I wanted to know what Paul's looking so lovingly at on the back of their cover so I recreated his hand placement and this is approximately where his left hand is pointing at.
Here is a clean copy for my John girlies:
‘(Forgive Me) My Little Flower Princess’ was written during John Lennon’s stay in Bermuda, from June to July 1980, and recorded upon his return to the studio, on 14 August 1980. It wouldn’t be heard by the general public until 23 January 1984, on the posthumous album Milk And Honey.
The lyrics go as follows:
Forgive me, my little flower princess For crushing your delicateness Forgive me, if you could forgive me
Forgive me, my little flower princess For selfishness Forgive me, forgive me
Well, I know there is no way to repay you Whatever it takes I will try to The rest of my life I will thank you Thank you, thank you, my little
If you’ll forgive me, my little flower princess Never too late unless you can’t forgive
Time is on our side Let’s not waste another minute ‘Cause I love you, my little friend I really love you
Give me just one more chance And I’ll show you Take up the dance where we left off The rest of our life is the, my little
I’m home
Overall, the song seems to strike the same apologetic tone previously expressed in ‘Jealous Guy’ (1971) and ‘I Know (I Know)’ (1973).
I didn’t mean to hurt you I’m sorry that I made you cry Oh no, I didn’t want to hurt you I’m just a jealous guy
— ‘Jealous Guy’ (1971)
I know what’s coming down and I know where it’s coming from and I know and I’m sorry (yes I am) but I never could speak my mind
— ‘I Know (I Know)’ (1973)
“The rest of my life I will thank you” gives a sense of gratitude for the other’s love and presence in his life, further explored in ‘Now And Then’ (1978).
I know it’s true, it’s all because of you And if I make it through, it’s all because of you And now and then, if we must start again Well we will know for sure, that I love you
— ‘Now And Then’ (1978)
“Take up the dance where we left off” shows hope in a reconciliation that they have “the rest of our life” to experience, as found in ‘(Just Like) Starting Over’ (1980) and ‘Grow Old Along With Me’ (1980).
It’s been too long since we took the time No-one’s to blame, I know time flies so quickly But when I see you darling It’s like we both are falling in love again It’ll be just like starting over, starting over
— ‘(Just Like) Starting Over’ (1980)
Grow old along with me The best is yet to be When our time has come We will be as one God bless our love
— ‘Grow Old Along With Me’ (1980)
Nevertheless, this feeling that “time is on our side” doesn’t take from the urgency to get together and “not waste another minute”, similarly dealt with in ‘Borrowed Time’ (1980) and ‘(Just Like) Starting Over’ (1980).
Now I am older ah, hah The future is brighter and now is the hour
— ‘Borrowed Time’ (1980)
It’s time to spread our wings and fly Don’t let another day go by my love
— ‘(Just Like) Starting Over’ (1980)
Regarding the endearments used during the song, we find the classical ‘little friend’, famously used by aunt Mimi in reference to Paul. (It is also worth noting that, tongue-in-cheek or not, in French ‘petit-ami’ means boyfriend).
Also, the song is called ‘My Little Flower Princess’. It is known that Yoko Ono has reported hearing Paul being called ‘John’s princess’ around Apple.
But it’s John’s thing with flowers as a metaphor for love that fascinates me the most.
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sharing the sofa like normal people
insp:
I walked in there and someone said "Elvis is trying to learn bass“, I said “Well, I’m your boy”.
i love BDSM!! bob dylan so much
GEORGE HARRISON and PAUL McCARTNEY signing The Beatles dissolution papers at the Plaza Hotel in New York City, December 19 1974.
“Paul loved working with John. At the beginning it was like sex–they popped them off, one after another.“
"John hooked right in and fed off the energy. John and Paul had remarkably similar tastes [in music]; they liked it fast, hard, and loose."
"It never occurred to Paul just how much he missed John. More than anyone else, John had been his friend for ten years, to say nothing of his collaborator, his sidekick, his shadow. Not only had they played music together, they'd hung out together, dreamed together, fucked together, become famous together. Grown up together."
“The last week in August, Paul McCartney returned to Liverpool, tanned and noticeably slimmer. In addition to starting school, he came back to begin a relationship he seemed destined for: hooking up with John Lennon."
"School proved a nagging obstacle for John and Paul, the occasional stolen afternoons unsatisfying, hardly time enough to get something going before Jim arrived home from work. Weekends were reserved primarily for the band. It wasn't so much that they needed time to write as much as it was each other's company. "Something special was growing between them," says Colin Hanton, "something that went past friendship as we knew it."
"But it was clear once Ivan and Paul got around to John, there was a lot of ‘checking out’ being done”
"But John was enamored of Paul’s prodigious talent, so much that all previous reservations disappeared. Transfixed, John squatted on his haunches, squinting, close enough to study Paul’s elastic hands.”
"John and Paul circled each other like cats. Their interest in each other was deeper and more complex than it appeared to anyone watching the encounter. There was instant recognition, a chemical connection made between two boys who sensed in the other the same heartfelt commitment to this music, the same do-or-die. For all the circling, posturing, and checking out that went on, what it all came down to was love at first sight."
I'm sure he'd prefer to be alive but there’s also no way that john lennon wouldn’t be a at least a little self-satisfied with the idea of his death permanently making him the center of paul’s universe. he doesn't seem like the "you need to let me go" type. he seems more like the "if you don't cry over me at least once a week I'm going to start flickering the lights on and off until you have a seizure" type