rtbamapride98
INFJ…26…SHE/HER
281 posts
Latest Posts by rtbamapride98
Well now I just wanna see Goose put her hat on Ghost
Hehehe
“What’s this?” Simon asks, tipping your hat back. You swat his fingers away and push your brim back down.
“It’s nothing.”
“Didn’t look like nothing.” He raises a brow, staring you down, you can tell he’s smiling under his mask.
“Shouldn’t you just be happy I’m not stealing your hat today?” You frown at him, swatting his hand away again when he reaches for your brim.
“I like when you steal my hat.” You really hate how many butterflies he conjures in you just saying that.
“Only because you know you’ll get lucky later,” You gripe, letting him hook his fingers in your belt loops and tug you closer.
“Maybe,” He says, “Maybe I just like seeing you wear it.”
More butterflies, you push at his face, cover his eyes so he doesn’t see you blush. It’s too early for him to be this smooth. What ever happened to him ignoring you where your dad could see?
“You don’t wanna see me with your claim?” Simon asks behind your hand.
“That’s different.” You tell him, it feels different at least. Feels less like a game and more like something… permanent. You wonder if he feels the same way about you stealing his hat these days.
“Doesn’t have to be.” Simon plucks your hat from your head, leaning down to let you swipe his.
You make an annoyed noise and grab his hat, watching him replace it with yours. It doesn’t really fit, but neither of you thought it would. You shove his hat onto your head and storm off to find a chore to do away from Simon’s too pleased smile.
He tips the brim of your hat down to check on the dark black he’d spotted against the chocolate felt. It’s his name. “Simon” spelled out in neat letters along the edge. He runs his thumb over the burnt felt, the brand you must’ve put on just for you, and now him, to see. That explains the attitude. You’re so cute when you’re embarrassed.
Ah, he’s gonna have to reward you for this later.
Birds are basically the dinosaurs that managed to “nooo you wouldn’t hurt a cute little baby guy on his birthday” their way out of a mass extinction
I don’t know if any of you did watch these two Halloween movies called “Scary Godmother” in your childhood. If you haven’t, I recommend watching it. It’s really good and I still enjoyed watching these two Halloween Movies. Both of them are on YouTube if you want to watch it.
The writing is fun and goofy, the music is catchy and it’s just awesome to me! I’m watching Scary Godmother movies right now for Halloween to revisit my childhood. And I hope you all had a Spooktacular Halloween! 🎃👻🐈⬛🦇🕸️🍬💜🧡
Ok I want your most controversial Ghost headcanons bc I'm curious 👀
Oh boy. Uh. Well, alright, here we go (and truthfully idek if these are really "controversial" so much as "me going against the fandom grain" here):
He's not some mean hard vicious Dom type in bed. Sorry. Don't see it. He's not gonna beat his partner. He's not gonna choke them out. Not gonna degrade them. One night he accidentally leaves some bruises on their hips from grabbing so hard and he doesn't touch them for a week. (He will give hickies, but thats it).
He doesn't show his face to anyone unless he explicitly trusts them. He won't wear the full skull balaclava if he's in civvie dress, but he will wear a hood and a standard mask that covers his nose and mouth.
Scary Dog Privileges but hear me out: he wants his partner to lean into it too. Treat him like a former fighting dog that you're trying to domesticate. He'll live for that shit.
Anyone else other than his military superiors tries to order him around and they'll get decked. But his partner? They could snap their fingers and tell him to jump and he'd ask how high.
A caregiver if I ever did see one. Need food? He's on it. Water? He's got it. Cold but didn't bring a jacket after he told you to? He'll moan and complain but somehow he winds up bare-chested in the dead of winter while you're wearing his shirt and his jacket AND his coat. (He's still got his mask on tho)
Make him laugh and he's putty in your hands. This can mostly be achieved by telling shitty jokes that rival his. (Protip: his favorite is "what part of your body dies last? Your pupils. Cause they die-late.")
He can be cold, quiet, and calculated, sure. But this is mostly reserved for field work. In everyday scenarios, he's still quiet, but he's not as harsh and jagged.
Does not do crowds. You will not catch this man in a bar of his own volition, and if you do, he's been dragged there by the rest of the 141 and he's got his back to a corner somewhere.
Deep down, deeper than he's probably willing to admit, he needs someone to need him. Like, truly need him. Let him be a tool to use, a pillar to lean on, a soft place to land. Something, anything, as long as he's needed. He doesn't know any other way to exist.
He likes to say he's got a cold heart, but truthfully it's just very well-guarded. If someone were to weasel their way past his carefully-built defenses, they'd find out damn quick that his heart is definitely not cold. In fact, its open and bleeding. Terrified and waiting for someone to treat it with even an ounce of love and gentleness.
ill figure it out <- common utterance of a girl who is completely fucked
Vampires when they sip on your blood and catch extra strength Tylenol, at least two psychiatric meds, two cups of coffee, weed, and microplastics
thinking about reader being completely wasted and making fun of simon's accent.
like, can you imagine? everyone being scared of big ass guy™ when they mention his deep british accent and theres 5'5 reader fucking laughing and saying "wot-er". begging him to say some words.
and he does.
soap and gaz making bets when he's gonna snap and simon is just smirking under his mask, teasing reader. and he's on purpose saying luv to make her flustered. and he does perfectly bc her cheeks are even redder and it's NOT from alcohol.
i was gonna make a post about how the housing market is so trash that scary godmother has to have two (b)roommates but idk i think id love to live in a spooky old house with my queer besties and a ghost cat
I just wanna know how tf mav managed to get his way into an f-18 without anyone noticing
Mav: hello, I need to get to my f-18 for the training mission today
Staff: but sir, you’re not scheduled for flight today
Mav: Ice said I could
Staff: oh, okay go ahead
Staff: wait
Staff: iceman’s dead
Mav:
Uncanny long boy
’’Cleopatra died more than 2,000 years ago, at the age of 39. Before she was a slot machine, a video game, a cigarette, a condom, a caricature, a cliché or a synonym for Elizabeth Taylor, before she was reincarnated by Shakespeare, Dryden or Shaw, she was a nonfictional Egyptian queen. She ruled for 21 years, mostly alone, which is to say that she was essentially a female king, an incongruity that elicits the kind of double take once reserved for men in drag.
From her point of view there was nothing irregular about the arrangement. Cleopatra arguably had more powerful female role models than any other woman in history. They were not so much paragons of virtue as shrewd political operators. Her antecedents were the rancorous, meddlesome Macedonian queens who routinely poisoned brothers and sent armies against sons. Cleopatra’s great-grandmother waged one civil war against her parents, another against her children. These women were raised to rule’’ – Stacy Schiff, New York Times
Pairing: Bradley “Rooster” Bradshaw x F!Reader.
After working a long day at the Hard Deck, a special visitor arrives just before close. The San Diego heat isn’t the only thing that soon gets you hot under the collar.
Explicit Sexual Content. Post-Beach Scene. Minimal TGM Spoilers.
Warnings Listed on Each Individual Piece.
🎵 SPOTIFY PLAYLIST 🎵
🛩️ PART OF THE F&F UNIVERSE 🪂
Keep reading
OUTLANDER ⇢ 1x06
I suppose we’re done for the day. Be sure to deliver her to Fort William by sundown tomorrow. If she is not present at the appointed time, you will be accused of harboring a fugitive from English law, and you’ll be hunted down and punished, even unto death. War chief or not.
bonus:
Hidden In Plain Sight Masterlist
divider by @firefly-graphics
SUMMARY: A serial killer is loose in the city of New York. Y/N and her partner must find out who it is but he’s smart. But sometimes the answers to your hardest cases are right in front of your face.
PAIRING: Dark!Detective!Bucky x Detective!Reader
SERIES WORD COUNT: TBD
WARNINGS: Each chapter has its own
IB: @empyreanwritings’ Right In Front Of You
HOW IT ALL BEGAN
THE WOMAN IN WHITE
THE CANDYMAN
THE BUNNYMAN
THE HOOKMAN
THE BLACK AMBULANCE (16/10)
SMILEY (19/10)
THE DEVIL (22/10)
SLENDERMAN (25/10)
LA LLORNA (28/10)
SPIDER BITE PART 1 (29/10)
SPIDER BITE PART 2 (30/10)
THE BIG REVEAL (31/10)
TAGLIST FOR THIS SERIES IS OPEN (12/50)
Delicate Edges - Masterlist
summary: Your family’s beloved flower shop was not the only thing you inherited when your parents passed. Trapped under a mountain of debt to the Hydra club, you bear the cost of your father’s desperate bargain. It’s only in moments when the charming Bucky Barnes walks into your shop that you can forget the cruelty of the biker clubs of this town. But a war is brewing. The border is crumbling. You're trapped in the middle. And Bucky will stop at nothing to keep you safe. (Biker!AU) pairing: Bucky x reader series word count: ~70k series warnings: canon level violence, biker gangs, extortion, sexual harassment, smut (18+, will be marked by chapter with *), an exorbitant amount of fluff turns into a shitstorm of angst a/n: chapters will be added under the cut as I update! There is no tag list for my work, but you can follow @wkemeup-fics and turn on notifications to be alerted to new chapters. I will be posting on Sunday mornings EST
One
Two
Three
Four
Five
Six (October 24th)
Seven
Eight
Nine
Ten
Eleven
Epilogue
🖤 series playlist
Writing Sibling Relationships
A sibling relationship is perhaps one of the most complicated things to realistically write about. Your character dynamics and personalities will help determine their relationships but here are some things to consider:
Building their past:
Think about how they were raised. Upbringing plays a large role in impacting a person’s character, and it also helps shape relationships with siblings.
Consider their favourite memories. Good memories are important to a person, and people often seek to create new memories similar to the old good ones. On the other side, also think about their worst memories.
Who was the oldest? Who was the baby? Birth order does have some impact on personality. It also is especially important for the earliest memories.
Think about the roles that they ended up in. Siblings do, to some extent, define themselves by how they are different from each other. They pursue different interests, take on different roles, and explore different identities. These roles can be a source of self-realisation and sometimes frustration.
Giving siblings personalities:
Choose personality traits for each sibling. Even if the sibling is only a minor character, it’s important to know their basic personality.
Think about each character’s dreams, hopes, and struggles. What do they want in life? What are their goals? Every character needs something to strive for.
Figure out their insecurities. Everyone feels insecure about different things: skills, personality traits, perceived physical flaws etc.
The siblings in your story might have similar looks, qualities and characteristics. However it’s important to make them their own person too.
Keep in mind that siblings might have the same habits, sometimes without even realising it. (Personal example- My eldest brother and I do not look the same. He has green eyes, mine are brown. I have dark hair, he’s blonde. Our faces are shaped different. He takes after our mum, I take after our dad. However, we have a lot of the same habits and mannerisms. We both carry ourselves in the same way, we both quirk our eyebrows in the same manner when confused. Little things like that, that when growing up I’ve picked up from him and vice versa.)
Things siblings do: (This is a generalisation)
Siblings know how to push each others buttons.
Usually they spend so much time with each other, they know exactly how to annoy their sibling and the best way to do it.
Whatever annoys your character, his (or her) siblings already know about it. If your character’s siblings decide to get on his nerves, it shouldn’t take them very long.
Most (if not all) siblings make fun of each other to some degree. Usually they are just messing with each other. Depending on the circumstances, the insult may be forgotten almost immediately.
But it’s important to consider how siblings react when someone else is picking on their brother or sister. A lot of siblings will get defensive in this situation. Unless you have set up a reason otherwise, make sure your siblings know how to tease each other but also how to protect each other.
They rarely call each other “sis” or “bro” unless they’re trying to be annoying. This is seen a lot in films and TV but it’s not common. The occasional greeting like that is fine, but overusing it just sounds strange and unnatural.
Sibling conflict:
Siblings will argue other pretty much anything. Most of the time it’s just to get a reaction. Sometimes one will start an argument just because they’re bored.
The silent treatment! A lot of siblings, particularly children teenagers and young adults will give each other the silent treatment over the pettiest things. But it’s incredibly hard to ignore someone living in the same house as you for a long period of time.
The sibling on the receiving end of the silent treatment will usually do absurd and annoying things to get their brother or sister to speak.
Common things siblings argue about:
The tv remote
Who is going to use the bathroom first
Someone is taking too long in the bathroom
Who gets to sit in the front seat of the car
Who the favourite is
Estranged siblings:
“Sibling relationships are our longest, but it’s also an accident by birth. There are no guarantees that the siblings will grow up with similar personalities, interests or like each other,”
You should be able to find plenty of conflict amongst brothers and sisters. But most of the time there is a resolution.
If you were to fall out with a friend, you can unfriend them, you can’t un-sister a sister, whether you like it or not you’re stuck with that person in some sense.
However, some siblings do fall out and never speak to each other again. It happens, but if this happens in your story there are a few things to consider:
When asked about their family will your character acknowledge that they have siblings? Or will they claim to be an only child?
Why did they stop speaking?
Would they reconcile in times of crisis? For example, if a family member died would the siblings put aside their differences to deal with the situation?
Do they tell stories about their childhood that include the sibling?
It’s important to remember that if someone has a sibling, a lot of their childhood memories and stories from growing up will have some reference or include that sibling. It’s hard to complete cut them out, they will be mentioned at some point.
Given the entangled, long-lasting bond, what’s the price paid for suspending or ending it?
Does the sibling have other brothers or sisters whose relationships are satisfying? “
“If they have no contact with a sibling, it’s losing a shared history and there can be a sense of guilt,”
Or are your character’s relieved? Do they express a sense of relief.
“Like the end of a marriage, sibling estrangement is always sad, even when it brings relief. It’s not what anyone hoped for, but sometimes it’s the wise and necessary choice.”
Ways of bringing together estranged siblings:
Write compassion between your characters. Show them trying to see things from the sibling’s viewpoint alongside their own.
Have them say what they want from their sibling moving forward. Don’t just have your characters vent all the time. Your reader might grow tired of that.
Confirmation of love and affection:
Are the siblings in your story the type to talk about feelings? Maybe they don’t talk about it but the feeling is still there. Consider showing the depth of their relationship through actions.
(Personal example - When I was born my brothers were 4 and 6 years older than me. From what my mum has said they were both excited to have another sibling and would fight about who got to hold me first. When we were younger we used to cuddle on the sofa and play together, and frequently said I love you etc, however as we got older that stopped. I can’t remember the last time I said I love you to either of them, which sounds terrible. But it doesn’t change the fact that I know they love me and that they know I love them, we just show it and say it in different ways.)
Relationships with parents:
How did parents or caregivers react to fights between siblings?
Was there parental favouritism, real or perceived? How did the non-favourite sibling(s) react?
Do your siblings stick together when arguing with their parents?
Would your characters lie in order to prevent their brother or sister being told off by their parents?
Some siblings will join forces to tease their parents.
What if the siblings don’t have a good relationship with their parents:
If this is the case in your story, research it, google is your friend.
Try and read up on real life experiences.
Consider how the siblings view their parents. Do they stand together with the same opinion or do they have conflicting recollection of events?
Do the parents have a healthy relationship with each other? How has this impacted their children?
Writing siblings who have abusive parents:
If the siblings come from an abusive home, how has this affect their behaviour?
Do the siblings ever talk about what happened?
Do they have the share the same experience? Do they ever argue about the situation?
Are they over protective?
Has their own relationship become strained? Have they drifted apart?
Do the siblings ever acknowledge the past? If not, does this cause friction?
Common assumptions about sibling age order:
Oldest child: people pleasing, bossy, organised, punctual, natural leader, controlling, ambitious, expected to uphold family values, caretakers, financially intelligent, responsible
Middle child: flexible, easy going, independent, sometimes feels like life is unfair, sometimes will engage in attention-seeking behaviour, competitive.
Youngest child: silly or funny, risk-taking, creative, sometimes feels inferior, easily bores, friendly, outgoing, idealistic, the baby of the family.
Only child: close to parents, demanding, leaders, spoiled, self-absorbed, private in nature, may relate better to adults to kids their own age, independent, responsible
While these are common assumptions, they are not strictly true and it’s important to consider your characters personality before you apply any of these stereotypes because it may clash with how your character truly is.
Half siblings:
Half-siblings can run along several lines:
They might act like full siblings, depending on how long they’ve known each other.
They may view each other as space takers.
Your characters may feel “eh” about their half- sibling, they could just be someone who is there but they don’t have a relationship with. The half-sibling may even be a complete stranger.
Consider that they might be rivals. Are they friendly rivals or bitter rivals?
Don’t get caught up in trying to build their relationship based on what “should be” in accordance with society. As you establish these characters, let your own imagination lead you to what their relationship is. But remember that their relationship will be impacted on how the parents treat them too.
(@its-the-tear-in-my-heart thanks for asking about sibling relationships. This post is more generalised than your question but I hope it helped in some way.)
i want our bodies to be one, bleeding the same blood
richard siken “wishbone” // kellie wells “the girl, the wolf, the crone,” // angela carter “unicorn” // andrea dworkin // @burnhamandtilly (“scabs” ashley blanton & “bloodshot” julien baker) // sempulapeyaneerar, from kuṟuntokai (1st - 3rd c. CE) (tr. a.k. ramanujan) // rainbow rowell // @ibvyache // “fineshrine” purity ring // “contract” by tishani doshi
i want our bodies to be one, bleeding the same blood
richard siken “wishbone” // kellie wells “the girl, the wolf, the crone,” // angela carter “unicorn” // andrea dworkin // @burnhamandtilly (“scabs” ashley blanton & “bloodshot” julien baker) // sempulapeyaneerar, from kuṟuntokai (1st - 3rd c. CE) (tr. a.k. ramanujan) // rainbow rowell // @ibvyache // “fineshrine” purity ring // “contract” by tishani doshi
i want our bodies to be one, bleeding the same blood
richard siken “wishbone” // kellie wells “the girl, the wolf, the crone,” // angela carter “unicorn” // andrea dworkin // @burnhamandtilly (“scabs” ashley blanton & “bloodshot” julien baker) // sempulapeyaneerar, from kuṟuntokai (1st - 3rd c. CE) (tr. a.k. ramanujan) // rainbow rowell // @ibvyache // “fineshrine” purity ring // “contract” by tishani doshi
Requests are open!
Not my first writing blog, but my first Jax blog.
Send me requests for one-shots and reader inserts.
Currently working on a billion Jax multi-chapter fics. I’ll be posting them here when they’re done.
Come at me fellow Jax hoes, send me shit!
