academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
when i was a kid i used to respond to the "glass half full/half empty" question by asking how the liquid in the glass got there in the first place. nobody ever gave me a chance to explain my reasoning so i'm doing it now
if you have a glass and it has some liquid in it, up to the halfway line, whether it is empty or full depends on what happened before the question was asked. if you started with a full glass and poured half out until only half remained, the glass is half empty, because if you continued pouring it would be fully empty. however, if you started with an empty glass and poured liquid from another container into the glass up to the halfway line, the glass is half full because if you continued pouring it would be all the way full. logical, no?
i was 13 years old when somebody finally told me it was supposed to be some kind of optimism/pessimism thing. i always thought it was a riddle that nobody let me solve
Have a magic system in mind for your fantasy world? Here's a list of things to consider to help you tie this system into the rest of your worldbuilding, so that it feels more believable and realistic.
What is the source of magic? Is it natural or man-made? Can humans use magic or is it a force of nature that only animals or other races can use?
Does magic originate from inside a person or does it require external items to use? If it comes from items, can the items be made? How long does it take to make the items?
Does the magic cost anything- money, stamina, health, etc.?
Can a person be cut off from being able to use magic? If so, how?
How common is magic in your world? Is it so common that everyone has seen it or is it a subject of myths and rumors?
How long have the people in your world known about magic? Has it always been there or is it a new discovery?
How much does the average person know about magic? How much do experts know? What do people not understand about this magic? Are there any common misconceptions? Myths?
Is magic revered or feared? Or if it's common, is it taken for granted? Are there any taboos surrounding magic?
How many types of magic are there? Are some more common than others?
Are there dedicated schools of thought surrounding the study of magic? Is it taught about in schools? If so, is it taught to children or only at the college (or equivalent) level?
Who can use magic? Who can't? Is it something that only the rich and powerful can use? Why? Or do genetics determine who can use it? Wealth?
Are there any physical limitations that might restrict who can use magic? For instance, maybe old or sickly people can't use magic because it requires a lot of physical effort. Does your society provide accommodations for people who can't use magic? Is a lack of magic ability considered a disability?
Does education level determine capacity for magic?
How easy is it to gain access to magic? How easy is it to learn about magic?
How powerful or useful is magic for different parts of society? Military? Medicine? Entertainment? Art? Childcare? Government? Communication? Business?
How does magic affect the politics of your world? How does it shape the economy? Are there feuds over the use of magic? Do powerful groups in your world have an incentive to limit the use and accessibility of magic? Why?
What happens when people no longer have access to magic? Does this cripple their ability to go through their daily lives? How?
Mix, match, and cross-reference these with other elements of your worldbuilding to form a believable magic system that lives and breaths just as the rest of your world does. For every answer you give to the questions above, consider and build upon the implications of what that might mean for your world. A worldbuilder's best skill is the ability to ask "How will this affect ___?" So make sure you're always considering the ripple effects of each element you add to your world.
Happy worldbuilding y'all!
Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
1000 Follower Post
2000 Follower Poll
Writing Fantasy
• Children all have access to magic, but as they get older, their powers fade away.
• Mastering even the most basic spell takes years of training.
• “We killed the gods. Turns out that doing that destroyed magic.”
• The amount and strength of magic is inversely proportional to the level of industrialization.
• Characters don’t know what kind of magic they have and must embark on a long and arduous journey in order to find out what they can do.
• “We can use magic, but only on the microscopic scale.”
• The reason why magic doesn’t work is that no one believes in it anymore.
• To cast a spell, one must play the correct tune on a specific instrument.
• Only maker of staffs, rods, and wands has a 10,000 year long waiting list.
• Magic comes from the stars…and it can go no faster than the speed of light.
• The power of magic waxes and wanes. Right now is the part of the cycle where magic is at its weakest.
• People once had a symbiotic relationship with organisms that gave them the power of magic. The organism has been extinct for centuries.
• As the use of magic has a destabilizing effect on the universe, a secret society exists with the sole purpose of killing all magic users before they destroy the universe (some of whom have deliberately attempted to cause an apocalypse).
• “You must sacrifice a part of you in order to use magic. It could be a part of your body, it could also be your identity, or even your very soul.”
Not my usual content, but I made something I wanted to share...
Edit: Now with an ID from @a-captions-blog! Thank you for writing it!
[Art description: A Pokémon-themed comic featuring OP as a Pikachu. Long description follows.
1. The tips of Pikachu’s ears are shown with text that says, ‘I’m a Pikachu / My world is filled with lots of cool stuff. Sometimes it feels like anything is possible!’ Under this is a collage showing a Charizard, a Pidgeotto, a Nidoking, an Eevee, and an Ivysaur, all in the background as the Pikachu looks up in wonder. Text reads, ‘All sorts of types, all sorts of attacks, all sorts of Pokemon.’
2. Text says, ‘But...only two ways a Pikachu’s tail could look.’ Two boxes in the upper corners show the male and female Pikachu tails, respectively. The male has a rectangular end to his tale, and the female has a heart-shaped end to hers. Text continues, ‘So then, what am I?’ A large drawing of the narrator Pikachu is shown, with an arrow pointing to their tail, whose end is split somewhat like scissors and doesn’t match either the male or female drawing above.
3. Text says, ‘Too pointy to be [female], too much of a V-shape to be [male]. I thought there was something wrong with me.’ Under this are three cascading panels showing the Pikachu from below at an angle emphasizing their tail. The second panel shows mel further away, and in the final panel she have disappeared entirely. Text on the panels reads, ‘I felt / very, very, very / alone.’
4. Text says, ‘But then, something happened. I found others like me.’ The art shows the narrator reaching out to another Pikachu. Under this are three other Pikachu. One has a rounded tail, one has a tail that has been stitched up to be rectangular, and one has a tail with a slight spike at the tip.
5. Closeups are shown of each of the tails from the previous panel, with text that says, ‘Round tails, scarred tails, spiky tails.’ Under this is a drawing of the Pikachu all hugging with lightning coming from their cheeks. Text reads, ‘They told me nothing was wrong with me, and I wasn´t alone anymore.’
6. Text says, ‘There are many ways a Pikachu’s tail can look. I’ve heard there’s at least over 30 different variations.’ Under this are two panels. The first panel shows the narrator lying on their back on a background of male and female symbols. Text reads, ‘Some days are still hard.’ In the second panel, the Pikachu with the scarred tail is shown with text that says, ‘My friend tells me her tail used to look just like mine. It was taken from her.’
8. The narrator is shown sitting and looking upwards. Text reads, ‘Some trainers won’t accept Pikachu that aren’t [male] or [female]. They alter our tails without our consent. But things are getting better. We are making change. We’re fighting so that our tails will be left alone.’ Under this is a panel showing the four Pikachu running happily towards the right. Text reads, ‘We’re all on a spectrum. Every tail looks different; anything is possible.’
The final text reads, ‘This is a comic about intersex people.’ The watermark in the lower right says @ PostManic. \End descriptions
“Of course autistic people can go to the bathroom by themselves and have jobs!!” Some can’t. They’re not burdens or an “epidemic” either. Please don’t get pulled into an argument about usefulness, because that feeds into their baseline eugenic idea that you have to “contribute to society” to justify your existence. Nobody’s worth is tied to what they can do for the state.
Saw a post and it really got me thinking.
The post was talking about why don’t lower support needs, higher masking individuals even believe that higher support needs, low masking, “severely autistic” people, exist. And that got me really thinking. Because, I do think they know we exist. I just don’t think they want too.
I don’t think they want to know we exist. They know we exist, but keep us on the back burner. They live in ignorance bliss of us. I have what some people would think of as severe autism. Im nonverbal (although nonverbal later in life. But outside people don’t care about that. They see nonverbal as nonverbal), I’m intellectually disabled, need help in everyday life, etc. but I’m in the middle. I’m moderate support needs. To me, I’m not severely autistic. But to society, I am considered and seen as severely autistic because society doesn’t have the understanding of moderate autism yet. They don’t understand it. And I’ve seen more times than I can count that severe autism doesn’t exist. Not because they don’t believe in severe autism the label itself because it’s “harmful” but because they don’t believe that it’s just caused by autism. They often believe that’s it’s caused by comorbidities. Like ID, or cerebral palsy, or apraxia/dyspraxia, or mobility issues, or genetic conditions, and so on. Although none of this is bad.
They believe that autism itself can’t create severe autism. Which…isn’t true. Before, it was believed that severe autism was the only type of autism. That it was the only type that existed and if you weren’t severely autistic then you weren’t autistic. Then more research happened, then social media happened, and now..white, lower support needs, high masking, late diagnosed individuals are the majority of what’s being centered. And, that isn’t bad. We need awareness of all autism. But when one type of autism gets centered, it becomes a problem. It becomes the new norm. It becomes what everyone expects out of autism now. Which, isn’t true. Autism all of all types and traits exists. Autism of all support needs exists.
When people say severe autism doesn’t exist, they’re ignoring and saying that a BIG percentage of autistic people don’t exist. They’re saying that we aren’t real. That we aren’t on the internet, or in the communities they live in, or in their schools, or whatever. We’re everywhere. Severe autism is still a thing. It isn’t a misdiagnosis. It isn’t from comorbities, although if someone’s autism is more severe from comorbidities then that isn’t bad.
I think a lot of people need to be more aware of severe autism. And not just severe autism like me or my mutuals, or the people you see here on tumblr. But the ones with even MORE severe autism. The ones who live in group homes, residentials, institutions, and so on. The ones who aren’t on the internet. The ones who aren’t here blogging about their lives. We need to be aware of them too. We need to believe they exist, and believe that their autism is real.
Don’t erase severe or profound autism.
me rn
can I come over and not speak
Personally your work inspires me. I love seeing how incredibly vast your library of characters is.
How they all have different experiences. It makes them feel real to me, with their style, culture, disabilities, names even being so well researched and built into the character rather than just an afterthought.
(No shade to the anon though i just think things like that are better when they are thought about earlier in character building). It's just incredible to me seeing how you build your characters and how well represented I feel seeing characters with disabilities, identities, and cultures that are apart of my life as well.
Hey, so I mean this entirely in good faith and just want to see where you're coming from.
When you draw pictures of people (OC), why do you only list their name, age, disabilities, and race (and some other stuff sometimes)? not likes or interests or hobbies or a look into their life? Is there somewhere else for me to find out more?
Personally, I don't find those to be the most interesting things about a character or a person or an object or anything like that, and I don't typically base characters around it (not saying you do, just not sure why else they take precidence over other aspects of their character)
I love your art and hope youu have a nice day!
I’ll try to answer this in the best way possible, but my wording might be off because I am more ill than usual, so bare with me.
1. Experiences with creating Original Characters is not a monolith — what you like to do with characters may not be what another creator likes to do with them. Some people never make backstories for their characters and keep them mainly for designs. Some people like to create backstories, and both of these things can exist and are okay. What you personally find interesting isn’t the same for everyone.
Even if I do have backstories for many of my characters, not all of them are even close to finished yet or even fully fleshed out, I often start with basics and go from there. If you are interested in the backstories of my characters, I have a toyhouse in which I post them.
2. Race, Culture, Age and Disability is a huge part of a lot of people’s lives, I can attest to that for myself. A lot of what I put down as “descriptors” for my characters are for people to get the absolute “bare bones” of who this character is, kind of like a bio on social media. It may not personally interest you, but Culture is a huge aspect on how people develop and think, the way people grow up and who they are around influence their thoughts, likes, dislikes, career, life choices and more. I find that many people from different cultures are often very happy at the representation of their culture being present if done respectfully, and causes a lot of happiness to feel seen.
I have a particular interest in researching humans, cultures, disabilities and diversity. You don’t have to have those interests, the same way I don’t particularly have to have an interest in “likes vs dislikes” of a character.
It would concern me if someone doesn’t care about peoples race or ethnicity, the same way it concerns me when a white person says “well, I don’t see color”, it erases the diverse experience of being human. It erases culture, experience, struggle and more. A lot of POC, myself included, find solace in knowing someone may understand a specific experience of what it’s like growing up a certain way. That we are not alone in our struggles.
And this all relates to Disability as well. Able-bodied people are not going to understand the life of a disabled person they haven’t lived in. Growing up disabled, becoming disabled later in life, in general /being/ disabled is a different way of life than the average person. We have struggles and experiences not everyone can relate to — which means by sharing this in a description of a character — it can actually tell a lot about what they’ve been through and understand.
Other disabled people may not understand what life is like for another disabled person — I have had numerous asks and messages by other disabled people and able-bodied people alike telling me they are happy to see representation of a specific disability, or that they discovered a disability through my artwork and they were able to research it or even apply it to their medical training. This is a huge reason for why I do what I do.
I’m glad this is a question in good faith — Thank you for liking my art, and i hope you have a good day as well.
If you have anymore questions, I have an FAQ: