Dialogue is an important part of storytelling. While I’m not perfect by any means, I definitely consider this to be my strength when it comes to writing. So hopefully I can shed some light on this subject and help those that want to improve their dialogue in some capacity.
Internalized thoughts:
I consider internalized thoughts dialogue said to oneself. Which is why I’m going to talk about it here.
I like to use dialogue for characterization, mostly. Since it really won’t move the story forward (since the character is only thinking it to themselves), I find it helps to create juxtaposition between what is said and thought.
Examples of how to use what is said vs. what is thought to create drama
Character is quiet or seems that way, and thinks a LOT more than what they say
A character is a liar, so they may say one thing, but we don’t know it’s a lie until they think it
A character is trying to examine someone or something else silently
A mute character
A character that reads minds—can be challenging but fun to write
Speech:
Speech and creating personality:
Think about the way someone speaks: accents, if they use curse words, if they’re always “proper” or always using slang
Think about what they say vs. what they won’t. Are they falsely sweet? Always challenging someone?
Having one character have a saying they always use is a fun way to build personality. For instance, Ron in the Harry Potter books always saying “Bloody hell”. You can come up with your own creative “curse words” that aren’t actually curse words. That will definitely up the personality of the writing and characters.
Advice for writing dialogue
If you have trouble varying the speech between characters, I’d suggest 1. Listening to people around you and what they say and how. 2. To practice.
Think about various emotions and how that can change the tone, words chosen, etc. Speech and dialogue will really speed up scenes. So if you feel like a chapter is paced a little bit too slowly, adding some dialogue between characters will speed it up.
If you’re stronger at description and find you never add enough dialogue, look through your piece and think about various areas that could be changed to dialogue instead of description OR scenes that could have a small but interesting conversation.
On the same note, sometimes it’s easier to describe a conversation than write it all out.
For example, conversations that happened in the past that someone is describing, conversations that perhaps are important to know happened in general but not in detail, etc.
You don’t always have to write out the FULL conversation. A good example of this is phone conversations. Writing out all the pleasantries (greetings and polite “how are you”s) really aren’t necessary. Get the main “point” of the conversation. I.e. why it is important for the reader to know.
Not every line of dialogue needs a dialogue tag (i.e. “she said”). If it’s between two people, and they’re really going at it (because they’re angry or they’re playfully bantering or something), the dialogue tags become unnecessary and honestly bog down the quick flow. Just clue the readers every few lines or so.
Read your conversations out loud! Does anything sound awkward or unnatural? Hearing it will help clue you into those areas that could be changed or revised.
Happy to answer any questions. Happy Writing!
This is an extensive list of resources for every problem you could come across while writing/planning/editing your novel. Use it well;)
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Hello. I have this idea where the whole concept of the book revolves around death. But i have a problem with trying write it out, could you give me a guide about planning? Like a basic skeleton to a slice of life book?
Hello!
There are lots of ways to plan, and what works really well for one writer can be completely unhelpful to another. There’s no one-size-fits-all skeleton exactly, but here are some ways and means for you to try:
First, here is a cute guide made by @maxkirin
Second, you can always try and map out the plot based off of a story structure system- aka,
Or related to that, the “skeletal outline”, in which you take each of those elements and write down a few details for each one:
Exposition: -
Finn lives alone in a disheveled house
-He is trying to change his life after a complicated past
Rising Action:
- Leon, from Finn’s past, shows up
- Leon tries to rope Finn into a plan
and go point by point through the arc, writing down a sentence or two for each significant moment on the chart.
Take it chapter by chapter and just “shine a little light” on what’s going to happen.
Chapter 1: Finn is living alone when someone from his past, Leon, comes to visit him, trying to convince him to help him with a crime. Finn says no.
Chapter 2: Leon gets mad and concocts a plan that lands Finn in hot water.
Chapter 3: Vera agrees to help Finn, but in return he has to help her with…
And so on.
Write all your ideas down in one place, and don’t even try to organize it. Sometimes just figuring out what you do know helps you figure out what you don’t know.
If you’re artsy, you can even try drawing out a little mind map of all the elements you have so far.
This is just something that I started doing by myself when I first started writing, and I’ve been doing it ever since, just because it works for me. It’s something like the flashlight or skeletal method, but with an added element: for each part of the plot, I write a quick little line or quote that summarizes the idea or the scene.
1. Finn is trying to figure out his life independently when Leon shows up.
“We’d really like for you to come back to us, Finnigan.” Leon smiled a tight-lipped smile as he leaned against the battered door frame, folding his arms as he pressed his back against the front door, making it clear that Finn was not allowed to leave.
2. Finn refuses to help Leon, so Leon frames Finn to get him in trouble as revenge.
“As the city guards locked the shackles around his wrists, Finn could glimpse Leon through the gathering crowd. He gave Finn that same stupid smile before disappearing down the alley. He’d made good on his promise.”
And so on. It’s not writing the entire scene, although it often prompts me to do so. But it gives me a glimpse into each moment as I picture it, which I can then look back on for inspiration when it’s time to really write it.
It also helps to do some character planning before you start as well.
You can also find some cool templates on the internet.
In short, there are a million models of outlines and maps, and sometimes it takes a little trial and error to find the one that suits you personally. And of course, when all else fails, you can always combine different elements to make your own. I hope this gives you a good place to start.
Anyone can feel free to add on their own methods!
~Penemue
Legs for days. (via cooltonedcutie)
Suicide Squad | Behind The Scenes + Jared Leto and Margot Robbie (club scene)
Travis Fimmel and other cast members from Warcraft answer google questions
I have this weird feeling that captain Barbosa would make excellent motivational speeches for shippers, I mean like could you imagine? Your ship’s seen better days, tptb have decided to play all their cards and free Calypso in an attempt to sink it, or you’re just sailing aimlessly with no hope of reaching canon-island. And then Barbosa is all like “ships be the symbol of freedom to do whatever the hell a shipper fancies”, “every ship has a cannon, and if it doesn’t - then what arrr you doing!?” and “as long as there be the sea beneath your boots, the wind in your beard, and the tide in your blood then a ship will always sail straight and true.”
“A shipper is their own captain, and the captain of that ship sails by no law but their own.”
Well now I just wanna see Goose put her hat on Ghost
Hehehe
“What’s this?” Simon asks, tipping your hat back. You swat his fingers away and push your brim back down.
“It’s nothing.”
“Didn’t look like nothing.” He raises a brow, staring you down, you can tell he’s smiling under his mask.
“Shouldn’t you just be happy I’m not stealing your hat today?” You frown at him, swatting his hand away again when he reaches for your brim.
“I like when you steal my hat.” You really hate how many butterflies he conjures in you just saying that.
“Only because you know you’ll get lucky later,” You gripe, letting him hook his fingers in your belt loops and tug you closer.
“Maybe,” He says, “Maybe I just like seeing you wear it.”
More butterflies, you push at his face, cover his eyes so he doesn’t see you blush. It’s too early for him to be this smooth. What ever happened to him ignoring you where your dad could see?
“You don’t wanna see me with your claim?” Simon asks behind your hand.
“That’s different.” You tell him, it feels different at least. Feels less like a game and more like something… permanent. You wonder if he feels the same way about you stealing his hat these days.
“Doesn’t have to be.” Simon plucks your hat from your head, leaning down to let you swipe his.
You make an annoyed noise and grab his hat, watching him replace it with yours. It doesn’t really fit, but neither of you thought it would. You shove his hat onto your head and storm off to find a chore to do away from Simon’s too pleased smile.
He tips the brim of your hat down to check on the dark black he’d spotted against the chocolate felt. It’s his name. “Simon” spelled out in neat letters along the edge. He runs his thumb over the burnt felt, the brand you must’ve put on just for you, and now him, to see. That explains the attitude. You’re so cute when you’re embarrassed.
Ah, he’s gonna have to reward you for this later.
prideofgypsies: Project. On the @soill 45 wall @chris_sharma @normontesmvjSilverback on crimps ouch. Tzaaatttttt😜😜😜😝😝😝 Aloha j
Pairing: Reader X Jax Teller (Sons of Anarchy)
Prompt: You and some of the other Sons get arrested for trespassing and while being held at Charming P.D., Sheriff Roosevelt decides to interrogate you and Jax. During the interrogation Roosevelt uses you in hopes that he could get an assault charge out of Jax which would cause him to be locked up for even longer.
Warnings: Swearing, mention of possible rape/sexual act
A/N: Sorry this is kinda short and kinda sucks!
“Listen man, me and my club are here on trespassing charges, I’m not talkin’ to you about anything but those charges.” Jax spoke calmly, his eyes tracking Sheriff Roosevelt as he walked around the interrogation room slowly.
“Which are bullshit.” you muttered from where you sat across the cold metal table from Jax.
You, Tig, Chibs, and Jax had been working surveillance on a certain cigar shop when the cops showed up spewing some shit about how the parking lot you were in was private property. A quick argument later and all four of you were in handcuffs on your way to the police department. It wasn’t like this was the first time something like this had gone down. Hell, it seemed like almost everyday cops were popping up out of no where just to make your lives a living hell. A task that they were beginning to succeed in doing.
You glanced up at Jax just in time to see him mouth the word ‘behave’ to you. He had a warning look on his face, like the one parents give their children when they begin to countdown from 5.
“You got yourself a feisty one Teller. I always thought the club was men only. Or is she just one of those, what do you call them?” he asked, stepping towards you and placing his hands on top of your chair. His figure leaned over yours so his face was now no more than a foot away from yours. “Croweaters right?” he smirked, his warm breath hitting your neck and causing a chill to trail down your spine.
“Back off man.” Jax spoke, aggression filling his voice. You watched as Roosevelt’s head snapped to look at Jax whose jaw was clenched down tight. The two of them stared each other down for several moments before Roosevelt stood back up and began to walk around the room once more, his pace not changing from what it had been before the little encounter.
“So I take it Ms. (Y/N) is more than just a croweater.” he spoke calmly, his hands folding together behind him as he walked. He kept his eyes glued to Jax as he circled.
“It doesn’t matter what she is, just back off.” Jax responded harshly, his nostrils flaring. Roosevelt stopped dead in his tracks, a large smile curling onto his face.
“Well this is just fascinating.” he chuckled. “Big bad Jax Teller finally got himself an old lady.” he paused, his eyes finally breaking from Jax’s and instead looking at you. You shivered the moment you saw him give you a once over, his eyes lingering over your entire body. “And a pretty one at that.”
“She ain’t my old lady and I would really recommend you shut your mouth.” Jax snapped. He noticed the unwanted once over as well and could feel his blood slowly begin to boil at the thought of Roosevelt undressing you with his eyes.
“Oh really? So if she isn’t your old lady you wouldn’t mind if I asked a guard to escort you from the interrogation room for a few minutes? Give me and Ms. (Y/N) some alone time.” Roosevelt smirked, stepping closer to you.
That was all he had to say.
Jax stood up rapidly from his seat, the chair toppling over underneath his sudden movement. Before he could move to get his hands on Roosevelt you pushed yourself in front of Jax, your hands coming up to his chest.
“Jax, don’t.” you said firmly, pushing against Jax’s strength to the best of your ability. You looked up at him only to see his eyes still targeted on Roosevelt who was laughing behind you. “He just wants to get you locked up for doing more things so he has more time to ask questions and try to get under your skin.” you spoke, your voice calming in hopes that Jax would calm as well.
You felt his pressure let up against you, his muscles untensing as his eyes remained locked onto Roosevelt’s.
“Sheriff.” a new voice suddenly spoke. You glanced in the direction the voice came from only to see a young police officer standing in the now open door way. Roosevelt’s smile dropped at the sight of the officer. “Their bail’s been paid, they’re free to go.” the officer informed before exiting from the three of your sights.
“Lucky shits.” Roosevelt muttered angrily under his breath before returning his eyes to you and Jax. “You heard him, you’re free to go.”
You nodded your head before returning your eyes to Jax. You brought your hand up to his cheek, your skin gently touching his and causing his eyes to fall onto you.
“Let’s go home.” you whispered with a little smile on your face. Jax nodded in return before following you out of the room. He made sure to give Roosevelt one last glare before he left however.