Mein Pitch Für Den Nächsten Deutschen ESC-Beitrag:

mein Pitch für den nächsten deutschen ESC-Beitrag:

1. in der NDR-Kantine wird eine große Deutschlandkarte aufgestellt

2. Peter Urban darf zum Abschied und zum Dank für all die Jahre einen Dartpfeil darauf abwerfen

3. in der so ausgewählten Gemeinde wird in der örtlichen Musikschule die Gruppe der musikalischen Früherziehung damit beauftragt, einen Marsch zu komponieren

4. durch ein weiteres deutschlandweites Zufallsverfahren wird ein Spielmannszug ausgewählt (aus einer Ortschaft mit max. 3000 Einw.), der zum ESC nach Stockholm reist

5. die Noten des Marschs werden 5 Minuten vor dem Auftritt erstmals an die Mitglieder des Spielmannszugs ausgehändigt (während der Proben spielt der Spielmannszug den Helenenmarsch)

6. zum Auftritt wird in der gesamten Veranstaltungshalle das Putzlicht eingeschaltet, alle Monitore/LED-Wände bleiben ausgeschaltet

7. der Spielmannszug marschiert innerhalb der drei Minuten einmal von links nach rechts über die Bühne, Uniform/Trachten/Banner werden wie nach Tradition üblich getragen

8. der amtierende Schützenkönig trägt auf die Marschmelodie Auszüge aus der Satzung eines ebenfalls zufällig ausgewählten deutschen Kleingartenvereins vor

9. der im Heimatort des Spielmannszuges ansässige Metzger (sofern nicht im Spielmannszug oder amtierender Schützenkönig, in diesen Fällen hat er für adäquate Vertretung zu sorgen) verkauft während des Auftritts am Bühnenrand frische Bratwürste vom Holzkohlegrill an die Hallengäste

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ANGST/HURT AND COMFORT

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2 years ago

If you like frogs. Or possums. Or cool builds. Or happiness. This is the video for you.


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2 years ago
“Why Can’t These Two Just Get Alo- Nevermind.”
“Why Can’t These Two Just Get Alo- Nevermind.”
“Why Can’t These Two Just Get Alo- Nevermind.”
“Why Can’t These Two Just Get Alo- Nevermind.”

“Why can’t these two just get alo- nevermind.”

Wolfstar fights be like. 🤠 Lesson of the day: Don’t tell Padfoot where to go. It’ll be in Moony’s pants.

Dialogue inspo from @redadidassneakers text post 🤪


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2 years ago
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’
Thirteen In ‘The Witchfinders’

Thirteen in ‘The Witchfinders’

I know because we’re all the same. We want certainty, security, to believe that people are evil or heroic. But that’s not how people are. You want to know the secrets of existence? Start with the mysteries of the heart. I can show you everything if you stop being afraid of what you don’t understand.


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2 years ago
posessed-by-a-unicorn - My respective thoughts (and other shit)

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2 years ago

Bbc Merlin made two big mistakes.

1) They told a story about a young sorcerer trying to survive in a land where magic is punishable by death. One of his end goals is to legalise magic again. The biggest opposing party in this objective is the tyrant king who started a genocide. This is a very black and white conflict, there is no both-siding this. On the one side you have a mass murderer, on the other side are people who are being killed for existing.

Now the series does establish that Merlin is the good guy and that magic isn't actually evil, but then they go ahead and constantly frame Uther as a guy who is really not that bad. Sure, he killed some people (hundreds or even thousands) - whoopsie. But come on, at least he's trying. And think about Arthur! The emotional comfort of one person is totally worth letting people die for.

At the same time they keep bringing in villain of the week type of characters and like 90% of those are evil magicians who are consumed by their thirst for power and/or revenge or monstrous beasts which are also creatures of magic. They rarely introduce "good" sorcerers or creatures.

To sum it up: They frame the victims of a genocide as evil, almost blaming them for their own plight while making excuses for the people murdering them. It would make sense to explore this part of Camelot's history if the conflict was more complex, but it really isn't that deep. They waste way too much time dragging out this black and white conflict as described above.

2) (Screen)time is being wasted on the wrong conflict, yes, but in my opinion also on the wrong characters.

Arthur's character development is inconsistent at best. He wildly swings back and forth between believing in some magic being good or at least neutral and then condemning all magic as the world's true evil. He learns time and time again to be less arrogant and self-centered and snaps at Merlin again in the very next episode. I enjoy Merlin & Arthur's banter as much as anyone, but if you're not even taking Arthur's character anywhere then why waste so much time there?

Merlin and Arthur as a duo also go through the same dance routine three times a season: Merlin discovers a plot against Arthur, but fears to simply be dismissed if he says anything. Eventually he does say something and, surprise, Arthur reacts dismissive. In the end Arthur learns that Merlin was right all along and he should trust him more. Three episode later Arthur doesn't remember he already learned this lesson, the cycle repeats.

Gaius is important to the story because Merlin needs a dialogue partner to talk about magic. But Gaius also holds Merlin back a lot and keeps him from growing. And so just like Arthur, Merlin doesn't really learn much from his experiences, his life barely changes of the course of 5 seasons. He's still living with Gaius and still relys on him instead of becoming more independent.

So we have four characters / dynamics (Uther, Arthur, Gaius and Merlin) which the show keeps focusing on even though they're not that complicated at all. On the other hand we have side characters that are supposedly important like Gwen and the knights and we know very little about them. It almost seems like they become less important the longer the series goes on, that's not how this works!

You can't say "This is the once and future queen, there are prophecies about her and she's the most important person in Arthur's life" and then she never really does anything! The knights too. Merlin and Gwaine are best friends (kind of), but do we ever see them casually hanging out? Nope. Percival is one of the most famous knights from the myths, yet we only know his name and that his family is dead. How did they die? Who even was his family? Does it mean he lost his parents, did he have a wife? We will never know. There are so many amazing characters they could've included more, but they never did.

So while I love the series in general, these two points really rub me the wrong way.


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Eukaryotic Cell Gang!! We Love Women In STEM.
Eukaryotic Cell Gang!! We Love Women In STEM.
Eukaryotic Cell Gang!! We Love Women In STEM.

Eukaryotic cell gang!! We love women in STEM.

The organelles of the cells have been translated into human anatomy, so the nucleus is the brain, the vacuole function as the lungs, and the mitochondria is the heart since it’s the… you already know, I don’t have to say it ;)


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posessed-by-a-unicorn - My respective thoughts (and other shit)
My respective thoughts (and other shit)

mostly reblogs - honestly, I can’t keep this organised. 🇩🇪🏳️‍🌈(they/she) Doctor Who - ??? - Maurauders - Merlin - Wednesday - and loads more

265 posts

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