Fanart for thatoverthinker's adorable alien OC I couldn't resist drawing them after seeing it's cute wobbly ears. Instagram doesn't let me fit the full vertical picture but let's ignore that for now Ssktgfffgkk. Also check out @thatoverthinker 's art while you're at it it's great đđ #alien #lookathim #notmine #fanart #cute https://www.instagram.com/p/ByTTVOniLX1/?igshid=whzt8tmhyuif
Audio taken from Real Time Fandubâs Sonic 06 and Sonic Adventure 2
Hereâs those dumb animatic clips I made
u got itâŚ. pardâner
(also soundcloud link for if tumblr player shits)
Remember how Wash got super frustrated when everyone pronounced EMP wrong?⌠Well.. I made.. A thing
SenshiStockâs gallery consists of millions of pictures that are free to use as reference.
General Drawing Poses Sit and Kneel Dramatic and Reaching Drawing Poses Magic and Hogwarts Drawing Poses Staff Weapon Pose Reference Hammer, Axe and Bat Pose Reference Sword Weapon Drawing Reference Small Bladed Weapon Pose Reference Gun Weapon Pose Reference Bow and Arrow Archery Stock Foreshortening and Perspective Poses Dynamic Flying Falling Action Poses Deafeated or Laying Drawing Poses Magic Crystal Magical Girl Wand Weapon Transformations and Dance Cards Back Pose Reference Pin Up Inspired Poses for Drawing Performances Poses Life in General Poses Fights and Fighting Pose Reference Leaning Poses Classic Sailor Senshi Poses Wings Sailor Moon Villains Pairs Romance or Couples Pose Reference All the Male Stock Hanging Stock Drawing Reference Three or More Groups Instruments Mirrors Whip Technobabble Â
i cant believe its daylight savings time and i havent seen the âhello its me your cousin oskaar from icelandâ video on my dash yet you are all slackers
I am a(n):
⪠Male
⪠Female
đ Writer
Looking for
⪠Boyfriend
⪠Girlfriend
đ An incredibly specific word that I can't remember
This was a request and at first I wasnât sure if I had anything to provide with, but as it turn out it got a little longer than I expected because there were actually things I had to say!! Wow!!Â
Anyway, this is some guidelines I follow when I try to make the face expressfull, more specifically the mouth! It is often neglected, since itâs actually pretty hard, Iâll admit. But Iâm here to help (hopefullyâŚ)! A mouth expression tutorial as per request. Enjoy and hopefully it will help some a little. Ęâ˘á´Ľâ˘Ę
This is super important. The upper jaw follows the angle of the head, and the lower jaw will depend on how open it is. Make sure you have a rough estimate of where the teeth are, and how much of them youâre going to see!
The lips will VERY roughly follow the same angle as the teeth. It really depends on the character, but it gives you a sense at least.Â
If you DONâT do this, youâre going to lose so much volume and the mouth is going to end up looking unrelatable. I showed this example in this tutorial:
The cheeks, chin, and tongue play a role too!Â
Try look at your own mouth or references! I have a very pliable and large mouth, so thatâs one reason why my characters have it too lmao.
I cannot emphasize how important asymmetry is when drawing expressions. It applies not only to the eyebrows to achieve the Dreamwork Faceâ˘, but also the mouth. Seriously if you draw a symmetric mouth I will deliver myself to your mailbox and then shout at you until you fix it.Â
Look at the difference between these two for example: which one has more âlifeâ?Â
I think you get the idea.
Hereâs an old drawing I have but it illustrates how I think when I squish the mouth, and use folding and wrinkles to my advantage.
Look at your own face and see where skin bundles up, where it creases the most and when bumps appear on your chin. Subtle details makes all the difference!Â
One VERY effective detail is illustrated in the first sketch, where I pull upwards on one side, and downwards on the other. Thatâs a good detail to use when the character is making a skewed expression, or is extremely frustrated. I encourage you to play around with that concept bc itâs ~super effective~!
Happy: Your entire mouth is pushed upwards, not just the corners of your mouth!
I tend to draw a :3 mouth bc Iâve been drawing Lance too muchâŚ.. You donât have to but itâs basically imprinted in my motor memory by now.Â
Pouting/frowning: corners are pushed down, middle pushed slightly up. Sometimes, thereâs a slight dip in the middle too. It can give a sense that the character is biting their lips.
Showing frustration/intimidating/is intimidated: basically showing a lot of teeth. The corners are as open as possible and the middle sorta more squished. An extremely important detail here is showing some of the gums, and open space between the cheeks and teeth. That way it looks like the mouth it open to itâs full potential. Here is also where you basically MUST add folds and bumps, or else itâs not going to look relatable.Â
(Here I am again with the pulling upwards on one side and downwards on the other, as illustrated on the last sketch)
And then again, hereâs just another doodle showing how important it is to show the gums. Itâs the same face twice, but the second one looks slightly more frustrated doesnât it?
(from my other tutorial on how to draw facial expressions)
As you can see, this last one is very versatile and I draw it a lot. Play around with the basic shape and see how much subtle details makes a lot of difference!Â
I hope that cleared some things up and was somewhat helpful! Enjoy drawing â¨
Some of the best chemistry/relationships in fiction exist between characters who are/become friends. Here are some tips for making friendships come alive on the page:
One of the most interesting aspects of fictional friendships is the way the characters interact with each other whilst important plot points are occurring.
If your characters have easy banter, teasing one another without missing a beat and managing to bounce off each other even in the toughest circumstances, it will be clear to the reader that these two are/should be good friends.
Friends know each other well. They know the otherâs character so well that they can easily find something to tease each other over. However, this also means knowing which topics are off-limits.
If you want to write a good, healthy friendship, your characters shouldnât use humour/sarcasm as a way to hurt the other. It should be good-natured and understood as such from both sides.
Different friendships will have different types of chemistry. Some friends may tease each other with facial expressions. Others may already anticipate a snarky remark and counter it before itâs been spoken. Others will have physical ways of goofing around.Â
Some friends might not tease each other at all. Banter isnât necessary; itâs just a good way to make your characters come alive and make their friendship one that is loved by readers.
Whatâs important is chemistry - the way they automatically react to each other.
Think Sam and Dean in Supernatural or Juliette and Kenji in the Shatter Me series.
Unless you purposefully want to write an unhealthy/toxic friendship, your characters should both be supportive of the other.Â
This means that, even if one is the MC and the other the side-kick, both should be cognisant of the otherâs feelings and problems, and should be considerate in this regard.
Few things will make your MC as likable as remembering to check in and be there for their best friend even when they are in the thick of a crisis.
You need to show your characters being vulnerable in front of each other and being supportive in ways that are tailored to the needs of each friend.
So, if one of the characters really responds to physical comfort, the other should know to give hugs/rub their back when theyâre not feeling well. Similarly, if one of them doesnât like being touched and responds to material comfort, have the other bring them ice cream and join them for a movie marathon. Whatever works for your characters.
What gets me every time is when a character is falling apart and wonât listen to/be consoled by anyone but their best friend (but this is just personal preference).
This really only applies to characters who have been friends for quite a while.
Good friends know each otherâs backstory - the highs and lows and mundane details. They know they layout of their family home and they probably know their family members well.
Friends will often talk about these things, only having to mention a few words for the other to know what theyâre talking about i.e. âThe â09 Thanksgiving disasterâ or âYou know how Uncle Fred isâ
This will instantly make it clear that your characters are close and have come a long way together.Â
Perhaps there are issues at home/trauma from the past that the other character will immediately understand. So, if one character appears with a black eye, their friend might know that the father was probably drunk the night before and got violent. Or if the character has a nightmare, the friend might know that it was about childhood abuse etc.
This can also apply to good things i.e. if one of the characters gets a nice note in their lunchbox, the other might know that their grandma is in town.
Whatever works for your story should be used to indicate the level of unspoken understanding the friends have.
Few things will make your readers love a friendship more than the friends being fiercely protective of each other (in a healthy, non-territorial way).
Has someone hurt one of the characters? The other should be furious and want to exact revenge. Does someone say something demeaning to one of the friends? The other should defend them immediately and vehemently.
This can also take on a humorous twist if one of the characters starts dating someone. The friend can make extra sure that said date is sincere and promise to exact vengeance if their friend is hurt.
This can also be a great plot device, since it could explain why the MCâs best friend joins the quest/goes along on the journey. Perhaps this is the main plot point: a character seeking to protect/avenge their friend.
If you want to go in a toxic direction, this can be taken too far i.e. a friend who never lets the other spend time with anyone else/stalks the other/is patronising etc.
Even if the two characters are vastly different, there should be something that keeps them together besides loyalty.
This is especially important for characters who become friends throughout the course of the novel.
This doesnât have to mean that both of them go hiking every weekend or want to become pilots one day. It could be something small, like a love of cheesy movies or a shared taste in music. Maybe they both enjoy silence/donât like other people. Maybe they are both social justice warriors, but for different causes.Â
This could also be common characteristics instead of interests. Perhaps both are very ambitious/funny/social.
There should just be some factor that ignited the friendship and brings the two of them together.
This doesnât necessarily have to be a big part of your story, but you should at least have it mentioned to make the friendship appear more authentic.
Many of you may know that I keep youtube playlists of language samples, and I thought it was about time to compile them all into one post. They contain pretty much anything where you can hear the language clearly â music, dialogues, tutorials, movie trailers, readings, etc. Iâll probably add more in the future. Hope someone finds them useful!
afrikaans
ainu
akkadian
albanian
american sign language (ASL)
amharic
angolan portuguese
arabic
aramaic
aranese
armenian
aromanian
assamese
asturian
aymara
azerbaijani
bashkir
basque
bavarian
belarusian
belizean creole
bengali
berbice creole dutch
biblical (classical) hebrew
bosnian
brazilian portuguese
breton
british sign language
bulgarian
canadian french
cantonese
cape verdean creole
catalan
chechen
cherokee
chickasaw
coptic
cornish
corsican
cree
crimean tatar
croatian
crow
czech
danish
dogri
dutch
early modern english
egyptian
emilian-romagnol
esperanto
estonian
etruscan
faroese
fijian
finnish
flemish
french
french sign language (LSF)
frisian
fula (fulani, fulah, peul)
galician
gallo
garifuna
georgian
gottscheerish
greek
greenlandic
griko
gujarati
gullah
guyanese creole
haitian creole
hawaiian
hawaiian pidgin
hebrew
hiberno-english (irish english)
hindi
hindko
hittite
hungarian
icelandic
indonesian
irish
italian
jamaican patois
japanese
javanese
kannada
karelian
kashmiri
kazakh
khmer
kinyarwanda
konkani
korean
kristang
kurdish
kyrgyz
ladino
lakota
latin
latin american spanish
lebanese arabic
lemko
lithuanian
livonian
lombard
louisiana french
luganda
luo
luxembourgish
macedonian
malagasy
malay
malayalam
maltese
mandarin
maori
mariupol greek
martinique creole
mayan (general)
meitei (manipuri)
mirandese
mongolian
mossi
nahuatl
neapolitan
nheengatu (lĂngua geral amazĂ´nica)
norwegian
nuosu (yi)
odia
ojibwe
okinawan
old english
old french
old norse
old welsh
pashto
pennsylvania german
persian
piedmontese
polari
polish
punjabi
rajasthani
rioplatense spanish
romani (general)
romanian
romansh
russian
ryukyuan
saint lucian creole
salish
sami (general)
samoan
santali
saraiki
scots
scottish gaelic
serbian
shanghainese (hu dialect, wu chinese)
shona
sicilian
silesian
sindhi
slovak
slovene
soga
somali
sumerian
swabian
swahili
swedish
swiss german
tagalog
tahitian
taĂno
tajik
tamazight (general)
tamil
tatar
telugu
texas german
thai
tibetan
tlingit
tocharian
tokelauan
tongan
totonac
trinidadian french creole
tuareg
turkish
turkmen
ukrainian
urdu
uzbek
venetian
vietnamese
vurĂŤs
welsh
wolof
yiddish
zaza (zazaki)
zulu
On this day...18 years ago...
246 people went to sleep in preparation for their morning flights. 2,606 people went to sleep in preparation for work in the morning, 343 firefighters went to sleep in preparation for their morning shift. 60 police officers went to sleep in preparation for morning patrol. 8 paramedics went to sleep in preparation for their morning shift. None of them saw past 10am on Sept. 11, 2001.
In one single moment life may never be the same. As you live and enjoy the breaths you take tonight before you go to sleep in preparation for tomorrow, kiss the ones you love, snuggle a little tighter, and never take one second of your life for granted. ~Kathleen Donohue, via Facebook.