We're On A New Platform With A Totally Different Audience...we Have To Prove Ourselves All Over Again...convince

When a physicist falls in love :)

Richard Feynman's love letter to his deceased wife, 1946.

A couple years ago I saw a production of Sweeney Todd done by my university that featured an extra song, the Beggar Woman's Lullaby. Sondheim added it briefly after the show originally opened, but then cut it back out again because he felt it slowed down the pace of the ending scenes. Essentially it's a moment when Lucy enters the barbershop searching for the beedle, she stops for a moment and has a moment of near lucidity as she starts to remember her surroundings. She goes to Johanna's empty cradle and sings a lullaby to the tune of "Poor Thing" to "my Jo, my Jing." Sondheim wrote it originally to address the issue of audiences not figuring out the plot twist in time for the dramatic ending, but removed it again when he realized that everyone ends up figuring it out at various times throughout the show anyway.

Anyway all this to say, I think that song should be restored in an official capacity. I think that whether or not it serves the plot twist is immaterial. I think what it actually does is bring a much needed pause in the middle of the frenzy of the final scenes, it gives Lucy another dimension, and it makes what immediately follows so so SO much more heartbreaking because she was THIS CLOSE to remembering everything. Literally every time I listen to the final scene, everything happens so fast it feels almost unsatisfying. Like we're just rushing through everything to get to the end. And I think that song gives it a badly needed breath of air, without interrupting the flow.

I was beyond excited to draw this scene. Normally I get asked to draw romance, but this time it was a...different kind of passion. Something inside Kaz came loose, indeed 💀 It's one of my favourite moments in the book, despite what he just did, because it's when I understood exactly what Inej means to him. It's amazing what we'll forgive in fiction that we couldn't in real life. (commissioned by @litjoycrate for their Six of Crows edition)

ok im sorry but this part was so funny to me

“You were sloppy as Jim Milton. Now look where it got you. You led Ross to you after you killed Micah.” “You would of done the same damn thing, Arthur.” … “You know you ain’t making it outta this, John?” “I know. I guess I was a fool for trusting them to hold their end of the bargain… I failed in the end.” “You still made it out, John. Dutch. Bill. Javier. None of them can hurt anyone no more. And Jack has a real shot at a future, now.” … “Arthur… do you think I did good?” “Of course, John. All we can do now is hope Abigail keeps Jack from going down the same path, now.” “You’re right…” “It’s time, John. They’ve gotten far enough.” John takes a deep breath, and blinks. With that, Arthur is gone. He takes one last peek between the barn door, seeing the dozen+ armed soldiers, rifles pointed at the door. He steadies himself, at peace in a way. Thinking to himself all the things he hopes Jack will accomplish in life. How he never truly made it up to them. How uncle died for this. How if he really redeemed himself. And with that, he opens the doors, ready to face the music.

Part 4 of these, I wanted to make some more

MAGA and 47 make everything worse.

Gutting the FAA. Firing exceptional air trafiic controllers. Putting Sean Casey in charge of Transportation. Using DEI as your explanation.

Rot in hell, Donnie. You made this.

Self petting station

(via irian9611)