Steddie Comfort Read Rec List Part 2

If you're fifteen or older an still sleep with a stuffed animal please reblog this.

My friend is embarrassed and thinks she’s the only one and I said id prove her wrong.

For a few weeks, Claudia thinks that she’s collecting her son from the hospital after he’s visited Max Mayfield.

Then she finds out that’s only partly the truth.

Usually Dustin’s already waiting in the parking lot for her, Steve by his side. They chat, Steve insisting that he could drive Dustin home, it’s no trouble, and Claudia thanks him for the offer, kindly refuses; the poor boy looks run ragged these days.

One day neither of them are there, so she heads inside. There’s still a long line at reception, the aftermath of the earthquake, so she finds a nurse in a corridor, describes Dustin—my boy, about this high, curly hair (smiles like the sun, she wants to add)—and the nurse smiles, says, “Follow me, ma’am.”

She has a passing thought that this isn’t the direction to Max’s room, but reasons that she must’ve been moved. The nurse leaves her at the door before being called away.

Claudia opens the door quietly.

It’s not Max who’s in the bed.

She recognises him from the posters—his eyes first, then his long hair. He’s holding a battered copy of The Hobbit, the spine broken, and he’s reading so softly that she can’t quite make out the words.

And there, lying so peacefully against Eddie Munson’s shoulder, is Dustin. He’s fast asleep.

Eddie’s got an arm around him, and he’s slowly running his fingers through Dustin’s hair the way she used to when he was little, to help him drift off.

He looks up from his book at the sound of her entering the room, and his face goes as white as the bedsheets.

She takes one step forward.

Eddie inhales, breath stuttering, and it’s a fragile, heartbreaking sound.

Dustin stirs. “Hmm? Wha’s wrong?” He lifts his head up from Eddie’s shoulder, and his eyes meet Claudia’s, and he’s suddenly wide awake, scrabbling upright. “Mom.”

Eddie’s mouth keeps moving, like he’s desperately searching for words. “I-I’m not—” His breathing catches again, eyes wide; Claudia realises, with a heavy heart, that he’s deeply afraid of her. “It’s just a stupid board game, I swear.”

“Mom,” Dustin says again. Pleading.

And of course, Claudia never once believed the frenzied cries about Satanic rituals. Still, throughout that awful Spring Break, knowing that her son was lying to her, all she could think was that she was once a teenager, too—remembered how easy it could be to get caught up in something scary, something beyond your control.

She looks into Eddie Munson’s eyes, and knows deep in her bones that she has nothing to fear from him.

She beckons Dustin over, hands him the car keys.

“There’s a pillow on your seat, hon,” she says softly, because there’s a sleepy haze returning to his eyes despite his obvious concern for Eddie.

Dustin blinks, so unsure.

She smiles reassuringly. It’s okay. I promise.

“Okay,” Dustin says slowly, and he looks back at Eddie, raising his eyebrows like he wants to convince him of something. “See you tomorrow, Eddie.”

Eddie nods, but doesn’t speak.

He lifts his hand in a weak wave as Dustin leaves. It’s shaking. Claudia sits down by the bed. Puts her hand in his.

Eddie stares at her.

“I’m so sorry,” she says. “I’m so sorry for what we did to you.”

Eddie shakes his head, like he can’t believe what he’s hearing. “You didn’t—” He clears his throat. “It wasn’t you.”

Claudia shakes her head, too, slowly—prays that he can really hear this. “No, no, please. Listen to me. I’m so sorry.”

It would be an easy thing to say, that the town of Hawkins wronged Eddie Munson. But that would make it sound so impersonal: like it was inevitable, just one of these tragic things that happened, nothing to be done about it. Like earthquakes.

But that wasn’t true. People were behind this, and Claudia knows that they are all the town, every single one of them. And what did it say about them, that the fear and mistrust and cruelty spread like wildfire? That not one adult in the town hall stood up, begged people to stop, to think again?

“Th-thank you,” Eddie says. It sounds so uncertain, almost like a question.

Claudia squeezes his hand. “You were with Dustin, weren’t you?” she asks. “When the earthquake…”

His hand is shaking again.

“Yes,” he whispers. “I-I’m sorry, I—” He swallows. “I didn’t want a-anything to happen to him.”

“Oh, honey.” She reaches out cautiously, and when he doesn’t freeze up, she cups his cheek; her heart breaks at the rough indent of a scar beneath her palm. “You’re not God.”

Eddie reaches up, pressing her hand further against his cheek. He’s crying.

Claudia wipes his tears away as much as she can. She keeps up a steady murmur: “Shh, shh. I know you kept him as safe as you could. I know, I know. Shh.”

When he starts to calm, she thanks him again, but for something lighter.

“Dusty… he was so nervous, starting high school. But his first day, when I picked him up, all he could talk about was getting invited to have lunch with… well, a club.” Claudia smiles. “Oh, he was talking a mile a minute, I could hardly keep up. But I… oh, Eddie, I understand now. That was you.”

Eddie grins back. His cheeks are still wet.

“I didn’t do much,” he says. “You’ve…” For a moment, his eyes fill up again, but they look like happy tears. “You’ve got some kid, Mrs Henderson. He’s—he’s a real gem.”

She laughs. “Oh, I know.”

It’s one of the many things she loves about Dustin: that he’s always been so unashamedly, so joyously himself.

And Eddie had clearly seen that in him, had taken him in and nurtured everything that made him so.

The door abruptly slams open.

Steve’s in the doorway; he must’ve been running, is still gasping for breath as he says, panicked, “Claudia, I can—”

“Steve,” Eddie says softly, and that’s all.

But it’s clearly enough, because Steve’s shoulders drop in relief, and then he’s shutting the door, coming to Eddie’s bedside like he belongs there, and Eddie’s smiling at him, so tenderly…

And oh, she was young, once. She knows what she’s looking at.

Of course, she doesn’t mention it, can still sense some residual anxiety radiating from them.

Instead she looks around the room, spots a pile of laundry in the corner. It’s been stuffed into a bag; she recognises that as belonging to Steve, but there’s some shirts in there that are definitely Eddie’s, entwined with Steve’s things.

She stands, but before she can even pick up the bag, it seems like Steve’s read her mind, because he’s stepping forward, stopping her with a touch to her forearm.

“Oh, you don’t have to—I’m taking care of it, Claudia.”

She pats his cheek, lingers there until he smiles. “I know, sweetheart. But… would you let me? It’s the least I can do.”

Eddie reaches up from the bed, squeezes Steve’s elbow. Steve sighs, briefly leaning into him.

“Okay,” he says. “That’s… thank you.”

“As long as you do one thing for me.”

“Of course,” Steve says immediately. “Anything.”

Claudia brings out a notepad and pen from her bag. “Write me a list? Anything you’d like, I’ll be shopping anyway.” She looks Steve in the eyes, adds firmly but with a smile, “It’s no trouble.”

Steve takes the notepad, twirls the pen hesitantly.

“Anything you’d like,” Claudia repeats. She glances at Eddie, says, “You know, if you want a different shampoo than what they have here, things like that, or—”

“Oh, uh, it’s okay,” Eddie says quickly. “Whatever’s on sale is—”

“I know, honey,” Claudia says patiently, “but what would you actually like?”

The last extended hospital stay she’d had was fifteen years ago; Dustin had been a preemie, and one of the few things that kept her calm was the familiar: scents, food, people…

Steve chuckles. “I’ve got it.” He writes on the notepad, and Eddie must be able to read it, because he suddenly turns a little pink.

“How did you know that?”

Steve shrugs, smiles. “I notice things.” He writes down just a couple more things, then hands the list back. “Thank you so much, Claudia.”

“Any time, sweetie, I mean it.” She hugs Steve goodbye, then reaches one last time for Eddie’s hand on the bedspread. “It was lovely to meet you, Eddie. Hope you can go home soon.”

“Yeah, me—me too. Thank you, Mrs Hend—” Steve squeezes Eddie’s shoulder, and Eddie stops. Smiles. “Thank you, Claudia.”

She looks back once to shut the door behind her. Steve’s pulling up a chair, as close as he can get, and as the door closes, she hears him tut softly, gently swiping at the remaining trail of tears on Eddie’s face: “Hey, what—?”

They look like they belong together. Dustin’s boys.

Dustin’s asleep in the car, pillow pressed against the window. Claudia puts the bag of laundry in the trunk before quietly slipping into her seat.

Dustin wakes anyway as they drive out of the parking lot. “Eddie… okay?”

“He is, honey. Steve’s with him.”

“Mm… good.” There’s a pause, and Claudia thinks he’s fallen asleep again, but then he says, tentative, “Mom?”

“Yes, Dusty?”

“If I tell you something… d’you promise to keep it private?”

“As long as it’s not hurting anyone.”

“It’s not,” Dustin says firmly. “Um. Steve and Eddie, I think… I think they’re…”

Claudia smiles, nods encouragingly. “Oh, that’s lovely.”

Dustin hums in agreement. “They’ve not told me. Did I… do something wrong?”

“No, baby. You just keep doing what you’re doing.” Claudia feels a lump in her throat. “You’re a good friend.”

Dustin makes an uncertain noise.

“You are, baby. They love you very much, you know that, right?”

“Yeah.” Dustin sighs. “I know.” His eyes are closing.

“Sorry, baby, just before you sleep—are there any candies Steve and Eddie like?”

Dustin nods. “Eddie likes anything sweet. An’ Steve…” He yawns. “Anything w’peanut butter.”

“Great. Thank you, honey.”

Dustin’s already asleep.

Claudia knows that even with what she’s learned today, she still only has half a story, if that. That there’s something more to Dustin’s exhaustion, to just how Eddie ended up in a hospital bed.

Today, she’ll do all she can. It’s not a lot, but it’s something. Laundry and shopping, reading the brand of shampoo Steve wrote with a careful eye. She’ll fill her cart up with treats, things that won’t solve anything; they might make staying in that hospital room just a little easier, though. Make it feel a little warmer, a little more like home.

But first, she’ll take her boy home; she’ll park the car as close to the front door as she can get, and when he doesn’t stir, she’ll run a hand through his hair, gently put him to bed.

@izzy2210

here you go! i did them in green and black so they'd match your blog <3

requests: open please like/reblog if you use! credit is appreciated!

Hey did you know that Left Temporal Lobe Epilepsy is one of the most common kinds, and that it doesn't (always) cause symptoms that other people would recognize as a seizure, and that even doctors don't recognize it as seizures unless they are specialists? No tonic clonic, no major spasms, no eye rolls. Just invisible symptoms that are easy to doubt or dismiss.

Cause left TLE often manifests in stuff that looks like migraines if you don't know better, but also has a direct negative effect on language skills, reading, and vocabulary. But barely any outward sign to explain it.

So a hypothetical person could maybe receive a bunch of head trauma while defending a group of preteens and develop TLE and think they're just proving to be as stupid as everyone always said they were, and would have no reason to think it was related to the headaches, nausea, and exhaustion. So that person would just get proof, over and over again that they're worthless as they fail to remember something, as they reach for an answer or a word or a date or a fact that they were certain they knew, only to find nothing there. And when they try to explain that this is different, and that they know they have messed up words before, but that someone needs to listen, they often get told they're faking it?

Anyways. I think Steve Harrington should have my form of TLE, because it would cause him extraordinary anguish.

Blankie

Steve has a blankie. It's his blankie. Worn and threadbare over the years. His grandmother had sown it for him, simple and plain.

But Steve loved it. Could never be without it.

"I threw it out,"

Steve had been gone the weekend. Checking the places over in Indianapolis that they could maybe afford. He'd been gone two days. Two fucking days.

"You what."

His mother doesn't even look up at him. She never has actually, paid him much attention.

"God Steven, don't make me repeat myself. I threw it out. With a bunch of your baby things. It was old and ratty. I should have thrown it out sooner really-

Steve doesn't listen, he's out the door before she's finished her sentence.

"Steven!"

He can see them, the boxes, chucked out by the mailbox. For anyone to just pick up. He tears open the first one, doesn't care that he's throwing baby toys across the yard.

It's at the bottom. Torn in half.

He walks back to the house.

His mother looks at him with disgust. He can tell. It's the same way she always looks at him when he's acting o u t.

Steve's lips twist into a shadow of his former self and he walks past her. He smashes the number he now knows by heart into the receiver.

It rings once before a click "I'm coming. Now. Forever."

And then he hangs up.

"Steven?"

She doesn't sound so sure now, he voice quivers slightly as he tears through the house, grabbing what little he actually has left there.

Then he makes a last turn around the kitchen, his mother hovering as he grabs the bread, Dustin's favourite cereal and the expensive chocolates from his dad that Eddie loves stealing.

"Steven it's just a blanket what are you doing?"

Steve whirls on his mother.

"Once a month, on the third Tuesday, your husband goes to a bar just out of town and fucks the youngest thing he can find. Boy or girl, he doesn't really care. It's not just a blanket it's the only proof I have that I was loved, goodbye Mother,"

And as he slams the front door he doesn't look back.

"Steven."

He doesn't pause.

Eddie's van is turning the corner.

"For what it's worth, I'm sorry."

Steve clenches that blanket to his chest.

"It's worth shit,"

Part 2

Stop trying to be productive

Writers should NOT feel guilty about:

Skipping a day of writing.

Not having a perfect first draft.

Partaking in sinister, arcane rituals for inspiration.

Working at their own pace.

Enlisting demons and/or helpful spirits to aid them with editing.

I love this narrativ and I see why this is probably the truth.

It feels like there's this narrative that fandom keeps wanting to explore, with Steve Harrington, about this very specific type of martyrdom where self-sacrifice is an expression of a lack of self-worth. And, like, yes, write the narrative that's meaningful to you, and yes ok Steve does admittedly get beaten up a lot, but -- legitimately I do not think this narrative is actually Steve's story.

Like, without gendering things too much, there is something in the Steve fanon that I keep seeing that's so reflective of the specific kind of sacrifice and societal pressures exerted on girls, specifically -- this story of 'you make yourself worthy and worthwhile by carving pieces out of yourself', of believing that you must always give and never receive to justify the space you take up in the world. Yes, boys can experience this same pressure (and obviously trans and nb people of all genders run into it as well! sometimes a lot!), but especially in the mid-1980s cultural context where Stranger Things takes place, it's just...really not likely to be a dominant narrative for Steve to be operating under? It doesn't even really match the Steve we see on screen -- who is happy to make sacrifices for the sake of others, yeah, when needed, but who's not particularly kind or giving unless somebody asks first.

And Steve does get hurt a lot on other people's behalf! And this is a problem! It's just a completely different problem than the one fandom keeps writing.

Steve, and I'm going to say this forever, is a story about toxic masculinity, which the show may or may not even know it's writing. The archetypes influencing Steve's character as it shows up on the screen (and the stories and messages that Steve would actually be surrounded by in his actual life) are not deconstructions of suffering heroes who never should have had to fight in the first place and were destroyed by it. That's the Buffy the Vampire Slayer story. Steve's not Buffy. Steve's cultural context is Indiana Jones.

Steve is The Guy! And part of being The Guy is that you're expected to take the hits -- not because Steve is less important than the women-and-children he's supposed to protect, but because, the story says, he will get less hurt. Why should Steve get in between Billy and Lucas? Because Steve is an eighteen-year-old athlete and Lucas is in middle school, and of the two of them, Steve actually stands a chance. (And yes, Steve got badly hurt there, and Max had to save him -- but if Lucas, if Max had taken that beating they would not have been running through those tunnels later.) Was somebody else better-qualified to dive down to the uncertain bottom of a cold lake in the middle of the night? Steve doesn't list his credentials there as a way of justifying some ideal of martyrdom; he is literally the most likely person on the boat not to drown.

And make no mistake: when Steve's pulled into the Upside-Down, he survives the bats long enough for backup to get there. Realistic or not, he's apparently tough enough that he's physically capable of hiking barefoot through hell without much slowing down. Steve is the tank for the same reason as any tank: because he literally has been shown to have the most hit points in the group. You cannot honestly engage with Steve in this context without dealing with the fact that he's right.

AND THIS IS A PROBLEM! This is still a problem! But it's not the same problem that fandom seems to expect. It's not an expression of caretaking or the need for self-sacrifice; it's not an issue with Steve valuing himself less. It's an issue of toxic masculinity so ingrained that Steve doesn't even recognize he's suffering from it, because one of the tenets of toxic masculinity is that Big Strong Guys don't suffer. It's just a concussion, it's fine, he'll walk it off. It's not that Steve thinks he deserves to get hurt, or even that he's less deserving of safety than the others. It's that absolutely nothing in his cultural context allows him to admit that he can be hurt in a significant way.

There's still so much tension that can be gotten out of this situation, I swear. There's so much that can be explored in writing! Hell, the show itself is deconstructing some of this trope, believe it or not, by giving us a Steve who absolutely can take all the hits thrown his direction but still doesn't know what the fuck he's doing with his life. It turns out that doing his job as The Guy is only mildly helpful in horror movie situations (mostly by buying time for smarter, squishier people to do the damage from behind him), and somewhere a little worse than useless in everyday life.

But Steve does not go out of his way to self-sacrifice, he really doesn't. He just does his job. He's The Guy. Of course he's not going to let a kid or a girl or some scared skinny nerd who just learned about monsters yesterday take the hits. Of course Steve's got this.

My theory of adhd management is that in order to focus there are 4 things that need to be sufficiently occupied:

Eyes

Ears

Hands (or body)

Brain

And if you aren’t occupying them enough or there’s too many things demanding the use of one, it’ll start to wreck havoc on your ability to do things.

So for example, listening to a podcast. This occupies your ears and brain as you focus on both listening and processing what you hear, but it leaves your hands and eyes completely without anything to do. If you tried to sit down and just listen to a podcast by itself you’d probably get unbearably bored and stop doing it.

But if you pair that activity with something that uses your hands and eyes, like a craft, household chore, or commute, suddenly you’re fully plugged in and can in fact focus better on both tasks than you could if you tried doing them separately.

It’s also why you can’t listen to a podcast while doing homework; you’re trying to use your brain for two different tasks. To occupy your ears while doing homework (which is already using eyes, brain, and hands) you need something for your ears that doesn’t require your brain: music. Specifically music that doesn’t use too much brain power, which is why some people prefer instrumentals or songs in other languages.

Hyperfixation and sensory overload change this by moving the threshold for how much sensory input you need to be able to function. If I’m extremely focused on a craft project (eyes, hands, brain) I might not even need something for my ears; my interest in the project makes up for it. If i’ve had a very overwhelming day, trying to listen to an audiobook while I do some stretches could be too much to process. My brain needs a break.

Video games, which pretty much universally occupy all 4 areas, are basically instant, easy focus wrapped up in a neat little bow. No wonder adhd-havers tend to love them.

If you’re struggling with a task, try looking at which areas it occupies and which are left unattended. Then try to find something enjoyable to fill those gaps, and see if that helps.