November 2017
Hello! Bit belated, however I would like to share a few words about the six sessions that Coralie Oddy (who also runs Remini-sense) and I delivered in Crystal Palace Park as part of the London Wildlife Trust's continued Heritage Lottery Funded: Great North Wood Project.
It's hard to express how delighted I am with the fact that about five years after first starting out on Crystal Palace Park heritage projects I have been able to develop my skills in terms of completing my Masters in Museums and Galleries in Education, learn about Joanna Grace's Sensory Storytelling, tour guiding and oral history techniques from the Inspired by the Subway project - and most of all meeting like minded creative people to work with. Nothing beats the feeling of sharing a passion, brainstorming, developing and delivering a project with others. So thank you Coralie and Emmie! Thank you also to Penny who works in the Crystal Palace Park Information Centre building for welcoming us and the Friends of Crystal Palace Park for having us.
Coralie and I led six music, sensory and storytelling sessions over three days for between 6-8 adults with learning disabilities. We delivered the sessions in September 2017, a little over a year following the delivery of our initial Crystal Palace Park sessions for the London Wildlife Trust with Emmie Ward. Emmie was part of the development of these sessions.
Coralie and I loved leading the sessions and meeting people from different homes and organisations. We varied the sessions slightly depending on the needs of the group. We had a great mix of participants and a couple of the groups had members who were predominantly sensory beings. Sensory beings is a term used by Joanna Grace to describe how this group of people largely experience the world:
Sensory Beings - people whose primary experience of the world, and meaning within it, is sensory. Joanna Grace The Sensory-being project
We focussed on sensory activities for these groups, however sensory experiences was a primary way of communicating our theme with all groups. I (and I am aware many others) have often argued - If you make heritage activities accessible to people with as many different needs as you can - such as in sensory ways - then the visiting experience will often be more pleasurable for all anyway. I also believe in exploring themes that anyone would want to explore in a heritage venue. It is not purely about simplifying things it about how you develop your programme of activities: I believe one should always get to know the subject as well as you can. Even when working with nursery aged children I am not satisfied with just knowing the basics. It means I probably take longer than anyone else to prepare anything, however, it is just the way I work. I need to understand the topic as fully as I can to work out the essence of what I want to get across. Spending a lot of time in preparation means that you are able to really develop activities that: actually make sense; are meaningful to the heritage location; and link to anything/connections you know between the participants and the theme. Most of all spend time with people and have a passion for the people you are working with. This will ensure experiences are truly accessible and mean that nothing is part of the session just 'for the sake of it' or an on the surface accessibility.
I think the photos of the session materials are more useful than any explanations I will give here. These photos follow below. Our main theme was the park and it's different uses. One theme was focussed on the history of the area before the park - when the area was covered with the Great North Wood. We explored the plants, animals and people who lived there. Check out my song about Margaret Finch - famous for being called the Queen of the Gipsies and telling the fortunes of young reveller visitors to the area. For the second theme we concentrated on The Crystal Palace and included meeting Queen Victoria at the opening ceremony of The Crystal Palace (with added harp music accompaniment that I recorded as part of my community audio trail) and an exploration of the aquarium (of which there are still some remnant walls in the park if you know where to look!) and some of the inventions on display such as Maxim's Flying Machine!
Here is some of the feedback we got:
November 2016
Hi there again...
Fresh from my day of music and storytelling sessions I thought I would share a couple of stories with you. My version of the Gunpowder Plot Story, which we worked on for the past couple of weeks and and The Highwayman story that I created today.
The Gunpowder Plot story I have to say thanks to the people on Joanna Grace's Facebook page who shared their stories and ideas for Bonfire Night sensory storytelling. The Highway Man was a bit last minute today as needed to fill in with a story last minute. So I could call it my ten minute Highway Man story... gather what props you can and random props you have with you. I got most of the ideas from when Keith Park, Emmie Ward, Coralie Oddy and I did our Great North Wood Storytelling - The Highwaymen (and women) was one of our themes. But both were sort of creating the story around props I already had. Thanks Emmie for a few of those on display in the tweeted pic :)
The Gunpowder Plot
Now we gather around the fire and remember, remember the 5th of November! (fire on ipad and candle scent)
A long time ago In 1605, there was man called Guy Fawkes. (chime)
A long time ago In 1605, there was a King called James 1. King James was not very popular with Guy and and his friends. They were annoyed about the King and his government. (Wear crown and say ‘no we don’t like you!’ but can also say we don’t like you as King but we like you as .... say their name)
So, Guy Fawkes and his friends decided to have a plot, the gunpowder plot. They wanted to blow up the parliament. (Popping candy on hand/eat)
They filled 36 barrels with gunpowder! They planted them under the cellars of the Houses of Parliament - ready for a big explosion. (Cedar wood scent for barrels) (can emphasise the secret through quiet voice)
However, there was a traitor in the group! One of Guy Fawkes friends! He got worried about all the people who would get blown up. He sent a letter to his friend warning him! (Big Ben chimes on Big Mac)
So the police, the guards of parliament arrived – on their horses (clip clop) they went down the stairs (walking sound) and crept slowly (shhhh) and….. bang! The plot was rumbled! The plotters were arrested, tortured and executed. (Bang on the drum)
Now we sit and remember remember the 5th of November. We light a bonfire (fire on iPad and bonfire scent candle)
And sit and watch fireworks (fireworks torch and sounds or app)
Then go home for a nice cup of tea (have a cup of tea/tea break)
The Highwayman
It was Autumn in the woods and the leaves were gently falling
(leaves in a basket – can handle them or drop them on people/the floor)
The leaves were red, yellow, orange, green, brown
(say whatever colours you find – show the colours – can spread them between different people rather than person by person)
Animals were looking for food and the wind was rustling in the trees
(rainmaker or shaker or similar sound)
There was a damp smell in the wood - after the rain
(cedarwood or similar smell – it sounds a bit like the musty leaves, but you could also get musty leaves)
Then suddenly!! The sound of horses hooves
(clapping sticks/pieces of wood – we have some round slices of wood – we had enough for everyone to make the sound who wanted to - we also sung ‘Horsy Horsy don’t you stop because it is a favourite song of one of the people in the session)
It was a carriage with wheels going around!
(rolled hoop – saying ‘and the hoop rolled past….’ And gave a chance to push if people wanted – if not you can find anything that goes around as a visual stimuli)
There were rich people inside the carriage, enjoying looking at their jewels and money
(glass nuggets, money, or anything jewel like – we had a lot of baskets to hand so I handed a basket to everyone and then put the nuggets in each persons basket and encouraged them to look through them and be interested in them J)
But they didn’t know that someone was waiting for them! There was a swish of a cloak!
(piece of material – or a cloak if you have one – the material I grabbed was quite light so I swished it past people and over some people and gave the chance to feel)
And the brim of a hat
(feel a hat – I found a straw hat which was not really a highway man but did the job of being a hat)
The Highway Man was waiting and he said “Stand and Deliver! Your Money or Your Life!”
(encouraged people to repeat the words ‘stand and deliver’ and sung that bit of the song)
He took all their money and jewels
(one person had a cloth bag and asked people for their money and they tipped their nuggets into the bag)
Then he rode off
(clip clop sounds)
And the animals continued looking for food and the leaves rustled in the wind
(rainshaker again – or whatever you used)
I also added on a bit about the highway man sitting by a fire and had the fire app on the ipad and also the scent of a bonfire candle – but that might make it a bit too long)
I then did a bit of call and response with ‘The Highwayman’ poem.
Just a few images from Friday's Sensory Stories training with Jo Grace. We had a really good introduction to creating sensory stories, tours and memories for a wide range of people including people with multiple learning disabilities, autism and dementia. Just what I needed to help inspire me to follow my passion and develop work in the area of making heritage accessible... One reason I've changed work recently. I partly have too many project thoughts at the moment but I would rather have it that way than not :) I'd love to develop a sensory nature trail among other ideas for Fun Palaces for a start and sensory tours for local heritage sites :)