you know... in my opinion, talent is being able to name the queen song by listening to the first 2-3 seconds of the track.
Oh he was down BADDD
I'm done
character misses their shot and the villain goes "ha! you missed." and the main character goes "did i?" and then shoots the villain again while they're frantically looking around the room for what the hero could possibly have aiming for instead
I literally would not care if paul was slapping the other Beatles across the face on the reg he did what he had to do in order to get the band to be better
loving john by may pang // paul mccartney interviewed in come together: lennon and mccartney in the seventies by richard white
It makes me happy when they listen
as a phrase, “she [x] on my [x] til’ i [x]” only is funny if on either side of a spectrum. either the phrase ends so specific to a sexual action it’s a smart joke (for example, “she strogan me off til i beef” uses the word “beef stroganoff’ but also makes a “stroking off” joke, making it clever wordplay.) or it makes so little sense that it ends up funny from the absurdity of deciphering what type of sexual action could even be taking place. (example: when my roomate the other night asked to hand them a sanpelligrino and then said “she san on my pelli til’ i grino” which begs the question of what ‘sanning’ is, what a ‘pelli’ repersents in terms of human genitalia and what ‘grinoing’ could possibly be.)