this was gonna be a tutorial and i guess it still is but if anything it’s just a really long and drawn out “essay” on drawing people with epicanthic folds. one of my biggest pet peeves is people drawing asian people exclusively with the same type of eye they’d give white people or anyone else who typically doesn’t have the fold! however i know that most people are taught with the standard white person eye (google image search for “eye” and it’ll all be pictures of white people’s eyes) so learning to draw epicanthic folds is a consciously learned thing.
therefore i bring you this, which attempts to break the mechanics of epicanthic folds down into something that’s a bit easier to digest and implement in your own art!
style can be argued i guess but it’s not that hard to stylize eyes with folds if you do proper observation and research. eyes with epicanthic folds are as diverse as eyes without so it’s not like you have to adhere to a strict model for them (although many people think that you have to) and all it takes to distinguish the two in stylized art (and even in semi/realism once you think about it) is a few lines! like i said this is a learned process but it’ll make your asian characters (and characters of other races even) a bit more interesting and believable.
– Winners from Crunchyroll’s Anime Awards
miscommunication as a plot device makes me angry
if you just talked to each other but no
Great descriptions to bounce off of. Helps brainstorming.
How to Draw a Damn Fine Ass Top Image, Row 5 & 6 Row 2: Drawing People by Barbara Bradley Row 3 Row 4 Row 5 Bottom Image
Anonymous asked: “I’ve been writing in first person for my novel, but I’ve found I’m not sure how to describe the main character’s appearance.”
First person in particular can be a bit of a challenge when it comes to describing appearances. I think all the way around the trick of describing the way they look while looking into a mirror is a little tired and often hard to make it feel believable. The method I find most helpful is describing by comparison.
Keep reading
Sasuke: KumaQui ( KumaQi熊祁)
Itachi: coser天狼
Btw Sasuke (KumaQui) was like: Itachi is beautiful ~ , and Itachi replied:”Baby brother, people are looking at your chest and your face…” ( 弟弟,他们眼里只要是在看你的胸和脸啊!!)
|太多的羁绊只会让自己迷惘,强烈的想法和珍惜的思念,只会让自己变弱 …. (这二柱子全程一脸看智障的看着鼬好嘛!!)||
Obito: “I always help the elderly!!!”
Obito: *helps the elderly take over the world*
Very true
THESE TWO PHOTOS EMIT THE SAME ENERGY
Character relationships are important to add dimension to the characters and can help make them and the plot more realistic. This isn’t just for romantic relationships because building the characters’ platonic and familial relationships are important as well. So here are a few tips on creating believable and endearing relationships your readers will love.
Don’t rush into it. This goes for platonic relationships as well as romantic ones. A big cliché complaint with romance stories is that the two characters tend to meet and fall head over heels in love with each other after two conversations or one loving glance across the room (sorry Romeo and Juliet). While romantic connections can begin on the first date, the characters probably shouldn’t be professing undying love and devotion to each other an hour after meeting. The problem isn’t so much the length of time that they’ve known each other as it is how well they know each other, which is why character friendships need time too. If your characters spend two full days together where they really get to know each other deeply and we can see the progression from strangers to people who understand each other, great. If their relationship spans a year but all they do is check each other out then you have a problem. Make them know each other and interact in meaningful ways to create the relationship and show how it came to be.
Show their history. Not every relationship your characters have is going to be created in the span of time in which the story takes place. Your character might have a best friend they’ve known for ten years or three older siblings. Just because these predate the beginning of the story doesn’t mean you don’t have to show what kind of relationship they have. You can say that so-and-so is the best friend but you have to make us believe it. Are they the kind of friends that tell each other everything, like even what they probably shouldn’t? Or are they more the kind that have fun and leave the drama when they go out? Show what kind of relationship the characters have rather than just telling.
Give the reader a sense of why the relationship fits. In some stories you read about the guy and the girl who are just so cute together and they’re falling in love but…why? Why does this pairing work? Having things in common is important, particularly in things that are important to the character, like values. But they can and should also have differences, some of which serve to make the other better. Together they should push each other and support each other. If you make them connect in this way it makes the connection much stronger to the reader and that makes them want to cheer them on more. If it’s all about the smooching it can get rather boring quite quickly.
Make them complete without the other(s). I know I just said that making the characters push each other is a good thing, but they still need to be complete characters on their own. If the only real thing you can say about the character is that they are X’s soulmate or best friend, then they’re not a character. It’s more interesting to see how people interact with each other than Love Interests™ following each other around.
Right now this is just anything that comes to mind since I'm a complete noob at tumblr. I've been hearing about it for years but I never really felt like I had anything to say. Well all that has changed now and I figured I'd see what all the hype about tumlr is really about. Anyway don't take anything I say too seriously for now...I'll probably change it later when I become more comfortable with this website.
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