Steve Has A Secret, Well “secret” May Not Be The Correct Way To Describe It. He Has Something For

Preach!!!! I live breath and die for Valdangelo and am not the biggest fan of Percabeth and have been torn apart by canon shippers in the past. Ship what you want and move on. 

Non-Canon Ships in the Percy Jackson Fandom

One thing I really hate about a loud minority of people in the Percy Jackson fandom (which needs to be addressed, so I’ll address it) is that they’re so intolerant to non-canon ships. Most of the other fandoms I’m in either don’t have canon ships in the first place, or are completely open to all ships. A loud minority of people in the Percy Jackson fandom are just so stuck on P3rcabeth, S0langelo, etc. that they’re completely closed-minded when it comes to other ships, like Percico or Valdangelo or Piperbeth. And I don’t mind that they don’t ship these non-canon ships, I mind that they constantly hate on them (“I hate Percico so much, S0langelo and P3rcabeth for life”, “Lol, Percico sucks”, “I’m glad Percico never happened” on Percico fanart and videos and fics, like wtf even is your reason for hating it?? Cuz it’s not canon??).

They bash ships constantly just because it challenges their own ship. Not even because it’s ~problematic~ or anything, just simply because it’s not their own ship. It’s like they try to find excuses to hate on these ships, because they’re such control freaks and they think everyone should only stick with the canon ships, or that the canon ships are somehow superior to the non-canon ones (despite the various issues with the canon ships tbh, but that’s not the point I’m trying to make). Anyway, I don’t think any of them have actually grasped the point of fandom yet……it’s simply annoying that they go on posts of other ships specifically to hate on them, when they could ignore it and move on with their lives and their canon ships. Like God, just let non-canon shippers have some fun, let them ship what they want. It’s not threatening your ship in canon, and it’s not forcing you to ship non-canon ships, so just leave them alone.

(Note: Also, in case any S0langelo or P3rcabeth shipper/non-canon ships anti comes across this, let it be known that I tagged this appropriately, and I haven’t crosstagged at all……go in the “tagged” section to find posts with your specific tags.)

i think one of the reasons glass onion is so fun is that it just... loves the audience back.

so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.

so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.

so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.

but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.

one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.

just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell leads it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you write some more.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every human being on the planet. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

Bitches will find a fictional man attractive and then immediately imagine him in situations where he is losing alarming amounts of blood

Miscellaneous Clark Kent headcanons as relate to my little fic universe, that may or may not ever come up because who knows:

Little Clark was really susceptible to childhood superstitions for some reason. He didn’t go under ladders, he did the salt over the shoulder thing, he did not fuck with that Bloody Mary shit like NOPE I’M OUT THIS SLUMBER PARTY IS CANCELED, LANA GET OUT OF MY HOUSE AND TAKE YOUR MURDER GHOSTS WITH YOU. He believes that he is over this as an adult but whenever his foot is about to fall on a crack in the sidewalk it actually stops like a half inch above the ground and hovers there. He does not notice he is doing this. No one notices, ever, because it is the weirdest subtle unconscious thing in the world. At least Martha’s back is safe?

I covered the picky eater thing in Christmas in Kansas but to be more specific his tastebuds are just really sensitive to certain chemical compounds? Not just in terms of things he won’t eat but also in terms of things that he expects to be there and he doesn’t really like foods that lack those things. Your two options to make him eat anything are to cover it in sugar, or cover it in garlic.

He goes through a lot of breathmints. Can you imagine if Superman saved someone and they were like “man i appreciate being alive but he had some really bad garlic breath”? He would be so horrified.

He has a ratty, fucked-up old shirt that he wears whenever he is making pasta with red sauce. Even Superman cannot stand against the ability of red sauce to end up on whatever you happen to be wearing. HE WAS SO CAREFUL THIS TIME, HOW DID A STAIN END UP ON HIS BACK THAT JUST MAKES NO SENSE. Clark Kent’s weaknesses: kryptonite, tomato stains.

His ability to perfectly imitate anyone’s voice was one of the first things to manifest themselves, but this wasn’t the kind of thing anyone noticed was weird. It definitely didn’t seem like a power. He was just a small child who could do a really good Kermit the Frog. He sang Rainbow Connection at a middle school talent show and all the moms cried.

He definitely has a playlist to cheer himself up and get pumped and it has Eye of the Tiger and You’re the Best on it. Probably also half the Top Gun soundtrack.

Clark Kent’s twitter is pretty standard snarky newsman except with more farming memes. No one can tell how ironic the farming memes are. They might not be ironic at all. Clark Kent might be really sincere, or he might just be so ironic that he has circled back around into sincerity. No one knows. He’s also really good at that thing where you retweet two things from a person that side-by-side reveal they are a dingus. I don’t know if there’s a word for that.

His Snapchat is all dogspotting, with occasional rare dance breaks. He’s a pretty good dancer since he found those YouTube tutorials. He does this thing with his hips that Lois finds deeply upsetting for reasons she cannot articulate.

Jimmy asked Clark how he got so fit once and Clark was like “uh, farming. farm. eyup.” But he kept pressing for deets and Clark ended up just telling him that he’d pulled a Milo of Croton??? He lifted a newborn calf over his head and then just did that every single day until he was lifting a cow over his head. Jimmy knows nothing about farming or cows or physical fitness and this seemed plausible enough to him.

He has a blog where he posts rejected articles and it is the wonkiest thing in the entire world because that is why they got rejected. Perry takes one look at these articles and is like “it will take more words than I want to pay you for just to explain the setup for this article and also there are five people total who care, in the world, including you”

He has to be really careful when he buys clothes because he needs to make sure that they aren’t too tight and he has full range of motion. He does not want to relive The Skinny Jeans Incident. Shirts that say ‘I flexed and the sleeves fell off’ are only funny until it happens to you, then they are just horrible reminders. Popped seams everywhere. There is no way to explain that without looking like a huge tool.

Even when Superman has a really shitty day he keeps it together until he gets home, but then he shuts the balcony door and peels off his costume and Clark does the Tina Belcher groan for like ten minutes while he takes a shower because he got covered in sewer mutant or space crab or god knows and UUUUUUUUUUGH. Fortunately the nice older lady in the apartment next door always seems to know when he has had a shitty day and she brings him pie.

She can hear his melodramatic bullshit from over at her place, that’s how she knows. They share a bathroom wall and it practically echoes. If she times it right he will answer the door before he has put a shirt on because he doesn’t want to leave her waiting in the hall. She does not know what his day job is and it definitely does not occur to her that he is Superman because her primary interaction with him is that he acts like a whiny bitch and she brings him pie so she can ogle him. She is a simple woman who enjoys life’s simple pleasures.

The Kryptonian language is really complicated in terms of tonality, context, word order, musicality, etc, and the written language reflects that. Things like the order things are in, how things overlap, colors, etc, are all important. So basically I really like the idea of his symbol being one that represents his family name and says that he is of the House of El. It’s really just basically his last name.

If Starfleet gets to have replicators then Krypton gets to have replicators and Jor-El definitely stuck one in the ship so his son would have, you know, food and clothing. But only Kryptonians can use their tech because they’re who the neural interface is designed for so whoops they got real lucky that Kryptonian babies love milk from Earth goats. Clark only started using the replicator later but it only knows how to make Kryptonian things and only some of those are useful to him.

Okay so here is where I tie those last two bullet points into something fucking dumb that you will take out of my cold dead hands: Clark got the costume out of the replicator. It didn’t necessarily understand what he wanted though? Like, the concept of a costume didn’t really translate, but it got the idea that he wanted an active uniform, so that is what it made. It’s brightly colored and has his last name on the front. Clark is wearing a Kryptonian football jersey is what I’m getting at. Later Kara will be VERY confused by this. Imagine ending up on an alien planet and meeting your cousin and he’s been fighting crime dressed like a quarterback.

Most telepathy does not work because different neural patterns. Diana can only manage it if she uses her lariat and even then it’s like trying to lasso a freight train that does not stop. It’s extremely disorienting. J'onn has just accepted that Superman can hear him but he’s not going to get anything back. It’s like the psychic equivalent of a dial tone for him. He’s trying to call his bro but their family has dialup. He tries not to fuck with it because he doesn’t want to poke around in Superman’s head blind and break something.

Clark can’t type with super speed because he’ll break the keyboard and the computer can’t keep up. Instead he uses shorthand along with a custom set of AutoHotKey macros and it is honestly infuriating how fast he can get things written with this setup. But also if he doesn’t have AutoHotKey on whatever he’s typing with then sometimes Lois will get an email like: ll] dyk f pw mde a dec wrt t $l stry? ]ck

A woman was told by her therapist to try talking to at least one person once a week but she decided to cheat by just talking to her empty apartment under the guise of telling Superman about her day because lol he can hear everything allegedly so this definitely counts and is what the doctor was going for with this. When she has to go to the hospital for a medical emergency she comes home and there is a note on her counter wherein Superman explains that he was worried because he hadn’t heard from her in a while, so he swung by to check on her. When he found out what happened he watered her plants and fed her goldfish and also that cat that he thought might be hers (she does not have a cat). She is completely mortified because she was just being full of shit she did not actually believe he could hear her oh god what all did she even say and whose cat is this???

Look if you are in Metropolis and you loudly say HEY SUPERMAN there is a very good chance he will hear it even if he doesn’t mean to. He is not trying to eavesdrop, that’s just what happens when you yell someone’s name in earshot.

He doesn’t wear the costume under his clothes because you may have noticed a running theme here where the universe is conspiring to ruin his clothes and leave him running around shirtless all the time. I mean thank god for the rest of us but he would rather not risk someone spilling their drink all over him somehow and suddenly his shirt is transparent and you can see the big S. It’s bad enough when it happens under ordinary circumstances. How often can one man get drinks spilled all over him? You would be shocked. Shocked. His eyes are up here, Lois.

yknow one thing i haven't seen anyone consider is that the reason alastor knows modern slang like "that's the tea" is because he found out podcasts exist and was positively delighted with them like "It seems today's youth aren't yet lost to that pesky picture box after all!" or something and would listen to a lot of em and pick up on the terms

Sherlock and Mycroft Holmes attend regular-people school for one year as children. 

Great shenanigans ensue.

Do not use without my permission.

Among other things, Howl’s Moving Castle provides AMAZING representation for the girlies who take too long in the bathroom. Like, what do you mean 30 minutes is a long shower? Mr. Howl Jenkins Pendragon spends a MINIMUM of 2 hours a day in the bathroom getting ready. You can’t rush beauty fr

"my child is fine" your child is listening to Hozier instead of going to therapy

Dionysus and Apollo

My biggest Rick Riordan pet peeve (I love his books but I have many many gripes with some things…)

Uh Apollo isn’t the god of fucking rock n roll stars and ‘bad’ poetry. That’s Dionysus. Apollo is the god of ballet, of studied poetry, the kind that has rules and form while Dionysus is poetry that says ‘fuck you’ to all that and scribbles on a page. Apollo is the god of ballet, a type of dance so grueling and studied that there are schools recognized for their disipline all over the world… Dionysus is the god of breakdance and dubstep not becaus they are any less hard but because it was born on the streets and taught there still. Apollo is the god that showed Michael Angelo wisdom while Dionysus drove Van Gogh to paint a night with stars no one had ever seen before and who drove Pollock mad with drink and who showed Dali that dreams could be painted. Apollo might have inspired Mozart to learn piano and read musi but it was Dionysus who drove him mad with creation. 

Apollo and Dionysus are two sides of a coin, of art and genius, of academia and emperial learning.  Apollo is the god of rational thinking and order, appealing to prudence and purity. On the other hand, Dionysus is the god of irrationality and chaos, appealing to emotions and instincts. The Greeks did not consider the two gods to be opposites or rivals, although often the two deities were entwined by nature. In fact, Dionysus’ temples were always built next to Apollo’s as you cannot have one without the other. 

Also, it is Dionysus who is the literal god of theatre, not Apollo.