So, hypothetically, if someone, not me, was to have a crush on Toby's Poseidon, how much would Fandom hate them? Again, this is ENTIRELY hypothetical.
(No but the scene where he chuckles softly after Percy says "I didn't learn it from Chiron". I just physically can't- . I'm sorry, guys, I really am)
GUYS ITS HERE. ITS HERE ITS HERE ITS HERE. SHE FINALLY SAID IT. PERCY IS OFFICIALLY SEAWEED BRAIN AGAIN. YESSSSS
This month, in honor of Valentine's Day, we'll focus on celestial star pairs and constellation couples.
Let's look at some celestial pairs!
The constellations Perseus and Andromeda are easy to see high overhead this month.
According to lore, the warrior Perseus spotted a beautiful woman--Andromeda--chained to a seaside rock. After battling a sea serpent, he rescued her.
As a reward, her parents Cepheus and Cassiopeia allowed Perseus to marry Andromeda.
The great hunter Orion fell in love with seven sisters, the Pleiades, and pursued them for a long time. Eventually Zeus turned both Orion and the Pleiades into stars.
Orion is easy to find. Draw an imaginary line through his belt stars to the Pleiades, and watch him chase them across the sky forever.
A pair of star clusters is visible on February nights. The Perseus Double Cluster is high in the sky near Andromeda's parents Cepheus and Cassiopeia.
Through binoculars you can see dozens of stars in each cluster. Actually, there are more than 300 blue-white supergiant stars in each of the clusters.
There are some colorful star pairs, some visible just by looking up and some requiring a telescope. Gemini's twins, the brothers Pollux and Castor, are easy to see without aid.
Orion's westernmost, or right, knee, Rigel, has a faint companion. The companion, Rigel B, is 500 times fainter than the super-giant Rigel and is visible only with a telescope.
Orion's westernmost belt star, Mintaka, has a pretty companion. You'll need a telescope.
Finally, the moon pairs up with the Pleiades on the 22nd and with Pollux and Castor on the 26th.
Watch the full What’s Up for February Video:
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This week, 10 things you need to know about this beautiful nighttime show and how to catch a front-row seat.
In this 30 second exposure, a meteor streaks across the sky during the annual Perseid meteor shower Friday, Aug. 12, 2016 in Spruce Knob, West Virginia. The Perseids show up every year in August when Earth ventures through trails of debris left behind by an ancient comet. Image Credit: NASA/Bill Ingalls
With very fast and bright meteors, Perseids (pronounced PURR-see-ids) frequently leave long "wakes" of light and color behind them as they streak through Earth's atmosphere. Perseids are one of the most plentiful showers, with between 50-100 meteors seen each hour, and occur with warm summer nighttime weather, allowing sky watchers to easily view them.
You can see the Perseids this year between now and Aug. 24, 2017, but mark your calendars for peak dates Aug. 12 and 13. This year, the waning gibbous moon rises about midnight local time, which will cut the expected rates in half this year (25 to 50 per hour at the peak from a very dark sky). But the Perseids are so bright and numerous that it should still be a good show.
The Perseids (and every meteor shower) are best viewed in the Northern Hemisphere between 11 p.m. - 3 a.m. Come prepared with a sleeping bag, blanket or lawn chair.
Find an area well away from city or street lights and set up where you're shadowed from the moon's glare. Face whatever direction you like, ideally the one unobstructed by trees, buildings or moonlight. Look up, taking in as much of the sky as possible. If you have a group, each person should look in different parts of the sky. After about 30 minutes in the dark, your eyes will adapt, and you'll begin to see fainter objects, including meteors. Be patient; the show will last until dawn, so you have plenty of time to catch a glimpse.
Pack a baseball cap and wear it sideways to cover any glare from the moon. The waning gibbous moon will block out many of the fainter meteors this year, but the Perseids are so bright and numerous that it should still be a good show.
Where do meteors come from? Some originate from leftover comet particles and bits of broken asteroids. When comets come around the sun, they leave a dusty trail behind them. Every year, Earth passes through these debris trails, which allows the bits to collide with our atmosphere and disintegrate to create fiery and colorful streaks in the sky. But the vast majority of meteors don't come from meteor showers—instead, they randomly fall all of the time.
The pieces of space debris that interact with our atmosphere to create the Perseids originate from Comet 109P/Swift-Tuttle. Swift-Tuttle takes 133 years to orbit the sun once, and Comet Swift-Tuttle last visited the inner solar system in 1992. Swift-Tuttle is a large comet: its nucleus is 16 miles (26 kilometers) across. This is almost twice the size of the object hypothesized to have wiped out the dinosaurs.
Comet Swift-Tuttle was discovered in 1862 by Lewis Swift and Horace Tuttle. In 1865, Giovanni Schiaparelli realized that this comet was the source of the Perseids.
The Perseids are known for fireballs, which are large explosions of light and color that last longer than an average meteor streak. Why? They originate from bigger particles of cometary material.
The point in the sky from which the Perseids appear to come from—also known as their radiant—is the constellation Perseus. But don't get confused: The constellation name only helps viewers figure out which shower they're viewing on a given night; it's not the source of the meteors (see #6 for that answer!).
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Focusing on the Ovid version of Medusa is not only inaccurate to actual Greek mythology but also decentres the actual victims of the story; Danea and Andromeda. The actual greek version of Medusa was a born monster, not a victim. Focus on the actual victims of Greek myths rather than making new ones.
Plus, perseus wasn't a violent sociopath, he was a young man in a horrible circumstance trying to protect his mother from an abuser that had significant power over them.
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
'Medusa' Angela Hadrill [crop]
This piece was created in response to an amazing talk “Women in Power” by Mary Beard in which, among other things, she discusses the origins of the medusa myth and its depictions in modern design.
You can listen to the talk here: https://youtu.be/VGDJIlUCjA0?t=33m23s
"There are many ancient variations on Medusa’s story. One famous version has her as a beautiful woman raped by Poseidon in a temple of Athena, who promptly transformed her, as punishment for the sacrilege, into a monstrous creature with a deadly capacity to turn to stone anyone who looked at her face. (...) This is the classic myth in which the dominance of the male is violently reasserted against the illegitimate power of the woman. And Western literature, culture and art have repeatedly returned to it in those terms. The bleeding head of Medusa is a familiar sight among our own modern masterpieces, often loaded with questions about the power of the artist to represent an object at which no one should look." Beard, 2017
Medusa is constantly being depicted as object rather than subject, as a decapitated head rather than a powerful woman. She is reduced, both literally and figuratively, to a faceless being that can't be looked at and that has had their agency stripped away from them.
The narrative should be changed. She wasn't alone, she had two equally strong sisters. Being transformed was not her curse, it was a representation of her strength. She wasn't a monster, she was powerful and it was that which was feared.
'Medusa' Angela Hadrill
This piece was created in response to an amazing talk “Women in Power” by Mary Beard in which, among other things, she discusses the origins of the medusa myth and its depictions in modern design.
You can listen to the talk here: https://youtu.be/VGDJIlUCjA0?t=33m23s
Fun Fact:
Medusa the Gorgon had babies. Yep… 2 of ‘em.
Mere moments after Perseus cut her big ugly head off, her two children by Poseidon exploded out of her neck stump. One of them was Chrysaor, who went on to father the three-headed giant Geryon whom Heracles killed while completing his 10th labor. The other was the famous winged horse Pegasus. In myth, he assisted the hero Bellerophon in slaying the Chimera, a fire-breathing lion/goat/snake hybrid. By flying just out of range of the Chimera's attacks, Bellerophon was able to weaken it with his bow and arrows before brutally killing it with a spear down the throat. It was an epic battle and finding that his pride had grown 10 times the size, Bellerophon decided to ride Pegasus directly to Mount Olympus, an arrogant move that Zeus punished him for by sending a gadfly to bite Pegasus. This caused the horse to buck Bellerophon off, sending him crash landing into the Earth's surface, dead. Meanwhile, Pegasus was warmly welcomed into Zeus's home and given a constellation to honor him.
What a good boy.
When he pulled her out in a weapon way for a third time in a row I thought wow they might have an interesting dynamic
A very horrid sketch of Percy Jackson for my resurrection ig(CW: original Percy 😨😨😨)