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Atlok - Blog Posts

1 month ago

I’m actually dead. This is canon.. and if you think it’s not.. well you’re wrong. 🩷💜💙

Twitter | Patreon

Twitter | Patreon


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1 month ago

Korra is just so fucking adorable. Ughhh ❤️❤️

Korra doing the lil hair thing when happy about being with Asami

Korra Doing The Lil Hair Thing When Happy About Being With Asami
Korra Doing The Lil Hair Thing When Happy About Being With Asami

She's canonically twirling her hair, kicking her legs and giggling.


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5 years ago

who knocks at the garden gate?


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3 weeks ago

i feel as if the atla fandom argues about a lot of meaningless shit but one of the biggest (and MOST inane) points of contention to me is that....katara didn't get a statue in lok. like. i could go on about how katara's presence in lok was way more meaningful than anyone else in the gaang appearing and how she was a steady solid presence for korra who had far more of an impact than just a quick punchy fight scene and was actually compassionate and skilled and her political presence sets SO much of legend of korra's worldbuilding up and how the fandom is really notorious for reducing katara to a poor helpless victim as much as possible because she had a complex and significant and emotional character arc that didn't always have the most "classic" #girlboss plot points but the truth is like. its a statue? its a fucking statue??? a fucking hunk of rock im sorry??? i could not care less about a piece of rock over a character's actual presence?


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1 month ago

why do kids cartoons always have the best most nuanced and layered plots and characters and adult cartoons are always just “fuck fuck fuck fuck fuck fuck”


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1 month ago
I’m In LOVE
I’m In LOVE

i’m in LOVE

its been ages since i’ve spent most of my time drawing, i literally finished my Zuko’s drawings yesterday and i just started and finished the digital one TODAY

anyways

here’s the speed paint

its took 6 hours 9 minutes and 28 seconds 🧍

(i also changed my signature :D! i made it like a stamp, i really like it)


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1 month ago

“LOK just reduced Katara to a healer” is such a tired take because it simply doesn’t, the fans do.

Katara is 80+ years old, she’s not going to be the frontlines of every battle anymore, and the fact she still uses her healing abilities to help those in need is nothing to scoff at because “well that’s what girl waterbenders are expected to do!”

Which yes, Master Pakku does make sexist comments about how the ‘healing huts are where women belong’, but that doesn’t mean no women is allowed to pursue healing in the name of feminism, it’s about choice. Katara didn’t chose to learn healing back then, but chose to in LOK.

And furthermore, I feel like this plays into how people buy too much into “show don’t tell” where if it happens off scene it ‘doesnt count’ which takes away from all her accomplishments that aren’t explicitly “i just took down 50 bad guys single-handedly”.

Like it’s stated, in the show, that Katara made bloodbending illegal, which at the very least implies some that she held some political power.

I just think it’s silly how people take one episode of Katara, as a teenager who’s actively fighting a war, saying she doesn’t want to be a healer, because of said war, when she’s being pushed into that role by a man and think it applies to 80 year old Katara who’s doing that role of her own volition


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1 month ago
People Always Say They Want Complex Characters. They Ask For Nuance, For Gray Areas, For Emotional Depth

People always say they want complex characters. They ask for nuance, for gray areas, for emotional depth and realistic growth. But when a character starts feeling too real, so much so that they stop acting like someone in a story and start feeling like someone you could actually meet – that's when the discomfort kicks in. That's when admiration often turns into criticism. And very few in The Legend of Korra walks that tightrope quite like Suyin Beifong.

Su doesn’t follow the typical “lesson of the week” formula. She doesn’t get handed a tidy moment of reckoning, followed by an instant transformation. Her arc isn’t flashy or obvious. It’s slow, subtle, and sometimes contradictory. Just like real people. Because the truth is, most of us don’t change overnight. We grow a little here, slip back there. We learn something, but that doesn’t mean we always apply it in every situation. That’s Suyin in a nutshell.

People Always Say They Want Complex Characters. They Ask For Nuance, For Gray Areas, For Emotional Depth

Look at how she changes as a mother. At first, she tries to micromanage Opal’s choices out of fear, mostly, and a need to protect her. But eventually, she lets Opal go and lets her live her life without trying to control her path. That’s a win. That’s real growth. But then Baatar Jr. betrays the family, and Su reacts by putting him under house arrest. It’s easy to point at that and call it hypocrisy, but that misses the bigger picture. Her deepest fears for her kids came true with Baatar, and so, of course, she tries to regain some kind of control in the aftermath. And yet, she doesn’t try to rope Opal back in. She lets her stay free. That shows her earlier growth wasn’t erased, just complicated by pain.

People Always Say They Want Complex Characters. They Ask For Nuance, For Gray Areas, For Emotional Depth

This is the part people tend to ignore. They rush to call her a hypocrite without stopping to think about what hypocrisy really is. People are full of contradictions. We want conflicting things. We act on emotion. We stumble. We grow unevenly. No one is morally consistent all the time. Su isn’t some moral failure she’s just human. And that’s what unsettles people. They want characters who get what’s coming to them or learn the “right” lesson. But Su doesn’t fit into that framework. She just keeps going, flaws and all.

That’s also what makes her so compelling. She’s not a straightforward hero or a satisfying villain. She’s a complicated woman trying to balance power, family, control, and identity in ways that are messy and real. When people critique her, it’s often not because she doesn’t make sense, but because she makes too much sense.

She’s too familiar. Too human.

Everyone says they want nuanced characters... until they’re faced with someone like Suyin. Someone who holds up a mirror. And when that reflection hits a little too close to home, people tend to look away. But it’s in that raw honesty where her character really shines.


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2 months ago

The Avatar fandom is always saying that if we get a continuation after Korra they hope we get to see more complex and flawed characters because atla and lok lacked them

Well I don't want that because y'all can't even handle the ones you were already given

The Avatar Fandom Is Always Saying That If We Get A Continuation After Korra They Hope We Get To See
The Avatar Fandom Is Always Saying That If We Get A Continuation After Korra They Hope We Get To See
The Avatar Fandom Is Always Saying That If We Get A Continuation After Korra They Hope We Get To See
The Avatar Fandom Is Always Saying That If We Get A Continuation After Korra They Hope We Get To See

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2 months ago

Talking about LoK: I liked the show overall but it had some pretty intense low points. It really shows how hard the studio tried to sabotage it, but I think it still turned out pretty well regardless

Talking about LoK when I hear a man complain about it: The Legend of Korra is actually one of the greatest, if not THE greatest show ever produced, and is superior to ATLA in every way actually. I can't think of a single episode that didn't have me on the edge of my seat. Korra has literally never done anything wrong in her life. Sorry you don't have taste.


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