Things Your Character Pretends to Be (But Isn’t, At Least Not Yet)
(Identity masks, coping roles, survival personas.)
The caretaker (but no one’s ever taken care of them).
The brave one (but they’re terrified all the time).
The flirt (because real intimacy is terrifying).
The funny one (because laughter hides the panic).
The overachiever (but they feel like a fraud).
The chill one (but they’re screaming inside).
The leader (but they never wanted the spotlight).
The rebel (but they just want to belong).
The calm one (but their thoughts race nonstop).
The loyal one (even when people don’t deserve it).
The loner (but they’re starving for connection).
The tough one (but they’ve never been allowed to cry).
The problem-solver (but can’t fix their own mess).
The grounded one (but they feel completely lost).
The logical one (because feeling has always gotten them hurt).
The “together” one (but they’re falling apart in secret).
The “nice” one (but they’re boiling with resentment).
The free spirit (but they crave structure).
The peacemaker (but they never say what they need).
The heartbreaker (but they’re terrified of being left first).
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
Because sometimes “I love you” sounds like “did you eat?”
“I saved the last piece for you.” → Literal affection disguised as generosity.
“This isn’t as good as the one you like, but it’s close.” → Translation: I pay attention.
“Try this. No, just—trust me.” → Feeding them is flirting. End of story.
“I remembered you don’t like onions, so I left them out.” → That’s a love letter.
“I burned it. You’re eating it anyway.” → Domestic chaos = love language unlocked.
“You always steal bites, so I got you your own.” → He saw, he adapted. Soulmate.
“You’re not allowed to fall in love with anyone who cooks better than me.” → Petty? Maybe. Adorable? Absolutely.
i think people (men and men-simps) miss a crucial aspect of women hating men.
the harm it inflicts.
if a woman hates men and is vocal about it, the worst that happens is she alienates the men in her life and hurts some feelings.
but that's the extent of it. our society doesn't discriminate against men. our society doesn't value women's contributions over men's. our society doesn't sexualize men the way it sexualizes women. men aren't generally viewed by society as a commodity or a prize at the end of the battle or a reward for being a decent person. our society doesn't view men as tools for sexual gratification and nothing more. "misandry" is low-stakes.
and it's borne of misogyny. men hate us, men oppress us, men violate us, men have built the world to tear down our self-esteem and minimize our worth, men assault us, men are in charge and then they pay us less and don't promote us, men control our bodies and send us to prison if we don't act as incubators against our will, men view us as free maids and mothers and shoulders to cry on before using our holes for their own enjoyment. we don't know which man will hurt us like this by looking, we act suspicious and they tell us we're paranoid we trust them and get hurt and they tell us we should've known better.
of course we hate men. men oppress us in all facets of society and despite decades of progress we're still suffering under them, and it's getting worse with the overturn of Roe v. Wade and the election of a rapist into our nation's highest office because America hates women more than it hates rapists. it's to be expected that we would hate men.
and before the terf accusations pile on, i do not count trans women as men. i support anyone joining Team Woman. my goal is to smash the patriarchy, not other women.
yeah, it’s like that atwood quote about how men are afraid that women will laugh at them while women are afraid that men will murder them
by Writerthreads on Instagram
A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!
You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.
Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.
Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.
Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.
The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.
Hope these tips help in your writing!
"Why don't you join me?"
"I'll give you a ride, don't worry."
*does something they don't like* "What? I like it."
*immense staring at every chance they get*
*thinking of their crush while listening to songs*
"You said you liked it so I brought it for you."
*finds ways to spend more time with them*
*friendly bullying intensifies*
"I'm looking forward to seeing you there."
"Are you gonna be there?"
"How about we sneak off, just you and me?"
"Why don't I cook for them? What's their favourite dish again?"
*aggressive google searches about how to propose to your crush*
"I'll join those dance lessons, maybe then she'll notice me."
*hopeless around them*
*failed flirting attempts*
*increased compliments*
"My problem is that I like them a little too much for my sanity."
*gets jealous* "So, are you seeing them or something?"
"Are you okay?" // "Completely okay!" (definitely not okay)
*tries to sabotage their crush's date*
*gets into trouble so they can be scolded by their crush*
"I want you to come with me, please?"
-ashlee
how is their relationship with their family
what are their beliefs, if they have any
what is their motivation (preferably something unrelated to their love interest/romantic feelings)
who were they raised to be vs. who they became/are becoming
what are their plans for the future, if they have any
how they feel about themselves and how it affects their behaviour
how do they feel about things they cannot control
and last but not least: Why is This Character the Protagonist??
Hand-Holding Dialogue
Hand-Holding
Touching
Hugs
Hugging Dialogue
Touch Starved Prompts
Touches Ask Games
Super soft intimacy
Casual Affections
Seeking out physical affection
Romantic, non-sexual intimacy prompts
Kisses
First Kisses
First Kiss Prompts
Accidental Kisses
Places for kissing
Angsty Kisses
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Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
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