Sunmoonkunoichi - Bingo Bango Bongo

If c1′s finale was a homage to a life well-lived, a heartfelt and bittersweet goodbye, with Liam O’Brien utilising his character to tell his friends how much they all mean to him, then c2 is a perfect parallel wherein everyone gets to finally say no to fate, to tell a friend that their life is worth everything, and also tell Taliesin Jaffe that through his character that they adore him.

“Oh look a fanny pack, harmless right? Probably just carrying my wallet or some chapstick-”

WRONG

I always come prepared to send someone to the shadow realm 

#bh6_69min bath prompt l aug hs

if big hero 6 had a gag reel

Hiro: Tadashi is gone! *he slams his fist so hard on Baymax he pops a hole on his chest* ...T-that wasn't supposed to happen...

--------

Tadashi: Someone has to help! *runs but trips on the first few steps* D-darn, and I looked kinda cool running off like that...

------

Fred: ...D-Dad? *loud fart noise*

Stan: ...*gets up and leaves the set without saying a word*

------

Fred: Welcome to mi casa! That's Spanish for my house! Oh wait, was I supposed to get that wrong...?

-----

Tadashi: I'm not giving up on you. *grabs Hiro by the legs and tries to lift him but accidentally bumps his head on the floor and then on the bedpost*

Hiro: Times like this I wish I was the older brother in this movie so I can do that to you too.

------

Yokai: *when confronting Krei, his mask won't lift up* H-hey, I think this thing is stuck--h-help? I think we got a real setback here!

Krei: *mutters to someone offscreen* He doesn't know I tampered with his mask, don't tell him.

-------

Gogo: *runs Wasabi's car directly in the path of the camera*

Director: ...There goes a hundred thousand dollars off my paycheck again.

-------

Wasabi: We can't go up against that guy! We're--ummm--

Gogo: How hard is it to forget one word? Nerd!

-------

Yokai: *after a montage of him tripping off of his platform of microbots countless of times* I am getting too old for this...

-------

Baymax: *while Fred is singing Fred's Angels, he starts beatboxing*

Hiro: Okay, I didn't teach you that... *looks at everyone*

Everyone: *bursts into laughter*

-------

Gogo: *throws her disc, it hits the camera instead*

Director: Goddamn it, not again!

-----

Hiro: *falls off the moped as they were getting away from Yama*

Yama: *helps Hiro up* Whoa, that was one heck of a fall--you okay?

Hiro: ...are we filming Tadashi's death scene yet? *is dazed*

-----

Aunt Cass: Are you two okay?

Hiro and Tadashi: Yes, Auntie.

Aunt Cass: *pinches both their ears* Then what the f--- were you thinking--

Hiro: You can't swear in a Disney movie, Auntie.

Tadashi: See? He told her.

-----

Hiro: *throws Mochi up the stairs, glass breaking and other things breaking are heard*

Baymax: You missed, Hiro.

-----

Callaghan: I want my daughter back.

Krei: *on the side, making faces as he mimics Cal*

Callaghan: *looks at him, covers his face with microbots, and then chuckles about it* Not this time, Krei.

------

Cass: Stress eating! *chokes on donut* G-great, that's more stress that I don't need--cut! Cut!

------

Baymax: *in the middle of their fight with Yokai at Krei Tech* L-low batteryyyyyyy--

Yokai: Uh-oh, someone didn't charge their nursebot before filming...

Hiro: Could you not.

-------

Fred: School mascot by day, but by night-- *flips around, accidentally lets go of his sign and it flies into the camera, destroying it*

Director: GOD CAN WE NOT DO THIS AGAIN?

------

Tadashi: Hiro-- *signals for him to follow him to his lab, but forgets to open door and hits it facefirst*

------

Honey: *on the side, applying makeup to Baymax's face*

Baymax: I fail to see how makeup will make me a better healthcare companion.

Honey: Don't resist it; it brings out the roundness in your face.

Hiro: You know that'll all be ruined once we get to the fight scenes, right?

------

Baymax: On a scale of one to ten, how would you rate your pain? *displays Hiro's internet history on his chest rather than the chart* Oh no...

------

Callaghan: But you should know that Mr. Krei has cut corners and ignore sound science--

Krei: *on the side, mimicking Cal's words while making a face*

Callaghan: *makes a bewildered face at him*

Krei: Oh, I thought we weren't filming.

Hiro: Why do these two have a higher paycheck than I do again?

-------

Tadashi: Someone has to help!

*before he could run in, a sudden storm suddenly rages down on the entire set*

Hiro: I guess you're not gonna die today, huh, bro?

-------

Baymax: Tadashi is here. *points to Tadashi on the director's chair; everyone laughs*

Hiro: *laughs into the camera* And you thought we would kill him off, did you?

You know it's true

Dipper and Mabel are going to be so fucking feral when they get back to their home. At first the thought was kind of funny - Mabel always tossing her grappling hook around or lugging around Waddles, and Dipper literally scrawling hundreds of symbols and runes onto his wall, just in case - but then it got sad really quick. Dipper being unable to go to sleep most nights, scared that Bill was going to find him at his most vulnerable. His parents having to adapt to the deep bags always lurking under his eyes and the way he would jump at any sudden movement. And his parents wouldn't get anything out of him most of the time, the boy so afraid that his parents might get caught up in the huge mess that was his and Mabel's summer; now their life. And sweet, kind, pacifist Mabel; who can now fight dirtier than the scum of the street. Although she hasn't outgrown her childish behaviour, she often lapses into solemn expressions and watches everyone closely; like something could happen at any moment. Like someone could hurt themselves or simply disappear. Their parents are confused and concerned when Mabel moves into Dipper's room - they had stopped sharing a room a few years ago - but Dipper can't sleep without knowing if Mabel's okay, or a comforting presence to wake up from his night terror's to, and Mabel can't wake up every morning to a zombie, rather than a brother. But Mr and Mrs Pines have raised those kids for twelve years, and they have always understood the two's needs, and have been more than prepared to be there for them, or to let them be. So they learn to make a bit more coffee in the morning, just in case Dipper has had a bad night. They learn to leave blankets out everywhere, in case one of the sleep-deprived twins crashes there for the night. They start to tread louder, so not to startle their kids, and they take to wearing the start bracelets, charms and symbols that their two kids all but force on them; anything for their kids to feel better, safer. And it begins to work. It takes months maybe years, but the family learns how to function. Grunkle Stan becomes a common part of their life, as well as the many other friends that the twins had made over their summer in Gravity Falls; Wendy and Soos stay for weekends whenever they can, and even Pacifica has visited once or twice, just to check up on them. So when Great-uncle Ford comes edging through the door, Mr and Mrs Pines just pulls out another chair and sets up another bed. They'll do anything to keep their babies safe, and if that means rolling with a few punches, their more than happy to do it.

Okay so I just started watching FMA03 after finishing brotherhood, and while the plot line is one of the most clearest differences between the two, the characterisation is another distinct one. Namely that of Ed's characterisation. Don't get me wrong, he's still short, short-tempered about his shortness, and devious as hell. However, FMA03 really does emphasise how much of a kid he is, and with that comes a more....hmmmm...quieter charm to him? He is much more approachable and earnest to please than the other Ed, and one of the best results of this is his relationships with others. In Brotherhood, people remarked how his determination and loyalty earned him their respect, despite his shitty attitude. He also showed no interest in anyone but Winry, and no one showed interest in him bar her. Edwin will always be one of the best romances ever written, but it still is slightly unrealistic that not a single person Ed met his age didn't at least get a little crush on him. May doesn't count as when she actually met him she was severely unimpressed, but aside from her no one showed interest in this absolute golden beauty. That's when you jump to 03 and get your absolute fix of a wild range of teens meeting him and basically low key falling in love. Clause (who I firmly headcannon as gender fluid or non-binary, rather than brushed over as a cross dressing girl for no apparent reason??) is enraptured after she gets to know him, Rose is amazed by his bravery and perseverance, and Russell literally writes him the gayest note declaring he admires Ed. Basically, what I'm getting at is FMA03 gives us Ed the golden bisexual icon we all need. Amen.

Leetle BH6 AU

So I was chatting with machina-rex​ (as we do) and what was supposed to be a really sad headcanon back-and-forth actually evolved into something really cute. BEHOLD!

We figured that after Tadashi’s death, the cafe regulars probably brought Aunt Cass flowers. She’s been keeping the cafe kind of dark and gloomy for a while, because she’s in mourning, but her customers decide to brighten the place up a bit. So they bring flowers.

And Aunt Cass then goes and takes those flowers to Tadashi’s grave to decorate it and to show him how much everyone misses him at the cafe. He ends up with the most lavishly decorated grave in the cemetery (which helps Hiro to find the right grave through his tears whenever he comes to visit)

(This is the part where it should have stayed sad but didn’t :P)

But there’s just SO MANY FLOWERS that Hiro can’t possibly visit Tadashi withought getting covered in petals, no matter how much he tries to avoid it. He always comes home smelling like a garden instead of like graves after a trip, which actually helps him deal a bit.

And then one day Ghost!Tadashi starts making flower crowns out of all of his flowers and leaving them on his grave for Hiro to find. He didn’t know how to make them before he died, but the ghost of a little girl who died in the late 1900s taught him. She was his first ghost friend. Eventually a lot of ghosts come by and start helping out, because there’s not enough time for Tadashi to put into crowns all by himself in time for Hiro’s and other people’s visits. And when there’s too many flowers, they start leaving the extra flower crowns on the other graves too, especially the ones that haven’t had visitors in YEARS. The ghosts of these graves, who haven’t had flowers in a really long time, are very happy to see them.

There are so many ghosts constantly visiting Tadashi’s grave to help with his flowers that they end up creating ghost parties late into the night. Complete with ghost fires burning and flashing through the night like party lights.

Naturally, this freaks the gravekeepers out because, hello, mysterious flickering lights in a graveyard? Flowers moving on their own and weaving themselves? But over time they realize that they’re just really pretty lights dancing and really pretty flowers, so they get used to it. Maybe even enjoy it a bit. They tell their friends about it, chuckling about the strange stuff they get up to while at their job.

Only their friends tell THEIR friends, and sooner or later it becomes this little urban legend for the city. About this one SUPER HAUNTED gravesite, but with a very benign haunting. People come from all over the world to see it, even long after Aunt Cass and Hiro have passed away too, long after Tadashi’s name has worn off of the stone. But they all bring flowers so even though he has no family left to visit him, he still always has the prettiest grave.

when he squeezes your butt in public

TADASH- wait  HIR- TA-…h…NO. Idea from this post/myself I saw on my dash. c:

Reblogs because this is perfection.

I regret nothing