Paul Atreides: The Sun Eating fire is your ambition: to swallow the flame down take it into your mouth and shoot it forth, a shout or an incandescent tongue, a word exploding from you in gold, crimson, unrolling in a brilliant scroll. To be lit up from within vein by vein. To be the sun. ― Margaret Atwood, Selected Poems 1: 1965-1975
@jitterati | world war I memorial in church of ss peter & paul, gilbert bayes 1919 | total solar eclipse, maria mitchell 1869 | dune: part one, dir. denis villenueve | dune: part one, dir. denis villenueve | november 9, colleen hoover | dune: part one - the photography, chiabella james | bust of antinous, palazzo altemps museum | poem, lucie thésée, tr. by richard archambeau 1941 | dune: part two, dir. denis villenueve | holy things in this world, emery allen | dune: part two, dir. denis villenueve | untitled, lauren treece 2012 + ruin and rising, leigh bardugo 2014 | @toneelspeelster | @gallixie | dune: part two, dir. denis villenueve | the other tiger - selected poems, jorge luis borges, tr. by tony barnstone 1999 | dune: part one, dir. denis villenueve | @jitterati
I've posted two of the exact same image see if you can spot any differences
so within the universe of Dune, gender roles abide by a rigid false dichotomy created by the bene gesserit - men lead the noble houses, while the women may join their order, and the powers of both are kept intentionally separate. at the same time, the plot demonstrates repeatedly that the role of paul atreides as a character is that of the border between the concepts juxtaposed within dichotomies: he is both an outerworlder and fremen, both harkonnen and atreides, both a duke and a disciple of the bene gesserit.
as such, it follows that within the in-universe gender structure, he occupies the roles of both male and female, thus being functionally and societally nonbinary. in this essay, i will -
"old friends" is an underrated relationship dynamic because it's such an innocent boring sounding term for what is usually some of the wildest shit imaginable. it's always like 'oh yeah we go way back, we have history' and then you find out that history includes sex, drugs, murder, divorce, war crimes and The Incident
feyd & paul + text posts (please do not repost without credit)
seriously why is erik like that
like father, like daughter
That's Axl's energy
no matter how hard i try i will always be that little girl wondering why everyone is better friends with eachother than her and begging to be loved
Hello! Do you all remember the post I shared about Lucrecia’s scene here in the OG?
If not then let me share a very sad connection I made. In this Lucrecia moment she says about her baby (Sephiroth):
“watashi no kawaī kodomo”
This means along the lines of “My cute baby…” or “my sweet little child.” The use of “kawaī” by Lucrecia is the key point because it shows her affection. “Kawaī” is used for cute little things like a kitten or darling baby.
Now here is what the dream version of Lucrecia in The First Soldier calls Sephiroth:
可愛いセフィロス。こっちへいらっしゃい。
“Kawaī Sephiroth. Come here.”
She fawns over her son with a phrase like “Cute, little Sephiroth” and then hugs him. You can interpret it as “sweet” or “darling” as well and that’s how they came up with “my sweet little boy.” It works just fine because “kawaī” is for precious little things.
The point here is that they have referenced this OG piece of dialogue from Lucrecia about her son. It looks like they make a distinction for Lucrecia to always see her son as this innocent and cute child even in a dream. Let nobody doubt that Lucrecia loved her baby even after everything 😢
not on here much but if interested you can find me on Twitter as @botticelli4ngel :)
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