"what if schizophrenics are the only ones seeing the real world and theyre kept medicated by the government so the rest of us dont know the truth" what if i beat you to death with a shovel
I love it when ghost and pals music goes SKNGISHjsbntjJItnketnksjzjKKJtjwotjsinejss and then the lyrics are "I can't glance at your eyes without eternal cries"
Piano Worm from Frog Detective 3: Corruption at Cowboy County
gay new yorker. faggot about it!
after 7 exhausting months of being fixated on The Book of Mormon musical, my brain decided it's time to switch it up with some old stuff so heres some Batman: Europa screenshots that are really fucking gay
Its this
Having the ability to crochet is great because I COULD make 15 sweaters and 12 bags and 4 hats but I made A Fucking Ball with Eyes
It is simply very weird, as put by Lindsay Ellis in her video on Rent, that the machine which the characters are raging against in the midst of the AIDS crisis isn’t the pharmaceutical companies, healthcare system, select politicians, or hell, even the government itself, which failed especially the queer community but also all individuals in need at the time and deserved much raging against. Instead, the characters rage against their landlord. Jonathan Larson made most of the characters petty, artsy, and privileged, and selectively gave some of them AIDS for dramatic effect or to no avail. He also created two characters who (actually) suffer in poverty and are dying of AIDS (literally, one of them dies) and decided to instead center the story on a couple of the aforementioned privileged asshole artists. I find those creative choices quite weird as well.
It is functionally strange that this musical pays such little respect to poverty, queer identity, and illness, despite those being the central themes. A musical that would’ve handled those topics more appropriately obviously wouldn’t have changed the world or stopped the AIDS crisis – entertainment such as Broadway musicals mostly tries to appeal to mainstream audiences to garner more profit (which is why no mainstream show or movie is ever particularly politically radical!) – but that hypothetical musical might’ve raised awareness amongst the massive audience it did get. It might’ve shown a more real kind of suffering coming from poverty, instead of mostly showing characters that chose to live in poverty and complained about it. It could’ve offered a representation of a bisexual character who isn’t incredibly promiscuous and disloyal. Maybe it might’ve even encouraged some audience members to get mad at the horrible institutions that were letting a pandemic fly by for several years, and who knows, those audience members might’ve also joined an AIDS protest or two. Although any change from the actual reality of Rent would’ve been good.
I don’t really hate Rent, but I think that it’s good to recognize that despite the fact that it can be enjoyable, it’s not very good and extremely inappropriate for its time period. If you’re looking for a musical that has queer characters and actually gives a meaningful sociopolitical message, Falsettos talks about similar topics, and Cabaret is great as well!
if you ever feel insecure about something just imagine you are a 4channer
example: All these normie fakecels would not be able to comprehend what it's like to have to tallmaxx and gymmaxx as a transpilled shortcel to get a femoid...