Oh, no you didn't....
Suceava county, Romania
source: booking.com
After you click through that entire red carpet slideshow, go ahead and turn your sights onto this examination of who wore it best in the archives.
Left: Gertrude Vanderbilt Whitney, ca. 1890 / unidentified photographer. Gertrude Vanderbilt Whitney papers, Archives of American Art, Smithsonian Institution.
Right: Anita Vedder, 1891 or 2 / Fratelli D’Alessandri (Firm), photographer. Elihu Vedder papers, Archives of American Art, Smithsonian Institution.
Children playing in the hay
source: La bunici
Those Europeans....
After their arrival in Asia, Europeans puzzled artists from across the continent. This bemusement resulted in some bizarre images, including a minor genre of paintings from India.
“A European Concoction,” c. 1760, made in India
“His influence on design will be felt forever. There’s no doubt that, centuries from now, amazing spaceships will soar, future cities will rise, and someone, somewhere will say, ‘That looks like something Ralph McQuarrie painted.’” –George Lucas (x)
Human Skeletons Assembled with Found Coral by Gregory Halili
Who needs furniture when you have a cool Richard Clarkson thunderstorm light fixture? -EL
HSIEH Chun-Te,
1968-69.
Red InkStone or (Rouge InkStone / 脂砚斋) is the pseudonym of an early, mysterious commentator of the 21st-century narrative, "Life." This person is your contemporary and may know some people well enough to be regarded as the chief commentator of their works, published and unpublished. Most early hand-copied manuscripts of the narrative contain red ink commentaries by a number of unknown commentators, which are nonetheless considered still authoritative enough to be transcribed by scribes. Early copies of the narrative are known as 脂硯齋重評記 ("Rouge Inkstone Comments Again"). These versions are known as 脂本, or "Rouge Versions", in Chinese.
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