Editorial angel! Finally finished it and I love him ♥
-
Prints for this painting in my shop! The working title is “Angélique” but I’m still not sure :)
Interrupting my unnecessary shit posting for something that is actually important
George Floyd, Rekia Boyd, Aiyana Stanley-Jones, Tamir Rice, Sandra Bland, Jordan Edwards.....These are just a few of the beautiful angels, whose lives were stolen from them and their families as a result of police brutality. It shatters my heart to know that there are so many other beautiful cherubs who have been killed, all of them innocent. When the people who were supposed to protect the innocent are killing them (especially CHILDREN), we know hatred and hostility is poisoning whatever humanity is left in this horrible, twisted society.
Of fucking course
What sick bastard doesn’t
there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.
i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.
i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).
trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.
i’ve been obsessed with hadestown for years now and finally got to see it yesterday on the west end, so here is a non-exhaustive, mostly in order list of things i loved:
- hermes ‘aiiiight’ ing the audience at the start
- the fates looking offended when hermes says they’re all dressed the same
- orpheus getting distracted and forgetting to greet the audience as he’s introduced
- irish orpheus and midlands eurydice healed something in me
- the fates all the time always, actually
- persephone and eurydice’s little moment of connection as persephone tells her to take what she can and make the most of it
- the trombonist dancing with the chorus during his solo
- orpheus and the cast looking out to the audience in a beat of silence as they toast the world we live in now
- everybody collectively gagging at the wine
- eurydice pushing orpheus right across the stage as she sings how she wants to hold him tight
- orpheus swooping in and popping up like a meerkat between hades and eurydice when she draws his attention
- hades putting on his dark glasses in order to immediately take them off at eurydice in hey little songbird
- eurydice holding the coins/ticket to hell out to hermes twice during chips are down and hermes only taking them on the third time
- hermes and persephone flirting at the start of act 2
- persephone not sharing her hip flask and hermes acting all offended until she gives them some
- every reference to hermes’ gender is gone
- hermes
- melanie la barrie
- hades’ slutty little strut on the revolve
- the absolute raw grief and anger and desperation in if it’s true, dónal absolutely killed it
- hades dad dancing
- hades burying his face in persephone’s shoulder after they reconcile
- orpheus’ adorable delighted ‘yes!!’ after eurydice tells him he’s done it
- the chorus’s cute af reaction when orpheus ’proposes’ eurydice to walk home with him
- orpheus’ fidgety, reaching hands as he walks and doubts (devastating)
- the centre of the revolve dropping away the MOMENT orpheus turns, almost before he’s actually set eyes on her. she’s already gone
- orpheus’ voice break on eurydice’s name as she vanishes (DEVASTATING)
- orpheus just sobbing by the gaping hole where eurydice’s gone as the theatre is in total silence (SHOOT ME ALREADY)
- the stage being set in the last minutes to match how it was when the show began. we’re really going to sing it again, aren’t we. there’s nothing else to be done
also do NOT get me started on the set and lighting design bc holy shit you guys it was PHENOMENAL. i so want to see it again to look for all the little details i inevitably missed
This is definitely not a google drive full of the sleep stuff from the Headspace app, including sleepcasts, music, and wind down meditation, that normally costs 17.99 a month, no siree and you definitely shouldnt share this with people
upside of having acne and picking at it without noticing is occasionally i get to have a fun little lady macbeth moment of looking down at my hand and its randomly covered in blood, it makes me feel like the protagonist in a penny dreadful and thats the sort of whimsy i want in my life
Ren: Doc says “you know Ren what helps not being single, never mention you are in love with Minecraft only” (laughs) I mean. It’s—it’s a great game, Doc. Like, is this not the greatest game ever made? Like, the greatest experience ever made? It’s not just about the game, right? Like, dude, like—being a Hermit? Being on the Hermitcraft server is there anything, like, more awesome than this? I ask you. Listen, ladies, I love ya, you guys are (does a chef’s kiss) /mwah/. But is there anything better than being a Hermit? I say nay. I say nay. (five seconds of silence, his eyes flick to the camera knowingly) I mean there’s maybe /one/ thing better than being a Hermit. (Seconds of silence) But. Family friendly channel.
Ren: Being a Hermit’s the best thing there is, okay? (thirteen seconds of silence, then he laughs) Doc had to deal with groveling ladies? I’m sorry DocM, I’m sorry brother.
He said just a taste
You know what’s fun? Inventing OC names for the Harry Potter universe.
If you’re a writer in need of Potterverse style names, help yourself to these random, fan-created names.
Glynnis Mordaunt
Altheda Goshawk
Roderick Ketteridge
Arkie Pennifold
Carlotta Penrose
Graham Smeek
Doris Scrivenshaft
Enid Spinks
Patricia Ellerby
Grogan Troy
Emeric Tatting
Tilly Mylor
Bridget Thruston
Cassie Zograf
Kevin Wagtail
Malcolm Birch
Basil Barkwith
Miles Capper
Betty Dingle
Mandy Tugwood
Ritchie Cresswell
Justin Everard
Victoria Fawcett
Holly Flume
Hesper Gibbon
Anthony Gunnion
Davy Jewkes
Meghan Lufkin
Galatea Meadowes
Cuthbert Ogden
Halwyn McBride
Bastien Parkes
Melinda Platt
Ezmerelda Qwick
Irving Hatton
Euclid Derwent
Antony Porsquatt
Emmaline Munslow
Portia Thruston
Malcolm Gudgeon
Isabelle Watkins
Finbar Brand
Dorea Gifford
Euphemia Vector
Ariel Smudgeley
Gloria Fletwock
Caius Paisley
Sedley Redfern
Milo Broadmoor
Phyllida Sykes
Osric Brown
Tobias Malkin
Annie Vogler
Cora Hitchin
Derrick Marple
Archie Oddpick
Dylan Puckle
Abbie Dagworth
Winston Pyle
Nigel Pinner
Bartly Serks
Belle Nithercott
Dagny Pober
Libby Woodbead
Mable Hatman
Elric Buckles
Amelia Culpepper
Clary Ducker
Ollie Thrussell
Mallory Miskin
Happy writing!