Ian Holm, being a trooper.
If there's any prop from this movie I'd love to hear still exists, it would be the model of his head with that incredible smug grin after they unplug him.
Alien
favorite songs from the album:
1. Bebop Drop
2. Portable Radio
3. Who Said The World Was Fair
4. Number One
5. Times Up (Alone Tonight)
gifs: 1 - Bebop Drop, 2 - Portable Radio, 3 - Intravino
Suzy Chaffee on ‘’’Kids Are People Too’’
Nosferatu: Phantom der Nacht, 1979
Werner Hertzog creates a feeling of isolation, mystery, mystical trepidation, silence, Gothic romance, a broken heart, loneliness, death, sadness, impending trouble and void in every frame of the film. Externally impressive visual architecture and indescribable atmosphere arise from mechanical actions: long frames, manual chambers, complex compositions of natural natures, documentary style, slowed down and fascinating acting ... But the internal reason why all this works is the hypnotic mixing of natural and artificial; in the painful hobby of Herzog madness, death, nature and beauty; In the intuitive feeling of everything that exists in this film, and, of course, in the personal vision of Herzog as a great artist. Thanks to all this, the film comes to life, acquires an immense number of measurements, and does not look like a mannerist empty craft.
How screwed are you?
She’s always had these big, muscular, beautiful legs and I’m jealous…and kinda turned on
Sigourney Weaver & Jones Cat, Alien, 1979