Sheriarty - Blog Posts

when he hires snipers to kill anyone that touches you 😍

“you’ve got to admit that’s sexier” 🫦

moriarty lowkey ate when he shot himself. "as long as i'm alive you've got a way out. good luck with that 🤪" like okay king of pettiness we love to see it

okay, but saying “i owe you” is basically a wedding vow so…

did we forget about the FACT that Moriarty literally created the game of 5 pips for Sherlock’s entertainment, which made Sherlock feel special and understood

AND that Moriarty specifically kept most of the victims alive BECAUSE HE KNEW that that’s how Sherlock likes his mystery solving(thus drawing Sherlock closer to himself, which resulted in them meeting)

Sherlock, even if he denies it, likes to be “a dragon slayer” and saved people are a clear sign of his success. Moriarty knew Sherlock so well, to create a game that would cause Sherlock to audibly express his love for it and the game’s creator

if this ain’t the most romantic shit you’ve heard all week then idk

the diamond Moriarty used to break the glass, was to propose to Sherlock actually

(The Abominable Bride: “a crack in the glass”)



that’s one of the most interesting things about Sherlock too. i think in most ways he’s very cat-like, which makes it hard to really pinpoint how masculine/feminine he is. we know his disapproval of conventionality, so he of course doesn’t believe in many traditional masculine things (gun, truck, war… idk i’m just a girl + sherlock likes guns so this example sucks ass), in many of which (not the ones listed probably) believes John. Sherlock moves with a lot of agility (cat) he’s uninterested in women (castrated cat) very elegant, english and wears silk robes (??? fancy cat). anyway i forgor what i wanted to say 💀

sherlock is just however masculine/feminine an elegant english sassy man can be, or he’s just a cat…

and he 100% was bullied cuz look at him. NERD

<3

and moriarty probably killed those ppl after tbh

nice to have a stalker who cares 🥰

Sherlock isn’t feminine (by social standards, define feminine however you want obviously) but he isn't exactly what society likes to view as muscline, so I'm almost certain that men weren't the nicest to him to say the least. Of course, like donnavan there were women with terrible intention but I imagine guys took more direct measure to "bully" him. And I'm also almost sure that it happened way before he found anyone he could trust besides his family. Certainly before he met John but before he met Mrs Hudson or Lestrade. He's not stong now by any means but he was weaker, he was more vulnerable. I can’t imagine all the things that he went through that made him act the way he does now.

ok but can we talk about how did moriarty and sherlock arrange their tea date?

like, i bet it was just like “i’m coming for tea” and that’s it, but it’s also so interesting that that just happens. i know it’s common for heroes and villains to be friendly and have good manners, but picturing them just texting(like they always do) about it is so funny.

maybe i’m forgetting something, haven’t watched that ep in a while.

unpop opinion? i would have preferred if sherlock died for real because perfect things are temporary

…

and also because that’s so shakespearean for him to jump after his boyfriend moriarty shoots himself

it’s a shame sherlock got cancelled after series 2 😕

but hey, good thing they didn’t completely butcher it by adding a few more seasons!! ☺️

For those of you who’ve read my analysis and theories about the pool scene and the overall dynamic between Sherlock and Moriarty, you may have noticed how heavily i’m implying that each and every moment is a sign of a connection built on pure emotion and that they themselves are aware of it.

In reality i’m trying to make sure my points are clear and so there’s a lot of repetition and connections in places (that frankly probably don’t have that much meaning on their own) that are just tiny pieces of the whole narrative.

Personally i think their unique relationship is something that we know is there but as viewers won’t be able to see and understand all the internal mechanisms of. Which of course parallels how much the characters know about themselves as well.

That complexity is also why not every moment is equally saturated in one meaning or the other. Sometimes their dynamic is just a rivalry, an aggressive intellectual game. Sometimes there’s “a crack in the glass” from which the emotions flood. But the chaos of it all is exactly what that connection is. A paradoxical mix of total appreciation and, to some degree, love and that sickness, addiction to danger, intensity, gambling with life just to feel something. They long to destroy each other… and honestly that’s as romantic as it gets.

So it’s hard to analyse these things, to see what overlaps and what lines are not to be crossed, but i hope you understand now better that i’m mainly only analysing that one level of the iceberg that is Sheriarty (whether romantic or not).

Analysing TGG The Pool Scene PART 3:

“Is that a British army browning L9A1 in your pocket, or are you just pleased to see me?”

“Both”

Sherlock is clearly pleased to meet him and Moriarty is glad Sherlock is putting in effort. Let’s not forget the intimacy. If he shoots, they both go down. Sherlock is aware it couldn’t be this easy, nor would he ever want to kill Moriarty anyway. It’s once again the Shakespearian notion that they’re forever connected, intertwined in an intellectual romance, even in death, which makes sense considering their passively suicidal tendencies.

“I’ve given you a glimpse, Sherlock, just a teensy glimpse of what I’ve got going on out there in the big bad world. I’m a specialist, you see”“Like you” 

S: “Consulting criminal. brilliant.” A moment of pure admiration from Sherlock.

M: “isn’t it?” 

Another parallel. Of course, many of which are the products of Moriarty’s life long obsession with Sherlock. 

*John looks at Sherlock* He’s searching to decode whether Sherlock is with him or if he’s aligning with Moriarty on some deeper and more unsettling level. John wants reassurance that Sherlock isn’t crossing into Moriarty’s territory, where morality and loyalty are fluid.

*Moriarty looks at John looking at Sherlock* Moriarty of course notices that, he understands what an influence John is to Sherlock even if it’s subconscious. So he decides to play along, to be the villain everyone wants him to be, thus allowing Sherlock to become the hero, making this moment more comfortable for Sherlock. Ultimately, as I've stated before, Moriarty longs to free Sherlock from the chains of responsibility that don't reflect his true values, thus freeing himself (mostly from the loneliness, by having someone who's on the same page), but to do so he can't risk scaring Sherlock off.

"*Moriarty smiling* No one ever gets to me, *face darkens* and no one ever will”

The singsong tone is followed by a voice drop. It’s not hard to notice that the charisma is an act, it is a part of the Moriarty, "The Criminal Mastermind" persona. So here that first half of the line in singsong is a way to trick John into thinking that this is just a normal “crazy funny villain and the serious hero” situation. Which of course it is not. Then the second part of the line is a very cold “ and no one ever will”. Now that was said directly to Sherlock.

(Let me explain how to understand most of these lines with this example:

Moriarty says something that is such a basic villain line that “villain: 101” should sue. But what he says doesn’t matter in the context of “the game”, if we think of this line literally, the only thing it's adding to the tension of their rivalry is the challenge of unattainability. But it’s not about the game anymore. Nothing in The Pool scene actually is. Such basic villain lines don't matter in their content. All that matters is HOW Moriarty says them. The words were basically said to John, but the intention behind them was bluetoothed directly to Sherlock.)

He says it so calmly and yet with a note of despair, this hopeless level of indifference and emotional resignation that he couldn’t hide, that his fun act can’t cover. 

This line has more significance than it seems so on the surface. A theory is that with this line Moriarty admits to his loneliness, he jokes about it first, concealing the meaning behind with the very literal unapproachability that comes with his job, but ultimately no one gets (to) him, because no one understand/reaches him personally and emotionally. He might even be sceptical that Sherlock actually could, maybe he’s Moriarty’s only chance, which considering what happens in the Reichenbach fall, seems to become a reason for his suicide (with calling Sherlock "ordinary"). He’s been disappointed all his life, he’s so used to the isolation, so it seems natural to doubt the possibility of happiness. And so he communicates that with Sherlock, his only chance, he reaches out, because he knows Sherlock understands that feeling, that untreatable loneliness of unreachable ideals, which in a way makes it all even more heartbreaking. This glimpse of hope, Sherlock, in front of him and a painful crumb of realisation (“and no one ever will”) that the connection he seeks may be impossible after all…

*cocks gun* “I did” Sherlock doesn’t let the moment linger for too long and answers back with confidence. 

Sherlock truly is the first person to really meet him. Moriarty is a puppet master which means everything is done remotely, he “knows people”. But Sherlock is the only person who was actually allowed to see him, whether literally or figuratively.

Now… I would normally leave it at that, but something about this moment hooked me. I must warn you that this is some deep water, bottom-of-iceberg shit that you’re about to read.

REGARDING THE *cocks gun*:

I did some mild research and cocking a gun usually means “establishing control, authority”, I think everyone knew that. But what’s interesting is that the gun useless here in a traditional sense. It isn’t a threat, as NO ONE HERE CARES ABOUT THEIR LIVES. Which then means that it’s symbolic.

I WON’T BE ANALYSING THE GUN SYMBOLISM HERE. PLEASE I’VE BEEN IN THE DUNGEON WRITING 20 PAGES OF THIS ALREADY (I want to do it someday though, I think it's very interesting and GAY)

What will do though is walk you through everything that this moment could mean. Which is a lot.

1. Playing the Hero for John  

 The *cocks gun* moment is, above all, for John. Sherlock knows that John needs reassurance, not just of his safety but of Sherlock’s allegiance to morality and goodness.  The cocked gun signals that Sherlock isn’t on Moriarty’s side, that Sherlock hasn’t been seduced by the villainous allure of Moriarty’s chaotic world. It’s a signal to John that, at least in this moment, Sherlock chooses him. 

2. Sherlock’s fear of vulnerability and threatened identity

It’s also important what that gesture means to Sherlock himself. He’s in the middle of this intense intellectual and emotional push-and-pull with Moriarty, someone who fascinates him, understands him, and yet challenges him in ways John can’t. 

Sherlock is so invested in maintaining the illusion of invulnerability, not just for Moriarty or John but for himself. Acknowledging fully that he loves and needs this connection would shatter the way he defines himself. 

Sherlock’s fear of vulnerability runs deep, and it often manifests as denial—of feelings, of needs, even of his own humanity. With Moriarty, the connection is so raw, so intense, that it’s almost impossible for Sherlock to face without losing the carefully constructed emotional distance he clings to.

Cocking the gun could be a way for Sherlock to reassert his own identity, to remind himself and everyone else that he isn’t like Moriarty, that he has lines he won’t cross. The gun becomes a tool of self-protection, not physically, but emotionally. He’s essentially saying, “I’m not like you. I’m not drawn to you. I don’t feel this.” But the very intensity of his reaction suggests the opposite. He does feel it, profoundly, and that terrifies him more than any bomb or bullet ever could. 

3. Emotional Deflection through aggression

Sherlock is creating a barrier between them by cocking the gun, a way to avoid confronting the depth of their connection. 

And then there’s Moriarty, who seems to recognize this instinctive defense for what it is. He doesn’t flinch, he just watches with this almost knowing, dark amusement, suggesting that he sees right through it. Moriarty understands that Sherlock’s aggression is rooted in fear, and maybe even hurt, at the prospect of what their connection means. Moriarty doesn’t flinch because he knows the gun isn’t the real weapon here, it’s Sherlock’s emotional avoidance. Moriarty’s indifference to his life in that moment reinforces this. He’s not afraid of dying, what wounds him is Sherlock’s inability (or refusal) to meet him on that emotional plane, even though it’s what they both crave deep down. And to be fair threatening with a gun is such a "normie" move. Not only isn't it a threat, but Moriarty probably likes it. Ignoring the emotional connotations of this moment, this was flirting more than it was ever tactical.

In a way, both of them are locked in this tragic dance, afraid to admit they want the same thing: to be understood, to be gotten. But while Moriarty expresses his fear as defiance, Sherlock buries his in shame and instinctual rejection.

It’s also ironic that he hates the idea of being a hero, of being boxed into John’s moral framework, but he uses it here because it’s convenient. It gives him an excuse to push Moriarty away under the guise of righteousness. 

4. Returning to the Game to Avoid the Emotion: 

Sherlock’s inner conflict: He needs to say something to continue the game (which they both love), but the truth behind his words is dangerously real: “I see you. I understand you.” It’s a confession disguised as a taunt. 

The *cocks gun* and “I did” together are Sherlock’s attempt to drag the moment back into the comfort of their shared game, away from the messy, vulnerable reality beneath. Let's not forget the line before this "No one ever gets to me, and no one ever will". Sherlock's smug answer is almost like saying "yo, what are you talking about, can we just like, be normal?".

The line is textbook intellectual sparring, a move in their game, where Sherlock is claiming a small win over Moriarty. But beneath the surface, this line is charged with raw emotion. It’s Sherlock’s way of acknowledging Moriarty’s vulnerability while hiding his own. The cocky delivery is Sherlock’s shield, a way to keep things “in the game” rather than letting them spiral into the emotional realm that terrifies him.  

This is classic Sherlock. He frames everything as intellectual so he doesn’t have to confront the emotional. But the irony, is that his response betrays his emotions more than he realizes. By adopting the “hero” role here, Sherlock not only reassures John but also deflects attention from the growing tension between himself and Moriarty.

Yet Moriarty hears the disguised confession in “I did,” even if Sherlock is trying to drown it out with smugness. It’s like he’s patiently waiting for Sherlock to catch up emotionally, to stop hiding behind his role as the hero and see the truth of their dynamic for what it is. 

SUMMARY:

On the surface, it’s a simple game move: Sherlock reasserts control.  But beneath that, it’s profoundly emotional—two people who understand each other deeply, who see themselves reflected in the other, but who are too guarded to fully acknowledge it. It’s a moment of connection, disguised as competition, wrapped in deflection.  

M: “You’ve come the closest. Now you’re in my way”

Basically to translate: “you are truly remarkable, because you’ve gotten so close that now you’re capable of disrupting my plans, which no one before was able to do”.

The singing tone this time implies that his plans, his work don’t mean much to him. Sherlock is in his way and he doesn't mind one bit. It’s not really about all that, all his criminal work was the best high he could get when he couldn't have a connection with Sherlock. The real point here is that Sherlock cracked him, Sherlock passed the test. He saw through his villain behavior and found a lonely, tortured sould just like him. Sherlock was able to understand Jim and that intimacy is what Moriarty values more than anything. So yes, it is a compliment. but Moriarty says “closest” as if it’s still not close enough, that’s a hint for the hopelessness Moriarty feels. I don’t think at this point they’re fully aware of just how deeply they need one another, the feeling of being understood, valued and accepted, whilst being intellectually stimulated and entertained. “Thank you” Sherlock demonstrates their understanding and connection, even if here he's probably answering in the context of the game(aka: he's the first to come so close to an opponent of such class). And he genuinely appreciates the compliment, their mutual respect is apparent.

M: “I didn’t mean it as a compliment” was definitely teasing.

S: “yes you did”

M: “yeah, okay I did” (cutie :3)

^(MY FAV MOMENT EVER)

Analysing the Great Game PART 2: The Pool Scene

The pool scene was something that always confused me, but to be fair, I never really paid attention. in this post(all the parts, there will be like 5) I’m going to analyse it chronologically (if you call 10 minutes of tv history) based only on what we know from series 1, with some occasional (extremely rare and brief) references to later episodes. I did this because I haven’t analysed them and because I believe series 1 had the strongest vision and characterisation of Sherlock, Moriarty and John. I also wanted to stay as focused on the scene(and episode) as possible, and not let things that I know influence my analysis too much. so yes, some things might sound crazy in the context of what we know, but if you isolate this episode and series 1 it makes sense.

why does Sherlock choose the pool as a place for meeting? It’s a connection to Carl Powers - first crime, first case, first meeting (first date). Moriarty mentions it as being a nice touch – pretty romantic. Sherlock wanted a private meeting with Moriarty, as we can understand from him hiding the fact that he was texting Jim from John. He was even willing to risk the country’s safety(missile plans). And yet Moriarty uses John for Sherlock’s final test.

let the flirting begin. Sherlock: “Bought you a little getting-to-know-you present”. The way Sherlock so casually offers the plans is almost like he’s proving that “yeah, I don’t think it’s that deep either”. And during the whole conversation the plans only came up again when Sherlock wanted Moriarty to release John. And even then Moriarty dismisses them(“I could have gotten those anywhere”).

Sherlock wrongly assumes that Moriarty created the game (“of 5 pips” if you will) to distract him from dealing with the missile plans case. and I should mention that Mycroft’s role in this episode is interesting as well. throughout the whole episode he’s been nagging John about it, who was lying to Mycroft that Sherlock is working on it. it might’ve been just a red herring for the viewers which I accept wholeheartedly, but it could also be the first hint of Mycroft’s association with Moriarty. But this isn’t about Mycroft as few things are.

Sherlock looks unhappy when he sees John. naturally 1. John is in danger 2. he wanted to meet his rival privately. the distain in his face can be explained by his sudden realisation that he will have to keep up appearances, act in front of John.

now, in the whole scene sherlock doesn’t seem too worried about John’s safety and not at all angry at Moriarty for involving him in this. so he either feels safe or is indifferent about safety.

“I gave you my number, I thought you might call” I find it interesting that Moriarty actually called sherlock multiple times during their game, but he only did so as a criminal mastermind. He had the victims talk for him and all the dialogue meant business. To me this line is a subtle hint at needing an increased level of intimacy. in a way it’s Moriarty’s invitation for Sherlock to see behind his constructed personas. Let’s also take in account that he said this line in a sort of sing-song, which later will be very clear that it’s a way to deflect, avoid vulnerability. now he was talking to Sherlock as Jim, not some puppet master. he was implying that this relationship they share transcends the classic villain-hero dynamic. They share their untreatable boredom and loneliness though being misunderstood. Something so simple – a phone call - is the crumb of tenderness needed to free their connection from the boxes of their roles. now that the game was over they could allow themselves to be less formal about it, less conventional(in their interaction as Hero and Villain).

But then again there’s the issue of John being there. which seems counterintuitive. why would, if not only to raise the stakes, Moriarty involve john in this intimate meeting? 

One possibility is that Moriarty simply isn’t ashamed of his eccentricity(which in Moriarty’s and Sherlock’s case is the fact that danger, risks and proving their intelligence turns them on) and wants to encourage Sherlock to also embrace that darker part of him. he put Sherlock in a situation where he has to face his internalized need to conform. But, if that’s the case, then it’s odd that Moriarty doesn’t fight the performance that Sherlock makes for John. He expects Sherlock to be a hero who wants to defeat the villain and save the day and Sherlock acts accordingly. Even if it's obvious later that it is just theatre. Moriarty plays his part perfectly and possibly only because he respects Sherlock more. More than he wants Sherlock to become someone who lives like him, that's selflessness right there. Moriarty understands that Sherlock needs it, he needs to feel right by John and thus - society.

Another reason for John being there could also be that Moriarty wanted to create the contrast between someone who is doomed to misunderstand Sherlock - John and someone who gets him perfectly - himself. which considering the emotional subtextual subtlety of the whole scene feels more likely. although they’re not mutually exclusive. 

on a more surface level note I do think the line was supposed to just be a hint that he was Jim from IT. but at the same time, he was behind a door, and we, and only we as viewers could see his face. which in film usually means that the emotion is genuine, because there’s no one to perform to. and in that moment, he was doing his detached, creepy thing, which for me always read as very raw and desperate. Pretending to be scary, especially in privacy, is a coping mechanism. maybe there was a part of Moriarty that wanted a more “normal” relationship with Sherlock. Moriarty is conflicted about how much freedom he can create for himself and someone just like him, how far can he break the system and defy what's "meant" for him (being treated like a psychopath and nothing else). that's what this moment means. Sherlock and Moriarty share a unique bond that is often seen as wrong or sick, by people like John. perhaps here Moriarty was willing to be Sherlock's true friend or partner, even if it was just the residue of what’s expected of him by society. Something that’s understood by others, something rooted in proximity and mundanity, something more proper than their intellectual game. because doesn’t every outcast dream of being normal, even if just for a moment of weakness?

guys… that’s just the pool scene. a. ten. minute. scene. i am very serious about my gays 😿

guess who’s back. after a lengthy 2 or so months of static in my brain i decided to be of service and to post the full analysis of TGG. BUT i need someone to help me (although i now realise i could just google) with video clips. there is a limit of how many i can add and i think they’re important to illustrate my points. if anyone knows anything i would be extremely grateful, because i’m not going to be half-assing this one (i’m very proud of my yap :3 ) thank you!!

TGG analysis Part 1

Hi, this is part one of my analysis of the great game. In this post i’ll be highlighting moments which display Sherlock’s growing fascination with Moriarty and Moriarty’s undeniable obsession with Sherlock. I aim to (at some point) explain their dynamic beyond the romantic undertones already present in a lot of their lines. This is only an intro into my big theory - the analysis of pool scene.

*low k might be my fav ep

Sherlock’s obsession with Moriarty

Moriarty’s obsession with Sherlock

these may or may not be just shameless (intellectual) flirting

Here is what i wrote down while watching, might be a little sparse, but the important bits are all there. Also disclaimer: my formatting skills suck and i’ll be editing the post a lot post posting (now that’s a trippy sentence), because i can’t sleep at night knowing i don’t make any sense 💀

p.s. - every quote that's numbered is also provided at the end of the post (Moriarty's words said by the victims), they’re important as i think it’s Moriarty’s way of avoiding vulnerability.

There’s an explosion at Baker street. Sherlock is unharmed but gets a package. A pink phone replica. 5 pips = 5 bombs = five tests. On said phone a picture of 221C that Moriarty knew Sherlock’s seen before. in there Carl Powers’ shoes.

Sherlock gets a call (1): “Hello, sexy. I’ve sent you a little puzzle just to say hi.” Sherlock: “the curtain rises. i’ve been expecting this for some time”. He’s excited, and he’s been waiting for Moriarty to act ever since A Study In Pink. 

In the lab, right before Jim comes in. “Why is Mycroft trying to bore me, when someone else is being so delightfully interesting” ((ok not to be biased but that is literally sherlockese for “i have a crush on a boy 🤭” ))

Jim walks in, Sherlock looks at him(reads him in a fraction of a second). Jim looks Sherlock up and down. No but literally how did no one notice his weird fan behaviour around Sherlock?? Molly was invisible to him and he was speaking to John while staring at Sherlock.

(Also can i just mention how Sherlock says “tinted eyelashes” when proving why he thinks Jim is gay and the picture is of his eyebrows) 

Carl Powers, “it’s where i began” Sherlock’s first case - Moriarty’s first crime it's pink this time cuz this is so gay at the age of 14 (20 years ago). Tbh we don’t know if it’s Moriarty’s first crime but i just find it romantic to think so. Of course he could’ve committed that one just to get Sherlock’s attention OR his obsession with Sherlock started after that, because maybe Sherlock's involvement in that case led him to believe that they were “meant to be” rivals. Perfect opposites (i mean they’re like 80% similar but sure dude). Basically he felt personally seen by someone who had the incentive to dig deeper, beyond the standard practices of police work, someone who believes that there is more to see.

Sherlock solves the case, blogs about his findings, communicating with moriarty and making him stop the clock 3:“well done you, come and get me”. When alone Sherlock says to himself: “Elegant”.  “No, i can’t be the only person in the world that gets bored.” As one wise person has said: any emotion that is experienced by a character in private is real. (SHOUTOUT TO @asherlockstudy) This of course applies to truths as well, and here Sherlock is being as honest as possible. This line proves how much Sherlock truly needs Moriarty, someone who understands that inexplicable pain of being bored. Just by knowing that someone like that exists, Sherlock feels understood, freed from the loneliness of being estranged, from the discomfort of being a “freak”. This game is the highest form of entertainment, something that allows him to be himself and to be valued for it. But more on that in the pool scene.

Another puzzle, 8 hours. (5): “We were made for eachother Sherlock”*Sherlock smiles* and softly says “Then talk to me in your own voice”bro is cheezing after the call bro…

“Our friendly bomber. I am on fire!”(he’s having fun ☺️) 

(6):“you can come and fetch me” Sherlock is smiling like crazy again.

John: “It’s all meant for you”. Sherlock: “Yes, i know 😏” !!!!! (video 1 below for the face expressions) (btw I was literally just filming my laptop so sorry for the shit quality, I just want to have proof for my yapp :DD)

Like how special one must feel to have someone be willing to kill tens or even hundreds of people just to entertain you? It’s not even about the lives to be honest, just the fact that someone is creating these personalised little puzzles. Like, isn’t that hot? This is also one of the MANY moments when John expresses his disapproval for Sherlock’s involvement in this game, mostly the giddiness about it. This will be important later on (i’m edging y’all so hard with this hinting :Ddd but i’m writing this after everything else so oops).

Sherlock is kinda defends(?) Moriarty, when Lestrade asks why is the bomber doing this. Sherlock answers *shrug* “good samaritan”, Greg is all like ‘he’s a bomber, hello?’ Sherlock: “bad samaritan 🤟😗” (Idk what's with the emojis but I just wanted to show how relaxed and goofy he was about it all). Basically, Sherlock interprets Moriarty’s “game” as a personal service, despite it being morally questionable.(ok but bro can’t stay serious, like he’s smiling all the time “[we’re dealing with] something new 😁” )

Ok now that i’m going over everything for the millionth time i noticed that this moment here was one of the worst attempts of hiding his “intellectual crush”. Sherlock isn’t big for conventional morality, and i’ll touch on that later, but this was so unserious it almost seemed like he became more comfortable in himself. He began to see that saying out of pocket or perhaps cynical stuff like that is fine, however much of a crime against “preserving the social peace of normies” it seems to be. I made that shit up, hopefully y’all get what this means :D Having someone like Moriarty allowed him to question his own role in society and how he, despite often being against succumbing to what's normal(and boring), conforms to it, to society, which further strengthens his feelings of estrangement. We're getting kafkaesque in here, boys! (sorry)

“Novel” Sherlock realised Moriarty is a consultant criminal(he organises crimes but no one has direct contact to him). When John asks (again) why Moriarty’s doing this, Sherlock can’t help but smile. “i think he wants to be distracted” *says in a breathy tone(intrigued/touched)* (WAIT I didn't know I could only put 1 video omg I literally feel 80 years old, how does Tumblr work!? *crying*) So Sherlock was staring into space, his face lit up upon realizing that him and Jim are the same, that they experience the same things and blah blah blah he looks horny in this scene I legit don't know what to even say bruh. (I'm mad that I couldn't put the video in lmaoo)

No but fr John noticed Sherlock has an intellectual crush on Moriarty and was annoyed at how entertained (and fulfilled) Sherlock was by this morally grey game.

The golem was hired to kill the astronomer guy and his friend professor because they would’ve been able to expose that the painting was a fake based on the stars. Sherlock figures it all out: “Oh that is brilliant, that is gorgeous. this is beautiful. Love this!”. The gallery woman admits to the fraud. Sherlock learns that this is in fact Moriarty behind this. *smiles*. 

our baby boy solved everything and now is curled up, watching shit telly :( 

Sherlock was waiting for John to leave to write to (more like at) Moriarty *smiles*. He lied to John about having given the missile plans to Mycroft. Sherlock actively wants to keep John out of this, because of his disapproval, John finds Sherlock’s fascination with Moriarty repulsive. 

So to summarize the absolute randomness I spew out in this thing: the connection between Sherlock and Moriarty is quite vague, but ultimately based on their eccentricity(and in this case it doesn't really matter if(more like "how") it's romantic). I'll talk about it all in the big post I PROMISE, this is just the intro so you can follow my impossible thought process. Another important thing: John as the symbol of conventionality and morality. That's it, I'll post again in like a month because the feeling of responsibility paralyzes me LMAO. ok bye ;)

+

Moriarty’s words said by the victims:

“hello, sexy. i’ve sent you a little puzzle just to say hi.”

“12 hours to solve the puzzle, sherlock, or i’m going to be so naughty”

“well done you, come and get me.”

“clever you, guessing about carl powers. i never liked him. carl laughed at me, so i stopped him laughing. This is about you and me.”

“the clue is in the name “janus cars”[s:why’d you be giving me a clue] why does anyone do anything? because i’m bored. we were made for eachother sherlock”

“you can come and fetch me” 

“i like to watch you dance” 

“you’re enjoying this, aren’t you? joining the dots.”

“nice touch this, the pool, where little carl died. i stopped him. i can stop john watson too, stop his heart”

i’ve been obsessing over sheriarty as a unique twist on the traditional hero-villain dynamic and felt like “inflicting my opinions onto the world” (sherlock in TGG). so if anyone cares about this 10 years later let me know cuz i wrote a 4k word analysis of the pool scene 💀 also i’m new so feel free to throw rocks at me when i do something wrong 🥰

updates:

Part 1: https://www.tumblr.com/chesie-blog2/766523763704659968/tgg-analysis-part-1

Part 2: https://www.tumblr.com/chesie-blog2/772319748326342656/analysing-the-great-game-part-2-the-pool?source=share

Part 3: https://www.tumblr.com/chesie-blog2/772467761119117312/analysing-tgg-the-pool-scene-part-3-is-that-a?source=share

Prompt #1 - Sherlock wants to cuddle, but Jim is busy, doing something else. Sherlock gets annoyed, but in the end it turns out that Jim has been organizing a case for him this whole time.