Mike Making Dustin Feel Better, Saying He Has Superpowers,

mike making dustin feel better, saying he has superpowers,

mike defending el when they called her weird, praising her like a superhero

mike calling will a super spy and empowering him

all while he's only felt like a nobody that's not needed in anyone's life

that painting meant way more than will could ever imagine

Mike Making Dustin Feel Better, Saying He Has Superpowers,
Mike Making Dustin Feel Better, Saying He Has Superpowers,
Mike Making Dustin Feel Better, Saying He Has Superpowers,
Mike Making Dustin Feel Better, Saying He Has Superpowers,
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More Posts from Thelostgoldfinch and Others

5 months ago

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

7 months ago
Your phone is why you don't feel sexy
open.substack.com
Eros, desire, instinct, eternity

Eros—carnal desire—is an embodied experience, and our phones do a terrific job of getting us out of our bodies and into our heads. In the digital age, we often neglect our bodies entirely, and use them merely as a way to transport our heads to meetings. (The rise of rave culture and physical fitness programs since the 1990s is perhaps evidence that we feel the need to fight against this.) No one feels connected, present, alive, embodied, or sexy when they’re on their phone all day.

And our phones don’t just move us out of our bodies, but they have become something of a second brain, a second body. You don’t have to remember something if you can record it, photograph it, or type it into your notes app. You don’t have to look good in person if you look good on Instagram. Our phones not only hollow out our true selves, but are starting to replace us.

4 months ago
Radiohead X The Goldfinch

Radiohead x The Goldfinch

(I made this)


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tgf
6 months ago

but! we! cannot! simply! sit! and! stare! at! our! wounds! forever!


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emo
5 months ago

mom can you come pick me up. they’re on stranger things twitter saying lesbian bylers are psychopaths, a different species, and misogynistic for not shipping mileven


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ST
7 months ago

its that time of the year

Its That Time Of The Year
3 months ago

A girl puts a knife to your throat and your immediate instinct is to kiss her. Melissa, you relatable bitch. Congrats on living the dream.

7 months ago

me after sleeping ljke shit for the 10,497th day in a row: this is good actually because now i'll be really tired when i go to bed tonight


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3 weeks ago

I’m watching Tgf and Tom Cable literally says “my mom blew up over that shit too” about the cigarettes are u fucking kidding rn, like… idk how I didn’t notice before


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thelostgoldfinch - love doesn’t conquer all
love doesn’t conquer all

Olga | 24 | she/her

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