Oh my god
holy fucking shit oh god
i'm crying rn
i already had a headache why r these stupid doomed gays making it worse
nobody talk to me (please do i need it)
I JUST FINISHED EPISODE 199
I CAN'T DEAL WITH THIS SHIT
Gonna listen to 200 when I'm home and comfy
I have to admit, even if
One; Simon Fairchild is my favourite of the Old Eldritch Horror Man Trio
And two; I'd probably be an avatar of the Vast and at the end of the day I'd be treated just the same;
I'm at my third? Fifth? (I actually lost count) Ricky Montgomery song, and I'm pretty sure this playlist will follow this up with some good old:
Achilles Come Down by Gang of Youths
Ship in a Bottle by fin
Liar by The Arcadian Wild
Stray Italian Greyhound by Vienna Teng
As the World Caves In and Less and Less by Matt Maltese
A couple of dodie songs
A pinch of Lincoln
A handful of Mother Mother
Basically the entirety of Mitski's discography
I'm doing great.
Other than that, I'm great.
alright so, i have listened to tma BUT only up to ep 18 (the man upstairs) and then i dropped it, but once tmagp came out I told my friend i would listen to it. tell me why after i caught up with tmagp they're getting me to listen to tma but in the wrong order, first i listened to mag 200 (before tmagp came out) and now im listening to mag 100 trying to connect the dots between two people (iykyk) now im getting back into tma so yk i think they secretly planned this all along (@witchinatree)
“Somewhere else”
Jmart my beloved (cries), they’re very dear to me
Also, happy Pride month!
SCREAMING, CRYING, THROWING UP, PASSING OUT!
(To say I was calm and collected while making this would be a lie)
Song: First Light - By Hozier
I’ve always gone back and forth about whether to picture Martin stabbing Jon in the front or the back because there’s such beautiful symbolic potential for both.
Like on the one had you’ve got the image that they’re cradling the knife between them, both holding it during perhaps the closest thing they’ve had to a true act of free will in a long time. Jon can’t press the knife in, but he can ease the blow for Martin. He can tell him it’s okay, that he forgives him even though there’s nothing to forgive. It’s horrible and painful, but it’s also setting them free. The blood would get on both of them as they held each other, and, at first glance, you wouldn’t be able to tell whose it was.
But then on the other hand you’ve got nothing coming between them, not even this, not even now. It’s Jon being killed by the same person in whose arms he’s currently finding comfort—and those two things are not at odds. It’s the potential that, if the knife is long enough, Martin could cut himself as well, but that doesn’t matter because his heart already broke with Jon’s anyway. It’s two people who have always found it so hard to trust taking the ultimate symbol of betrayal and turning it into a symbol of loyalty.
And I don’t know which I love more.