SOOO WELL WRITTEN - Blog Posts
this broken design, ch11
pairing: Hannibal Lecter/Reader
summary: “Dr. Lecter?” You blink a few times, convinced that you’re dreaming. The man’s gleaming eyes and concerned expression seem a bit too realistic to be conjured by your sleeping mind, though. You’re not sure if you’ve ever seen him look worried. You quickly decide that you don’t like it.
“Hannibal, please,” the doctor responds nonchalantly. You stare at him in utter confusion. Just what is happening right now? You thought you were dreaming, but this feels a bit too vivid. “What are you doing out here?”
read from the beginning here.
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warnings: kidnapping, canon typical blood/violence/gore, mentions of animal dissection (just the words "animal dissection")
You fall in and out of consciousness. One moment, you’re roughly dragged along the ground past Alana’s house; the next moment, there’s a blindfold secured over your eyes and you’re situated in what you guess to be the trunk of a car. You feel every minute bump in the road and you swear the driver is intentionally hitting potholes, if only to jostle you around more. At some point, you feel your vision fading—even amidst your best efforts to remain awake. You know you need to stay conscious to escape, but your body refuses to obey your commands.
The next time you wake, you’re met with an incessant, throbbing headache. You wearily blink your dry eyes open, wincing as light sears into your vision. Left with nothing but a buzzing silence and your thoughts, you berate yourself for letting your guard down. You had forgotten the nature of the people you were investigating. You’re in danger. You take a deep breath around the gag in your mouth and try to remain calm. Thankfully, your blindfold must have been removed at some point.
Surveying your surroundings, you find a dilapidated dining room with dusty trinkets lining the walls. There’s a fanciful chandelier hanging over the luxurious dining table, which has seven empty seats. You’re located at the back head of the table—your wrists bound to the arms of the chair you were placed in. There are mere ropes holding you to the chair, but somehow, you can hardly even move, let alone try to get out of them. You must have been drugged—with something potent enough to remove all traces of physical resistance from your system. You can’t do anything more than make your fingers twitch from where they’re resting on the edges of the chair arms. Moreover, when you do manage to move them, your hand twitches sporadically. That’s definitely not a good sign.
It’s hard to stay awake, even though you know you need to be conscious and aware of your surroundings to keep yourself safe. There’s nothing to occupy you except for the monotonous ticking of a clock in the hall behind you, your blurred vision, and your aching limbs.
At one point, when you drag yourself out of the void of unconsciousness, you find that you have a companion. Frederick Chilton is sitting in the chair on your right. You blink at him blearily and try to get his attention, only to remember that you’re both gagged and nearly unable to move. Upon closer investigation, it looks like he’s unconscious. You don’t stay conscious long enough to learn anything about Chilton’s situation or see your captor. Weirdly enough, your captor has been strangely absent—leaving you to decay amidst molding walls in solitude. Each time you fight off unconsciousness, you notice that Chilton is more roughed up. Your captor has a grudge against him, and it doesn’t take you long to put the pieces of the puzzle together. Ironically, by trying to protect Alana, you only ended up putting yourself in more danger. If you had the strength, you’d shake your head in disbelief.
The opportunity to speak with your captor finally comes the next time you wake. The man, evidently finished with torturing Chilton for the day—judging by the blood soaking through the man’s shirt—tightens the ropes around Chilton’s wrists. This is your chance. “Gideon?” You feel yourself asking. It comes out muffled because of the gag. Your voice is dry and raspy; your entire mouth is dry and the words almost seem to bounce around restlessly.
You blink at the figure. It looks like Hobbs. But, no, it can’t be Hobbs—Hobbs is dead. You blink and try to peel away the Minnesota Shrike’s cloying visage. The sickly emerald tones in his eyes fall away to reveal a sharp blue-eyed gaze. Dr. Abel Gideon is looking at you with interest; Chilton is no longer the subject of his attention. You cast a hateful gaze at Chilton’s prone form, feeling a momentary stab of satisfaction at seeing him hurt. You have to rip yourself from those thoughts to focus on Gideon, who is now standing next to you.
“I must say, you were out for quite a while,” Gideon hums. You can’t tell if he’s speaking to himself or to you. He turns your chair ninety degrees to make you face him. “Perhaps I overdid it with the drugs. I haven’t been at the operating table in quite a while…” His focused musings are eerie. The man is treating you as if you’re an experiment—an animal on his dissection table. Eventually, Gideon sighs and removes the gag from your mouth.
“Why did you take me?” You ask immediately. That’s the first thing you want to know. You can justify Chilton’s presence here—he worked with Gideon in the past and nearly convinced him he was the Chesapeake Ripper. You’ve never done anything of the sort, however. You’re not a mental health professional, nor have you even spoken to Gideon aside from the single conversation you had through the bars of his cell.
Unsurprisingly, Gideon doesn’t answer your question. You’re not even sure if he can hear what you’re saying. “Say hello, Frederick.” Your assailant says instead, momentarily stepping aside to make sure you can see the man in question. Frederick Chilton cannot say hello, since several of his organs have been evidently removed and he is unconscious. You grimace. You don’t like the man, but you don’t think he deserves to be mutilated so cruelly. You swallow hard. “Might as well have some fun before I dispose of you properly.”
It takes you a moment to comprehend that statement. You look up, only to find that Gideon isn’t looking at Chilton anymore—he’s looking at you. You take a rattling breath in. Gideon walks away for a treacherous moment. Your heart is racing in your chest, so loudly that its rhythm reverberates in your ears. He’s back a moment later with a knife in hand. His fascination with Chilton is gone. The psychiatrist lies neglected in his chair, unconscious but ignored. For the first time in your life, you envy Frederick Chilton.
“Dr. Lecter is rather fond of you. Perhaps if I…” Gideon breaks off. Quick as lightning, he drags his knife along the skin near your left eye. You scream and writhe in your bonds, but he only smirks. You know that’s going to leave a nasty scar. That must be the point, you think to yourself faintly. He wants to leave a mark on you. “I forgot how enjoyable this was.” You want to kick at him, but Gideon must sense your thought process because he quickly steps out of range.
You’re left to slowly dissipate in your chair, the uncomfortable sensation of warm blood trickling down your face. At one point, you feel droplets fall from your eye in a manner rather similar to tears. The next time you blink, your vision is crimson-tainted. Your vision doesn’t seem to be affected, other than the blood falling into your eyes. The entire left side of your face is stinging. This time, when you feel your eyes slip shut, you don’t fight it.
You have no idea how much time passes after that. It’s clear that the drug is still in your system, because you can’t keep yourself awake for more than what you assume to be an hour or two. Chilton remains a steady, silent presence at your side. Each time you wake, you realize that he looks no better than before. You can hardly focus on him, though—not when it’s been several days (you can assume) since you’ve had anything to eat or drink. Your limbs are cooperating with your commands a bit more than before, but you know you’re still nowhere near your usual level of fitness.
The ugly sound of a chair scraping against the ground jerks you out of your thoughts. Gideon is dragging a chair towards the table—a chair that is inhabited by a redheaded woman that looks far too familiar. It doesn’t take you long to recognize where you know her from—she’s Freddie Lounds, the same reporter who has been dragging your reputation through the mud all these years. Gideon pushes her to a place at the table at your left, opposite Frederick Chilton. Dread stews in your chest. This feels more significant than you can currently comprehend. Gideon stands at the other end of the table, his gaze contemplative as he looks from Chilton to Lounds, before finally settling on you. You immediately dislike the strange resolve in his eyes.
“Choose.”
“What?” You say.
“Choose,” Gideon repeats. There is nothing short of complete, utter sincerity in his voice. “Choose who lives and who dies.” You stare at him in disbelief, wondering if you misheard him. Evidently, you didn’t—Gideon is holding a gun in his right hand and seems to be waiting for your command. There’s an entertained smile on his face. He must be enjoying this spectacle—seeing you come to terms with the fact that you will be the cause of an onlooker’s death.
You glance between Freddie Lounds and Frederick Chilton. Who should live? Who should die? You have both of their lives in your hands right now. Freddie shoots you a wide-eyed look. Frederick looks equally terrified and his eyes are begging you for help. You experimentally tug at the ropes binding your wrists to the chair. Unsurprisingly, they don’t budge. You try to think of a way out of this. It takes you a few moments to remember that you do have a weapon—a dagger concealed in your boot. However, it’s nearly impossible to reach without informing Gideon of its presence. It seems you’re well and truly cornered. You have no choice but to kill.
You contemplate who to save. It’s a macabre thought, but a necessary one nonetheless. You’re sure that your hesitation would only encourage Gideon to kill both Lounds and Chilton. You take a deep breath. Chilton worked with Gideon on numerous occasions, and manipulated him into thinking he was someone else. Lounds wrote some unsavory things about you, but she’s ultimately innocent in all this. She’s nothing but a bystander—a civilian in the wrong place at the wrong time. You take a shuddering breath in.
Gideon is waiting expectantly. You return his gaze and incline your head towards Chilton. In a true show of cowardice, you can’t say his name. You don’t want to utter his name—don’t want to succumb to the reality that he will die because of you. The smirk on Gideon’s face widens impossibly, showing crooked pointed teeth and a truly maleficent elation. You watch as he pulls a gun from his belt—evidently stolen from his prison transports—and cocks it. Gideon steps around the table and moves to stand a mere few feet away from Chilton—far too close for him to miss. The gun is steadily aimed at Chilton’s temple.
Gideon’s finger squeezes the trigger. Your heart is thundering in your ears, but you know what you need to do. Your arms are trapped but, thankfully, your ankles aren’t bound to the chair. You lean forward and kick Chilton’s chair as hard as you can.
The gun fires.
Chilton falls to the ground. The bullet resides in the wall behind him, leaving the drywall to crumble around the entrance point. You wait for a puddle of crimson blood to grow on the floor, turning the carpet red. Nothing of the sort is present. Frederick is unscathed.
“Well, well,” Gideon remarks, putting the gun on his belt for a minute to deliver a slow, mocking clap. The applause echoes in the hollow space around you, creating a horrible rhythm. Freddie’s eyes are wide and the expression on her face is indecipherable; it almost looks as if she’s truly seeing you for the first time. “You think you’re clever, do you?” You don’t elect to respond.
“Fine,” Gideon remarks. “You’ve made your choice.”
Gideon cocks his gun and pushes it against your own temple this time. He raises an eyebrow, as if daring you to utter your last words. You stare back at him defiantly, heart in your throat. Just as his finger squeezes the trigger once more, you rock your chair to the side with enough momentum to send you crashing down to the ground. You sense the cold metal of your dagger resting against your ankle, and it only takes a second of manipulation for the dagger to fall down to the floor. From there, you twist and lean back until you can grasp at it with your bound hands. You maneuver to the side and duck under the table to guard yourself from the onslaught of gunfire. With the momentary coverage, you’re able to cut through the ropes binding your wrists to the chair. The effort is rather awkward and certainly hurts, but you’re miraculously able to get your hands free. You idly wonder if Gideon is giving you this time to break free of your bonds, if he wants the thrill of the hunt. The thought makes your stomach turn. You crawl under the table and jump out at the side. You’re quickly met with the business end of Gideon’s gun and a malicious smirk. You dive to the side and roll, swiftly getting to your feet and wielding your dagger.
In a gunfight, the person with a dagger is far outmatched. Right now, Gideon has the upper hand, since he has a gun. You need to fight offensively—fighting defensively will get you killed here. You also need to be unpredictable—fight dirty, use common household objects as weapons. Perhaps most importantly, you need to move the fight elsewhere. Otherwise, Chilton and Lounds could be injured in the conflict. Knowing this, you decide to turn and duck down the hallway behind you, confident that Gideon will follow after you. Sure enough, you hear his footsteps follow you through the hall. You sprint down the hall, ducking around corners until you come across a small supply closet. It’s just barely big enough to stand in and you do so, before pressing your lips together and holding your breath.
“Ready or not, here I come,” Gideon announces, his footsteps echoing in the eerily silent hall. The floorboards in front of the closet creak and you have to put a hand over your mouth to stifle your breathing. The killer pauses in his tracks just outside where you’re hiding.
You duck down instinctually and a bullet rifles through the closet door where your head had been just seconds ago. Gideon shoots another bullet a short distance from the first and it nearly skims the top of your head as you’re bending down. Eventually, he must decide that you’re not in the closet, because he continues walking forward.
You take the gifted opportunity and shove the closet door open, before lunging forward and stabbing Gideon in the back of the neck. He lets out a pained hiss and claps a hand over his neck, before turning around and firing at you. That shot seems far too close for you to dodge, but soon Gideon is lunging at you and the thought slips to the back of your mind. You bend low and manage to tackle him to the ground, before making a grab for the gun. Your effort fails as Gideon throws you off of him with ease. Quick as lightning, he pushes you into the ground and chokes you. His gun meets the side of your head and his grip on your neck tightens, effectively robbing you of breath.
Your vision is beginning to blur. You know you’re near the end; you don’t have much air left. You try to kick out at him, but Gideon doesn’t budge. Your hand scrabbles for purchase on his relentless grip, trying to free your airway. In the scuffle, you somehow lost your dagger. You blindly reach behind you with your free hand, praying that it fell to the floor behind you. To your surprise, your hand closes around something sharp—your dagger. You don’t hesitate to stab upward into his left eye. Gideon screams and instinctively loosens his grip on your neck. His hold on his gun is loose; you twist to the side, ignoring the inexplicable stab of pain in your side when you do so, and rip it from his grasp. Gideon’s left hand covers his eye and his right hand reaches out towards his gun, which you’re now holding. You don’t give him the chance to get it back, instead putting the pistol to his temple and firing.
Gideon falls backward, hitting the ground with a loud thump. You push yourself up to a sitting position before twisting to kneel, desperately hacking and coughing as you regain your breath. You’re certain you’d never been closer to death than in that awful moment, with Gideon looming over you with a devilish smirk on his face. You must’ve bitten your cheek somehow, because there’s the coppery taste of blood in your mouth. It hurts to swallow. Once you regain your breath, you stumble up and brace yourself against the wall. Gideon’s corpse burns into your vision.
Laughter reverberates in your ears. Garret Jacob Hobbs stands further down the hall, a brilliant maniacal smirk on his face. There is nothing but malicious glee in his eyes. Your first victim regards your latest. You blink and Hobbs becomes Franklyn Froideveaux. Franklyn stares at you with hollow, unseeing pits for eyes. His skin rifles outward, exposing the mess of bloodied organs residing in his chest and stomach.
For a fraction of a moment, the pendulum swings before your eyes. Gideon’s body is still in front of you but, when you blink, it’s gone. You hiss and grit your teeth hard, trying to rip yourself out of this reverie. This is your design. This is your design. Your bullet carved a neat hole in his forehead, allowing crimson droplets to flow down his face and onto the ground. The wound on his neck must be adding to the accumulating puddle of blood.
There’s a stifled yell from behind you and you’re broken from your thoughts. You turn your back on Gideon’s corpse and run back to the dining room, only to meet the eyes of Freddie Lounds. “Miss Lounds,” you remark, wincing at how raspy your voice is. The effort to speak feels slightly uncomfortable. You continue anyway. “I’m sorry, let me help you there.” You move toward her and use your dagger to cut the ropes binding her wrists. Then, you cut the gag off from where it’s knotted at the back of her head. Freddie doesn’t say anything, but she does rub her wrists with a pained grimace. You immediately feel guilty. Somehow, it feels as if it’s your fault that she’s here.
There’s a strange expression on Freddie’s face as she regards you. She almost looks… worried. “What’s the matter?” You feel the need to ask. Freddie wordlessly points at your torso. You look down and grit your teeth, feeling a brutal pain ripping the breath right from your chest.
There’s a bullet lodged in your side—the oblique, you remember from your lectures. You immediately remember the shot from earlier—the one that came far too close to dodge. In the heat of the battle, you hadn’t noticed. Now, you wince and bring a hand down to exert pressure on the wound. Freddie’s staring at you in disbelief. For a long moment, there’s nothing but silence as the two of you remain quiet. Then, Freddie inexplicably moves towards the table and grabs a napkin. She hands it to you and you thank her, pressing it up against your side. Unsurprisingly, the fabric is quickly growing bloodstained. You take a deep breath and try to look over your shoulder, despite the pain it triggers in your side. It seems the bullet didn’t exit your body.
You weakly grasp at the wall, before slowly sliding down until you’re seated on the ground. There’s a bead of sweat trickling down your neck. Your adrenaline was pumping before, bringing your attention away from the inexplicable discomfort at your side. Now, however, all you can focus on is the throbbing pain.
“Freddie,” you remark. The reporter raises an eyebrow. “Can you…?” You break off, looking at the phone mounted to the wall in the other room. It’s just barely visible from your current position on the ground. Freddie seems to understand what you’re saying, because she runs over to the phone and dials 911. You raspily tell her to mention Jack Crawford and she does, from what you can hear.
“They’re on their way,” Freddie says. It’s the first time she’s spoken since Gideon first brought her into the dining room. Your vision is blurry at the edges, but you can still make out the shell shocked expression on Freddie’s face. She looks completely out of her element—startled and disturbed, as if the world has just flipped on its axis. Guilt finds a way into your heart again.
“I’m sorry.” You manage to say, past the bloody taste in your mouth.
“Why are you apologizing?” Freddie asks. She’s squinting at you in suspicion.
“My fault,” you respond through gritted teeth. Somehow, the effort to talk is now met with a harsh twist of pain that bolts through you like lightning. You continue to apply a rather shaky pressure to the wound, grimacing when you see the napkin is now crimson. Freddie gets up and grabs a few more napkins, before squatting down next to you once more.
“It’s not your fault,” Freddie murmurs, shaking her head and averting her eyes. She looks relatively unharmed—at least, physically speaking. She is justifiably shaken by the events that transpired. Freddie changes the napkin in your hand for a fresh one. You whisper a word of gratitude and she nods, her lips drawn tight in a flat line.
Time drags on. Everything around you is fuzzy. Freddie hovers over you, a surprisingly worried expression on her face. You try to reach out to her, weakly reassure her that she’ll be okay, but you can’t move. Everything burns. The adrenaline you had earlier must be wearing off, because now you’re intimately aware of all your wounds. Blood trickles down your lips, likely creating a rather gruesome picture—if Freddie’s expression is anything to go by.
It feels like it takes years for help to arrive. You know it can’t be more than fifteen minutes, yet it feels as if you wait for an eternity. When you finally hear the distant sound of a door getting kicked in, you can’t help but let out a small relieved breath. Admittedly, even breathing hurts. You feebly adjust the napkin against your side. You hear the familiar words of agents announcing their entrance to the building. In moments, there are several agents entering the room. A tactical medic approaches you within moments. There’s blood seeping down your skin and soaking through your clothes. You don’t have the strength to do anything except exert a weak pressure on your wound. Your breaths are harsh gasps and increasingly hard to come by. You blink.
It’s hard to be aware of your surroundings. You manage to fight the urge to remain in this dreary darkness and your eyes flutter open. You’re reclined on a stretcher in an ambulance, with several straps preventing you from movement. Your vision is swimming, but you can vaguely make out faces looking over you. You blink a few times in an attempt to clear your sight; when your vision finally returns to normal, you feel fear strike through your heart. Hannibal is sitting at your side, a sharp gleam in his eyes. His brows are pinched in what you assume to be manufactured concern. There’s a paramedic at your side asking you questions, but the words all sound garbled. When you look back to Hannibal, you swear you see him smirking. A trick of the light, you tell yourself. Your heart starts thundering in your chest and a machine begins to beep incessantly. You don’t want to be so vulnerable in front of the Chesapeake Ripper, but you don’t quite have a choice. Your vision falls to black within a few moments.
You manage to catch glimpses of the starry night sky, then the white ceiling of what must be a hospital. When you realize you’re being wheeled through a hospital hallway, you can’t help but grow more nervous. You’re tightly secured to the stretcher and you feel trapped. There’s an oxygen mask secured over your mouth and nose. You grimace instinctually from the pain shooting through you, rippling up your torso and down your skin. You try to move your hand, but you can only slightly bend your fingers. Alarms are blaring.
Several nurses hover over you. They’re trying to speak to you, you think. You can’t answer. There’s nothing but overwhelming pain. Your fingers are twitching again. A tear slides down your cheek. The light above is blinding. Your hand is restless. You can’t stop fidgeting.
Suddenly, Hannibal’s hand is on your forearm. His grip is incredibly loose but the pressure is somehow—regrettably—reassuring. Before you can contemplate the meaning behind the gesture, you’re slipping into unconsciousness once more. This time, however, you don’t wake. Instead, you’re left to drown in your own dreams and nightmares, removed from reality.
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