I love these two so much, I remember creating Sadira back in middle school. Then I forgot her and she just kinda faded and was forgotten. Now she's back and hot dang she has never looked better. She's the oldest character out of any I've ever made that I remember and her progression and new maturity has proved how much I've grown as a writer. As a person. Ulyesses as well, kinda, he's grown but his vocabulary of curse words just grew. Anyway, these two are my otp and thus piece was very ambitious. I waited months and every minute, day, was worth it. They look so amazing and that word doesn't even cover it. This is my background for every electronical device I have. Thank you, for making them look better than ever, for accepting this commission when it rejected by a few others. You have done them a great honor and I love it so much. I keep noticing new details every time I look at it. P.s. @janeopries your tags are gold
Finished commission for @sinedra! ♡ This is their character Sadira and @janeopries’ character Ulyesses. I loved their story and had a lot of fun drawing them (while listening to sad florence + the machine songs of course). Thank you so much for commissioning me!
[fullview] ✧ [commission info]
requested by: anonymous request: How exactly can I describe a characters ethnicity/skin color casually, without it sounding like a specific scene that just exists to describe the skin color? I hope this makes sense lmao… I just want to write a scene where I casually mention someone’s ethnicity or skin color
description of appearance: No matter if skin colour or hairstyle or clothes, a text is more dynamic if you don't dedicate an entire scene/paragraph to it but rather sprinkle the necessary information in here and there. However, there can be instances where it's conducive to the plot to put that entire paragraph (e.g. introducing a new important character with backstory). Otherwise, I'd say try to keep it short and put it where it serves the plot.
ways to incorporate...
... a description of appearance:
when a character makes their first entrance (describe everyone's colouring - POCs' and white characters')
the impression their complexion makes together with their clothes: "the bright yellow of their shirt complemented their dark skin"
the way their colouring interacts with lighting: "the grey weather took away the rosy hue of their fair skin"
when appearances create a contrast: "I immediately noticed them because they were the only other black person"
... ethnicity:
let the characters mention it where it makes sense
regarding the narrator you've chosen for your story, it can also be blended into an inner monologue
include parts of their culture: traditions, terms, family, etc. (this also allows to bring up their ethnicity repeatedly over the story and not only at the beginning)
show their struggles: are they affected by social struggles? then show it!
words to use to describe skin colour:
... basic colour descriptions:
brown
black
beige
white
pink
... more specific colours (try sticking to familiar/common words that can be easily visualised):
amber
bronze
copper
gold
ochre
terracotta
sepia
sienna
porcelain
tan
... prefixes or modifiers (can be easily combined with basic colours):
dark
rich
warm
deep
fair
faint
light
cool
pale
... undertones (pre-dominant colours underneath the skin - often warm or cool, sometimes also neutral and olive):
yellow
orange
coral
golden
silver
rose
pink
red
blue
... avoid food analogies as it's often received as offending, fetishising, and/or objectifying.
That's all I can provide as of now but I'm sure you guys have aspects to contribute. I'm very interested to hear your thoughts, so please feel free to add to this post whatever you like to/can share <3
And for more information, maybe also check out @writingwithcolor for more specialised posts on the topic <3
OKAY HAVE YOU HEARD OF THE NATURAL HISTORY OF DRAGONS BY MARIE BRENNAN
NO! WHAT IS IT?! I MUST KNOW!!
P.S. sorry for public answer, forgot my settings were like that.
Too, many, commas,,,
Is this ooc??
I used that word already
Do people even blush this much??
*squints* Is that canon?
Tropes
*cries while writing death scene*
Wait what happened last chapter?
I wrote like a thousan- 354 words!?
*googles the lifespan of a tropical fish*
have I spelt his name wrong all this time?
Would they say that tho?
Changes plot 539932 times
Looses inspiration, goes back to tumblr
Tumblr has not been doing a great job at talking about this, but:
With OneDnD, Wizards of the Coast has decided to update the Open Game License (OGL). Said license is what allowed people to create homebrew DnD content and sell it, and even larger companies to use certain sorts of content. Pathfinder, for example, is built on said OGL. This also allows streamers and artists to exist and benefit from said content.
With OneDnD (sometimes called “dnd 6e”), WOTC wants to create a much more restrictive OGL, which will, amongst other things:
Make WOTC take a cut for any DnD-related work (according to Kickstarter, a whole 25% of the benefits)
Let WOTC cancel any project related to DnD up to their discretion
Let WOTC take ANY content made based on their system, and re-sell it without crediting you, or giving you a single cent
And most importantly, revoke the old OGL, which will harm any company or game system that used it as a base, such as Pathfinder. And it means they GET ownership over any homebrew content you may have done for 5e in the past!
It’s important to note that OGLs are supposedly irrevocable. They were planning to use it for OneDnD initially, but they want to apply it retroactively to 5e, somehow. Which is illegal, but lawyers have mentioned there’s a chance they may get away with it given the wording.
This means that anything you make based on DnD (A homebrew item? A character drawing? Even music, according to them?), can get taken and used as they deem appropiate.
These news come from a leak of the OGL, which have been confirmed by multiple reputable sources (including Kickstarter, which has confirmed that WOTC already talked with them about this), and was planned to be released next week.
So, what can we do?
Speak against it. Share the word. Reblog this post. Let people know. Tumblr hasn’t been talking much about this matter, but it’s VERY important to let people know about what is WOTC bringing.
Boycott them. Do not buy their products. Do not buy games with their IP. Do not watch their movie. CANCEL your DnD Beyond subscription. (Btw, they ARE planning to release more subscription services too!). They do not care about the community, but they care about the money. Make sure to speak through it.
And maybe consider other TTRPG systems for the time being, Pathfinder’s Paizo has been much nicer to the community, their workers are unionized and are far more healthy overall
I know, once again art instead of advice, but @janeopries ugh just look at this. Look at them!
Close up WIP of a commission for @sinedra! ♥
For any of you who are writing ‘across the pond’-here is a little guide I put together of some common differences between British and American English!
I (again) apologize, as I've never done an official review or anything. Since that's out of the way I'll do my best to bring forward a decent amount of points on both ends. If I need to improve, please tell me. On to the review!
I'm a huge fan of the YA fantasy genre, if there isn't some fantasy in it then I'm likely to not even pick it up. Safe to say, Seraphina is fantasy through and through. Rachel Hartman brings in refreshing elements to a subject over-done in every form of media/genre: Dragons.
As a short summary, the story follows the young protagonist: Seraphina. She's delved out of her comfort-zone (and guiltily ignoring her father's wishes) and begun working at the palace. Before she moved in, the crown prince is killed and everyone believes it was the dragons that did it. Seraphina finds herself pulled into the mystery with the help of Lucian Kiggs, captain of the guard and nephew of the killed prince. The treaty between the dragons and humans hangs in the balance.
Without spoiling the plot too much, let's just say that the dragons (who we see mostly in compressed human forms) are a wonderful relief. They definitely don't feel human and don't have a perfect peace with the humans. The tension and distrust is felt from cover-to-cover, it's honestly wonderful because it isn't a stagnant world and its future doesn't depend on the protagonist to fix or cause trouble. For a fantasy world, it come off as extremely realistic.The world itself is a mix of medieval European and fantasy setting that pulls you right in. Nothing felt awkward or out of place.
Seraphina, herself, is also a well rounded character. She's not beautiful, socially exceptional, or even well known. She enjoys being in the background and prefers it. Granted, like most YA protagonists, she certainly could benefit from a few more flaws, but she's a model for many of the Mary-Sue cut outs being sold on the shelves. I'm also not one really for first-person in stories, but I actually enjoyed being in her head.
On the opposing end, the plot is a bit overused. Hero/heroine gets involved when country's peace is threatened and heads off to fix it. I personally felt like I had too many characters thrust at me at the beginning, it was hard to keep track of at first. And there were certainly a few scenes that didn't need to be in the novel at all (sadly they're spoilers so I can't mention them), but they only succeeded in making the novel longer rather than pushing the plot along.
As a final comment, I would certainly recommend it. I love it as a whole, which makes it easy to ignore the bad points. I'm certainly keeping my fingers crossed for a sequel and will probably read it again.
I have almost 50 followers?! When the heck did that happen? Well thanks guys, I'm honored. I usually spend time on my side blog but I'll continue to post writing related things I find helpful.
A simple blog dealing with writing, books, and authors. Writing blog is Sinedras-Snippets. Icon and header by miel1411
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