Latest Posts by weishenmewwx - Page 8

Kestrel-dad not sure how to dad but he’s trying his best.

Get to know you?

Tagged by @theji

Tag some number of people you want to get to know better/catch up with.

Last song - #357 of a 413- song Zhou Shen playlist. I’m working my way through ALL of Zhou Shen’s songs!

One of my favorite recent discoveries (I am truly grateful to all those Youtubers who put these long playlists together) is when some show had some people in costume trying to sing 芒种Mang Zhong and doing a terrible job of it -- like, it sounded like me trying to sing, and my kids won’t even let me sing them lullabies --, and then Zhou Shen struts in with an entourage, singing with confidence, power, perfect pitch, and crazy charisma.  It’s worth it to hear the bad singing in the beginning just to more fully experience and understand just how different and special Zhou Shen’s singing is.   

And then he sang a little bit of 左手指月(Left Hand Pointing at the Moon).  Wow. 

Last movie - The last movie I watched that was new to me was 刻在你心底的名字 Your Name Engraved Herein, on Netflix.  It was crazy good. It was so good that I spent the next week obsessing over it and not feeling the slightest bit tired (my new measure for how strongly something affects me: if it can replace sleep, it’s Good).  Some reviews mention that the movie is sad, but I watched through to the last second and actually found it quite positive.  It ends with happiness and hope.  That’s enough for me to look forward to a(n emotionally wrenching but ultimately sweet) re-watch.  

The last movie that I actually watched was 闪光少女Our Shining Days (no longer on Netflix, but still free on Youtube!).  It’s the perfect antidote to all emotionally wrenching media, while still being beautiful and subtle and, actually, kinda deep and meaningful, especially for those of us who really care about traditional Chinese arts. And it’s hilarious and the music is Awesome.

Currently reading - 镇魂 Guardian by Priest.  I’m only on Chapter 4, but I’m totally enamored.  I am still getting used to the new vocabulary and sentence structures of Priest (new to me) vs 墨香铜臭Mo Xiang Tong Xiu (魔道祖师 x2!), though, so it’s slow going right now.  

Currently watching - ...still on Street Dance of China Season 3.  Someday I’ll finish Episode 9.  I really like it, honestly!  I just really like to give it my full attention, read all the cute little pop-up comments, and, well, I haven’t figured out yet just when I’m (stealing my kids’ ipad and) doing that.

Currently craving - Anything Asian.  Please!

Tagging: @herr-zhou, @coffintownkids, @bimingjue 

18 notes

I just finished 魔道祖师 Mo Dao Zu Shi Read #2. I kinda keep expecting fanfare— trumpets or fireworks or at least a dramatic swell of music filling the house! But, alas, it’s just me. Everyone around me assumes it’s just a normal night in.

I read Reader Comments this time (in the kunnu.com version), and I must admit, I really enjoyed them. The last chapters (113, the Official Last Chapter, and 126, the Last Chapter Published) are full of comments commemorating First Read Complete! Second Read Complete! Fifth Read! Nth Read!

So many “Nth Read!” comments. I can’t think of any book I’ve read more than three times, much less so many times that one would lose count. It’s not like putting on your favorite movie while you do your chores - you have to Concentrate and Focus to read!

It’s nice to know that there are people out there who also can’t find their way out of the MDZS rabbit hole, who also love WangXian so much that they re-read and re-read and re-read, who know exactly what’s going to happen but still want to experience it again and again and again.

And there Will be fireworks this weekend, to commemorate “my Second Read-Through 😘”.

(What book have you read more than once? Do you know why you go back to it over and over?)

Still one of my favorite instrumental songs.

Our Shining Days - Review

This review is for the movie from 2017, not the TV series from 2019. I really enjoyed this. It’s silly (very silly), but it’s fun. If you’re a trained musician maybe close your eyes during those parts but I assume you do that anyway (other than for the guzheng player anyway, since the word is she can actually play). Pros:

Funny! It was properly funny for me

Largely focused on the musical angst rather than romantic angst

GREAT music

Generally enjoyable leads

Cons:

I mean, it is silly, so if you don’t like silly then that’s a con for you

Bad miming of the western classical music esp, if that bothers you (I tend to space out and just listen)

Female lead’s hair slightly bothered me most of the movie (but they didn’t give her a makeover, which I appreciate)

A little over the top in the school western vs Chinese instrument hierarchy, but that IS the point of the movie (the folk music department is literally behind a gate, which I found hilarious).

This was mainly on my watch list, because I figured the music would be good (I love a traditional instrument), and it turned out to be really enjoyable over all. Just a quick, fun watch. Most of the cons aren’t things that bothered me much, but I try to think about what might bother other people.

I just noticed there’s a flute/recorder part in that video and none of them play that… Luckily that stuff doesn’t really bother me if I’m enjoying the media.

This scene killed me, quite unexpectedly.

Babe, I’m with you. Our Shining Days

It’s always affirming to discover that your obsession is an actual academic discipline.

Articles/books about Danmei (Chinese BL)

Hello!!! I made a folder for sharing articles and books about danmei and related topics

There's a lot of academic research into danmei, so I thought it'd be interesting to share to the western danmei fandom so people can know more about danmei's context and history!

I will be adding PDFs semi-regularly, but if anyone wants me to add any specific articles or books to the folder you can reply with the name and author, and I'll try my best !!

They're all really interesting, so if you want, check out the titles or abstracts to see if you'd be curious! 💕💕💕

(link in reblogged version! )

I spent a fair potion of my formative years idolizing Frank Frazetta / his artwork. He gave hope to all those who didn’t look like modern-day wraith-thin models. Though you have to do a Lot of working out to look like His models. Time to go do some push-ups!

older lotr illustrations sometimes depict éowyn wearing ridiculously small armour. apart from the problem general sexualisation of the only female character (who really does anything), there’s another hilarious thought:

éowyn pretended to be dernhelm, a man. to fit in, she must have worn men’s armor. so the armor in the illustrations is normal for rohirrim.

therefore, all the rohirrim rode to war just like that:

The sweetest scene ever ❤️

Your name engraved herein (2020), dir. Kuang-Hui Liu

And here are the deleted scenes from Your Name Engraved Herein, with English subs!

https://youtu.be/djLcuhiZHd0

I found some useful information (and a lot of similarly-obsessed fans) about Your Name Engraved Herein on this Reddit page. In case you want just a little more content, a little bit of analysis, here it is!

https://www.reddit.com/r/boyslove/comments/kjk1ga/seven_secrets_you_need_to_know_about_your_name/

YOUR NAME ENGRAVED HEREIN (2020)

Do you think the world has changed?

some baby kermit gifs to brighten your day 💚

Congratulations to WYB for being Chanel brand ambassador, a long time collaboration. It is, as it should be.

Cr: 星川的绿

Lan Zhan going from 😠 to 😊 when around Wei Ying.

Nezha reborn ☓ text posts

he sounds like hes making shit up on the spot……..absolute himbo

zhou shen + a non-exhaustive list of chinese new year 2021 appearances

↳ 归处 / gui chu: happy camp + jiangsu tv ↳ 大鱼 / da yu ↳ got it (with mao buyi) ↳ 我在这 挺好的 / wo zai zhe, ting hao de ↳ 灯火里的中国 / deng huo li de zhong guo (with zhang ye) ↳ 牛仔很忙 / niu zai hen mang ↳ 达拉崩吧 / da la beng ba ↳ 微光海洋 / wei guang hai yang ↳ bonus clips: singing 吉祥三宝 + 恭喜发财 + 同桌的你 edit to add: ↳ 达拉崩吧 / da la beng ba (with morin khuur and dombra by shui guo xing qiu) ↳ 春天到万家 / chun tian dao wan jia (with zhang ye)

The Untamed Cast: modern vs. ancient look

So during my second time watching Jiang Cheng walk across what I now know is a random mountain to meet Wen Qing, all I could think about was Wei Wuxian, Wen Qing, and Wen Ning’s plan and the fact that they must have been following him, like:

Wen Qing: should he really be walking across that field?

Wei Wuxian: I don’t know, I thought he would follow the path

Wen Ning: should we stop it now so he doesn’t trip and fall?

Wei Wuxian: naw let’s wait a bit, he needs to think it’s difficult

Wen Ning: is this a good place? can I ring the gong now?

Wei Wuxian: I think it’s good. wen qing?

Wen Qing: yeah yeah it’s fine. ring the stupid gong - I’ll lead him to a better spot

Wen Qing: I’m not going to wear the hat

Wei Wuxian: c’mon, you need to wear the hat

Wen Ning: yeah, wear the hat, a-jie

Wen Qing: he’s wearing a blindfold! he won’t be able to see my face anyway

Wei Wuxian: but what if he takes off the blindfold? what then, hmm? the hat is key

Wen Ning: yeah a-jie, the hat is key

Wen Qing: uuuuugh fine I’ll wear the hat

Here’s my response to @pussyibo, who tagged me on a post about Gg’s Li-Ning brand endorsement. 

Keep reading

MDZS Resources & References:

OR, a collection of meta fiction for MDZS writers and enthusiasts:

Grandmaster of Demonic Timeline by chrisemrys

The timeline of Wei Wuxian’s life with some bonus, worked for my own notes and shared for understanding of my MDZS fic(s)!

MDZS Timeline by thewickling (Diviana)

A guide to MDZS’s confusing chronology that I unwrangle in my spare time.

On Character’s Ages by thewickling (Diviana)

A collection of meta on the possible ages for different characters in MDZS and what ages they would be during key events in the timeline.

Mo Dao Zu Shi Writer Reference: Novel Chapter Summaries by threerings 

A breakdown of all the chapters in the Mo Dao Zu Shi/ Grandmaster of Demonic Cultivation novel, with what happens when. To help in referring back to specific scenes, because who can remember with every version happening in a different order.

Reference for Modao Zushi Writers: Chinese terms & Naming Conventions by chaoticjoy

This is to provide a reference for writers who are unfamiliar with Chinese literary conventions or terms used in canon. Hopefully someone will find this helpful.

Chinese naming basis for fanfiction writers by miqqumi

I notice a lot of people struggling with how to use Chinese names in fanfic, so I put together a guide. I hope it’s helpful to someone.

The Untamed / MDZS, resources link post, stuff I needed as a writer by AteanaLenn

Discovering and writing in a new fandom is difficult, but especially in one whose culture you know nothing about. I started writing a The Untamed fic the other day, and ended up spending hours looking up reference posts and blog posts, in order to try and avoid the most obvious mistakes at least.

Eventually, I ended with a lot of info, so here you go, useful stuff I found to understand this fandom.

MDZS Audio Drama Episode Guide by pumpkinpaix 

An episode guide for all seasons of the MDZS Audio Drama, so if you’re searching for a specific scene/quote, it’s easier to find. A breakdown of novel chapters already exists, courtesy of the wonderful threerings, but the audio drama does slightly different things and has some really beautiful changes/scripting, so this is a supplemental guide for anyone who wants to reference the AD instead of the novel for any reason.

Obviously, spoilers for the entirety of the plot.

MDZS Meta Collection on AO3

hey there!! hoping to get your input on this: ive seen plenty of fics where characters across the cql board will say just very openly "i love you." i don't know if this is a common way of expressing romantic love in ancient china? i could be wrong, but the FEELING i get is that it's more common to use gestures, or allude metaphorically to some poem/story instead of being so direct? i think theres an old-fashioned jpn phrase like "i'll make soup for u every day" to confess, anything similar here?

oof, so I’m going to go ahead and start by saying that I don’t know nearly enough to be make generalized statements about how romantic love is expressed in ancient/dynastic China or even in modern-day, because I’m just not widely-read/steeped in the culture enough. And even if I were, I still don’t know if I could make definitive statements on what can be considered a “common way of expressing love” because there are as many ways to express love as there are people and permutations of relationships on this planet. 

The renditions of love that tend to linger in our minds, however, tend to be defined by action: 梁山伯与祝英台 Liang Shanbo and Zhu Yingtai, the butterfly lovers inseparable by death; 牛郎织女 Niu Lang and Zhi Nv, a mortal man and celestial maiden, crossing to each other over a bridge over the Milky Way made of magpies; 孟姜女 Meng Qiangnv breaking open the Great Wall with the force of her tears. Just gonna... put that out there.

I did include a brief discussion of the character 爱 ai in this post, which is the character that’s pretty much translates to ‘love’ (and many of its complicated English valences) in modern Mandarin. Given an earlier reading of 爱 not as ‘love,’ but as ‘begrudging, cherishing’ makes the possibility of saying 我爱你 woaini rather...unlikely in ancient China (especially when you consider that 我 wo and 你 ni were different pronouns back then, too... what I’m trying to say is that a simple ctext search hasn’t been helping me here).

I am, however, willing to bet that writing/reciting poetry for your lover was a Thing, and it wouldn’t be me if I didn’t seize every possible opportunity to add gratuitous poetry to a post:

《上邪》/ Shangye

上邪！/ High Heaven!

我欲与君相知，/ I want for us both to know each other

长命无绝衰。/ as long as life, with no decline or end

山无陵，江水为竭，/ When mountains lose their peaks, when river waters dry up,

冬雷震震，夏雨雪 ，/ when thunder rumbles in winter; when rain and snow fall in summer

天地合，乃敢与君绝！/ when sky and earth seal back together, only then will I dare end things with you!

One of the shortest pieces in the Hanyuefu, which I mentioned briefly in this post, 《上邪》 is an incredibly powerful declaration of love, loyalty, and devotion without using any of the above words (it does, however, use 知 zhi / knowing). 

Oh! Both 《上邪》and《卜算子》use 君 jun, which you might recognize from ‘Hanguang-jun’ or ‘Zewu-jun.’ In addition to being an honorific, 君 also appears often in poetry as a respectful second-person pronoun. Again, it’s technically gender-neutral, though most of the time it’s assumed to refer to a man.

《卜算子》李之仪， Busuanzi by Li Zhiyi (Northern Song Dynasty)

我住长江头，君住长江尾。/ I live at the head of the Yangtze; you live at the tail of the Yangtze,

日日思君不见君，共饮长江水。/ Day after day, I think of you but do not see you; we drink from the same river’s waters

此水几时休，此恨何时已。/ When will these waters rest? When will these feelings stop?

只愿君心似我心，定不负相思意。/ I only hope that your heart is similar to mine; I would not let down the intent of our mutual love.*

*note: this entire last line is rough, but I spent more time than I’d like banging my head against 相思, which I translated as ‘mutual love.’ It’s glossed in Pleco as ‘pining, lovesickness’ but literally means ‘mutual thought.’ 

The language of thought, of mutual thought, of the sentiment behind the phrase thinking of you, is something that goes way, way back. It’s in 《饮马长城窟行》, from the poetry post I linked earlier; it’s also referenced in the last line of 《楚辞·山鬼》Mountain Ghost from the Songs of the South: 思公子兮徒离忧 / only in thinking of you can I depart from sorrows.

Oh! Here’s a classic declaration of love -- literally, from the 《诗经》 Shijing / Classic of Poetry: 

[...]

执子之手，与子偕老 / I’ll hold your hand, and with you grow old...

[...]

It’s the most famous line from 《国风·邶风·击鼓》which I think is actually a... war poem? So a poem that’s primarily all about that Mutual Loyalty and Manly Camaraderie, but one that has had its most iconic line co-opted for the sheer romance of it all.

I’m not going to translate《击鼓》 fully because trying to read the 《诗经》is one of my personal nightmares, but you can find it here on ctext with the James Legge translation, which, admittedly, takes some liberties with the text.

One last poem, because the last line is peak pining:

《越人歌》 Yuerenge

今夕何夕兮 搴洲中流，/ What evening is this evening? Drifting in the river current.*

今日何日兮 得与王子同舟。/ What day is today? That I can travel in the same boat as you, prince

蒙羞被好兮 不訾诟耻，/ I hide my shyness, cover my fondness; there will be no slander or gossip or shame*

心几烦而不绝兮 得知王子。/ My heart is troubled, unending -- to come to know you, prince

山有木兮木有枝，心说君兮君不知。/ On mountains, there are trees; on trees, there are branches -- my heart delights in you, and you do not know.

*leaning heavily on the baidu-baike glosses

The story I’ve always been told about 《越人歌》 is that a prince of Chu, fleeing political strife in his state, crosses a river in a boat poled by a young woman of the state of Yue. She recognizes the fleeing prince and sings this song to him as she poles across the river. The catch is that she sings it in the language of the state of Yue, so he has absolutely no idea that she’s confessing her admiration and love for him.

This story, according to my Google searches, is inaccurate, but OH WELL, the last line is still peak pining regardless.

Wei Wuxian | Ep.11

jin zixun has such a main character complex that he thinks wei wuxian, the yiling patriarch, declared enemy of the cultivation world cursed him specifically for something that happened like a year ago and when zixun accuses him of doing so wuxian’s like look man first off i don’t care about you enough to hold a grudge i only have a vague idea of who you are and second off it’s awful bold of you to assume i’d let you live if i did

Terry Pratchett's 2001 Carnegie Medal Winner Speech

I’m pretty sure that the publicists for this award would be quite happy if I said something controversial, but it seems to me that giving me the Carnegie medal is controversial enough. This was my third attempt. Well, I say my third attempt, but in fact I just sat there in ignorance and someone else attempted it on my behalf, somewhat to my initial dismay.

The Amazing Maurice is a fantasy book. Of course, everyone knows that fantasy is 'all about' wizards, but by now, I hope, everyone with any intelligence knows that, er, what everyone knows...is wrong.

Fantasy is more than wizards. For instance, this book is about rats that are intelligent. But it also about the even more fantastic idea that humans are capable of intelligence as well. Far more beguiling than the idea that evil can be destroyed by throwing a piece of expensive jewellery into a volcano is the possibility that evil can be defused by talking. The fantasy of justice is more interesting that the fantasy of fairies, and more truly fantastic. In the book the rats go to war, which is, I hope, gripping. But then they make peace, which is astonishing.

In any case, genre is just a flavouring. It's not the whole meal. Don't get confused by the scenery.

A novel set in Tombstone, Arizona, on October 26, 1881 is what– a Western? The scenery says so, the clothes say so, but the story does not automatically become a Western. Why let a few cactuses tell you what to think? It might be a counterfactual, or a historical novel, or a searing literary indictment of something or other, or a horror novel, or even, perhaps, a romance – although the young lovers would have to speak up a bit and possibly even hide under the table, because the gunfight at the OK corral was going on at the time.

We categorize too much on the basis of unreliable assumption. A literary novel written by Brian Aldiss must be science fiction, because he is a known science fiction writer; a science fiction novel by Margaret Attwood is literature because she is a literary novelist. Recent Discworld books have spun on such concerns as the nature of belief, politics and even of journalistic freedom, but put in one lousy dragon and they call you a fantasy writer.

This is not, on the whole, a complaint. But as I have said, it seems to me that dragons are not really the pure quill of fantasy, when properly done. Real fantasy is that a man with a printing press might defy an entire government because of some half-formed belief that there may be such a thing as the truth. Anyway, fantasy needs no defence now. As a genre it has become quite respectable in recent years. At least, it can demonstrably make lots and lots and lots of money, which passes for respectable these days. When you can by a plastic Gandalf with kung-fu grip and rocket launcher, you know fantasy has broken through.

But I’m a humourous writer too, and humour is a real problem.

It was interesting to see how Maurice was reviewed here and in the US. Over there, where I've only recently made much of an impression, the reviews tended to be quite serious and detailed with, as Maurice himself would have put it, 'long words, like "corrugated iron."' Over here, while being very nice, they tended towards the 'another wacky, zany book by comic author Terry Pratchett'. In fact Maurice has no wack and very little zane. It's quite a serious book. Only the scenery is funny.

The problem is that we think the opposite of funny is serious. It is not. In fact, as G K Chesterton pointed out, the opposite of funny is not funny, and the opposite of serious is not serious. Benny Hill was funny and not serious; Rory Bremner is funny and serious; most politicians are serious but, unfortunately, not funny. Humour has its uses. Laughter can get through the keyhole while seriousness is still hammering on the door. New ideas can ride in on the back of a joke, old ideas can be given an added edge.

Which reminds me... Chesterton is not read much these days, and his style and approach belong to another time and, now, can irritate. You have to read in a slightly different language. And then, just when the 'ho, good landlord, a pint of your finest English ale!' style gets you down, you run across a gem, cogently expressed. He famously defended fairy stories against those who said they told children that there were monsters; children already know that there are monsters, he said, and fairy stories teach them that monsters can be killed. We now know that the monsters may not simply have scales and sleep under a mountain. They may be in our own heads.

In Maurice, the rats have to confront them all: real monsters, some of whom have many legs, some merely have two, but some, perhaps the worse, are the ones they invent. The rats are intelligent. They're the first rats in the world to be afraid of the dark, and they people the shadows with imaginary monsters. An act of extreme significance to them is the lighting of a flame.

People have already asked me if I had the current international situation in mind when I wrote the book. The answer is no. I wouldn't insult even rats by turning them into handy metaphors. It's just unfortunate that the current international situation is pretty much the same old dull, stupid international situation, in a world obsessed by the monsters it has made up, dragons that are hard to kill. We look around and see

foreign policies that are little more than the taking of revenge for the revenge that was taken in revenge for the revenge last time. It's a path that leads only downwards, and still the world flocks along it. It makes you want to spit. The dinosaurs were thick as concrete, but they survived for one hundred and fifty million years and it took a damn great asteroid to knock them out. I find myself wonder wondering now if intelligence comes with its own built-in asteroid.

Of course, as the aforesaid writer of humourous fantasy I'm obsessed by wacky, zany ideas. One is that rats might talk. But sometimes I'm even capable of weirder, more ridiculous ideas, such the possibility of a happy ending. Sometimes, when I'm really, really wacky and on a fresh dose of zany, I'm just capable of entertaining the fantastic idea that, in certain circumstances, Homo Sapiens might actually be capable of thinking. It must be worth a go, since we've tried everything else.

Writing for children is harder than writing for adults, if you're doing it right. What I thought was going to be a funny story about a cat organizing a swindle based on the Pied Piper legend turned out to be a major project, in which I was aided and encouraged and given hope by Philippa Dickinson and Sue Coates at Doubleday or whatever they're calling themselves this week, and Anne Hoppe of HarperCollins in New York, who waylaid me in an alley in Manhattan and insisted on publishing the book and even promised to protect me from that most feared of creatures, the American copy editor.

And I must thank you, the judges, in the hope that your sanity and critical faculties may speedily be returned to you. And finally, my thanks to the rest of you, the loose agglomeration of editors and teachers and librarians that I usually refer to, mostly with a smile, as the dirndl mafia. You keep the flame alive.

WHEN SANITY IS NOT HOME

Starring: DaGe, Director Nie, ErGe, and Yaomei.

Sorry, I can't breathe👻

I’m doing my first re-read of Mo Dao Zu Shi, and would like to complain very publicly to a sympathetic audience that I Don’t Want to Read Song Lan’s Death again. It hurt the first time I read it, the first time I heard it on Audio Drama, the first time I watched it on CQL. (Now I skip that chapter in Audio Drama). I don’t want to experience it again; but I’m over halfway through ch 40 already and can’t abandon WWX’s POV via A-Qing.

I’m just looking forward to Drunk Lan Zhan #2. The promise of Drunk Lan Zhan will get me through this. Yes.