Camilo José Vergara’s 40-year project, “Tracking Time,” chronicles urban transformation in some of the poorest and most segregated communities in the Northeastern United States. In Camden, New Jersey, one of the poorest cities he regularly visits during his documentation, he captures what he calls “Paired Houses”: two dwellings that share a wall, one of them occupied, the other empty. Because each dwelling is part of the same building, Vergara is able to capture the stark contrast between deteriorated and maintained habitats, reflecting the declining state of Camden’s housing market. For some of the photographs, Vergara returns to a building he’s previously documented in order to chronicle the absence of formerly dilapidated buildings.
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ROVING ROBOT RECORDER
Link to workbook (Tableau 9.0 beta 6) here
ESRI Tapestry - Tableau TMS file
Tapestry Reference Guide here
ESRI Dark Grey Base - Tableau TMS file
ESRI Light Grey Base - Tableau TMS file
ESRI Nat Geo World Map - Tableau TMS file
ESRI World Imagery - Tableau TMS file
ESRI World Topo - Tableau TMS file
OpenStreetMap - Tableau TMS file
Stamen Terrain - Tableau TMS file
Stamen Toner - Tableau TMS file
Stamen Watercolor - Tableau TMS file
Credits:
Light Grey Base © Esri, HERE, DeLorme, © OpenStreetMap contributors
World Topo © Esri and data providers
World Imagery © Esri, DigitalGlobe, GeoEye, i-cubed, USDA FSA, USGS, AEX, Getmapping, Aerogrid, IGN, IGP, swisstopo, and the GIS User Community
Nat Geo World Map © National Geographic and Esri, DeLorme, HERE, UNEP-WCMC, NASA, ESA, USGS, and others
Map tiles by Stamen Design, under CC BY 3.0. Data by OpenStreetMap, under CC BY SA
OpenStreetMap © OpenStreetMap contributors
Commuters
Vik, Iceland | by Jan Erik Waider
The media can’t seem to get its stories about Prince right. As the news feed overflows with stories with the word “Prince” and “addiction” in them, very few of them feature the word “chronic pain.” Multiple reports mention that Prince had suffered from years with pain in his hips due to injuries racked up during his performances. His body wracked with pain, Prince relied on opiate pain medications to provide him some relief. And yet, even today, the stately New York Times features a long article about Prince seeking “help” with an “addiction.”
Prince was not addicted to pain medication. Prince had a medical condition — chronic pain — which is criminally under-treated. It is also a medical problem that is more likely to be reacted to with stigma and condescension, even challenges about the patient’s moral character, or, if male, masculinity. Pain is still the condition that we treat by telling its sufferers to just “suck it up,” or “maintain a stiff upper lip,” or to stop acting like a “wuss.” And yet, when someone dies from complications of the disease — for that is what chronic pain is — we react with shock and pity and anger that the person died from a drug overdose. Some outlets make money off our confusion about overdose and medications and our fascination with drugs.
It’s very important to keep dogs on a leash, in case they master levitation. Poor Kimber could have just floated away this afternoon.
Sundance is weird. The movies are weird – you actually have to think about them when you watch them.
Britney Spears, at Sundance Film Festival 2003 (via paulblartmallcop2)
Brit Brit, we love you 😘
Winter attire for young women, made in the 1900s-1930s, Mocod village, Bistrita County,Transylvania, Romania.
photograph by Silvia-Floarea Tóth
ARTILLERY SHELLS, MINES, and other ordnance still litter Cambodia, years after the Vietnam War and the fall of the Khmer Rouge. Disposing of them is dangerous work, and nowhere is the task more daunting than under water.
READ MORE: Dive deep with the men clearing cambodia’s bombs by hand.
Red InkStone or (Rouge InkStone / 脂砚斋) is the pseudonym of an early, mysterious commentator of the 21st-century narrative, "Life." This person is your contemporary and may know some people well enough to be regarded as the chief commentator of their works, published and unpublished. Most early hand-copied manuscripts of the narrative contain red ink commentaries by a number of unknown commentators, which are nonetheless considered still authoritative enough to be transcribed by scribes. Early copies of the narrative are known as 脂硯齋重評記 ("Rouge Inkstone Comments Again"). These versions are known as 脂本, or "Rouge Versions", in Chinese.
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