As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.
Hyperventilating — sucking in air but never feeling like it’s enough
Chest tightens — feels like a weight or hands pressing down
Limbs shaking violently, knees buckling
Complete loss of muscle control — collapsing or unable to stand
Cold sweat soaking through clothes
Heart hammering so hard they feel it in their throat or head
Tunnel vision — the world narrowing down to one terrifying focal point
Ringing in the ears or sudden deafness, like the world drops away
Dizziness / feeling faint / vision blurring
Dry mouth — unable to speak or even scream
Screaming / sobbing / gasping — involuntary vocal outbursts
Panic run — bolting without thinking, tripping over everything
Clawing at their own skin / chest / throat — like trying to escape their body
Begging / pleading out loud even if no one’s there
Repeating words or phrases — “No, no, no” / “This isn’t happening”
Hiding instinctively — diving under tables, closets, or corners
Desperate grabbing — reaching for someone, anything solid
Loss of bladder or bowel control (for extreme terror)
Total mental shutdown — frozen, slack-jawed, staring blankly
Memory blackout — later can’t recall what happened during the worst moment
Things Your Character Pretends to Be (But Isn’t, At Least Not Yet)
(Identity masks, coping roles, survival personas.)
The caretaker (but no one’s ever taken care of them).
The brave one (but they’re terrified all the time).
The flirt (because real intimacy is terrifying).
The funny one (because laughter hides the panic).
The overachiever (but they feel like a fraud).
The chill one (but they’re screaming inside).
The leader (but they never wanted the spotlight).
The rebel (but they just want to belong).
The calm one (but their thoughts race nonstop).
The loyal one (even when people don’t deserve it).
The loner (but they’re starving for connection).
The tough one (but they’ve never been allowed to cry).
The problem-solver (but can’t fix their own mess).
The grounded one (but they feel completely lost).
The logical one (because feeling has always gotten them hurt).
The “together” one (but they’re falling apart in secret).
The “nice” one (but they’re boiling with resentment).
The free spirit (but they crave structure).
The peacemaker (but they never say what they need).
The heartbreaker (but they’re terrified of being left first).
The funny thing with abusive misogynists is that however much they hate women who defy them, they always seem to find ways to absolutely loathe the obedient ones
Believe it or not there are people out there who believe that writer's block isn't a thing. Nope, I'm not kidding, that is what my lecturer said last year and I just want to assure anyone that may believe it doesn't exist/ or are thinking of giving up on their work, don't. It is a very real thing and is very common to experience especially if you've written so much that you've managed to burn yourself out. Also, nobody in my class liked that lecturer for the rest of the year after making that comment so if you don't believe it's real...I wish you luck is all I'm gonna say lol.
So how do you prevent this?
Well first of all, you can't, but you can decrease how likely it is to happen.
First thing is first, get your notes and your characters down somewhere you can look at them. Organisation will help a ton. Personally I have notes scattered all over the place both physical and on a folder on my laptop. Ideas come at random so I jot them down and then always forgot to put the physical notes somewhere. This meant I got stressed because I knew I had a good idea but couldn't remember exactly what it was. I did end up finding the notes and have now bought a folder to store my papers in. But this disorganisation meant I spent a lot of time overthinking my skills as a writer which then affected my confidence and ultimately resulted in writer's block.
The next thing you can do is relax and create. Plots will come in time, focus on creating -- that's the fun bit especially if you're working in the fantasy or sci-fi genre! Don't create your plots first because as soon as you create your characters you might realise those plots won't work with those characters anymore. While this may not directly contribute to writer's block it definitely could affect your confidence so if you already have a good plot idea but find your characters don't fit then store away the idea for later to use with characters that will work for it.
Also I know I only focused on the writing aspect of creation but if you want to create other things then do that, too! Draw, make models, maybe a small mistake you make might give you inspiration!
This is common advice I see and that is taking a walk. If you can't find the inspiration to work on your current project but want to write something, grab your laptop or notebook and just wander around in a park and focus on your senses. What can you hear? What are the conversations people are having? What can you see? Try and show it instead of telling. Is there wind, can you feel it?
If you don't want to write something too complicated and can feel your motivation disappearing but want to try and regain it, search for words and show your meanings for it instead of what the official definition is. For example the word 'love', the official definition is generalised and always straight to the point but the word means different things for different people. So what is love to you?
Adding onto the previous paragraph, maybe try poetry! Last year I was dreading my poetry module but I have actually enjoyed it so far. I never thought I would but at 3am I find myself drafting up a poem to work on the next day. I do have old notes somewhere so when I find them I'll post them here so you have a sort of visual for how some poetry forms work. My favourite type of poetry is freeverse so if you're wanting to create a story without necessarily rhyming but keeping within the poetry theme, that would be a great way to start!
Finally, read. Sit down somewhere with a cup of hot chocolate or your favourite drink and read. Take some time for yourself, your writing isn't going anywhere and either way it takes time. Writing is a skill to develop not something to rush. Rushing will result in confusion and you may miss out some minor plot points you wanted to add. Reading helps you learn so pick out pieces that you enjoy from the book and see if you can incorporate it into your own work somehow.
To all my fellow writers out there, take a breath. Everything will come to you in time.
All men
Francium (elemental)
Torpedoe radio guidance/navigation systems
Dishwasher
GPS
Wi-fi
Structure of the Milky Way
Kevlar
The Earth's inner core
Aciclovir - an antiviral drug used for the treatment of herpes simplex virus infections, chickenpox, and shingles
Azathioprine - an Immunosuppressive drug used in rheumatoid arthritis, Crohn's disease, ulcerative colitis, and in kidney transplants to prevent rejection
Flossie Wong-Staal was the first scientist to clone HIV and map its genes.
Pyrimethamine was initially developed by Nobel Prize winning scientist Gertrude Elion as a treatment for malaria.
Disposable diapers
Child carriers
Vaccine for whooping cough
The galaxy rotation problem - important to the discovery of dark matter
Radio astronomy - Type I and Type III solar radio bursts
That stars are primarily composed of hydrogen and helium
The new outer arm of the Milky Way - In 2004, astrophysicist and radio astronomer Naomi McClure-Griffiths identified a new spiral arm of the Milky Way galaxy
Radiation
Radon (elemental)
Kinetic energy
Heavy elements in cosmic radiation
Beta particles are electrons
Nuclear shell
Astatine (elemental)
Nuclear fission - helped in the creation of nuclear weapons
Rhenium (elemental)
Seaborgium (elemental)
Polonium and radium (elemental)
Scotchgard
Structure of vitamin B12
Carbon Dioxide
Bioorthogonal chemistry - the concept of the bioorthogonal reaction has enabled the study of biomolecules such as glycans, proteins, and lipids.
Central heating
Square-bottomed paper bag
Correction fluid (white-out)
House solar heating
Wrinkle-free fiber
Windshield wipers
Car heater
Airplane mufflers
Underwater telescopes for warships
Written computer program
Written (programming) language
Chocolate chip cookies
Pizza saver
Mint chocolate chip ice cream
DNA structure
Sex chromosomes
Lactic acid cycle
Transporsable elements
Gap genes
Myers - Briggs Type Indicator
How to Write SIBLING Relationships
If you're looking to write a sibling relationship but don't fully understand how a sibling relationship actually works, this is for you! As someone who has a younger brother, here are some points you'll want to consider when writing siblings!
First, let's talk about the three types of siblings and explore their general roles, expectations, and characterization within a family!
Starting with the oldest child, oftentimes, the eldest child is expected to act as the most responsible and as the role model. This doesn't mean they will go out of their way to set an example, but typically, no matter their personality and relationship with their younger siblings, they will have an innate sense of duty and protectiveness over their siblings. They want their siblings to enter the right path.
As the role model, the oldest child normally feels the most stress and anxiety, yet they also try not to show it to avoid worry from others. They highly value independence.
I'm sure you've heard of the jokes that the middle child is invisible child, and while those jokes are often exaggerated, the truth isn't terribly far off.
Between the eldest and youngest child, the middle child has a more difficult time standing out, which may lead to more reckless behavior for attention. They are characterized as more free-spirited and might act as a mediator between the youngest and oldest.
They will likely be more responsible and experienced than the youngest but can act similarly to the youngest.
The youngest child can look like many things. Sometimes, you'll see the youngest is the most spoiled because they're the parents' favorite, and sometimes they're ignored because they have the least experience. Despite that, they have their fair share of pressures and burdens because they are often expected to meet, if not surpass, the achievements of their older siblings.
A sibling relationship differs from a typical friendship. They WILL find each other more annoying, but that doesn't mean they can't get along.
Siblings are also more honest and nit-pickier with each other. For example, if a friend changes the radio without asking, the character might not think too much of it. However, if their brother changes the radio without asking, then the character will likely feel irritated and call them out for it.
And when I say honest, I don't mean that they're super honest with each other emotionally, because that's not always the case. When I mean honest, I mean they're rather honest with each other at a surface, verbal level. They hardly hesitate to say their thoughts and can be pushy about them.
They will have an opinion on everything.
If you've ever had some friends that have siblings, I'm sure that you're aware sometimes siblings can be similar and sometimes they're total opposites.
However, this doesn't mean that a pair of "opposite" siblings are ying and yang. While they may seem visibly different, such as fashion sense, and whether they're an introvert or extrovert, there are still shared traits that they hold. This is especially true if they're biological siblings and/or raised in the same environment together.
They influence each other, so there's bound to be some similarities in personality or values no matter how distinct each one is.
No matter what, siblings love each other. They might not say it, they might not express it, or they might show it in a toxic and unhealthy way, but there's always an underlying sense of familial love. These are the people that your character has (or was supposed to) grown up with, after all.
There's going to be attachment, they will defend each other, even if they claim to hate the other.
Okay guys, now let's move on to parents and how they might play a part in sibling relationships!
Regardless of whether you have a sibling or not, you've likely experienced what it feels like to be compared to someone else. I'm not saying people with siblings have it worse, but they do have a wider range of people to be compared with.
It's not uncommon for parents to compare their children to each other, and it's not uncommon either for a child to compare themselves to their siblings. Sometimes, outsiders and/or distant family members will also compare the siblings, causing feelings of inferiority and envy.
When siblings have a poor relationship, it can sometimes be because of the parents.
Siblings fight and argue a LOT. However, you'd be mistaken if you thought a parent resolves all of these fights.
The truth is, after a certain age is reached, parents won't step in or resolve a fight unless it's right in front of them. They expect their children to be mature enough to solve their issues out, and honestly? They were tired of breaking up conflicts years ago.
Bonus point: yes, siblings can fight often, but the quarrels are usually forgotten pretty quick too. I've had several fights with my brother in which we were back to normal literally a few hours later the spat. Will I remember it for the next year? Absolutely. But do I care anymore? Not really.
This post may not apply to all siblings--everyone has different types of relationships--but here are some good points to start at!
TL;DR: The eldest sibling has the most responsibility, the middle sibling is a blend between the oldest and youngest and often strives for attention, and while the youngest sibling may look like they have it the easiest, they have their pressures too. Sibling relationship does not mimic a friendship, and they will have similar traits despite distinct personalities. They love and care for each other, even if it doesn't look that way. Having siblings sets up for many comparisons between them, and parents won't always resolve sibling spats.
I'll likely release some posts detailing how to write specific sibling relationships, so let me know if you want to see one in particular! Thank you for making it here!
Happy writing~
3hks <3
the thing abt the people defending that rape game is that they are genuinely misogynistic and are peddling both rape culture and blatant misogyny but they're dressing it up to sound like it's a matter of censorship when it genuinely isn't. you people are just so ROTTED by porn that you think that the abuse, intimidation and subjugation of women is "normal"; it's no secret that the porn industry (ie pornhub, brazzers, etc) peddles this shit so much that you think that rape is normal.
and fandom has contributed to that by, again, normalising it and making it seem as if it isn't outright inherently harmful to glorify, sexualise, and make porn of people's worst trauma; you sit in an echo chamber where rape porn is normal for long enough, and you begin to take on that belief yourself - the same way that if you spend a lot of time around people who enjoy rugby or football, you begin to enjoy the sport yourself.
what you people are saying is incel shit, to put it nicely.
you're sat there saying it's FINE for a man to make an entire game to get off on thinking and behaving like a rapist (and be rewarded for it), and that if women don't like it, then they're somehow evil fascists as opposed to, yk, not misogynists and not rightfully worried about games like that when we live in a world where Andrew Tate is platformed and upheld for his beliefs that abusing and raping women makes you a man. a world where the president of the United States is a rapist.
a world where people like Nigel Farage (who is an actual fascist) outright work with white men who are known abusers of women but then claim that they care abt women & girls just to push more hatred upon immigrants and people of colour and Muslims.
a world where the porn industry can make thousands of videos where women don't outright consent, where corrective rape of lesbians is abundant, where where incest is treated as a NORMAL FUCKING THING as opposed to sexual abuse as the result of grooming.
bc the fact is that you people who fucking defend shit like No Mercy and other depictions of rape as something to get off to, you don't give a fuck about women. you don't give a fuck about rape survivors. you only care about your ability to get off and to wank over people's worst trauma. THAT is what you care about.
you see all those women on tiktok, Facebook, Instagram, twitter, bluesky, Tumblr, whatever fucking social media you use - you see them fucking telling you that shit like No Mercy is wrong, and that it's inherently harmful and that it's misogynistic, and you do not give a fuck.
you only care about your fucking sexual libido, not who the fuck you are harming.
you can harp on about fucking "fiction doesn't equate to reality" and yeah, it DOESN'T. but fiction doesn't exist in a vacuum either, and there's no way that this game was not the product of a misogynistic man who wanted to spread and peddle misogyny as a whole, the same way that pornographic films do when they MAKE incest, corrective rape, and rape films. it doesn't exist in a fucking vacuum, and if you cannot be critical and evaluate where and HOW a fetish is presenting itself, then not ONLY are you peddling anti-intellectualism, but you're also contributing to misogynistic rhetoric and actions bc what you're doing is you are normalising and enabling these kinds of things, even exposing them to children (as Steam, especially, does NOT have ID-verification for age ratings).
do you genuinely think that games like RDR, Fallout, GTA, etc - all of which satirise these things and genuinely make you feel bad abt committing violent/bigoted actions - are ANYWHERE near the fucking Rape Simulator game?
the people who fucking defend games like No Mercy claim that they care MORE abt "real people", but the matter of the fact is that they DON'T. bc if they DID, then they'd be listening to the DOZENS (if not hundreds!) of women across social media who have VERY CLEARLY stated why and how games like No Mercy are DANGEROUS. are TRIGGERING. are VILE and sickening, esp in this day and age where women are subjugated to that kinda bullshit, be it rape threats or rape porn itself, 24 fucking 7 thanks to social media.
you people are fucking disgusting for turning around and outright mocking the (VERY REAL) women who are calling for this game to be banned. bc it SHOULD be. a fucking rape simulator game should hold NO PLACE in society whatsoever under any circumstances.
you people who defend that shit are fucking misogynistic, vile, little cunts.
and just so we are clear: if you are a TERF & see this post, you lot are also misogynistic and vile assholes and do not belong within this conversation either. you peddle the exact same rhetoric against trans women, so frankly, go fuck yourselves and stay away from this post.
edit: TERFs & radfems go fucking kill yourselves. you put trans women (& ALL women) in fucking danger w your misogynistic, Nazist, views. you lot are literally fucking COUSINS w the people supporting this game.
Writing realistic characters can be challenging because there's a lot to consider. Even though I've touched on this subject before, it's a complex topic that requires vast knowledge to get it right. Here's a guide on what to consider when writing people in your stories:
1. Similarities to Real People: Just like in real life, your characters need to share traits with real people. This helps readers connect with your story and characters on a more personal level.
2. Negative Traits: It's important to explore your characters' negative traits to make them more believable. For example:
- People often think of themselves first because it's part of our DNA to protect and care for ourselves. Your characters should share these qualities.
- People pretend to be something they aren't or act differently in front of others due to fear of not being liked. This affects almost everyone at some point.
- People are easily distracted and often miss important lessons or moments that contribute to their growth.
- People are dishonest at times to protect themselves, making it hard to fully trust them.
3. Outside Influence: Your characters are also influenced by external factors, just like you are in real life. Consider these suggestions to help you along the way:
- People tell you what to think, feel, believe, and how to act. They often tell you that you're not good enough. These are common issues we go through as humans, making it important to your stories.
4. Realism vs. Idealism: While we sometimes want to write stories filled with fairy tales of a perfect world, sadly, that doesn't exist. There will always be someone who breaks your trust, and writing about this is important. You can take this information and practice cause, effect, and solutions to these situations to see what you come up with.
I hope this helps you on your writing journey. Happy writing!
first thing you might want to consider: is the pain mental or physical?
if it’s physical, what type of pain is it causing? — sharp pain, white-hot pain, acute pain, dull ache, throbbing pain, chronic pain, neuropathic pain (typically caused by nerve damage), etc
if it’s mental, what is the reason your character is in pain? — grief, heartbreak, betrayal, anger, hopelessness, fear and anxiety, etc
because your character will react differently to different types of pain
sharp and white-hot pain may cause a character to grit their teeth, scream, moan, twist their body. their skin may appear pale, eyes red-rimmed and sunken with layers of sweat covering their forehead. they may have tears in their eyes (and the tears may feel hot), but they don’t necessarily have to always be crying.
acute pain may be similar to sharp and white-hot pain; acute pain is sudden and urgent and often comes without a warning, so your character may experience a hitched breathing where they suddenly stop what they’re doing and clench their hand at the spot where it hurts with widened eyes and open mouth (like they’re gasping for air).
dull ache and throbbing pain can result in your character wanting to lay down and close their eyes. if it’s a headache, they may ask for the lights to be turned off and they may be less responsive, in the sense that they’d rather not engage in any activity or conversation and they’d rather be left alone. they may make a soft whimper from their throat from time to time, depends on their personality (if they don’t mind others seeing their discomfort, they may whimper. but if your character doesn’t like anyone seeing them in a not-so-strong state, chances are they won’t make any sound, they might even pretend like they’re fine by continuing with their normal routine, and they may or may not end up throwing up or fainting).
if your character experience chronic pain, their pain will not go away (unlike any other illnesses or injuries where the pain stops after the person is healed) so they can feel all these types of sharp pain shooting through their body. there can also be soreness and stiffness around some specific spots, and it will affect their life. so your character will be lucky if they have caretakers in their life. but are they stubborn? do they accept help from others or do they like to pretend like they’re fine in front of everybody until their body can’t take it anymore and so they can no longer pretend?
neuropathic pain or nerve pain will have your character feeling these senses of burning, shooting and stabbing sensation, and the pain can come very suddenly and without any warning — think of it as an electric shock that causes through your character’s body all of a sudden. your character may yelp or gasp in shock, how they react may vary depends on the severity of the pain and how long it lasts.
grief can make your character shut themself off from their friends and the world in general. or they can also lash out at anyone who tries to comfort them. (five states of grief: denial, anger, bargaining, depression and eventual acceptance.)
heartbreak — your character might want to lock themself in a room, anywhere where they are unseen. or they may want to pretend that everything’s fine, that they’re not hurt. until they break down.
betrayal can leave a character with confusion, the feelings of ‘what went wrong?’, so it’s understandable if your character blames themself at first, that maybe it’s their fault because they’ve somehow done something wrong somewhere that caused the other character to betray them. what comes after confusion may be anger. your character can be angry at the person who betrayed them and at themself, after they think they’ve done something wrong that resulted in them being betrayed, they may also be angry at themself next for ‘falling’ for the lies and for ‘being fooled’. so yes, betrayal can leave your character with the hatred that’s directed towards the character who betrayed them and themself. whether or not your character can ‘move on and forgive’ is up to you.
there are several ways a character can react to anger; they can simply lash out, break things, scream and yell, or they can also go complete silent. no shouting, no thrashing the place. they can sit alone in silence and they may cry. anger does make people cry. it mostly won’t be anything like ‘ugly sobbing’ but your character’s eyes can be bloodshot, red-rimmed and there will be tears, only that there won’t be any sobbing in most cases.
hopelessness can be a very valid reason for it, if you want your character to do something reckless or stupid. most people will do anything if they’re desperate enough. so if you want your character to run into a burning building, jump in front of a bullet, or confess their love to their archenemy in front of all their friends, hopelessness is always a valid reason. there’s no ‘out of character’ if they are hopeless and are desperate enough.
fear and anxiety. your character may be trembling, their hands may be shaky. they may lose their appetite. they may be sweaty and/or bouncing their feet. they may have a panic attack if it’s severe enough.
and I think that’s it for now! feel free to add anything I may have forgotten to mention here!
you don’t realize how bad it is until you start noticing that impatience has become common currency. watching a full 2-hour movie from the comfort of your couch is torture - even a 25-minute series episode is too much. you can’t stand still while waiting for the bus without reaching out for your phone and opening something - any app, even to check the weather for the millionth time that day.
even conversations are suddenly taking too long, and when you look around, you start hearing all these absurd stories of how people are skipping paragraphs while ‘reading’ books because they think descriptions are boring or just ‘need to’ finish faster to reach their reading goals.
Hey, look at me. Look at me. I’ve said it once and I’ll say it again: you need to condition yourself to being okay with being inconvenienced by things. The first time I spoke about this I meant it in a mental health way- it is good to go out to the store and see people versus just ordering alone at home- but there is another more pressing societal issue you should be more concerned about as well.
Any service you rely on for convenience can be weaponized against you the moment you begin to rely on it. Streaming used to be a cheap and convenient way to see movies at home. It is now exorbitantly expensive, you need multiple accounts just to get what you want, and any of those movies can be taken from you at any time. And unless you have gotten used to going through the “inconvenience” of owning physical media, you can do nothing about it. Same goes for buying things on Amazon. Same goes for any service like DoorDash etc. These companies WANT you to be reliant on them for convenience so they can do whatever they want to you because, well, what else are you gonna do?
Same thing goes for the uptick in AI. If you train yourself to become reliant on AI for doing basic things, you will be taken advantage of. It is only a matter of a couple years before there are no free AI services. Not only that, but in the usage of AI’s case, it is robbing you of valuable skills that you need to curate that you will be helpless without the moment the AI companies drive in the knife the way they have done with streaming. Delivery. Cable. Internet. Etc. It will happen to AI too. And if you are not practicing skills such as. Writing. You are not only going to be at the mercy of AI companies in the digital world, but you are going to be extremely easy to take advantage of in real life too.
I am begging you to let go of learned helplessness. I am begging you to stop letting these companies TEACH you helplessness. Do something like learn to pirate. It is way more inconvenient at the beginning, but once you know how, it is one less way companies can take advantage of you. Garden. Go to the thrift store (older clothes hold up better anyway). These things take more time and effort, yes, but using time and effort are muscles you need to stretch to keep yourself from being flattened under the weight of our capitalist hellscape.
Inconvenience yourself. Please. Start with only the ways you are able. Do a little bit at a time. But do something.
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