Honestly Ra's A Ghul Would Stab Someone If They Called Dick Grayson "nice Funny But He's Like A Himbo"

Now that I have the confidence to send you asks, fully expect me to bug you periodically from here on out

Anyways- do you think Dick qualifies as a scapegoat? Cause I 100% think he's a scapegoat. People always try to shove the 'golden child' role onto Dick, and it always confused me cause like. He doesn't fit it at all if you actually look into what a golden child is.

Dick is definitely one of the scapegoats of the batfamily (Jason being the other) and it makes me sad that people always label him a golden child when he's the exact opposite. Seriously- he's hit, beaten, unfairly blamed, lashed out at, not told about important things (Jason or being replaced, Jason dying, Jason's funeral, probably other things, i wouldn't be surprised), etc. Definition of a scapegoat to me.

It's also why I hesitate to label him the 'favorite' even when the comics try to say otherwise. Mostly because... favorite children aren't really treated this way. Favorite weapon, maybe, as I've said in a post I've made before, but that's it. Bruce wouldn't kill for him or any of his kids. He's come close, yeah, but he's also come close to killing the Joker too after Jason's death and had to be threatened into not doing it. Every time, it's in a strong surge of emotion, and the second Bruce thinks rationally- well, he doesn't do it. Dick isn't at all unique, Bruce wouldn't kill for him either.

I think Bruce is the most proud of Dick, and has a unique relationship with him due to knowing him the longest and the parentification, but I don't think that makes him the favorite. Maybe to the other batkids, but probably not in reality.

I don't think Bruce really HAS a favorite- Dick is probably the closest to it, but still.

Though, if you wanna play around with angst and fanon ideas, maybe both Dick and Jason are the favorites and that's why Bruce treats them the worst? Dunno, it'd make a fun fic, even if it's not really grounded in canon (though I ignore RHATO and Comic UTRH).

Idk. Just,, gestures. Dick is a scapegoat to me.

Hope my 2 am rambling made sense lol

Okay, I see you, but I'll argue:

Dick Grayson is both the scapegoat and the golden child.

Now, you might not believe this since he doesn't tend to be both at the same time, and it isn't common for these roles to exist within the same individual. But Dick Grayson is praised and favored as much as he's blamed and pushed.

A golden child is the one who carries most of the expectations in the family. The parent expects them to be perfect, make no mistakes, take on roles they're pushed into with no issue (thus parentification can happen), and continue on and on to be good enough and meet the criteria so they don't make the parent disappointed.

The love is conditional hence they develop this unhealthy perfectionism and self-esteem and self-worth issues that will follow them till adulthood even when they're out of that environment and living their own lives.

The reason why a parent might choose a specific child (or children) to be the favored one is because they tend to see this child as an extension of themselves. And consequential to this, they will project their insecurities onto said child and force them to improve—be the best—where they fall short. All of their capabilities are overvalued, making the parent see them as special and much better than the rest, causing the unrealistic expectations a child must hold and fulfill so as not to “fail” their parent(s).

Although this child might seem like the favorite and who could do no wrong on the outside, the love they receive isn't something they can take for granted.

When a golden child underperforms or isn't as good as they're expected, the parent’s demeanor might change. They will feel the disappointment and fear this might cause the treatment they get to change. Sometimes the child might even fear abandonment or rejection from their parent as a result of their failures.

The mix of all this turns into a person who's over-competent, hard-working and someone that tends to take charge of things so they aren't at risk of failing, making them ‘natural’ leaders in any group they might be part of.

Sounding familiar yet?

Now, let's move on to the scapegoat:

A scapegoat child is the one that is blamed by all the things that go wrong in the family. They are constantly criticized and shamed by things they might've not even been part of, but somehow they're now involved and taking all the blame for the others so there are no consequences for anyone but them.

(All the blame also messes with their perception of certain events, making them prone to self-blame for the problems that occur in the family or their behaviors towards them.)

The scapegoating in the family may be due to subconscious projection from the parent when they're dealing with difficult emotions such as shame, guilt, rage, etc. They feel threatened by their own feelings and therefore they will try to escape from them by externalizing those feelings and making them their scapegoat’s problem.

Because of this treatment, the scapegoat might become an outsider in the family, feeling excluded and isolated from the rest. And for this, when push comes to shove and they're going through a rough patch, they will not have any reliable support they can go to inside the family as they'll be ignored or otherwise unfairly treated, having their feelings be invalidated.

Like the golden child, there's some aspects the scapegoat shares with the former:

Being treated differently by the parent/family.

Having unrealistic expectations placed upon them.

Being pushed into roles or responsibilities the child isn't meant to take.

Fear of expressing how they feel.

Self-worth issues and low self-esteem.

Although they're usually roles that are considered opposites, they aren't as incompatible as one might think. A child can alternate between being a scapegoat or the golden child, and this usually happens when the parent is very emotionally unstable, commonly due to a disorder such as narcissistic personality disorder (NPD) or borderline personality disorder (BPD).

(I have so many thoughts about the latter applying to Bruce, but I will refrain from elaborating to not make this longer than it needs to be)

Having all I've said until now in consideration, I'm sure you've noticed how Dick meets both criterias—dare I say the golden child more often than the scapegoat.

Bruce is always speaking about how Dick is “better than him” and “the thing he's ever done right”, but in both of these statements you can see he's taking who Dick is and making it as something that's part of him, comparing Dick's accomplishments to his and putting him in this pedestal, and because of this projection happens and Bruce starts seeing Dick as an extension of himself.

This is why, when he or Dick fail, Dick will suddenly become the scapegoat, contrasting with the former golden child position he was in.

Here you can see the high expectations, praise for his accomplishments, his siblings feeling like Dick is better than them (i.e. treated differently than the rest), and you can also see how when he doesn't meet the expectations, he's met with disappointment (see: Alfred disappointed he's not as bright as he usually is) or judgment (see: Bruce angry at him because he isn't committing to his cause as much as he expects him to).

And these are examples of Bruce being too harsh on Dick and expecting him to do better, blaming him for his brother's death, and in result Dick having a habit of blaming himself and accepting mistreatment, thinking it must be his fault.

More often than not, Dick is put on a pedestal by his family and even his friends sometimes. They praise and love him, but when there's occasions in which he's acting less than perfect, the treatment towards him can change.

Dick Grayson can be the golden child as much as he can be the scapegoat.

Consider: Post-canon Zuko wakes up in the body of his childhood self, the morning of That War Meeting. Would he still speak against the plans, knowing his fate? What do you think he would do differently the second time around?

"Turned away at the doors, Zuzu?"

"Shut up, Azula," her brother sulked. But sulked weirdly, after staring at her too long and too wide-eyed, not like she'd surprised him but--

But like he hadn't expected her to be there. At all.

He turned away. ...He turned back. "Hey, Lala? Do you think you could help me practice that one set?"

He didn't meet her eyes.

She narrowed hers. "Which set?"

"The one I'm bad at."

She scoffed. Pushed away from the wall she'd been leaning against. "That's all of them, Dum-Dum."

He didn't shout or stomp or yell about the nickname. His lips twitched.

"It's okay," he said. "If you're afraid you won't be a better teacher that my instructor..."

It was the most obvious manipulation ever.

Perhaps if he proved an adequate firebending student, she'd work on his courtly survival skills next. Honestly, it was good that not even Uncle Gets-Cousins-Killed had been fool enough to take Zuko into that war meeting. She could only imagine how terribly that could have gone.

"Keep up," she said, and turned her steps towards the training grounds.

He did. There, and during the katas she ran him through.

Azula kept her eyes narrowed.

"Hey," he asked, "do you know how to bend lightning yet?"

As if he could have missed it, if she'd been able to get more than sparks. "I will soon," she said.

"You will," he agreed, and flowed through his next set. The one she'd only just mastered.

Father didn't notice how weird Zuzu was being. Uncle never noticed anything. Zuko ate dinner and asked a servant for seconds and didn't stutter or flinch or lose his appetite when father asked, coolly, what he'd done with his day. Azula's shoulders tensed, because one mention of how she'd squandered her own training time teaching him--

"Azula hogged the training grounds. For hours," Zuzu scowled, exactly like a petulant thirteen year old.

Exactly like he hadn't been acting all day.

By the time Father was looking her way, Azula had her usual smirk in place. "I'm sure there would be room for both of us," she said, "you're not afraid of a little friendly fire, are you, brother?"

Zuko sulked. And ate his seconds, like he was enjoying each bite. There was something in his eyes, like a joke no one else was getting.

---

Father died that night. A heart attack. There were the faintest of burns to either side of the treacherous organ; the royal physician hypothesized that he'd grabbed at his chest, fingers burning hot in his final moments; so hot they'd only exacerbated the problem.

The royal physician would never have been brought any victims of lighting strikes. Those that occurred in the capital did not generally require a doctor in the aftermath.

Zuzu ate a hearty breakfast.

He didn't order seconds. Azula gave him points, at least, for not being tacky.

---

The sages named Iroh as regent.

They named Zuko as Fire Lord.

"No," the tiny Fire Lord in his perfectly miniaturized Fire Lord robes said, sitting at the head of his war council. "We're not doing that. And I'll be reviewing all recent battle plans, as well. What's this I hear about a division of new recruits being deployed to the front?"

He did not mention how he'd heard of the 41st Division. No one asked.

"Prince Iroh, surely--" one of the generals tried to appeal.

The young Fire Lord's regent was looking as startled as the rest of them, for a moment. Then he sipped his tea, and smiled.

"Your Fire Lord is correct, of course. A change in our leadership--a change the other nations may mistakenly view as weakness--will necessitate a change in our strategy."

"Now," said their lord, "what, exactly, is our overall objective in this war?"

War, the new Fire Lord decreed, was not an end unto itself.

---

The new Fire Lord continued to have time, to pretend to be trained by her. Azula watched him. Adjusted her footwork. Did not tolerate, and was not offered, any commentary on who was teaching who.

"What did you do with my brother?" she asked, as they flowed from one set to the next. As her hands, poised to throw fire, just so happened to be pointed his way.

He missed a step. It didn't look like an act.

"I'm, uh. Right here?"

She didn't bother to dignify that.

He didn't bother to look worried about her hands, one movement off from a true attack.

He looked around, then grabbed her sleeve, and tugged her further from any walls that may hide ears. The royal family's private training grounds were wonderfully large, and wonderfully open.

"It's me," he said. "It's still me. Just. More of me? Longer of me?"

She narrowed her eyes. A familiar expression, by this point. "Explain."

"...I found the Avatar," he said. "And this is definitely his fault, but--but I guess it started at a war meeting, when I was thirteen."

Azula listened. It was a very Dum-Dum story.

i like dick best when he's stylistically handsome and not just... a man who is handsome. does that make sense? i don't want the usuals that combine to make the average handsome man. i don't want the regular european niceties that create a man you'd pass on the street or see on tv and think handsome. dick should be stunningly normal guy handsome. there should be a certain style or fashion about him that makes you look back, take a second look. you should see him and recognize that there's something there, something eerily beautiful, but by the time your brain processes this, he's already turned the corner, or his face is looking a different way, or he's just out of sight. there should be something in his essence that does make you want to look but also something that's a bit hard to grasp in the second he's in your view. there should be something there that lingers in your brain, like some kind of hauntingly ethereal after image

The amount of people calling nightwing pretty boy is actually insane like

He will literally shove his escrima into someone’s ears, electrocute them, and then give em a round house kick for good measure and somebody in the distance will be like, “who’s the pretty boy?”

How do you feel about suo character? Do you feel his arc will start after kiryuu?!

Suo! my little shit! my favorite instigator!

jokes aside i love Suo! he's an incredibly interesting character and not just because we know jack and shit about him

he's a good foil to both Sakura and Nirei and i would love to study him under a microscope and all three of them play off each other So Well

Suo was really the one to break the ice when Sakura first arrived at Furin, which considering how Furin is probably wasn't really something that Sakura would've needed in the long run but it made things easier especially for Nirei's nerves

he does a lot of small things in the beginning (showing off how he can get people to accept his requests like he says himself side note love how both of these examples involve Sugi)

it's kind of funny in the way that Nirei's usually the first one to reach for Sakura (i talk about it more in my ramble here), Suo acts as the kind of bridge to allow Sakura to reach others or vice versa (others reaching to Sakura i mean)

during the grade captain vote, no one was speaking up to volunteer themselves or others and only when Suo volunteered Sakura did the others speak up to agree but also spoke highly about Sakura in the same vein or again going back to him breaking the ice with Sakura meeting the rest of 1-1

i love his relationship with both Sakura and Nirei (do not fucking separate this trio /hj) and how they both affect him

Suo's true emotions, hell possibly even his "real" self under all the masks he puts up, are brought out because of Sakura (his proclamation of taking the top spot and his clear, honest passion) and Nirei (running away from where Suo was protecting him so he could properly focus on the fight)

(anther side note i think this panel is one of the few times we've seen him lose his composure)

which actually kinda brings me to another point and it's a very small one but interesting nonetheless to me but it's the panel of Suo and Kaji training together

the matchup always intrigued me and im dying to know what the thought process was here (there's a fic that explores it here please im begging yall to check it out) esp going the route of both of them having smth that they want to hide (Kaji's berserker beast v Suo's merciless brutality) because they hate that particular version of themselves (though in Suo's case i dont think it's... hate but more like a general distain of it, not how one should properly act kind of thing) granted this is all hc'd territory so take it with a grain of salt

im certain that he envies / admires how Sakura and Nirei can be so open about who they are so authentically (and even push past their perceived limits) which im sure is what drew him to them to begin with (this goes into that beautifully) because whatever he went through has made it so he feels as though he cant be his authentic self

as for whether or not i think well get his arc after kiryuu... honestly i feel like his past might involve the Next Big Arc in a way? i know ive seen people speculate hes got connections with the yakuza and i could see that tbh

through my VERY CURSORY LOOK into leaving the yakuza, it doesnt... seem to be as a big a deal as i was expecting? if youve got a good relationship with the person you work under then its pretty easy for you to leave, though reintegrating with society is the hard part from there. i read that it is possible to just... kinda vanish too, though that wouldnt stop another member from tracking you down (and no fingers are being cut off)

if not a full blown yakuza, i could see Suo being part of a different gang and for one reason or another he left it so his former gang members track him down to either a. drag him back or b. punish him for leaving. not sure if his master would be part of said yakuza / generic gang or if his master is the one who got him out of there (which. hilarious if thats the case boy just went and joined another gang instead)

i dont know if his arc will start immediately after Kiryuu (i could see Nii-sensei throwing in a mini arc that leads into Suo's (like with Ito into Gravel)

whether or not it will though i love this silly lil guy! my craptastic gentleman son

Community and Family Through Food

The usage of food in the narrative of Wind Breaker (Spoilers up to the Noroshi War Arc in the manga)

* Content Warning: Mentions of Attempted Sui

Perhaps it is partially because my other biggest fixation right now is One Piece, but something that has always stood out to me in this series is its importance of eating, but even more-so: The ability to eat in good company. Wind Breaker seems to follow this pattern that is also present in One Piece that after every arc, the characters have to have a meal together. A festival, a meal offered by the owner of a restaurant in town, Kotoha’s diner, take-out on a rooftop; Wherever it may be, there is a meal being shared. Nii Satoru doesn’t hide why this is the case, and even has one of the most important characters to the manga, Umemiya, explicitly say why he insists on everyone eating together as often as possible.

Now, of course, Umemiya being who he is, this comes across as both a little ridiculous and perhaps even a bit childish/selfish to the other characters in the scene (and possibly even the reader) who are a little less familiar with Umemiya. Yet, being able to hang out and eat good food is the reason he decided to aim to become the leader of Bofurin, it’s the reason he gives for how he can be so happy while leading, and he sticks by it. He continues to put emphasis on everyone eating together at the end of each arc.

A detail I love about the chapter when he first gets food for everyone at the end of the Shishitoren tournament arc? It is called ‘Umemiya-Style’. Initially, one could see this as being because that’s just how Umemiya Hajime rolls, or, a play off of ‘fighting style’ but for Umemiya he fights against Choji with his words. Using fights as a ‘dialogue’ to get to know the other person better, as he puts it. However, we get the fuller meaning later in the story with the chapters covering Umemiya’s backstory.

We learn at the end of Hajime Umemiya’s backstory that eating meals as a family was a value passed to him from his parents. Your food (and life) is better when you are surrounded by the people you care about. In this story, a character’s ability to enjoy food is directly linked to their quality of life in the narrative. (The fact that this immediately follows an arc that centered around adversaries who were literally living in poverty and starving? Who united together so that they could all continue to have *something* to eat, even if it meant sacrificing their individual hopes and dreams? MWAH, chef’s kiss.)

Umemiya, however, lost his ability to taste or enjoy food when his parents died and he was brought to the orphanage, Furinen.

Umemiya didn’t eat alongside the others in the orphanage. He couldn’t taste or enjoy any food given to him. At the same time as he is rejecting eating, he is of the firm belief at this point that he should stay away from all people because he believed he got his parents killed. He believes that he is a murderer and doesn’t deserve to sit at a table with others- laughing and talking about their day, eating omurice as his family had once done together. During this same meal that he is rejecting, we have Yuki Shitara and the other kids at the orphanage trying to connect with him. They want to know about him: if he’s feeling okay, what his favorite foods are. During this meal they are trying to connect with him as a family, and he pushes himself away from that connection.

It isn’t until just as Hajime Umemiya attempts to take his own life that he gets a flash of the sight of his parents just before they were killed that he remembers that in their last moments they were smiling at him. They weren’t looking at him with fear, they were looking at him with love and relief. Relief that Hajime was going to live. I think it is also important to note that the Furin high schooler who is with Hajime when he attempts to commit suicide says these lines too.

I'm not entirely sure, but I think this could be the first time Umemiya comes across someone from Furin. At the very least, Umemiya does refer to this meeting as a part of fate. And we see this member of Furin mention being hungry, wanting to find something to eat. When he’s taking Umemiya back to the orphanage and comes across Yuki, he mentions how he and his buddies at Furin can’t sit still while outsiders to the town are coming in and doing whatever they want, making a mess of the rest of the town. Their hearts are not full, and they are not happy with the way things are. This shows, even before Umemiya adopts his dream, that there are already people who would probably be receptive to the changes he wants to see in town.

But in the meantime, when Umemiya gets back to the orphanage, we see the words of the others there finally resonate with him. Why? For two reasons- he finally believes he deserves to keep on living, and because they share that they understand him. That he doesn’t have to be an outsider with them, because they are all the same. They know the loneliness he feels, they know that it is hard for him to laugh and enjoy meals and that being able to do so again will take time. But still, whenever he is ready- They could be his family, and he could be their older brother. 

So Umemiya finally decides to step into that role of an older brother. He wants others to be able to rely on him and to do what he can to protect those around him. By the time he’s 14, he’s decided that this doesn’t just extend to the members of the orphanage. He wants his hometown, and all its residents, to be able to feel that same happiness and have the ability to all share in meals as a united family together. Furin is a high school of outcasts, the town of Makochi are constantly beaten down by both infighting and others coming in and making a mess of their homes and businesses. The police and professions that involve building community (teachers) have abandoned the town, deciding that the place is beyond hope. So Umemiya decides he is going to do whatever he can for the people of the town. To bring them into his family. Everyone there, regardless of labels or bitter feelings, deserves to eat and be surrounded by loved ones. At the age of 14 he is already leading by example of what he wishes to see in the future from Furin: patrolling the town, doing little things for the townspeople, showing them compassion and care. And what do we see in this first scene of him helping out the townspeople? He is offered food.

So now, in the present, Makochi is a family. But even more than that, they extend love and care to all outcasts. To all the lonely people they come across. This is why Umemiya insists on eating takeout with Choji and Togame. This is why he insists on Nagato and class 1-1 to eat a meal with him after the frustration and blows to self esteem experienced by those involved in the battle with Keel. This is why one of the first things that happens to Sakura upon coming to Makochi is he is asked if he is hungry, and he is fed. Because everyone, regardless of bitter feelings, regardless of how others may see them or how they see themselves, deserves to be loved and to eat good food. If fighting is a dialogue to get to know another person, sharing a meal is a solidification of that connection made. To make sure that person knows they are loved and cared for no matter what.

Nobody notices anything. So, there's nothing to notice, right?

Even Cass doesn't notice anything when she sees him. He's the same old Dick Grayson. He smiles and jokes. Of course, he's a little irritated about being in the mansion for no reason other than the fact that they had to meet at least once every few months, but he's fine.

Damian updates him on his school, and Dick rolls his eyes and grunts in between comments, knowing that the already outdated education system even in his time remains exactly the same now.

Tim asks his opinion on some programs he's developing. He may not be as good as Barbara's, but Tim knows Dick will easily spot the mistakes he doesn't after having read the lines of code five hundred times. Dick notices the errors just as he thinks (when you are learning the code for the first time, it is easier than when you have it in your head and recite it by heart rather than read it).

Only God knows why Jason is still there—maybe it's the food, maybe he's waiting for something. They barely speak to each other so as not to start fights, but they joke around, which is enough to keep the atmosphere comfortable.

Cass asks when they'll cook together again. Duke wants to join in this time.

Everything's fine. There's nothing wrong with Dick.

They decide to train before everyone goes back out on patrol in their places, Dick and Jason will soon disappear from the mansion and won't return for months, so why not?

Everything is fine, Dick is still joking around with them. There's nothing wrong.

Until the first moment he steps into the training area, he suddenly kicks a mannequin so hard that it literally breaks its neck and the doll's head flies off.

Oh... He's angry.

Everytime I remember Suo’s “I really am no match for you”, I can’t stop vibrating on my seat from curiosity. Like, in what way, and why? What is it that you measure when you thought of that, Suo? No match in terms of what, maturity? Keeping your head calm as possible? In having mental resilience? And why do you think like that? Why is there an implication that you want to match/live up/be equal to Sakura? What exactly goes on in your head, Suo? Ugh he is so mysterious and contradictory

This is my own interpretation, but I think it’s a general mix of what you said, but within the context of Chapter 50 and a dash of genuine admiration (with an undertone of self-depreciation).

It’s important to note that Suo and Sakura actually reverse their roles in their relationship, compared to their actual personalities. Suo takes a lot of initiative when it comes to Sakura, assisting him to the best of his abilities and even focuses on messing with him specifically. Sakura [reluctantly] accepts his gestures + help, and is quick to believe Suo‘s (obvious) lies.

This contradicts the fact that Sakura is usually proactive and takes initiative, while Suo is passive and observant—something that has been established since the beginning of WBK.

But in chapter 50, their usual dynamic is completely flipped. The composed Suo Hayato is seething with anger and awfully emotional, and the brash Sakura Haruka is oddly calm and rational. Suo even points this out during their confrontation:

But what really causes Suo to snap out of it is Sakura blaming himself. Because unlike him, his class captain has his priorities straight but holds himself responsible in the process; while Suo himself was too busy taking his anger out on someone who was already beaten just because he was unable to protect someone who was weak.

This subversion makes him self-reflect, because Suo “my hobby is human observation” Hayato probably never predicted Sakura managing to stop and calm him down.

Not me scrolling through the Conclave tag only to see no one talk about the deliberate positioning and framing of the women in this movie.

Pulling up this movie I completely expected to only encounter Sister Agnes as the one woman we see in the trailer, the conclave a space that has been kept from the female members of the church. Now, color me surprised when I started the movie and most of the establishing shots we got were focused on all the women working in the Vatican.

And it is such a deliberate choice, it does the film a disservice not to talk about it.

Because while Cardinal Lawrence is having his fifteenth breakdown during sequestering and Bellini finds the ambitious asshole within himself, Ray does all the leg work, and Bel---- we see the women work.

We see the kitchens, we see them cook, we see them stand aside. Most of the time when the Cardinals are conspiring it is the women who interrupt because they are busy working, walking, running errands.

And there is power in that.

I think it is very deliberate how often (and with such lingering gaze) the camera shows us the lives of the other half - partially to connect to the wider themes of the movie, on how Bellini asks for women to get more power but never thanks them, and how Benitez stumps them all by thanking the women preparing their meals when asked to say the prayer (considering his own probably tumultuous relationship to gender within the church).

But it also stands in direct opposition to a long tradition in story telling: servants don't exist. How often the heroes of a regency romance are "alone" because the two hand maidens and three maids don't really count.

Conclave doesn't do that.

It doesn't let us look away.

Between all the petty drama, the politics, and the real life consequences of the conclave, we never stop looking at the people doing all the work.

Yes, we follow the ups and downs of Lawrence and Co, but in doing so the movie reminds us again and again of the women working the kitchen.

And that was just such a powerful artistic choice in a movie about a famously misogynistic church... I loved it. And I had to talk about it.

What's the role of suo character? He is considered as main character with nirei or as deuteragonist but I see he has no importance outside protecting nirei!. I don't understand the hype around his mysterious aura

I think probably what you're looking for is a more flashy fight/action centric series then! You'd probably enjoy all this time you're putting into sending anonymous asks about a show you don't see the appeal of more if you spent it instead on media you can enjoy! However, I will absolutely take this opportunity to gush about Suo you are giving me on a silver plate happily! So let's talk about why Suo is so fascinating narratively!

Labeling him as a deuteragonist is actually pretty spot on, to be honest. He is a character that sticks by the protagonist's side pretty consistently throughout the story. Suo as a character gives advice to Sakura about what will help him grow and achieve what he wants as class captain as well as provides an interesting combination of parallels as well as differences in perspectives compared to Sakura. Additionally, Sakura's presence draws forth the aspects of Suo's character that are likely to be developed within the story. Let's start with how Suo provides a difference in perspective for Sakura!

There is more strength in drive and ideals than in physical strength

Suo says it pretty clearly to Sakura before his match in the Shishitoren arc-

When he first met Sakura, it is very likely his first impression was 'ah, here's yet another brute who thinks he can beat others up and claim himself to be the strongest'. The same kind of person Sakura calls weak or lame himself. However, even Sakura's goal that he says to everyone in the beginning... kind of reflects this idea that physical strength gives you value. He judges Nirei because he can immediately tell Nirei isn't a fighter yet is a student at Furin, he thinks the only thing that is important is winning fights and making sure everyone knows they can't bend him under their will. Sakura thinks the only thing valuable about himself is his fighting ability/strength. But what is shown through his actions? That he protects those who can't defend themselves. That he is pissed off when someone enjoys causing others pain or suffering. Outside of the manga, when asked about what Suo's dream is, he says 'emancipation of slaves'. Right from the get-go he is challenging Sakura to start to think about what his purpose is when he fights. Because it's not really about just proving he's the strongest guy around. Why does this bleed so much into what Suo says to Sakura? Well, for Suo-

2. Empathy is the most important thing to possess

Suo is extremely good at understanding where other people are at emotionally/mentally. A LOT of his dialogue is trying to explain how a person might be feeling or encouraging others (rather forcefully at times haha) to try to demonstrate empathy themselves.

Suo is the calm to Sakura's storm. Except. Suo isn't actually the calm. Not in truth. This is part of why he is so intriguing as a character. It is also where Suo starts to actually parallel Sakura. Because Suo is-

Very Emotional

Incredibly so. The difference is, Sakura wears his heart on his sleeve. He doesn't hide how he feels or his inner thoughts at all because Sakura wants to be true to himself no matter what. It's hard for him, it is agonizing for him at times because of his bad prior experiences, but it is still something he tries to do at all times. Suo, however? Keeps those emotions hidden behind a "friendly" smile most of the time (to talk towards him being appealing- a lot of people like characters who put up fronts. I am included in this 'lot of people' lmaoo. I am such a sucker for a character who puts up a front to guard themselves or keep others at an arm's length).

But Suo gets angry. Incredibly so. He also judges others all the time. He's VERY opinionated, but he doesn't often state any of these opinions so directly. It's important to Suo that he upholds appearances and comes across as disciplined, calm, and collected. Sometimes though, he is anything but. Which is what we're shown in the Keel arc. Keel takes advantage of kind people who are just strong enough to be useful, but weak enough that they can be beaten into submission and manipulated. And that? Already pisses off Suo I'm sure. But then, on top of everything else, Suo is kept from running to the aid of someone he cares about. Someone who has such good drive, who also has a strong core but has some ways to go in being able to act on that drive. Suo is kept back from saving his friend and Nirei is beaten into unconsciousness. So what happens? Attempted murder. Suo's anger and frustration boils over. He hates these people. He hates seeing those he cares about and seeing those who can't defend themselves, broken. So he's going to put an end to it. To them. "Nice Guy" façade be damned. "The level headed one" be damned. And we get this look at Suo in a chapter literally titled "Extreme Emotions"

Which like, if you wanna talk about why his character garners a lot of hype, I think a large part of it is because of his aura when he's genuinely mad. It's the duality of it all.

I don't have as smooth of a transition for this one but what else does Suo do that Sakura absolutely does as well?

2. He keeps people at an arm's length; he doesn't like letting people in

This is also where Suo has a lot of duality, but here it makes him something of a hypocrite. He tells Sakura it's important to delegate and rely on others alongside Nirei. He pokes and prods Sakura to try to get him to open up to them. To not assume how others feel. But Suo doesn't show that himself. The ONLY thing Suo has honestly given about himself is that he has a mentor who taught him the 'hodge-podge' martial arts he uses as his fighting style. Everything else? Jokes, lies, dismissive words. Suo is hardly ever injured or dirtied in a fight because it isn't a conversation to him. He's the one doing the talking. He's the one teaching a lesson to the other person. The other person doesn't need to say anything to Suo. He's already pretty damn sure what kind of person they are. He doesn't eat with the others because he claims he is on a diet. It keeps him from participating in what is probably the BIGGEST symbolism/metaphor for personal connections in the story. Because Suo doesn't try to connect with others. He actively avoids it.

So uh, yeah! That's why I think people find Suo interesting and get hyped about when he's on screen/in chapter panels! I am sure there are other things that could be said, but I hope I could offer some insight!