Maybe

Don't skip 🚨Emergency

✅vetted by@gazavetters,(#365)✅

My name is Mahmoud Al-Halaq, from Palestine - Gaza - I am 29 years old. This message is addressed to every person who carries compassion, kindness, and love in their heart. After 470 days of war on Gaza, the destruction that has occurred, the displacement we have faced, moving from one place to another, and the loss and death of loved ones and friends, I found myself alone without a home or place, and even the prices of food are astronomical. The world has changed so much that life has become gloomy and boring. Therefore, I ask for your help in rebuilding myself, my life, and my family's life anew. You are our remaining hope in life. If there were an opportunity to work, I would not waste a minute nor ask for help from anyone, but I urgently need assistance for my family, my children, and the women to rebuild what has been destroyed and crushed in this devastating and painful war. Thank you for your time and support; we draw our strength and resilience from your support. 🍉

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✅vetted by@gazavetters,(#365)✅

Chuffed

Help Mahmoud Survive in Gaza

Hello, my name is Karina. I'm organizing this campaign for Mahmoud Alhallaq, whose previous campaigns have been shut down or have had their

absolutely obsessed with your purple design - so femme, so lovely, I adore themmmmm (or is it her? i see purple as a she/they personally)

either way, sending much love ur way!

In conclusion, their pronouns are He/Him, but as they are just beginning the transition to boy, that is why their very feminine and defined features are clearly seen...

❌His beauty is not like the beauty of Japanese or Asian models, where she has big eyes and lips

✅ He has the beauty of a geisha (I would like to draw his parents so you can get an idea...) His features are more circular or oval, that's why in the drawings, I draw him with an oval face...

OH NYGOSDD???

it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.

beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.

(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)

imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."

this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.

but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.

but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).

and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.

everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.

so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.

you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.

it's a convenient narrative, and it's wholly untrue.

you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.

and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.

you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.

and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.

obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.

me and the gng

Oh yea im into forsaken now i forgot abt that. Anyways heres this ,,

PLEASE feel free 2 reblog my art, i rlly want more ppl 2 see it ^_^

Viewer cook assistant sona thing a bit more faithful to the ln design IDK

Unrelated to my last post but I've just realized something else about Mitsi is that she brings out a side of Victim that we literally haven't seen him demonstrate with any other character.

She's the only person he jokes with.

That's not you king

Reference:

I'm taking a break, I'm coming back for my birthday dont worry ✌️

Take care everyone ^-^/

NAVHYYY navh Navy u NOPEEE nope it's not bad if you love him because HES JUST SUCH A GOOD WRITTEN CHARACTER ITS INSANE

Is it bad I like navy