Bsd Atsushi - Blog Posts
Giggling
happy birthday, Atsushi 💕
PART THREE WOOOHOOO‼️‼️‼️‼️
OKAY THIS TIME IM FULLY SERIOUS I SWEAR THE NEXT ONE WILL BE THE LAST ONE 🙏🙏 (can you tell which ship i draw the most)
i kinda forgot i had this app 😭, but i’m about to art dump‼️‼️, warning i jump fandoms a lot
If Dazai doesn't come out of this whole situation with Batman levels of obsessiveness over the few, good things left in his life then I will actually riot.
The Bsd "Fyodor is Atsushi's Father" Theory:
My Not-so-Deep, Not-so-Serious Explanation on Why This Could Totally be Canon
Signed: A Sleep-Deprived Idiot
(Spoilers for the Entirety of Bungou Stray Dogs)
So... with Chapter 118 in bsd releasing, I have noticed a lot of Fyodor as Atsushi's father related things popping up and... I'm not mad about.
If anything, I'm happy the theory is getting more attention. People even seem to be taking it as canon fact, even if just jokingly.
Really, I believed the theory was plausible since it first was brought up in the fandom, but I never actually thought it would be canon because that just seemed too crazy. But those were the thoughts of a sweet summer child since the manga has gotten to the point where that might be the least crazy thing possible.
So, here I am at my keyboard yet again, ready to ramble about how, if this does somehow turn out to be canon, this might be actually rather predictable even to those who don't dive deep into the nitty-gritty lore.
Now, I won't ramble on and on endlessly about the book and Atsushi's ambiguous past and how he may be the book or a page from the book and yaddy-yadda. Instead, I'll focus on some key aspects of Atsushi's character design. First off...
His hair.
As I said, this is not all that serious or deep, so take my words with a grain of salt before you start bashing me or something for being ridiculous. You signed up for ridiculous when you started reading past the title.
Anyway, back to Atsushi's hair.
As we almost all know, Atsushi used to have a black streak in his hair that was later removed for unknown reasons, but he also has white hair.
Now, I could jokingly proclaim, "Hehe, biologically impossible Fyodor x Nikolai lovechild," and be done with it, but I am no clown, unlike Nikolai. No, I have a better, probably completely wrong, idea.
Most of us know that Fyodor has a thing for white-haired men.
Exhibit A: Every fucking member of the Decay of Angels
I rest my case.
Also, I feel the need to mention that 3 out of 6 of them have red-ish eyes while the other two have purple-ish/blue eyes. Just pointing out that little tidbit I noticed while finding pics for them.
So, it would make sense for Fyodor to pick and choose which attributes to give to his quote-on-quote "son" when he made him from the book, picking out certain traits he found appealing and pleasing to the eye.
(Also, yes, this could mean that Fyodor could have chose specific attributes that were similar to Nikolai. Boom, lovechild route.)
This could explain certain similarities between the characters who seemingly have no biological connection between one another. Their only connection then only being through Fyodor by just knowing him.
Got all that? Alright, next up...
His eyes.
Now, Atsushi's eyes are rather unique, even for the world of Bungou Stray Dogs. What also sticks out about them is the fact that they are pointed out and focused in from time to time.
Example:
(Fucking gorgeous eyes he has, btw)
To break down the colors of his eyes... While in normal lighting in the anime, they appear to be normally purple and yellow with just a hint of green in it, but under the full moon (as seen here) we can see that his eyes are a light green-yellow at the bottom and purple on the top that fades into blue.
(There are also a few times where his eyes also change while using his ability. Like when they turn almost fully yellow.)
I want to point out the colors of his eyes and the fact that they change due to certain circumstances (i.e: using his ability, being under the full moon), which is clearly not normal in their world seeing as how other ability users don't seem to do that at all.
(Edit here: I actually would like to mention that, in the manga, Nikolai's eyes also change color. The green one sometimes will change to match his normal eye whenever he uncovers it. I saw a theory talking about how it might change depending on whether or not he is lying at the time, which is pretty neat. More Atsushi and Nikolai parallels.)
Now, this might seem like a bit of a stretch just like the rest of this post, but the colors used for his eyes are similar to the eye colors of people Fyodor knows, though they are different shades.
Purple like Fukuchi. Green and blue from Nikolai.
Fyodor's eyes are also a shade of purple, kind of, so... Yeah, that works too, but Fukuchi's shade of eyes are closer to Atsushi's.
Yeah, that's all I can think of now and this is already way too long (if I start talking about Atsushi's mysterious past, I'm going to make this a mile long. Maybe later tho), so I'm ending it here for now.
Alright, bye ya'll.
atsushi + nikolai drawing on paper!!!! ft. my bsd wall 😋
(btw i know it's missing the symbols on the card, I'll draw them on later I'm just lazy rn)
i followed the thing on how to draw dazai :3
CHAPTER 2 OF MY FYO!ATSUSHI FIC IS UP
PLS GO CHECK OUT THE OG ART
Silly little comic based on a convo with my little sister (she thought it up first)
Based on that convo in ann’s room ykwim
I know I already linked to my Ao3 account but i wanted to specifically mention my most recent fic cause I think it’s funny and I’m proud of it haha
I love them <3333
Blue pen>>>>>
Shin Soukoku art i forgot to post lollll
Anyway
Baby 🥺💕💕💕
Like / reblog is used
Don’t post on any other website or claim as yours
Atsushi Nakajima Sprites from Bungo Stray Dogs (Mayoi Inu Kaikitan)
dedicated to @tis-i-spookie-pie , thank you for using my sprites for your memes and the like! :Dd
Look at him all dressed up and dashing😭❤️ I totally see him wearing bows instead of ties🥺
Sadly I could not find the artist but if anyone knows it lmk and I’ll add credits!
@yuichi-ro
Lucy in Chapter 118: an Analysis 🫧
Hooo boy
Chapter one-eighteen. Where do I even 𝓫𝓮𝓰𝓲𝓷?
Unlike a lot of folks in this fandom (all more imaginative than I could ever hope to be), I had basically no solid predictions for this chapter (or… any chapter thus far, really, and I've been following the manga religiously since 103, so… yeah, there's a reason I'm a BSD analyst, not theorist, lmao). Needless to say, 118 is heartbreak and bombshells galore: Tanizaki and Kenji’s Ame-no-Gozen-ing, the possibility that all of those “Jun'ichirō and Naomi aren't really siblings” theories were just proven dead right, the protagonist and main villain finally meeting because it's about damn time – so on and so forth.
But because a) the fanbase is already abuzz with talk about those things + no doubt in the process of doing them analytical justice, and b) I'm annoying, I’ve decided to dissect the ever-loving hell out of the chapter’s three most innocuous pages: this interaction between Kyōka Izumi and Lucy Maud Montgomery.
Inhales
MY GIRLS ARE BAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACK (≧▽≦)
Does a little jig 🎶
Sorry, had to get that out of my system
No, but seriously. Kyōka has been absent since chapter 91. Three whole years; definitely too long for a character of her importance. Lucy, meanwhile, has been out of the picture since chapter 81. That’s four whole years. So in other words, two significant female characters, sidelined for ages, are back. That’s kind of huge, IMO.
Of course, we have a vague idea of what they’ve been up to. Anne's Room has been shown more than once serving as the ADA’s safe haven and base of operations, and so per the rules of AOAR, Lucy must be nearby if not inside herself. Kyōka we see in silhouette form in Anne's Room in chapter 92. But this is the first time in a hot minute we've seen either of them in the flesh, let alone gotten dialogue out of them. I nearly choked on my cereal when I turned the page and saw their faces, lol.
So then, pray tell, what does this long-awaited appearance in the flesh entail? Well…
Lucy and Kyōka:
Right off the bat, Lucy and Kyōka are seen in Anne’s Room (where they’ve ostensibly been this entire time), standing in front of the Exit Door (i.e., the door opposite the prison, which – unless linked to a surface in the real world – will cause those who leave through it to experience amnesia. Not relevant to the scene, just thought I’d give a quick refresher.) The exit is blocked by rubble; the airport, as well as the surrounding buildings, have all been devastated. How to leave Anne's Room at this point is anyone’s guess.
Kyōka suggests Lucy deactivate her ability, but Lucy shuts her down, pointing out that they'll be flattened by rubble if she does. In response, Kyōka does her signature knife-unsheathing and insists, rather ominously, that they'll just have to take a gamble then. Lucy grabs her wrist and tells her to stop, and when Kyōka asks her why, she replies solemnly: “Because… if you died… it would crush him,” this followed by a picture of Atsushi’s smiling face.
YES. YES. YES.
Now THIS is what I love about Lucy and Kyōka’s dynamic.
In essence, they're rivals. Thing is, they're not your generic “two girls fighting over the same guy” rivals. Kyōka’s feelings toward Atsushi aren’t even romantically-coded. Their shared love for Atsushi doesn’t divide them; it unites them. After all, following the Guild Aftermath arc, the “rivalry” aspect of their relationship has had almost nothing to do with him, instead revolving around their clashing personalities.
There, they were only at each other’s throats because Kyōka didn’t like how Lucy, still angry about the Moby Dick, was treating Atsushi, and Lucy didn’t like how Kyōka was standing in the way of her talking things through with him. But once a much-needed heart-to-heart was had between Atsushi and Lucy and the latter turned over a new leaf, there was no longer any reason for her and Kyōka to bicker. Kyōka didn’t have the full context of Lucy’s actions, and was thus within her rights to assume she couldn’t be trusted, but Lucy proved that she could be when she led them to the right boat.
Later on, Lucy showcased that she didn't resent Kyōka when she advocated for her, forcing Atsushi to leave her to her thoughts upon learning the truth of her parents' deaths.
The next chapter, Kyōka calls Lucy’s coffee mediocre, but Lucy herself admits that she isn’t much of a barista, and so the comment is more Kyōka not mincing words than actively trying to be rude. Moreover, Lucy is offended at first, but then concedes without any real hostility.
In the Cannibalism arc, Kyōka is shown bowing politely to Lucy while enlisting her help, even if she is just following Atsushi's lead (and later does the same for Mushitarō).
Fast forward to the Sky Casino arc, Kyōka is miffed by Lucy’s hot-and-cold behavior around Atsushi, but that’s not exactly unique to her...
... and besides, they agree without resistance to work together. In chapter 81 (i.e., the last we saw of Lucy until now), the Agency reunites and Lucy encourages Kyōka to join in on the celebration. Perhaps most notable is chapter 78, wherein the two are lumped into the same category by Ango. He recognizes them both as people who would choose Atsushi over the good of the world, and this nearly drives him to kill them on the spot for fear of what their loyalty could turn into.
In this latest chapter, however, it’s underscored that, while Lucy and Kyōka may be the same in their care for Atsushi on the surface, they’re still – at the end of the day – foil characters.
Both are orphans. Both were taken in – and subsequently exploited – by criminal organizations for their abilities. Both found their place in the story by virtue of meeting Atsushi. Both are undyingly loyal to Atsushi because of what he’s done for them. That’s about where their similarities end.
Kyōka was introduced as a remorseful killer seeking atonement by death. Atsushi managed to save her (twice, for that matter) in the conventional hero way, cementing himself as her savior and playing into the reckless heroism by which he determines his worth.
Lucy, on the other hand, was introduced as a bitter villain who believed she was justified in lashing out. Atsushi tried, but he couldn’t save her in the conventional hero way. Only his vulnerability managed to get through to her, and if anything, Lucy saved him. This utterly subverted the unhealthy philosophy by which Atsushi had begun to define both himself and his relationships.
Since then, Lucy has been trying at every turn to get Atsushi to see himself as more than just a hero. She reprimands him for his reckless heroism when she sees it. She stops him from inserting himself into other people’s plights uninvited. She confronts him when he fails to understand his relationships beyond the framework of hero and savior. Kyōka, meanwhile, has been doing more or less the opposite: she’s passively allowed Atsushi to keep playing the perpetual hero, and this wouldn’t be the first time she’s taken on his credo of self-sacrifice herself.
All of this in mind, the girls’ thought processes in this chapter are perfectly in line for them: Kyōka tries to push forward without care for what could happen to her, whereas Lucy emphasizes self-preservation.
One might perceive Lucy replying the way she does to Kyōka’s question as callous, but I don’t really think so. She isn’t saying “the only reason you shouldn’t risk your life is because it would make Atsushi sad." She’s applying her philosophy of person > hero to Atsushi and Kyōka both at the same time. She's encouraging Kyōka to be more than just a hero by telling her to think of how it would affect Atsushi as a person if she died.
If Lucy is good at anything, it’s communicating what she wants from people in a way that she knows will get through to them. She did this with Atsushi on the Moby Dick when she bluffed about waiting on his salvation, knowing he would be more motivated to stay alive himself if he thought there was someone counting on him to save them. The same applies in this scenario. She communicates with Kyōka in a way that highlights the reason they get along; the reason they’re both here in the first place. And if the way Kyōka re-sheathes her knife without a word is any indication, it works.
Lucy knows that she and Atsushi are close, but she knows that Kyōka and Atsushi are closer. Losing her would be the last straw for him. She recognizes their relationship as something beyond hero and savior – something precious. This is nothing out-of-character for her; on the contrary, it’s in keeping with who she’s been all along. All that’s different now is she’s acknowledging it out loud.
Lucy and Atsushi:
When Lucy pictures Atsushi in her mind’s eye, she sees the spirit that would undoubtedly be broken if he were to lose Kyōka. This in and of itself is heartbreaking, but when you consider the greater implications, well…
In the Sky Casino arc, a huge breakthrough was made in Atsushi and Lucy’s relationship. Her elusive “impossible” debt to him was finally repaid, though not in the way you'd expect.
At the time, all Lucy felt she could give in return for Atsushi’s turning her life around was conventional heroism – or in other words, many a close call and many a trip to Anne’s Room. This conventional heroism was a worthless currency in her mind; it wasn’t the kind that saved her, after all. But on the other hand, the vulnerability she so valued in its stead she wasn’t capable of giving; where she came from, being vulnerable was a death sentence, after all.
Because of this, how she could ever come close to repaying Atsushi’s ultimate favor was a mystery unto itself. All she knew was that she had to do it one way or another, and that’s where her most glaring flaw – her quid-pro-quo mindset – came into play, eventually driving her so far as to override her own philosophy and embody the reckless hero she so discouraged Atsushi from being.
But when Atsushi saved her from Nathaniel – thereby repaying her for her acts of service as he’d promised so many times he would – she realized that, just as her care for Atsushi doesn’t depend on his being a hero, Atsushi's care for her doesn’t depend on her being vulnerable. The illusion was shattered.
From this point forward, Lucy is no longer helping Atsushi out of a sense of indebtedness. She's doing it because she wants to – because she genuinely cares. Not the artificial care that comes with repaying a debt, but the kind she showcases when she stays by Atsushi’s side after he faints, pressing a cold towel to his face. The kind that involves refusing to hurt Atsushi in any way, even to jog potentially vital memories.
Lucy considering what Kyōka’s death would do to Atsushi’s psyche is a perfect continuation of this new leaf she’s turned over, but it also goes to show that her shared arc with Atsushi is far from finished.
Lucy’s development has always been structured rather uniquely. Each arc she’s appeared in has worked either to establish or address her current most glaring flaw, more often than not in unexpected ways. Her appearance in the first half of the Guild arc established her villainous façade as just that – a façade – by having it crumble as she realized the kind of person she was up against in Atsushi. The second half addressed her unhealthy attachment to the Guild by having Atsushi dissuade her from villainy via empathy. The Guild Aftermath arc added the finishing touch to all of this – the last little push needed to propel Lucy into her new role – by addressing her and Atsushi’s “promise” on the Moby Dick. The Cannibalism arc subtly established her quid-pro-quo mindset, which the Sky Casino arc would then go on to address.
Another great subversion of the tropes usually involved in these dynamics is that, despite Lucy being the closest thing to Atsushi’s “love interest,” only he’s managed to bolster her development – not the other way around. This isn’t for lack of trying, of course; Lucy tries. But Atsushi is a tough nut to crack. The fact that she’s still, nearly 15 chapters later, trying to steer Atsushi away from heroism and toward personhood – albeit indirectly – is testament to this.
If she could reach him now, she’d no doubt be trying even still. She’d be conveying to him that none of his friends’ deaths so far has been his fault – that he can’t be expected to carry the burden of hero to all when the world is going to hell in a handbasket. But she can’t reach him. She’s trapped, and so is Kyōka. Thus is the cruel irony.
Anne's Room:
Anne of Abyssal Red has played a key role in pretty much everything plot-related up to this point. To that end, it’s only appropriate that its owner finally appearing alongside it would grant it extra significance.
Lucy’s last line in this chapter is as follows: “So the enemy… even took this into account.” She’s right: Fyodor had countermeasures against her ability. That said, I don’t think this is attributable solely to Fyodor being, well… Fyodor.
AOAR is in the same ballpark narrative-wise as, say, For The Tainted Sorrow in that it’s overpowered to the point of detriment. It’s Lucy’s playground; the product of an imagination run wild due to crippling loneliness. This in and of itself is scary. An ability having rules that malleable is automatically dangerous, as it means that, while its wielder can bend and exploit said rules, so can an enemy. In both major fights Lucy has been a part of, the rules of Anne’s Room being molded to favor her opponent has spelled either victory or loss on her end: Atsushi used the prison room loophole against her, and she indirectly used the transportation loophole against Nathaniel. Hell, her capture by the Guild following her betrayal was thanks to the loophole that, while Anne couldn’t be defeated, she could be restrained.
So basically, for as powerful as AOAR is, underneath that power lies a shaky foundation. Power doesn’t always mean stability, and this is underscored by the fact that, at the end of the day, Anne is only infallible in terms of strength; she could only do so much to alleviate Lucy’s loneliness growing up (which is honestly a pretty clever mirror to her conflict of strength vs. vulnerability with Atsushi).
With Anne’s Room nullified by Fyodor, Lucy has truly nothing at her disposal. She's not physically strong (she’s 165 cm and weighs 44 kg, so… yeah ˙◠˙), and while by no means stupid, she doesn’t say repeatedly in this chapter that she doesn’t know what to do next for no reason. Anne’s Room is all she’s ever had. While at the orphanage, it was her only comfort. While in the Guild, it was her only value. With Atsushi, it was all she had to offer in return for his ultimate favor.
This, I feel, could be the establishing point for the next portion of her arc. She could strive to find a way out of the rubble, working together with Kyōka, and in the process learn to break away from her ability as what defines her role in all of this. One thing's for sure: something has to be done sooner or later – otherwise, they'll starve.
I dunno, maybe that’s wishful thinking given how much is already going on. But either way, I’ll hope against hope that this isn’t some one-off return, because Lucy has proven time and time again that she has a lot to offer to the story, both plot-wise and thematically.
Thanks for reading :)
The way an entire dark Atsushi fic popped into my head
bon apetit atsushi
Sorry not sorry. But some people need to read this.
Tw: when I am employing the word « delusional » I am not referring to the medical definition of it.
What I am going to be saying is going to be disliked by some. But I don’t care.
I am going to be talking right now about a phenomenon that I’ve been seeing ever since I started reading mangas and watching animes and it has always bothered me.
And guess what ? I am not the only one being bothered by that, which reassures me.
The problem is the following:
Each time there’s a genuine friendship between two male characters or even two females in a manga/anime, people dirty it by gluing on it, their own fantasies and making it somewhat romantic/sexual, by inventing a « sexual tension » between these protagonists.
Always happens in the anime/manga universe.
…and I am going to tell you why it’s a problem/bothersome situation for many :
The problem is that it renders the story less deep and genuine and more people are influenced in thinking that, a male character, by being nice to another male (same for females), is romantic or whatever.
Like some of y’all are sexualising everything. Get it together.
This is, most of the time (actually 99% of the time but okay), LITTERALY delusion because the authors have never, ever meant for their characters to be viewed as anything but genuine friends/acquaintances..
It distorts the story for nothing and, in my opinion, it is disrespectful to the creators of the manga, to just take their characters and create a quiproquo on it. Sorry not sorry to say it.
As an example, let me take the « Dazai x Chuuya » fans.
The readers go as far as totally disregarding the fact that, Dazai, since literally the first episode, has implied that he was not attracted to guys. On top of that, he’s kinda depicted as the guy who likes women (/is low-key a womaniser). Never, ever was there anything that would make him attracted to Chuuya as a male.
(It also happens for JJK and others… )
Therefore, you’re disregarding the genuine and complex aspects of a potential friendship and understanding between the characters, to glue on it what you would have wished it to be : a romantic or sexual attraction. It’s a projection of what YOU would have WANTED it to be.
Simple example for BSD: Asagiri himself has said that there is nothing between Chuuya and Dazai, that they really don’t appreciate each other.
Now for all those who think that they like each other: it’s fine but that means that there’s something you´ve misunderstood in the story. Go back to it and try to analyse better the interactions and contexts. It’s fine really cuz, it could happen to anyone to misunderstand something, I am not criticising. Just signaling a risk.
It is actually immoral to distort a character’s sexuality like what ?! It becomes a habit and people do it also for celebrities. It’s kinda going too far.
It’s not for you to decide.
When it’s « not a big deal » for some, it could actually represent a big deal for many. And make many people uncomfortable.
Respectfully :
You wanna do your fanfics ? NO PROBLEM really ! be our guests ! but do it in the context of a fanfic, after putting on a disclaimer, as a respectful gesture for the creators of mangas !
(On the other hand, when people write « character x reader », it doesn’t distorts the original story cuz Y/N just doesn’t exist).
BUT rubbing it down our throats without any context as if it was a general truth provided by the creators, that « these characters are in love/sexually attracted to one another » NO. Keep it for yourself or your group of friends if y’all agree on it.
Again, many many people feel as uncomfortable as I, regarding this. It’s kinda also getting out of hand.
It’s getting out of hand especially when I see fandoms like the Black butler fandom where they imagine a « sexual tension » between Sebastian that is an adult and Ciel that is 13 !
Like it or not. I am not sorry for being respectful and realistic.
And I am encouraging everyone to talk and expose that, because this is not fine.
Some decency is needed :
Not everything is okay with what people are doing on the internet. You can have your « dirty thoughts » but don’t expose them, not everyone wishes to hear about it. Some things have to stay between you and yourself.
Kids/ teens :
And kids/teens (all those below 18) y’all need to get off your phones a little and go play outside or meet your friends (for teens ig) if you don’t wanna end up in depression at an early age or with extremely poor social skills.
At least take a real book like ones at the school library and learn things. Instead of learning how to .. by reading explicit content cuz you never listen when we tell you that a certain one shot is +18.
Again, I am not sorry. I am pissed.
1/?
ORGANIZATIONS
Armed Detective Agency
President:
1. Yukichi Fukuzawa - human
Members:
1. Akiko Yosano - half vampire (made - [REDACTED])
2. Atsushi Nakajima - werewolf
3. Doppo Kunikida - human
4. Junichiro (Jun'ichirō) Tanizaki - human
5. Kenji Miyazawa - human
6. Kyouka (Kyōka) Izumi - half vampire (made - Kouyou)
7. Osamu Dazai - [REDACTED]
8. Ranpo Edogawa - human
Clerks:
1. Naomi Tanizaki - human
2. Kirako Haruno - human
3. Agency Clerk 1 - human [no pic]
4. Agency Clerk 2 - human [no pic]
5. Agency Clerk 3 - human [no pic]
Former Members:
1. Katai Tayama - human(?)
< previous ... next >
I need people to remember that bsd is NOT a shonen it's a seinen, it's not black and white or good and evil. Shonens are simple arts that delivers things straightforwardly but seinen puts things in a way that make you stew on it to realise what they were conveying.
The characters aren't 100% good or 100% evil, Dazai? Even though he's TRYING to be good he still resorts to blackmail and torture as shown in the main series and the 55 novel.
Atsushi as well, he's not just an innocent cinnamon roll, he killed Shibusawa and basically went "he deserved it tho" when he remembered. Oh, and remember his fight with Akutagawa on the cargo ship? He punched him in to a burning, drowning ship with no regard to whether Akutagawa died or not.
Another one I always see is Mori and boy do the fic writers love to make him an evil villain that LoVes making others suffer purely for entertainment, like no, he did not make Oda go on a suicide mission to hurt Dazai, he did it because it was the most optimal solution. But There are other better analysis on that so I won't dig into it.
Every character has their own childhoods, trauma and personalities.
Heck, the Organisations as wholes aren't goodie good hero and bad evil villain arggg, the PM keeps the underground in check to protect Yokohama. the ADA, like kunikida says aren't do gooders the go around feeding orphans But they have saved the city countless times. And the special division do what governments do, They uphold the order.
Making the characters one dimensional and one note not only is disrespectful to the original work but makes being in the fandom harder for everyone.
TL;DR bsd isn't so simple, it's a seinen. there's layers to everything in bsd, the characters, organisations, motives, clothes, etc. etc.
First Asagiri calls Dazai a donut now he has fyodor call Atsushi a bookmark. Can't have Humans in Bsd Smh
Considering money is sort of like the point system from the orphanage it makes sense Atsushi cares so much about it, after all he had to endure a lot of pain for it.
Idk, I just thought of it lol
AKUTAGAWA SPOTTED 🫵🫵🫵
(more silly photos under the cut)
If they aren't friends in kindergarten au, then what's the point of living? 🥺
in moments like these i wonder if the brief thought of "i should've just applied to McDonald's bc wtf is this job" ever crosses Atsushi's mind
Heading to school while thinking wtf is happening in the Bungou Stray Dogs Manga (ROLLERCOSTERS)