
so soft it hurts