Latest Posts by sscardinal7 - Page 9

chat is this fucking canon

I HEART U ! 💘

made this to celebrate 1K on insta !!

deserved

Short animation i made ! 🥰

@yourbelovedpinkstick @stick-figure-purple @king-orange @navydarkblue

finished the blaze drawing !!!!!!! im far out of my comfort zone with the colouring but its going really well i think :]

also WOW yall really liked the werehog drawing. thank uuuu

finished the blaze drawing !!!!!!! im far out of my comfort zone with the colouring but its going really well i think :]

also WOW yall really liked the werehog drawing. thank uuuu

Holy shit I have been saying this, glad you see the vision. Although Navy is generally far more naunced—but at the end of the day they share a common trait of being dickfaces. The yaoi would be INSANE.

Because yeah while Navy's details are complex and quite out of his control and bounds, it doesn't take away from the fact that he was still a terrible father and a horrible husband. Naunce doesn't excuse nor take away one's actions.

Then you have Grampa who is just a dick in general. He did love Grace, but it's heavily weighed that he actively abused and mistreated her during that timeframe, then continued to leave her (who he KNEW was ill) stranded and on the streets with their son—who he also mistreated. But I beg that he treated Grace far worse. The adore he held for Grace early on doesn't erase nor counter any topics surrounding his abuse and so on,,

Navy has more morals than him lmao, at least he wasn't aware of Orchid's illness following his abandonment.

If Navy does happen to find out about it,, God the guilt would be terrible. He honestly wouldn't he able to live with himself, a bit similar to how Orchid couldn't live with without Navy.

Hell, he would loath over her grave and then you have Grampa who hadn't visited Grace's grave once. That hoee..

got back into the dog man hyperfixations a little and uh

think these two would be good friends lmao

Six practice fuckass pyramid hood

First and foremost your writing is.. woah it's so well written and lovely, it's very neat

Okay so way out of context but imagining the body horror in avam is always so insane to me.

For an obvious example - Gold.

He had his shreds of code disintegrating and deteriorating into a foreign development, with intentions of adapting with it (which it couldn't, obviously — that's some wild body horror) That is equivalent to your body and flesh rotting in real time, tissue and muscle being horrifically stretched and pulled apart piece by chunkkk desperately trying to acclimate to a new, unfamiliar existence. no no nuh uh,

We as a fandom does not give enough credit or a second glimpse to Gold's death because we aren't, yk, stickfigures, but imagining and applying that to reality, it is sickening to say the least.

And of course, Victim and his rocket significantly saturating was due to Victim not being an animation/art piece uploaded to Newgrounds. He doesn't belong there. (So his body deteriorated in color, and he visibly starts shrinking/pressuring in on himself.) Thats cool if I'm being honest. Disturbing yeah, but cool.

As much as I love Victim with scars, I'd like to propose:

Victim doesn't have any scars, but he still feels like he does.

His body, this body, this iteration of him, is pristine; it was brand new, freshly drawn, and Alan hadn't gotten the chance to damage him before he escaped. The past damage never carried over to the new instances of him. There's not a mark on him, there's nothing physically wrong with it.

But he can still feel where he'd been hurt before. The places where there should be scars, marks, knotted flesh knit imperfectly back together from so so so so many deaths. The phantom sensations of something being there, dull and distant, both there yet not, and he doesn't know if he's going crazy, hallucinating again, or if it's real. He can't tell.

All he knows is that it feels wrong, disconcerting, when his fingers brush over only smooth skin.

He has no physical scars, at least not from Alan, not on this body. But the psychological phantasmal scars are very much there, and never quite fade away completely.

Yo creo q la amaba (pero!) el amor no siempre es eterno, y es bastante obvio q su amor por ella no duró mucho.

El segundo en q el amor se fue el empezó a verla como una molestia. Pipipi ;;

Faak, me bajaron los ánimos otra vez. Norchid mis vvs traumadas

Faak, me bajaron los ánimos otra vez. Norchid mis vvs traumadas

GREE

warmup

I drew him so gay looking

Been thinking about Agent for a while and how he's really the character - character ever. I'm really enjoying what they're doing with his arc of survivors' guilt and vengeance.

His design is so extensively simple that it's a bit intimidating. Glued to his profession of business and fixated on his target, Chosen. He is as stern as he is anonymous as a person. And then it's with appeal that you note how he is in this position of authority between these new cast of animations - primarily the word of command and the follow up of Victim's line of leverage. With how gorgeous and elaborate the cast is, your eyes stay intrigued towards this one character. Despite the simplicity he pops up as unique.

It's rather how he's always the bold and center of the cast in every shot. Always held high with precision. He acts as the voice of control in the animations; a carrier. He has a strong passion for his ambitions. And then you get to his objective for Chosen, but with the longer the sequences carry on, it appears as more.. personal when referenced towards his role of precise profession. Especially in comparison to the rest of the group.

And of course; his abilities with the Adobe tools. He's fast, strategic, intelligential, and quite proud of his judgement. He pirouettes around combat with such ability - you can beg that he has much experience. All the animations have such uniqueness and natural abilities and quirks. And then you have Agent; who comes just as skilled in compliment despite the set of tools being just an add on towards his attire. His great combat makes up for the comparison. But with such a manner, why would Agent gain such a material, and how come him as this executive messenger and leader out of the cast? When factually compared to their abilities, he's left as the most.. uninspiring.

But then you get to the topic of his relationship with Victim, and suddenly the idea becomes much more clearer. Agent being this predecessor of delivery. How he is noticeably walking in the same accuracy as Victim; side by side. Everyone else but behind. And Victim allows it. He's moreso comfortable with Agent out of the entirety; directly giving him more flexibility, space, authority and commands. He trusts him and he treats him as though he's on the same level as him, because that's what he believes. Everyone else below their invisible barrier. Agent is very evident with what he's given. Hyperaware of his surroundings and with the implements and gear.

With such bounded delicacy it pushes scenarios and questions. Who is Agent without his occupation in mind, but as a person. What is he like? Or rather much, was he like? If you ask me, I think it's worth asking as much as it is cryptic in context.

And then it strikes you all too somber.

As a role of a security guard for Victim, Mitsi and their blooming business of quick and improved repairs - he's still so expressive. And surprising enough, he's so, so close towards the couple despite his working position. He truly admires and cares for the two. And it's mutually returned. It's so oddly affectionate when steaming from someone who you familiarize as so utterly closed off and precise.

These strange origins passed off as he's stranded - downright frozen in fear from the terrorism and murder of Mitsi and hundreds (if not thousands) of others. Only looking up when it's directed towards the source, Chosen. (From his perspective after all.) And despite being someone of a role who does nothing but help and protect; he's left so small and useless. All he can do is run.

Time and time again, memories replaying over and over again. It's this obsession. Everything that he could of done in a loop, everything that he didn't do lingering close by. And he won't be that same person who does nothing.

Even when it's not at all his fault. Far from it.

And then everything just.. clicks in a way, no? His odd relationship with Victim, Victim's utter trust in him, his personal introduction and conflict with Chosen, his strict combats, his weaponry?

When you think Agent would stem from a place of deep turmoil and lament and act out towards these, he proves you wrong. He's so utterly petty, cocky and a bit immoral when finally opposed to a scenario of karma. When you think he stepped an area of low, he goes lower. It's honestly quite humorous. In my opinion, Agent's greatest offense is Second.

Agent is relentless when it comes to irrational interference, it shows in how he handles Second. He has no basic compassion or regard for the poor kid, nor any sympathy to spare for him either. He's ruthless. There was no other reason to humiliate and tease Second the way he does other than it being for his own satisfaction after finding out Chosen cares for him. And it's quite sad even.

And then, really? The huge, intimidating terrorist who was the source of sleepless nights, trauma, destruction and such influence is an irrational, confused fraud. His hazard reaction brings some odd amusement towards Agent.

An evident narrative callback is how Agent looks up towards Chosen, frozen. Under his reign, he's powerless. And now when finally up against this source, he can only ever look down on him.

Sometimes I beg if Agent can bitterly empathize with Chosen. The only difference being how Chosen is strong willed and desensitized - willing to push bounds if it means he can protect a loved one. Something that Agent can reminisce with. Envy of the audacity, it really reeks. And he freezes him on spot; a bit similar to how he was that day. It doesn't feel good, now does it.

But at the same time he leaves it up for Victim. He really holds him valuable and prioritizes him. It wouldn't be much of a stretch to say it roots from a place of guilt of the downfall of the buisness, or Victim's utter change in demeanor, or the thousands of suffering animations from the tragedy. But I'm getting ahead of myself.

In this very small way, he's a bit like him.

HOLY SHIT BABES WAKE UP MY FAULT 15 DROPPED

My Fault (part15)

First part / Previous part / Next part

Grapeduo lazy doodles dumps, i havent had much motivation to do anything proper lately.... also the last drawing is based off of this song i was obsessed with it for a while and had to make it about grapeduo LAWL The part where i drew purple in, is in the chorus "eu ja deitei no seu sorriso, só você não sabe" which the literal translation for it would be "i already lied down on your smile, you're the only one who doesn't know that" but what it basically means "i've already fallen for your smile, but you don't know that"

cmon, just one

original audio by DOOFGUY on tiktok

Nine was the saving grace for me. I love that little guy

sonic prime was so ass, unfortunatly, i stillthink about him

riders

touching grass or something

you know, i have this whole schpeel in my head that i need to yap about.

the kudos-to-hits ratio in fanfic is way off.

i'm not only saying this as a writer, but as a reader too.

if you like a fic, even mildly like it, leave kudos. if the first few chapters are kinda meh but you think it can get better, leave kudos. if there's even one bit that you think was kinda enjoyable, leave kudos.

you don't need to have an account to leave kudos. it doesn't cost money, it doesn't take extra effort. it is literally pressing a button when you get to the end of your fic.

and for people who "don't want their account attached to that fic" that's bullshit. you're literally talking to strangers on the internet. i doubt they care about you reading smutty fanfiction.

i have more to say, but in summation, people just need to leave kudos.

.

The topic of Navy's abandonment and that head turn really haunting and sticking to Purple and constantly replaying in his mind is a topic I HATEEEE. It always makes my gut feel itchy.

Navy just couldn't find it in himself to be that parent that Purple needs, he left not only himself but also for the betterment of Purple and Orchid, and Purple refuses to acknowledge that whatever he does—it won't make him change his mind and man that hurts.

Hi

hey:3

YAY MY FAVORITE POLYCULE happy holidays and I'm gonna throw myself off a cliff now

some yurious yellue bc friend asked heh

PRECIOUSSSS not a thought behind those eyes

@sonicstruckcardinal7

He said hi

I got him yesterday!!

I'm a huge overdramatic overthinker and I really wanted to spill my interpretations and theories here—I had no idea it would do this well considering I have,, literal zero friends here. All the silly and kind tags in reblogs are making me encouraged to do more and interact JAJDJJWJWSJDJE I have a lot to say man, tell ur pebble plush I said hi

Purple being left completely untouched by the narrative, being raised by two confused parents who know nothing more than their artificial nurture. How to progress from being halted by the 2011 tragedy which affected them. The two can only do so much until some forbidden traits make their development, and in the worst way possible.

Navy and Orchid nuzzling up against each other and Purple. Navy seemingly resting the weight of his chin up top Purple's head, like a peck. Orchid burying her head into the crook of Navy's neck, nuzzling Purple's face. They were really, really in love.

and then the 2011 tragedy happens somewhat somewhere

Purple visibly grows, and Navy presents a material pose of combat, implying Purple to follow. Purple seems confused here, and then he looks towards his mom.

He wants to know Orchid's opinion of this—as a confused, stranded child would typically do in a situation as his.

Children, when foreign to these scenarios, will look for the approval of their other present parent before proceeding with a following action. In here, Orchid stands still, and her pose seems neutral, but she doesn't say no. And Purple proceeds. I thought this was a nice detail.

I feel like this adds a bit to Purple's relationship with his mom. Purple is comfortable enough towards her and he looks for reassurance in her when he is uncertain. That vulnerability is important. He really trusts her. And Orchid trusts him back.

I also feel like I can add onto Orchid from here. When she does not have a clear answer, she stays neutral/unresponsive instead of a shrug or such. This allows Purple to make his own decision on what he believes is okay. Instead of being dismissive.

When attacking, Purple throws valueless punches and kicks. Navy seemed to be allowing these rational, seemless blows, not budging. Redundantly shielding before attacking back with a somewhat rough punch to the gut, pushing him back.

In contrast to doing absolutely nothing. His ideal for "tutoring" isn't exactly clear, nor the best.

I can add onto Navy from here. Navy revolves around common sense. He is prone to adapt and rather quickly on his ideals. Once he has a clear goal, he will do whatever to achieve it. He is implied to be in a position of authority/control, and he seems to be short tempered. He wants the same for Purple. His method of this however, is far from coherent when targeted towards someone who is unfamiliar.

I believe this is Navy's flaw. Wanting the best for Purple materially-wise, but his approaches are not appropriate nor comprehensible like a strict parental role grounding should be. Appearing much more as a mentor; leader role. But not a father. Strictly leading more towards that uncompleted writing.

Purple would have nearly trampled to the ground if it weren't for Orchid catching him before he does.

I would like to mention Orchid's language here. She seems to be neutral while silently watching the banter. There wasn't anything to be concerned or worried of, until she stepped foward to catch her son. Her presence and relationship here is important, as mentioned.

When she catches Purple, she (very swiftly) glances towards Navy then back to Purple. She reads the room, implying she is quite observant, and immediately offered a comforting embrace, just as Purple came clinging to her for that comfort. She definitely knows her baby, that's for sure.

But this ends up dramatically changing.

I feel like this adds a layer onto Purple and Orchid's relationship. Orchid is quick to provide that care. She knows when to provide it. Purple has a secure attachment towards her and trusts her to respond towards his needs.

Navy idles a light pester for Purple to stand his ground and continue. This prompts a glance of judgement? Disgust? Concern? from Orchid, targeted towards—attempting to incriminate him. To reflect on those actions.

This got dismissed by a stomp of Navy's foot. The moment he's not in control he resorts to shouting and raising his manner. Keep in note that Orchid is absent throughout the entire second sequence.

Navy, once again, does a gesture to continue. This time it was much more swift. Not coherent on the first watch. Purple significantly grows here again, and for whatever reason, this halts the grounding for a mere second as both acknowledge this. For what reason was the growth such a great significance?

I interpret that the growth somewhat stunned the two as they acknowledge that they are equally stranded. The two shares a common trait; abandonment by the narrative and lost in their assigned role. No further action can be developed, but the difference is Navy being willing to push those bounds if it means something for himself. He needs to feel worth, he wants to do his role justice, he wants to compliment that purpose he was coded with.

Both pushes this aside, and they proceed with the sparring. The intentions of Purple's kicks and punches aren't laced with confusion and uncertainty, but with a clear goal now that Purple is aware of the context; his dad wishes for him to be a profession in combat.

Now that this is established, Navy doesn't hold back, and he throws a harsh gesture of demand towards Purple to continue.

And as mentioned, Orchid isn't present throughout all of this.

I take this all as a direct contrast to the previous banter. Navy's near audibility, and Orchid's occupancy. It's all apparent when recalling the sequence. Directly, I like to interpret this as a mere rough visual on the substantial (and noticeable) change and gap.

Navy's gesture was linked with a harsh eagerness instead of a lighthearted pester.

Orchid could not catch Purple before he could be roughly pushed to the ground this time.

Despite her attendance being postponed, she supported Purple to sit up, placing a protective hand on Purple's head. Purple desperately covers his ears/clings and compresses his head here. Orchid then motions for Navy to suspend the training.

Now, I find this reaction from Purple a bit weird, and different. Purple would cling towards Orchid in search of comfort, but now he results to clinging/soothing towards himself.

I feel as though his mom's recent (and recurring) lack of interference, protection, presence, and comfort serves a great purpose towards this reaction.

Orchid does not interfere unless it seems as though her son is being overpowered/trampled upon. She has her priorities, but it isn't exactly the best per se, it just comes off as a bit neglectful.

As I mentioned previously, Purple's compressing here is a soothing gesture for him. You can see him repeat this action every time he is in one of his distressed meltdowns.

For comparison, the CG often resorts to this manner when in distress, but the difference between them and Purple comes into place when Purple rather hazardously hurts himself and spends a while self loathing.

Orchid and Purple got cut short upon Navy's motions towards them. Navy develops this stance to appear wider and threatening. Orchid ever so slightly stiffens, and Purple's desperate self clinging melts into a confused halt as his muscles relaxes.

Orchid and Purple experienced the same suspenseful fear, so they both react the same way. Orchid's protective hold loosens as Purple fixates his position into a bow.

Bowing is certainly a different/unusual reaction towards a potential act of domestic abuse. I read this as moreso of a plead, a way of trying to appear smaller; to shrink away from the scene. He doesn’t attempt to defend Orchid.

Orchid seemed to already have her arms slightly leveled in self defense. Navy raises an arm, and Orchid flinches and covers herself, suspecting and preparing for an unwanted pair of hands. But instead, she is met with a dismissing attire. Orchid hangs her head low.

Earlier I mentioned Orchid being observant. She was acutely aware of what was going on in the household, so she kept her avoidance. Afraid of the possibilities it can develop into with the given context that both herself and Navy are struggling to make ends meet in follow up to their role. Her absence speaks volumes on this.

But she would never interfere until she was sure it was a necessity and that her son was in danger. That is where I believe her fatal flaw becomes a bit more clearer. And this significantly affects Purple. And it shows. But that is for a whole other post.

Navy proceeds to exit the environment. Purple hazily gets up off his position and rushes to oppose his dad's decision. And for a mere beat, Navy looks back towards Purple, before turning away and continuing.

I would like to comment on Navy's language here. He appears visibly more slumped upon returning back to his motion of abandonment after being presented to his son's pleads.

Purple's interference and ability to live up to Navy's training was a huge significance in Navy himself. It's his role, it's what he was made to do. It's not that Navy didn't care, it's that he cared too much.

And when Purple was a lost cause, Navy was left disappointed. Purple's purpose was his purpose. In his eyes, he did nothing wrong. In his eyes, Orchid stepped in between their relationship and in between his designated purpose, wanting to halt it.

Until he came into the realization that perhaps his methods were out of his traits rather this his role. And this took a toll on him. He messed up, and he can't reverse it.

But Navy stopped himself before he could lay his hands on Orchid. Maybe this one time, he doesn't rely on his traits to motivate his actions, but as a role; a husband role. And left.

Purple in this sequence has yet another significant growth transition upon chasing Navy.

This could either be taken as metaphorically or literally.

You can argue that literally, this could read that the split was more of a legal process which explains Purple's odd transition growth in compliment of Navy's slow disappearance.

Metaphorically, you can argue that Purple's odd transition symbolizes time spent agonizing over his dad's abandonment. Navy's slow disappearance implying just the time spent over him.

The sequence is not very specific so run wild with whatever interpretations you have. It's not really like anything is. This sequence was much rather an explanation towards Purple's intentions and actions, not a fully fleshed out explanation towards his own homelife situation—since he believes it doesn't really add anything. (Which is true in the given context, it doesn't excuse his actions, and it wasn't the appropriate time to loathe over his abuse.)

Navy completely vanishes from the scene. Purple's position upon the absence is visibly slumped. And Orchid.. she does not look back towards Navy, really not once. And then her legs began to give out from underneath her.

Purple immediately fixated his attention towards her, dismissing any of his personal sorrow. Offering his aid and help.

Orchid doesn't provide an ounce of comfort towards Purple following Navy's abandonment. She is too detached herself.

If her illness was not enough, she's also actively grieving a split. Not just any split, but as though her other half diminished. And that's tough.

Now, the illness is unknown. But I can debate that the split (at the least) played a bit of a part. We do not have any references to how sickness exactly plays out in the avam universe besides this one example.

Orchid quickly succumbs to her illness, stumbling over herself, even with Purple's help. Her notes are visualized as shaky, grainy, and awfully saturated in reference to that weakness. Until she met her peace.

Purple laying the saturated, torn notes can possibly imply that he had to bury his mom, or took a position in aiding for her rest.

And Orchid's death greatly affected him. He stands unresponsive on Orchid's tomb. Created to be child of two and left to be a child of none. Without anyone, without a purpose.

But it doesn’t have to be this way. The only scenario that can pause and distract Purple's utter numbness from his mom's death was to cling and search for the only other present alive parent; his dad.

But Navy's love had to be earned.

And that was a scheme that Purple was willing to chase after, no matter what it took.

ah also these two things. experiments

Getting the hang of drawing his armor a little now