Design & Thinking Documentary

PROJECT ONE RATIONALE - BLOG POST #9

Project 1 - Environmental Redesign Rationale

ARTG371 - Sara Holmes

Product: Tsubazo Pairing Knife

Project Description: For this project, the goal was to find an overly packaged item and redesign it to create something more environmentally friendly. We were allowed to choose anything we deemed to be overpackaged, even if the packaging seemed alright. My goal was to create a package that could be used again, either as individual components or as one piece. I wanted to make sure that any waste from the project was one hundred percent recyclable. I also wanted to create a package that turned a simple pairing knife into a beautiful gift to be opened.

Environmental Considerations: When walking down the aisle of any store, it is unlikely that you will see more than a couple of packages with no plastic involved. Since the invention of plastic, it has been involved in packaging whether that has been as a plastic sleeve, bubble wrap, slips of plastic, etc. Even if it is made reusable (hard plastic), most of it ends up at the dump where it will take hundreds of years to break down completely. 

I wanted to create a simple enough package that could be completely reused, and if the person has no interest in reusing it, it could decompose naturally. For this project, I used the following:

Scrap Wood - 13 years to decompose.

Wood Glue - 1-3 years. Breaks down over a period of time when exposed to moisture. 

Cloth - 1-5 months to decompose.

Thread - 3-4 months to decompose.

Tracing paper - 1-4 weeks to decompose, could also be reused to wrap a gift, jot down notes, or even as tracing paper!

Recycled paper - 2-6 weeks to decompose. 

While a bit more effort is put into the packaging because of this, my audience could comfortably buy this product without worry of what to do with the package upon opening. The box could be reused to hold paint brushes, pencils, another gift, or even the knife. 

Design Concept and Solutions: 

My goal was to create a package for the product that could do a better job of representing the product inside. I wanted to completely eradicate the use of plastic, make a package that created less of an impact on the environment and was beautiful for the user to look at as well as. The original package that was cardboard and plastic and I did not think that it matched the quality of the product inside, a Japanese pairing knife.

The purpose of the item inside is to be used as an everyday knife for cutting up vegetables and fruit. My goal was to create a package that reflected the rich culture and heritage of the country that it was made in. I wanted to wow the user and make something that they would be inclined to reuse and if not, know with certainty that they could recycle it.

I began by looking at Japanese knives, the beautiful simplicity to the hilt matched with the rich texture of the blade. So much beauty deserved something more. I remembered reading about Japanese joinery a while ago and after reading up about it again, the idea came to me that I should make a box for the blade and use no nails. It would be better for the environment and would reflect Japan. 

I decided that I wanted my audience to be a culinary student or a professional in the industry. I wanted to create something that would give that person absolute joy to open. The idea was that I wanted the person opening it to have the same emotion a design student down when opening their MacBook packaging up for the first time. That feeling of excitement while opening up the layers of the box to reveal the item inside is what I wanted to promote.

Considerations:

Heritage - Japan has a very rich heritage and I wanted to make sure that the design was to that standard.

Environmental - The package should be simple but elegant, easily recycled.

Colour - Japan’s flag is a beautiful shade of red and the initial packaging makes attempts at that.

Typography - Japanese design loves geometrical sans-serifs.

Experience - This should be an exceptional experience for a culinary student.

Using these considerations, I applied myself to this redesign and my goal, which never changed during the entirety of this redesign.

I was planning to seal the box closed with a wax seal to give a sense of elegance. However, someone pointed out to me that this would leave a stain on the box. I also realized as I stood there with it in my hands, that a wax seal was too much, which is why I decided to wrap it in tracing paper instead. A great thing about the tracing paper is the auditory sensation of unwrapping it and the relation it has to actually receive a gift from someone. Suddenly, without me having to nudge anyone into thinking so, the package actually did look like a gift while keeping the box below visible. 

I also considered placing a seal anyway on the paper wrap but decided I loved the simple elegance of the wrap alone. Sometimes, even if you think you have a concrete plan, when it comes to the creation side they fall to the wayside. That is why creating a prototype is so important.  

Initially, I also had lofty plans for painting a beautiful scene on the lid of the box. However, during our feedback week, I had a lot of the students tell me that they loved how simple the box was, that the concept even reminded them of home. One of the girls told me that she was studying in Canada because she wanted to buy and sell products and she would definitely want to sell my product in Japan!

I was pretty attached to the idea of painting, but you learn a lot in design as you go through and build products, that sometimes it’s best to kill your darlings. Getting attached to one concept is a bad idea.

I found instead that I could create a colour pop by taking the wine red from the Japanese flag on the paper wrap and matching it to a fabric, which I then sewed into a handkerchief with the help of my mother and sister. I proudly did the inside seam and ironed it, but when the time came to sew the top, my sister, with her costuming diploma, stepped in for me. 

The end result is a beautiful, simple yet elegant gift. When opening, the user has to first slide off the paper wrap, open the tracing paper, slide back the lid and then finally unfold the handkerchief to reveal the blade inside, safely nestled within the fabric to keep it from moving while in transit.

Case Study Draft

Project Title Balanced.

Class Name Design Research Project

Date of Completion 11/29/2019

My Role Art Director

Summary Balanced. is an organization focused on promoting a healthy work/life balance that I designed in the final year of my degree. It is an integrated ecosystem focused on providing a healthier schedule for those that tend to overwork themselves.

Project Challenge

Possible header photo: Waving/animated Ish with the balanced. logo Overwork is dangerous for not only your mental health but your physical health as well. working more than 55 hours a week raises the risk of heart attack and stroke. At this point in time, overworking yourself can officially be a cause of death. Something needs to be done. The challenge lies in ‘What’ and ‘How’? How do we change the way a whole society perceives work/life balance in an appealing way, especially when the target audience is most likely too busy to go through and set up a whole system?

Strategy/Methodology Show pic of Ish

Using myself and my own experiences as a key target audience, I realized that the most important aspect of Balanced. had to be a simple entry point. A simple voice command system in the form of a smart speaker program would be necessary and from there, the rest flowed. The system would be wrapped around the central character of a little AI robot named Ish. 

Ish can be likened to a little assistant that lives inside the user’s phone. It helps plan the user’s day, sends messages to ask how the user is feeling, sends the user on forced breaks and is the face of the Balanced system.

Show Ish screens

Design Process Identification Conceptualization Ideation Show ideation/drafts of Ish Show logo ideation (sketches and final)

brand ideation Production Revision & Feedback Deliverables

Solution/Contribution Show images of the completed booklet, al stages of the ecosystem Balanced has been developed to become a foil that fits snugly around the user’s life. At the beginning of integration, Balanced studies the user’s day to day activities using the deliverables that will be described in the coming pages.

This sounds like a lot, but Balanced knows that not everyone has the time to set a whole system up, so it has been designed with the intention of ease of access. Balanced will bring awareness to the issue of overwork and what it does to an individual’s mental and physical health. It will impact the way that people value their time and themselves as a person and deconstruct the idea that overworking oneself is admirable.

Balanced is an app, a smart speaker, a website, a watch integration, a friend, a secretary and a resource.  Takeaways - This project taught me a lot about the design process from start to finish and also showed me that everything starts from a poor looking sketch but end well depending on the amount of effort and skill you put in.

DAY TEN - BLOG POST #12

The aim for this stretch of the project was to create thumbs, mapped layouts and sketch model mockups. It’s hard however to get the appropriate size when you don’t really know how much space 250 grams of Good Life Granola is going to take up. 

Now, something I was told to work on was my ideation component so I worked really hard to come up with at least 50 thumbs to work with. I’m not the type to put myself into a box (*bdm tss*) so I found that just letting my pencil take up the space it wanted was the best way to go for me. This created a bit of a flow of ideas rather than me just trying to fill little squares with thoughts. Sometimes, you need to think outside of the box. (*bdmmmm tsssss*)

Here are the ideas I came up with.

I wanted to make sure that I worked through as many shapes as I possibly could think of to be thorough about the ideation period. Although I came up with some really fun, crazy shape ideas, I found myself drawn to a simple box for ease of production and cost when it came to the packaging and decided to develop those concepts further.

After fleshing those out a bit more, I decided to just sit down and have fun. I forgot how much I loved this part of the ideation and creation period. Although I messed up a couple of times, I didn’t let that frustrated me and instead just enjoyed the tactile puzzle I was dealing with. 

These are the design solutions I have come up with thus far:

I can’t wait to get proper measurements down so that I have a better idea of what I’m working with. I’m not even sure at all which one I like best so far, although I can tell you that the most interesting one to try and create was definitely the rectangle with the pour spout! (I thought my brain was combusting a little bit as I tried to visualize what I had to do in my head.)

Day 6 - Blog Post #7

Today, I brought in a sketch model and half of a mock-up. In class, I made the paper wrap-around for the box and made an insert for the inside to hold the knife in place. 

The lid will slide off of the package and I will seal it closed with a wax seal. This is to create an experience for my audience as well as make something truly beautiful. 

I really want the box to match the simple beauty of the knife, so what we’ve ended up with, is a fairly simply made box that will be joined together with wood glue and no nails to keep it in the Japanese style of wood joinery. I’ve also managed to find someone to help me make the box, which is excellent. We are using a nice, light spruce to create the box as that is what i could handle in my budget. 

The plan is to paint the lid with a beautiful Japanese illustration, a big feat. Everyone knows that I’m not an artist but I also know that if I put my mind to it, I can do it.

After some consideration with Nancy, I’ve decided on using wax paper for the informational insert that will go inside. This is to further the experience of the user. I just need to find out where to get it printed! 

I also started my digital file today. The only things that will truly be made on the computer are the paper wrap-around and the insert. Everything else will be made by hand.

My take away from this week is that sometimes I just need to get my hands going! I really had trouble starting this week for some reason, but once I got going, I got super into what I was doing. I enjoyed the simple happiness of creating.

Portfolio Progress #2

What a time to be alive, a worldwide virus has put most of the world on hold at this time but that doesn’t mean we’re any less busy. We’re finishing this term remotely and it looks like my part-time job will be unavailable for the time being so I guess the silver lining here is more time to work on my portfolio?

Accomplished:

Figured out the Nav bar

Have got a footer going

more pages have been made

a hover feature has been added

project pages are slowly being built

To Do:

nav photoshoot with the latest issue

bilk out project pages

reduce image file sizes

about me page

lightboxes for photography and sketch page

The biggest challenge I have when looking at portfolio websites is that oftentimes, the user experience is poor because of the amount of focus the designer has put into the user interface. I can appreciate a flashy website with a lot of moving pieces but I don’t think that there’s a place for them on a portfolio website unless it’s serving a purpose. For example, it might make sense for someone whose career is in uiux to show off what they can do, but something that’s been drilled into me as a design student is the concept of function over form.

When looking for a portfolio website that inspired me, I found that I leaned towards websites that used grids, that had a definite branded look (colour, style, etc) and that was easy to navigate.

Kate Moross is a bit of a hero of mine. (Kate goes by they/them) They’re a fantastic designer that has been in the business for over a decade and is based out of London. Their work is vibrant, stylized and unique. 

Their website neatly links to each piece and gives many examples of it in different lighting and with great photography. They lay out their involvement in the project in most cases and Kate’s site seems to update each year.

I really like the way Kate’s site is laid out because while they utilize a grid, it has a couple of quirks to it which stays true to their nature as a designer. Kate isn’t afraid to be themself on their own website and I think that’s important, as it was discussed in class, it’s vital to represent yourself truthfully.

I also really like how easy it is to navigate Kate’s website.

The sidebar is bright and easy to find and it pretty much takes you anywhere you might think to go. Kate also has an extensive background though with a lot more experience than I’ve had. They’re well known worldwide and even if you think you’ve never seen their stuff, you most likely have. While my portfolio will be smaller to start, I think a simple layout like this would be easier to keep building up.

Summary of takeaways for my own portfolio site:

Keep it simple, only use flashy stuff if it’s necessary. As a designer, I tend to lean towards a minimalistic approach so my website should reflect that.

Be honest. Don’t use language that you don’t mean when referring to yourself. 

Give users the information that they’re seeking with minimal effort. 

Try to use excellent photography and avoid unedited/poor quality imagery for the website. Reshoot if you have the time or use mockups for now. 

Explain what you did for each project so that people can understand what they’re looking at and why.

Day Eight - Blog Post #10

Coombs Country Market Field Trip

We went on a field trip to Coombs today to visit their grocery store. Coombs has a lot of really neat packages in their store because they sell items that come from all over the world! There were beautiful Balsamic bottles, chocolate bars, yoghurt packages and so much more! However, we were there with a simple enough goal and I wasn’t to get distracted, although in the end, it happened. We can blame the edible glitter and handmade paper for that!

Anyway, the goal was to find two sets of a package series that we could draw inspiration from and use as an example for our next project. We’re supposed to design a box for Granola for this delicious, local-based fresh juice company.

Series #1: Fee Brothers Bitters

How is the branding consistent across all of the packages?

While the brand’s colour changes, the layout of the packages remains consistent. The type, logo, paper and sticker along the top are all the same. The only thing that changes in fact, is the colour. Even then, the colours are in the same tones. Even with just a quick glance at the shelf, someone could register that they’re a series.

How does the design differentiate amongst “flavours”?  

The design does not differ much, the only thing I did find is that on some of the bottles, the lid had a different colour to denote flavour as well. However, this wasn’t completely consistent so it was hard to say what it meant completely, which was a small issue in the concept overall.

What is the brand concept?  

The concept for this brand seems to be higher end and meant to make the audience feel like it is an old-fashioned product. It is wrapped in paper to give it this illusion of being vintage and the sticker that runs around the top displays the portraits of what one must assume are the Fee Brothers. What’s fun about is that you can’t see the liquid inside until you open and unwrap the bottle, giving it the feeling of something you might be able to present as a gift.

Other thoughts?

I’m kind of curious to see what the bottle looks like underneath the paper and was seriously considering buying a bottle just to check. It’d be cool if this product was so easily recycled by just removing the label and bringing the glass in! While I want to create something consistent, I also want to make sure that I focus on the environment. I’m already thinking about what I might do to make the package sustainable and within my client’s budget. I like the idea of glass.

Series #2: Whittaker’s Chocolate.

How is the branding consistent across all of the packages?

Whittakers is a really neat brand because while there are a lot of flavours, the Whittakers chocolate brand is unmistakable. I first came across it in New Zealand, where it is manufactured and proudly second only after Cadbury chocolate. Every single package is a beautiful shade of gold in a paper wrap and when opened, another foil wrap of gold protects the chocolate inside. The branding remains consistent by keeping the logo at the top of the package, followed by the chocolate information and name.

How does the design differentiate amongst “flavours”?  

There is always a block of chocolate at the bottom but it is always illustrated with the correct flavour profile per package. Each flavour also has a unique font colour. Otherwise, the rest of the package remains the same.

What is the brand concept?  

The concept for the brand is definitely meant to be luxurious, denoted by the gold wrap colour. The font tells us that it is also meant to be old-fashioned. Knowing New Zealand, I know how proud they are of their heritage and this chocolate is meant to draw on that. The user should feel that when they are picking up this block at the grocery store, they feel like they’re in a lovely old candy shop.

Other thoughts?

I was wondering if I was drawn to this series because of the nostalgia I felt when looking at it, you can’t count on one hand the amount of these bars I got through when I lived there! However, you can tell just by the image that this is a really strong series. There is no question that they are linked and I think the key to that is only changing a small part of the package to reflect the different flavours. The goal is definitely to have the user know without question that the two separate items that they are holding are linked.

DAY ELEVEN - BLOG POST #13

Today we met with our client for the first time since our initial meeting two weeks ago! We also had a visit from Gord Wright, a Hemlock Printer rep. He had a lot to tell us about the printing process and he was very informative. 

With that though, I realized that the seed paper that I was so attached to might not be the right way to go. The problem with seed paper is how moisture effects it. Grocery stores and the Goodlife Juice store may not be a great environment moisture-wise for that. Then, there’s also the seeds that are used and whether or not they are native to BC. If the seed in the paper is an invasive species, that would not be great for our environment. 

Oh well, kill your darlings.

My client liked the box with the pour spout best out of the ideas I showed her but then we realized that the granola will probably be packaged inside a plastic bag inside the box to keep it dry. I’m wondering if I can come up with a solution for this, like a tearaway that’s attached to the bag and box so that when you pull the spout out, the bag is torn open. I’m not sure how this will work, but I’d like to give it a try.

If that doesn’t work, I’m also thinking of just cutting a corner of the top of the box out so that when it’s on the shelf, the bag can be seen. The user can then just tear the bag open without even having to open the box and reseal it with a clip.

I guess I’ll have to try both of these things.

Opportunities for Change & Innovation

This seems like a very self-centred approach to this project because I might be one of the select few that faces this problem. But hey, I think it’s important to do a passion project every now and again.

Portfolio Website

The Links I’ll Use

about me, small joys, resumé

Which 3 (or more) projects will you showcase on your site?

Balanced Balanced is a project that I did last semester where we had to choose an issue and then try and solve it as best we could through graphic design. Balanced ended up being an integrative system to promote a healthy work/life balance for the issue. It showcases an app design, web page, smart watch, smart speaker and welcome pamphlet as well as a colour brand.

The Nav The Nav Student Press is a magazine that I have been art directing the past two years and worked on for the last three. It showcases my editorial skills and features two different base designs for me to show on my website.

Place Place is a branding project that I am currently working on for design for business. At the end of this project I will have a fully branded guide for a new business. This will include a logo, a pattern, style guide and branding elements. I will add it at the end of the term.

Fox & Koi Fox & Koi is the enamel pin business that I run with Teigan Mudle. Through fox & koi, we have designed over 30 pins and I have personally been responsible for 15 of them and collaborated on 5. I have also done some illustrative print work, designed backing cards and created stickers.

Where do you need to fill holes in your showcase?

photography

mockups

sketches/roughs for all projects

more active dribble, design instagram

What will you do specifically to fill holes?

write rationals

do photography of products and/or mockups

post more on my design instagram

post more on dribbble

organize past sketches and roughs into something legible.

What platform will you use?

Wordpress, powered by semplice

What is your domain name?

saraholmes.design