The thing about reclaiming slurs is that once you've been affectionally called 'faggot' by friends, loved ones, and amiable fellows on the internet for long enough, you almost forget that it means something else to people who hate you.
Honestly at this point if a stranger on the street yelled "hey faggot!" after me, I'd probably turn around like "what?" like they'd just casually called me by name, and they were only trying to get my attention because they wanted to tell me something, before processing that they're being hostile.
And what about it
i??????? sksjsbzvsvshdhsbdb
if 3 bitches named molly were in a polycule would it be a molecule sorry
[9:38 PM]
2024 is a terrible year to be a henchman. The word "minion" is barely usable and you can't even say "goon" anymore.
hey transfems, i don't know which of you need to hear this but it's okay to never use your penis during sex if you don't want to. it's okay to tell your partner not to touch it, to ignore it even, and hold them to respecting that boundary, no matter how many times you've had sex with them, or even if you've had sex with them with your penis involved.
you're not weird or broken for having needs or having boundaries, and you deserve lovers who respect those needs and boundaries. as someone who knows first hand, it's not worth it not to speak up.
this is a post for bottoms, switches, and tops. for subs or dom/mes. for anyone who feels like their no will go unheard or that the only reason people are sexually interested in you are those who want a woman with a dick. i promise you there are people who are out there who will listen, who will get you, and who will treat you how you deserve.
in fact? that's the absolute base line that anyone deserves during sex, and you deserve that and so much more.
sorry what
imagine if your dad ever shut the fuck up. then keep imagining
in adventure time stuff, Marceline is front and center as indisputably the single most popular character, widely loved within and out of the fanbase; she's kind of a distillation of the series' wacky tone because she is unironically a vampirized half-demon child of Satan Stand-In, a heavy metal rock star who's dated a mad scientist princess, her adoptive dad is arguably one of the most powerful entities in the setting and a terrifying ice wizard who survived the apocalypse through cunning BEFORE he was consumed by his curse, and the greatest hero in the land who is otherwise a mundane human won her friendship by punching her so hard she went 'FUCKING SWEET, WE ARE NOW BROS FOR LIFE'
but the thing about Marceline that is arguably the single most essential aspect of her character, and not something that is apparent from the joke or memes around her
is how nice and genuinely sweet she is.
Yes, she's a badass. Yes, she is probably the single most powerful character in a conventional sense among Finn's friend group, to the point that she is less present in serious situations because her picking a side would trivialize just about anything short of the Lich or the apocalyptic arrival of Golb.
But as we see more of her character, we see that she goes out of her way to actually avoid seriously upsetting people. The most recurring motif of her songs is that while they sound threatening or spooky, she says them in a very sweet and loving way that makes them too silly and harmless to take seriously. At her core, that's kind of who she is; she's honestly a genuinely nice person who deliberately distances herself from people because she outlives everyone she cares about, one way or another, and she pushes people away so she doesn't have to see it happen, but she can't help but get close to someone.
In a lot of ways, Finn helps her grow out of this mindset, and the relationships she establishes through him, or rekindles because of him, help her grow out of this. But even then, she has no real mean-ness in her
ironic, given the "MARCELINE WHY ARE YOU SO MEAN" song, but she gives her own answer right there:
"I'm not mean/I'm just a thousand years old and I lost track of my moral code"
Tellingly, when we see her as a young girl (and before meeting Simon, likely almost right before she met him), she has internalized the idea that she's a horrible, awful monster who scares people away. That she loses everyone around her, because SHE'S a scary monster. We see the source of her tendency to push people away, because that way she has some kind of control over it, and otherwise she thinks its inevitable.
But she can't help but get close to people anyway, and in many ways, her relationship with Ash is a very clear example that she is NOWHERE near as violent or ferocious as she looks. Their relationship openly has her abused, meek and quiet, and she is a nigh-unstoppable soul-eating monster that NO ONE could reasonably fight. Even so the closest she gets to actually lashing out against a guy who sold her most cherished possession (and the last remaining reminder of a father figure who can't ever come back) is to just end their relationship instead of lashing out against him.
Much like the reveal of her relationship to Ice King (which interestingly also maps to his slow recovery from being a villain at all, to the point that around the time this becomes a big aspect of his character he is functionally not really a villain, though still a danger to himself and others), its a slow burn. Showing that she's by far one of the least malicious beings in the entire setting, and she could be a hero.
And the answer to that one is: because she used to be. And that part of herself isn't as long-gone as she would like to think.
maybe the real cask was the friends we led into the basement and trapped in a wall along the way
23, witchy and pan, switchy and trans, sapphic with an achillean man 🏳️⚧️
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