So last week, I took my hundred thumbs and whittled them down to three choices. Those three choices didn’t really feel that great so I started working on more thumbs but found that throughout them, I was fixated on geometry. I was drawing cubes, cones, triangles and a lot of circles. I thought that was maybe just me doodling mindlessly.
Perhaps it was or maybe it was my brain compartmentalizing my thinking, literally putting my thoughts into boxes to be taken off the shelf and stacked up later until I had the semblance of a thing. Design, in all of its facets, can be boiled down to one thing: making things. Sometimes our brains make in chunks first and we work so closely with those chunks that we don’t realize there’s a whole big picture we’ve missed until someone else points out what’s been right under your nose all along.
Last week my prof took my circle design and asked me why I didn’t just continue with that, but with a whole line of slightly wobbly geometry. I want to show you my emotions about that through this excellent clown illustration above by @nerimative on instagram.
As you can see, it perfectly displays the feeling within when one performs the blunder described by my oma as ‘looking with your nose instead of your eyes’.
Anyway, back to it.
When I think about Design Thinking, I mainly just think about a circle. A circle represents fullness, infinite and the feeling of being complete. It also has no actual beginning or end, much like the design thinking process. Sure, you start with a problem and you end with a solution to the problem (hopefully) but your path to get there isn’t always linear and can involve a lot of back and forth. Or, you get there in one full turn. Either way, each step of the process is connected. Whether you choose to believe in design thinking or not, you most likely have a loose concept of it that you follow anyway.
Coombs Country Market Field Trip
We went on a field trip to Coombs today to visit their grocery store. Coombs has a lot of really neat packages in their store because they sell items that come from all over the world! There were beautiful Balsamic bottles, chocolate bars, yoghurt packages and so much more! However, we were there with a simple enough goal and I wasn’t to get distracted, although in the end, it happened. We can blame the edible glitter and handmade paper for that!
Anyway, the goal was to find two sets of a package series that we could draw inspiration from and use as an example for our next project. We’re supposed to design a box for Granola for this delicious, local-based fresh juice company.
Series #1: Fee Brothers Bitters
How is the branding consistent across all of the packages?
While the brand’s colour changes, the layout of the packages remains consistent. The type, logo, paper and sticker along the top are all the same. The only thing that changes in fact, is the colour. Even then, the colours are in the same tones. Even with just a quick glance at the shelf, someone could register that they’re a series.
How does the design differentiate amongst “flavours”?
The design does not differ much, the only thing I did find is that on some of the bottles, the lid had a different colour to denote flavour as well. However, this wasn’t completely consistent so it was hard to say what it meant completely, which was a small issue in the concept overall.
What is the brand concept?
The concept for this brand seems to be higher end and meant to make the audience feel like it is an old-fashioned product. It is wrapped in paper to give it this illusion of being vintage and the sticker that runs around the top displays the portraits of what one must assume are the Fee Brothers. What’s fun about is that you can’t see the liquid inside until you open and unwrap the bottle, giving it the feeling of something you might be able to present as a gift.
Other thoughts?
I’m kind of curious to see what the bottle looks like underneath the paper and was seriously considering buying a bottle just to check. It’d be cool if this product was so easily recycled by just removing the label and bringing the glass in! While I want to create something consistent, I also want to make sure that I focus on the environment. I’m already thinking about what I might do to make the package sustainable and within my client’s budget. I like the idea of glass.
Series #2: Whittaker’s Chocolate.
How is the branding consistent across all of the packages?
Whittakers is a really neat brand because while there are a lot of flavours, the Whittakers chocolate brand is unmistakable. I first came across it in New Zealand, where it is manufactured and proudly second only after Cadbury chocolate. Every single package is a beautiful shade of gold in a paper wrap and when opened, another foil wrap of gold protects the chocolate inside. The branding remains consistent by keeping the logo at the top of the package, followed by the chocolate information and name.
How does the design differentiate amongst “flavours”?
There is always a block of chocolate at the bottom but it is always illustrated with the correct flavour profile per package. Each flavour also has a unique font colour. Otherwise, the rest of the package remains the same.
What is the brand concept?
The concept for the brand is definitely meant to be luxurious, denoted by the gold wrap colour. The font tells us that it is also meant to be old-fashioned. Knowing New Zealand, I know how proud they are of their heritage and this chocolate is meant to draw on that. The user should feel that when they are picking up this block at the grocery store, they feel like they’re in a lovely old candy shop.
Other thoughts?
I was wondering if I was drawn to this series because of the nostalgia I felt when looking at it, you can’t count on one hand the amount of these bars I got through when I lived there! However, you can tell just by the image that this is a really strong series. There is no question that they are linked and I think the key to that is only changing a small part of the package to reflect the different flavours. The goal is definitely to have the user know without question that the two separate items that they are holding are linked.
Today we got started on redesigning a package of our choice. It’s a project I was kind of looking forward to since I first saw my friends working on it two years ago!
I had two packages I wanted to work on at the start of conceptualizing. One of them was an easy choice, an over packaged, instant matcha tea satchet, four box extra, plastic wrapped disaster.
The other, was a beautiful knife pushed inside a plastic cage.
Though I knew which one would be easiest for me, something about the knife called to me. I started to paint pictures in my head of what my package could be and I knew, in the end, that was the one that I wanted to do.
I have started ideating and drawing thumbs but I think I know what I’m heading towards. I want my audience to really enjoy their experience of opening the package to reveal their tool, in the same excited way that a graphic designer might unwrap their gorgeous apple packaging to reveal a macbook.
To a culinary student or worker, a pairing knife is the ultimate tool, like the macbook is to the graphic designer. Both are equally important, both give the same delight and ease of use.
This week I created some rules for my logo. My logo is interesting because it’s rather playful in nature and there’s a lot that can be done with it. I have three possible marks that can be used to represent place and four base colours to play with as well.
This base set of rules is a good way to get me going on my brand guide. There’s a lot more to implement though, and I’m excited to keep going.
First of all, here’s my portfolio website!
I’m pretty proud of my portfolio overall. I remember starting this class and not being able to fathom at all how I could self-brand myself. It has been a period of self-reflection these last few months and while i’m glad to be through it, I know it’s never ever. Despite having the base of my website, there are a few things that I’d like to fix.
So learning Semplice has been a trial and a half. If you want my honest review, if you already don’t know how to use wordpress and you on’t have time to learn a whole new system, do not choose semplice for your first go. Just be a friend to yourself and choose a squarespace or wix template and then try semplice later. I’m saving you a lot of pain by saying this. Still, I’m glad I’ve put in the work and I vaguely get it now.
That being said, there’s some weird spacing that I cannot, for the life of me, figure out how to deal with. Semplice prides itself on how easy it is to edit but unless you already know how to use it, it’s really not. So I guess I’m going to figure out how to deal with the big gap between the footer and my information in my about page somehow.
Otherwise all I really want to do is update some of my images in my project pages. For example, my balanced. project page could use a mockup of the booklet or a shoot of the booklet. I’ll try to get that when the print shop opens again.
I’d also like to eventually add light boxes to my photography and illustrations page.
Other than those items, I’m pleased with it.
The aim for this stretch of the project was to create thumbs, mapped layouts and sketch model mockups. It’s hard however to get the appropriate size when you don’t really know how much space 250 grams of Good Life Granola is going to take up.
Now, something I was told to work on was my ideation component so I worked really hard to come up with at least 50 thumbs to work with. I’m not the type to put myself into a box (*bdm tss*) so I found that just letting my pencil take up the space it wanted was the best way to go for me. This created a bit of a flow of ideas rather than me just trying to fill little squares with thoughts. Sometimes, you need to think outside of the box. (*bdmmmm tsssss*)
Here are the ideas I came up with.
I wanted to make sure that I worked through as many shapes as I possibly could think of to be thorough about the ideation period. Although I came up with some really fun, crazy shape ideas, I found myself drawn to a simple box for ease of production and cost when it came to the packaging and decided to develop those concepts further.
After fleshing those out a bit more, I decided to just sit down and have fun. I forgot how much I loved this part of the ideation and creation period. Although I messed up a couple of times, I didn’t let that frustrated me and instead just enjoyed the tactile puzzle I was dealing with.
These are the design solutions I have come up with thus far:
I can’t wait to get proper measurements down so that I have a better idea of what I’m working with. I’m not even sure at all which one I like best so far, although I can tell you that the most interesting one to try and create was definitely the rectangle with the pour spout! (I thought my brain was combusting a little bit as I tried to visualize what I had to do in my head.)
Today was fun! We took our digital work and printed them out to see how the type and colour looked and to make sure that we had our sizing right.
I had a heck of a time with it and needed to print my package out three times! The first time I did it, I accidentally cut a flap that was meant to be a fold. The second time I printed, I ripped my paper when trying to use the bone tool on it. For my third attempt, I realized that patience was key so when I glued the design onto the bristol, I pressed firmly and then waited for a few minutes before trying to use the bone tool on it. I also made sure that I had a fresh blade in before I tried to cut out my package.
I was happy to see that my colours worked perfectly! I used the pantone book last week to choose them but I was worried that they wouldn’t be quite right. Working with the gradient has been a bit of a chore but also fun! Getting it just right will be tricky so I really need to spend some time on that.
Now I just need to make sure that I have my type set perfectly before I send my package off to print!
Unfortunately, I still have a lot to do on my portfolio but I’m not really mad about it. I chose to work with Semplice which is a plugin for WordPress. This meant I had to learn a whole new system! while it’s been a learning curve, I don’t have any regrets. While not very intuitive, it’s a beautiful, clean system. I’m pleased so far with what I have and also feel comfortable taking my time.
Things to do:
design the footer + what I want in it -> eg, contact info?
about page (or just put it on our main page.)
grid layout separate for each page?
photoshoot for new nav once newest issue launches?
More sketches exported for my little joys page
create asset library
reevaluate my case study and redraft.
remember to keep it minimal and stretch from there.
Project Title: The Nav
The Challenge:
A new visual identity for an 8 issue annual student magazine that should have a new energy but must be recognizable as The Nav.
Should appeal to and embody the whole student body.
Need to be able to leave the magazine layout to the design team with the confidence that they can do it.
Redesigning my own design from the previous year.
The Approach:
Pull it back and give it a cleaner look from the previous year while still maintaining the personality within.
New set of standards and styles
What I did:
Art director
delegated layout, gave standards and rules
Initial design and layout of mag
coordinated a new printer and rules for mag layout
Notes:
Figure out which Nav to focus on, most likely most recent.
Highlight the leadership role.
Project Title: Balanced
The Challenge:
Overwork is a social stigma that promotes an unhealthy lifestyle.
I wanted to change the way that people thought of overworking and give them tools to change their relationship with work/life balance.
Create something usable that could be integrated easily into a busy lifestyle.
The Approach:
Not trying to be a fix-all but guide the user to make healthier choices by offering an integrated scheduling system.
An ecosystem that learns about the user through use.
What I did:
I created a web app, mobile app, smart speaker (ish), smart watch ecosystem that could be applied to all aspects of life.
Ish - an ai that learns about the user through conversation and gives helpful tips on a healthier work/life balance.
Brand identity.
Research.
Art Direction
Notes:
Clarity!
Explain this project to someone who has never seen it outside of class.
Project Title: Fox & Koi
The Challenge:
Last year, I realized that I needed a way to reconnect with my passion for graphic design and push myself to create outside of class work. I’ve always loved enamel pins and so along with a business partner, I began an enamel pin shop.
The Approach:
A pin business is a lot more than just drawing pins, there’s a lot that goes into it including the business side of it, like speaking to manufacturers and suppliers, understanding costs, creating a website and a presence in the online world and community.
What I Did:
I run the business side of fox & koi. I speak to the manufacturers, find new manufacturers, coordinate locations and markets for selling the pins, create the websites, package the pins, do the marketing and I also design pins, stickers and prints.
Notes:
Put focus on leadership roles.
Explain more about the pin process?