At-will Employment Is Inherently Ableist Garbage.

I think people need to understand that when someone says the situation in Israel/Palestine is complicated they are not necessarily saying that the discussion of who the oppressor vs oppressed is complicated. The Israeli government has been oppressing the Palestinians for a very long time, that is clear, and it is not complicated to understand that at least since the 80s they have had dramatically more financial and military power to keep control of the territory in the way they like.

However, it is reductive and dismissive to insist that there is no complexity in the potential ways to move forward to bring peace to the region. Despite what people on tumblr.edu like to believe, "Israel should never have been created" is not a practical solution to an incredibly heated geopolitical situation in the present day. Israel was created and it does exist. 10 million people live there. 74% of the population is native born and the country has existed for 75 years. Hand waving these fact away with the opinion that "they should move back to where they came from" may make you feel good about being a Radical Leftist, but it does not give anyone a road map for how exactly millions of people without dual citizenship are supposed to just up and evaporate. Nor does it acknowledge the reality that 21% of Israelis are Arabs, the very people you are claiming to want to give the land back to.

Insisting that there's nothing complicated about expecting an entire country's population to willingly dissappear with no consequences is not a productive way to think about this conflict. It ignores the many massive superpowers that have an interest in proping up different states in the region, the power dynamics involved in any land back movements, and the inevitably negative consequences of totally dissolving an established state without a plan. It is also completely and almost comically unrealistic, so much so that it makes it hard to believe that anyone who's opinion starts and ends with this idea really gives a shit about anyone who lives in the area as much as they care about their online leftist clout.

There's nothing complicated in understanding that the Israeli government is and has been maintaining an oppressive apartheid state for decades. It is, however, very complicated to come up with a realistic way to resolve some of the most intricately entangled land disputes on the planet without plunging the region into total chaos. Not everyone has to be deeply educated on every geopolitical situation, but it is very hard to take people seriously when they know nothing about the politics or history of a region and yet insist that there is nothing complicated about it at all.

There's a lot of people on this website who are getting dangerously smug about their own ignorance, and are starting to go down Qanon type anti-intellectual paths in the name of being sufficiently radical. Not knowing the details of a very convoluted land dispute isn't something to brag about online as you call for intentionally reductive solutions. You can support the Palestinian cause and be aware of the oppression they have faced while also holding off on calling people trying to do real analysis and de-escalation work bootlickers. We need to get control of the urge to fit every global issue into a simplistic YA novel narrative structure that appeals to Western revolutionary fantasies.

I think, from my opinion at least, what differentiates Earthspark from other Transformers shows (more specifically recent installations is) that it took risks and even though its messages may not have been conveyed across to its fullest potential, the intention and direction are still fairly evident and less harmful in comparison to other Transformers media

Earthspark manages to balance darker themes fairly well, whilst not forgetting its primary audience are children. There are both subtle and blatant dark themes throughout the show, there is a lot of exploration regarding one's identity which is more notable (but not exclusive) to the Terran Nightshade

It makes an honest attempt to be inclusive and while it may feel a bit stunted and awkward at times, it achieved its purpose despite what may be awkward handling— I find it odd how beloved Knockout is, despite the fact that he is an offensive gay stereotype (and not really handled well as a character in general) but the scene of Nightshade, an explicit non-binary character, saving Sam in ‘Home’ is apparently too awkward and regarded viewed as good but not enough in terms of representation?

EarthSpark has Black Filipino protagonists! There is casual representation with Mo's hair bonnet and the Filipino cuisine they eat; Alex speaks tagalog at times (although I think I do recall someone on here pointing out that the dialect he used isn't accurate to his geographic hometown in the Philippines?) and there is a whole episode where he teaches Bumblebee his culture as they hunt for the WakWak! I love when Transformers and humans teach each other about their culture, it both humanizes the Transformers reiterating that they are not emotionless robots AND it gives minorities a platform to be represented in a popular franchise

Despite the fact that the Malto children seem to be almost forcibly matured by the narrative and struggling to cope with the fear and anxiety of having their family torn apart, something that BIPOC people are at a higher likelihood of experience in the real world, it doesn't forget that at the end of the day they're all children. I quite enjoy Mo as a character and her emotional maturity, she offers her older brother wisdom and emotional comfort constantly; and when her safety is at risk her younger Terran siblings ensure that they take on a protector role due to the ultimate difference that poses threat to that of a human child and a Transformer child— because the Terrans are CHILDREN!

PTSD and trauma are touched on in EarthSpark, Hashtag's autonomy is violated by Dr Meridian and uses her body to cause harm towards her siblings and damage her environment; he used her body to prove his point that Transformers are dangerous and cannot integrate with society and Hashtag suffers from flashbacks of the experience. Despite the fact that the situation between the two is not expanded on, it is clear that Megatron has hurt Starscream in the past— Hashtag (even though she has no reason to believe Starscream because Megatron IS her mom's friend and kind towards her, "therefore he can't possible have done that") immediately believes Starscream when she confronts the latter's poor treatment towards others. She opens up about her own traumatic experience with Dr Meridian and while the situation may not be the same, she was trying to establish a common ground in the fact that they're both victims

Grimlock from his time at the bot brawls and also from having been mind-controlled by Dr Meridian blatantly suffers PTSD and is triggered several times throughout the respective episode and ineffectively copes by pushing it down. It is a dangerous thing for a Transformer to be mind-controlled, let alone a fire-breathing dinobot; fortunately Jawbreaker realising that he pushed Grimlock too far steps in and manages to calm the panicked dinobot down, assuring him that he is more than just a rampaging dinobot and there is more to Grimlock than meets the eye

EarthSpark gives us a lot in terms of themes and season one was incredibly ambitious, frankly I don't think many of the other previous Transformers shows could've handled it better than EarthSpark. I don't think that EarthSpark is without fault, on the contrary I have a few grievances with it but my issue is that people (perhaps without even realising it) are showing clear bias when they critique EarthSpark. Honestly, I do think that if the protagonists were a white family that people wouldn't mind that they're so central to the story— to be honest, that aggravates me a lot because the point of EarthSpark is that the humans have a central part in the story, it's literally about Earth born Transformers who are created a pair of siblings and adopted into their family. Criticising it centering around family and the respective human family members goes against the entire point of the show...

One of the more common critiques I have seen and I do agree to an extent, is EarthSpark's pacing. However, I absolutely think that its pacing though rushed still manages to deliver a great story that went out of its way to include difficult topics to portray— as opposed to Transformers: Prime and Transformers: Cyberverse. There is no amount of analysis and meta posts that I could read that would convince me that the pacing of those two shows were better than EarthSpark thus far, OR effectively and satisfactorily wrapped up the themes, character arcs and plotlines

It just seems that EarthSpark is taking a lot more criticism at a way earlier stage compared to other previous Transformers shows and that makes me sad because people are treating it as though its shortcomings are genuinely harmful but dismiss the previous harmful depictions in the Transformers franchise... I admire the risks and narrative choices that EarthSpark has undertaken so far and I hope it only improves from here on out, to give it that opportunity the show must continue and be given a chance to fulfil its vision

Woah, woah, woah, I agree with many of the things you bring up here, but if you're going to send me a ginormous essay, could you post it on your own blog, please? Plenty of your points are well thought-out and could stand to be there own posts, and I know I've answered long asks before, but this is way too long for me to respond to everything easily. Two or three of these points would be enough for one ask, so that's all I'm going to comment on:

-The criticism about Alex Malto defining a word wrong is definitely something that should be brought up, and I'm glad people have. I think the issue isn't necessarily the language he speaks, but that he defines "lolo" as a Tagalog word when he'd probably say it's a Bisaya word since he grew up in Bohol? I do wonder if there could be something more to his history that may explain this, especially since given his background he's probably had to switch to Tagalog and English a lot, or if there's something about his family we don't know yet. I don't have the knowledge or background to speak on this though. Also, part of me is a little glad discussing the language politics is even on the table at all for this franchise after like... how TFA handled South Asian representation, which it sounds like you were thinking as well lol

-I'm not sure if you're quoting somebody, but Hashtag (and the rest of the Maltos) ABSOLUTELY had reason to believe Megatron was abusive! Did they not go to that war memorial and hear him talking about how he's done horrible things? Don't the Malto parents often mention how he's been trying to change—the kids all know he's done harm! And Starscream even pointed out how hypocritical it is to think Megatron wouldn't leave people behind when he's locking up his former followers—even kids could get that point! Plus, the show is almost certainly trying to make the point that people who say they've been hurt should be believed and the first impulse shouldn't be to try to convince them it's not true. That's a good message for kids!

Combaticons

Honestly, I’d doubt Starscream knew or cared what alt modes the Combaticons had in their old forms before he built them new bodies.

So I’d kinda like to see fanart go crazy with their cybertronian alt modes, since we don’t need to care about brand unity.

Heck they might not have even had the same names, I feel the whole “rebuilt get a new name” is a sadly lost part of transformers culture these days.

And heck Starscream probably named them.

I also wonder if they had larger group of members, and how they’d react knowing Starscream blew up the rest when he destroyed the other cabinets.

[ I imagine there are still other cellblocks of prisoners dismantled since Starscream only blew up one. Scary thought.]

Hot take: Actual literary analysis requires at least as much skill as writing itself, with less obvious measures of whether or not you’re shit at it, and nobody is allowed to do any more god damn litcrit until they learn what the terms “show, don’t tell” and “pacing” mean.

Sorry if I'm bothering you. I came across your blog and it's rare for me to find someone critical of idw (I feel the same). Can you tell some of the problems you have with them? It's okay if you don't want to. Just happy to know I'm not the only one (My friends are huge fans of idw).

Hello, kindred spirit! I'm sorry that I'm not answering the question so quickly!

Well, it's nice to know that someone is also unhappy with IDW and wants to know more about it! Get ready, this will be the opening of Pandora's Box.

Out of a million of my claims, I will try to build a constructive list.

1. IDW does not build lore of the universe. They didn't have enough for this for 17 years or whatever they wrote comics. What kind of innovations, adequately embedded in lore, do we have? What lore did we get? No, we don't really know anything, neither the origin of transformers, nor what's going on in the universe, the rules change at the click of your fingers.

A couple of egregious examples.

Explanation of female transformers. Experienced IDW authors for 3 or about as many retcons could not explain it all, which is why the whole fandom got mad, tired and asks not to explain anything at all, so as not to see idiocy anymore. That is, they give the authors the right to be lazy, but more on that later.

You can say that it's really "everything is complicated and explanations are not needed, female characters have the right to exist!". They have, that's not the point.

This problem is solved simply — there is no need to explain the female characters, you need to explain why Cybertronians, in principle, have a humanoid form. That's all, any explanation from this point justifies both female and male, and androgynous, and any other, as well as all kinds of genders. As an example, Primus has seen enough of the variety of organics and made his creations roughly similar. All. I had to sit for 10 minutes to come up with this, and this is not the most brilliant idea. The IDW authors had 17 years, they didn't come up with anything.

Another example is Conjunx Endura. I understand perfectly well that the authors of the comics wanted to appeal to the fan base writing fanfiction. But you need to be able to do it correctly. You can't just take a phenomenon invented by fans and shove it into an official work without any explanation of this phenomenon inside the lore. Especially since many fanfiction writers do it! You can find works with such beautiful and logical explanations that it seems ingenious. But the IDW authors are above any explanation. And yes, there are not always explanations in fanfiction, but we compare non-professional writers who post their works on the Internet for free with experienced authors of an official work that is sold for money. Who should put more effort into their work?

I'll just explain. For us humans, romantic love seems obvious, but it's not a particularly common evolutionary invention. If an intelligent species evolved from some elephants or killer whales, then the priority would not be a pair, but a kinship relationship. There are a bunch of animal species that don't create pairs at all. So how and for what purposes does such a phenomenon as Conjunx Endura exist in the society of transformers? They do not breed in pairs, they do not have any very harsh living conditions where a partner can help with survival. Something from Primus? Some kind of "power of love"? Who knows, the authors don't care, the fans of couples are happy and draw tons of art and write tons of fanfiction, and they don't need more. And I understand that in the original very first cartoon we were shown that Cybertronians know how to love. But this is a cartoon for children, of course there will be no details, these comics are designed for an older audience who can understand complex explanations.

Age-related burnout is something like a disease ending the life of a transformer. What do we know about it? After what time does it come? For what reason? What is it like? And why should the reader know this, it is there and that's it.

Similarly, for all IDW's love of violent scenes and cutting transformers into pieces, we don't really have a single image that normally shows the anatomical structure of a Cybertronian. They didn't even bother to come up with names for body parts. When I needed to find names for the most basic body parts, I found about 10 fan interpretations for each and 0 official ones! I'll repeat it. THEY HAD 17 YEARS TO DO IT!

About changing bodies and genders to more suitable ones. Again, it is too directly written off from humans, although we are talking about alien robots. Humans have biological and socio-cultural reasons for this. How does it work for transformers? Different types of sparks were canceled by the retcon, so it is impossible to talk about some kind of accordance. Just fashion or aesthetic preferences? Well, that's something. But why, according to this logic, we were not shown examples where transformers change their alt-mod, because they felt that it would be right? No, it's too difficult, because the reader is too stupid and will not understand the allegories or signs of alien psychology of another intelligent species. Again, I'm not against it, but while it's clear how it works for humans, everything here works on the principle of "because".

And these are the biggest examples, but with the little things and everything else, it's about the same. These comics don't build the world, you don't want to dive into it, because almost nothing is known about it, except for a short period before and during the war. It's unclear how it works.

2. The authors obviously like Decepticons and don't particularly like Autobots. And they try very hard to hide it behind the so-called "gray morality". The authors tried so hard to suggest that the Decepticons are not so bad, but at the same time, because of the rule of coolness, they left their actions far beyond the point of no return, when the arch of redemption can no longer work in the work.

I will explain this with the most striking examples.

Megatron. How the authors protected him with all their might. The fact is that the authors adored Megatron so much that they tried to give him everything at once. Megatron must be a cool destroyer who staged genocide on Cybertron and on other planets. But at the same time, he should personify a "misunderstood hero who fought for a just cause." Megatron throws from extreme to extreme. Then he orders to kill all living beings in the universe, and then he changes on the move and decides not to kill anyone at all, doing absolutely nothing to save his comrades. (Time of MTMTE and Lost Light events). He defected to the Autobots only out of self-hatred, and not because of regrets about his actions. He never says that he feels sorry for the murdered Cybertronians or the inhabitants of other planets.

And the authors are trying to emphasize this, then through Rodimus, who almost licked him and promoted the point of view that Megatron (the leader of the Decepticons) is not responsible for everything that has happened in the last 4 million years. Or through Whirl, who began to blame himself that it was because of him that Megatron started all this, as if Megatron could not think on his own.

But apparently the authors didn't have enough of that, so they introduced a Functionist Universe to show how bad it would be for Cybertronians without a revolution. After all, screens instead of heads are much worse than the genocide of their own kind and the deaths of countless living beings on other planets.

I am sure that even the authors introduced Holomatter technology to draw a hot humanization of Megatron. You just compare his drawing and the drawing of others.

The authors had 2 options — not to make Megatron a monster so that it all worked, or not to follow the path of his justification. For such an image that turned out, the only redemption is death, any textbook of screenwriting skill will say that. What did we get? An inarticulate, unsatisfying ending where we don't even know if he was executed or not for all his crimes that he didn't really atone for. In general, it is very interesting to send a galactic criminal essentially on a cruise initially instead of a normal punishment. The inhabitants of the affected worlds especially liked it, I'm sure.

Starscream. Of course, they could not ignore the audience's favorite. How not to give your beloved Starscream the crown and the status of ruler. Despite the fact that before that we were shown him as an incompetent leader who brought the Decepticons to an incomprehensible extent in the absence of Megatron, but no one on the planet remembered this when he became ruler. No one in the galaxy was unhappy that the second in command and accomplice of the intergalactic genocide became the ruler. Because the authors wanted a Starscream in the crown, which in the end did nothing but argue with Windblade, and then in the end unexpectedly committed a heroic act during the fight with Unicron. What led to this? Nothing really, it's just that the authors love Starscream, why explain.

It's about the same with Soundwave.

Thundercracker. The kindest Decepticon. Who was not happy with Megatron's actions, but still obeyed them, whined to himself, and only at some point the authors remembered that they needed to make him good. And one act was enough to declare him so. And even humans accepted his residence on Earth, which should not be, since his one act is not enough for everyone to take and forget who he served and what he did before. But add a dog, and everyone will stop paying attention to it, because it's all so cute.

Well, just look at all the "positive decepticons" who still hate organics, who do not particularly repent for their actions, but the authors present them to us as "good guys".

And what about the Autobots? And now they are partly defenders of an unfair regime.

About what was done with Prowl and Star Saber (here is my post about it) I can only keep silent. As far as I know, the comic book author at least hated Star Saber, so he made him like this.

It would seem that here it is grayness, there are no good and bad. But, as we have seen, the "good" Decepticons are not as gray and good as they are presented. But they showed us good Autobots, right? We'll see.

Tailgate is at first a good autobot, who, because of his strength, has become some kind of hysterical, driven by momentary inadequate emotions.

Rewind is a good one, we won't pay attention to the fact that he used Chromedome as a tool, in fact he didn't love him, chasing after his previous partner, but we will perceive these two as a good couple. Yes, by the way, the beloved fan couple and the representation proudly called by the authors do not really demonstrate a bit of a good relationship, only use and disrespect for the feelings of the partner.

Rodimus is a good one, although he is an infantile egoist who, after a moment of enlightenment, returned to his previous behavior, and treated everyone badly except our beloved Megatron.

And really good characters like Skids can be killed and forget about their existence.

But we have a bad Getaway, which could be an excellent example of gray morality, since he was initially right, but the authors could not allow this, so they turned him into a caricature villain and killed him.

I really can't think of a single character that was enjoyable. Not necessarily morally clean, but at least not disgusted. Maybe this is just my opinion, but I hate almost everyone in this line of comics.

3. Authors hate human characters. It's simple, the whole storyline is on the Earth. Humans are stupid and evil bastards who thoughtlessly fell for the Decepticons' trick, fought against the Autobots and tortured them. Yes, humans can do terrible things and most likely would have done something about it, but it feels like there was no place for humans in the vaunted "gray morality". Even if the authors have a teenager's brain with all this "humans suck!", they could try to make a good story. What did Spike do to deserve such a character portrayal? By being annoying in a cartoon? That's not an excuse.

4. Terribly boring MTMTE and Lost Light, a soap opera at its worst. Most of this sprawling plot could be spent on really interesting things.

5. The ending. No comments. The only plus is that it's finally over.

6. Reboot is just boring.

7. Shattered Glass — thanks them for remembering, but it doesn't even match the original, either in the image of the characters or in the plot. The plot is so-so.

8. Last Bot Standing is just some nonsense with an incomprehensible morality, an incomprehensible premise and some crazy image of random characters.

And all this is only a small part of my claims, which I was able to quickly recall.

You can say, and many will say, that this is unfair, because other works on transformers are no better and suffer from the same problems. And I will agree. But there is one detail.

Most fans do not put other works on the pedestal of the best media on transformers. Therefore, I have no complaints about other comics from Marvel or Dreamwave, because they are treated adequately. But there is such a rush around IDW that I'm tired of seeing endless proposing to put every character and every solution from these comics into new comics/cartoons/movies/games. I understand that compared to other works, these comics seem cool, but they have a lot of problems that should not be repeated. You need to come to something new, and not take the most popular and think that this is the key to success. Earthspark is going down this path, and it doesn't look good anymore. But if everything is covered with a sad Megatron and blue flowers, then everything is fine. And this is not so.

Perhaps not everything was bad, the beginning was promising and even interesting, but all this quickly turned into some kind of nonsense, fanservice and fulfillment of the wishes of the authors. In the end, I'm glad that their license was taken away from them, and I hope that the following authors will not rely on these comics in the future.

I don't like IDW for the reasons outlined above, but I hate these comics for the way the fandom treats them.

Thank you for wanting to hear me and perhaps listening to what I would like to convey.

I swear we used to be able to think critically about random GoFundMe asks

It used to be understood that if someone using a throwaway blog suddenly starts messaging a bunch of accounts to beg for money, they were most likely a scammer.

Now suddenly there are fucking swarms of throwaway bots relentlessly shilling GoFundMe campaigns to anyone who even so much as breathes in the direction of a trending tag or post, yet the mere suggestion that any of these could be a scam will immediately get you yelled at by self-righteous strangers.

What changed?

Found family that’s made up of celebrity/mayor equivalents and everyone’s always busy (Click for better resolution)

You know what? Im breaking my silence. Im TIRED of people missing Jess’ character on purpose. Like, everyone can use context clues and fill in the blanks for every other character but somehow Jess is the only one taken at face value? Jess is being seen as a cold, detached, mean bitch by fans but I cannot determine whether we even watched the same movie.

Let’s address the elephant in the room, because she is a black woman who is NOT a mammy character, people criticize her harsher. Jess was MORE than Miguel’s “lackey”. She had her own thoughts and opinions. She definitely had her own personality and feelings about the entire situation. She lowkey stalled time to give Gwen chances to fix her mistakes.

If Jess was as cold as Miguel and such a “bitch”, she would’ve left Gwen the first time. Let’s not forget that Miguel was fully about to leave Gwen with her own father holding her at gunpoint, JESS vouched to bring Gwen under her name. Jess put her OWN position at risk to help Gwen and it required that she do her job accordingly. Jess made the boundary VERY clear, she is NOT Gwen’s mother. She is NOT her friend. I seen people argue that “Jess’ maternal instincts” should’ve kicked in to protect Gwen” but fully ignoring that Jess HAS A FAMILY! Jess is PREGNANT with her OWN child. Her instincts DID kick in and she chose her dimension with her family in it!

Jess was stuck in a rock and a hard place. She obviously wanted to help Gwen (considering she brought her in at the cost of her own position) but UNFORTUNATELY, GWEN messed up. Gwen saw Miles and that ultimately led to Spot escaping. You can love these characters and acknowledge that every character had their OWN thoughts and motivations that led to fuck ups. It’s not right to try to make Jess sound worse than the man who fuckin replaced his dead self out of grief, was about to leave a teen at gunpoint, and had an entire society of people chase a teenager who wanted to save his dad.

Don’t get me started on the “she’s fighting crime while pregnant argument” because we can accept superpowered people but NOT the possibility that their bodies are more resilient. NOT TO MENTION THAT PETER B HAS A WHOLE BABY ON MISSIONS???? Like, no one is calling him a bad father so what’s different with Jess? Miguel was mean as fuck to Miles upon meeting but Jess doing her JOB is considered being “mean”.

Then the “I didn’t see her enough to connect with her” is fair until everyone can somehow create entire {TERRIBLE} mischaracterizations of Hobie, Pav, and Peni who (arguably) had just about the same amount of screentime. She also shares traits with every other spider person with being snarky and quick-witted while being completely grounded. She’s literally one of the spider people that Miguel fully trusts but somehow the fandom erases her and goes “He loves Peter B and Lego Spidey🤪🤪”

Like, it’s crazy how people find it so easy to erase Jess and Margo (Spiderbyte) in fanworks for things they easily dismiss from other characters and it’s feelin like misogynoir. Like, Margo and Hobie served the same purpose with deciding to go against Miguel for Miles, yet only Hobie and Gwen gets that credit.

AND THEN THE MANY EXCUSES WHEN IT COMES TO SHIPPING! People keep hating on Jess/Miguel because she’s “obviously pregnant and married” but go right around and ship Miguel with Peter B. Same with Margo/Miles because it’s a bunch of “Miles and Gwen are obviously endgame” ANDDDD???? Since when did every ship HAVE TO be canon in order to be a ship? It’s especially crazy because I BARELY EVER see those comments on Miles/(Peni, Pav, or Hobie) or have no problem with having all the boys huddled around Gwen. The double standard is glaringly obvious.

In conclusion, some of you mfs dont deserve ATSV.