Interview With The Vampire If It Was Published In The 70s—wait

Genesis / Apocalypse

Disco Elysium

I love how every week in post-episode interviews, jacob anderson is just chilling and pondering louis’ precarious psyche and being like ‘oh louis is so fucked up. that man is Not well, can you believe how unwell he is??’ while assad zaman kinda looks like he’s been up all night trying to absorb armand into his soul and he’s like ‘armand is a little scheming bitch, he’s always scheming and planning and also he’s lonely. but mostly scheming’ and then every once in a while a wild sam reid appears and he goes ‘btw whatever they’re telling you about lestat, they’re lying and my close personal friend lestat de lioncourt is NOT happy about it’

having ocs is like she's my daughter. she's my power fantasy. i'm giving her everything i hate about my personality. she's a war criminal. she's never done anything wrong in her life ever. i love her. i hate her. i'm making her life miserable. who did this to her. she's unlikeable but everyone should like her. she's baby. she does cocaine in the bathroom

What shocked me about Pentiment is that it soon becomes very clear you're not here to solve the murder. You're not here to speak the truth. The system is inherently unjust and you're here to find evidence to condemn someone.

Even if the person is guilty, do they deserve death and damnation (they're Christians they believe in that kind of things) for what they've done? The game don't give you the time to investigate everything. Do you choose to investigate someone further because they seem guilty, or because you WANT them to be?

Most detective games won't let you move on until you find the right culprit, and you're delivering justice. The world will be illuminated by the truth. But most detective game don't make you watch the public execution.

The Silence of the Lambs (1991)

Title: Castle and Waterfall Artist: Carlo Bonavia (Italian, d. 1788) Date: second half of 18th century Genre: landscape painting Medium: oil on canvas Dimensions: 46.6 cm (18.3 in) high x 34.9 cm (13.7 in) wide Location: Dulwich Picture Gallery, London

Rewind the tape, back to the fascinating boy

Tbh the gentrified perversion aesthetics is really tiresome because you can tell that the people in question have internalised a sense that being a pervert is what the cool kids are doing now, but they have done zero unpacking of any neuroses around sex whatsoever, so you get endless annoying posts about sex as cannibalism and sex as violence and blood and a specific kind of post reclaiming puppy play from the spectre it was five or six years ago, but then they'll lose their minds the moment you bring out real pervert guns (basic ass Freudian incest stuff; extremely basic cnc and rape fantasies vv nancy friday) and then you have to be like well how the fuck do I demonstrate to other real give no fuck perverts that I am a give no fuck pervert.

snoopy in the criterion closet