Wow - Blog Posts
He came home!!! ( ˶ˆᗜˆ˵ )
wishing good luck for anyone else who pulls!
Whuh... what.
WHASRWTYYATRtaaaatTTTTT?????
wow okay cool. seasons 1-3 already confermed. wow
how we feeling????
(the og post on X is below if you wanna take a look)
New art, featuring scalecommander Emberthal.
A while back when goofing with a friend over DMs on Discord. I was going through the art book for The Liar Princess and the Blind Prince I had. Here are some pictures from that day:
Sorry, I was gone for a while. My old tablet broke down and now isn’t working anymore. -w-”’
Reading order: left -> right, top -> bottom.
I don’t know why I chose sunflowers of all things; I can’t draw sunflowers, I dislike drawing sunflowers, and thus I made a 5 pages comic about sunflowers - a sunflower field no less.
hey whats up guys @castielrisingabove's tags on this post absolutely obliterated me. so i drew them and now they get to obliterate you too. enjoy
anyway its so nice to be able to hang out with you guys whenever i want for once. what should we do next. how about some karaoke
hyaloclastite
i wanted to do the contrast thing lol anyway this is from my ice and fire au so yeah
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Writing Workshop Week 1: Show & Tell
Hello, writers of tumblr! It’s @bettsfic again with this week’s generative workshop.
Today we’re doing what might be my favorite class activity: Show & Tell.
You might be thinking, do you teach kindergarten or something? No, I teach college. But my students are often weary, downtrodden 20 year olds who are more than happy to go back to basics. Tumblr—being a website of people who care deeply about things and share that passion with others—seems like a great place to host Show & Tell.
Speaking of basics, let’s first talk a bit about…
The Writing Identity
The goal of many writers is to become better at writing. While I think this is an admirable goal it’s also a complicated one, because good writing is entirely subjective. Everyone has their own definition of what good writing looks like based on their knowledge base, history, and personal tastes. And so I often encourage my students, before they begin their journey of becoming a better writer, to step back and ask themselves, “What does good writing look like to me?”
And that’s the thing: you can’t really become a better writer. You can become a more patient writer, with the ability to write and revise multiple drafts of a work. You can become a more ambitious writer, with the ability to write longer stories and deeper themes. You can become a more detailed writer, with the ability to render images and the small details of living that maybe other people don’t notice. Writing is a skill that requires practice, but it also requires joy. You have to enjoy the work more than you fear the potential for failure. And to enjoy the work, you need to honor yourself, your interests, and your ideals. In other words, to become a better writer, you have to become more you.
I remember when I first started writing, I frantically sought out writing advice. I clung to simple adages and rules: active verbs are stronger than passive verbs; remove words like “think” and “realize” and other indicators of your characters’ interior experiences; take out adjectives and adverbs. If you were to adhere to all this advice, your writing wouldn’t become stronger, it would become colder. You would write like Hemingway. There’s nothing wrong with Hemingway, but Hemingway already did Hemingway, and that means you’re free not to be Hemingway.
Don’t we read to feel closer to people, to experience that which we couldn’t otherwise experience? The beautiful thing about prose is that it’s the only medium that conveys consciousness, because language is the way we contain our thoughts, and writing them down offers others the chance to understand them. E.M. Forster in his book Aspects of the Novel says that the only difference between a character and a person is that a character’s secret inner life can be known, but a person’s can only be understood in observed behavior. Novels are stories of consciousness; biographies are stories of deeds.
In my early days as a writer, those inane adages of “good writing” began to weigh on me, and I found myself frequently opening a blank document and telling myself, “I’m just going to write something for fun, for me, and so I don’t have to follow any rules.” Every time, that lawless thing I wrote would become better than anything I’d written when I followed the rules. And in this case, “better” means I was proud of it; in writing as close to myself as I could, I was able to help my technical skill reach the level of my personal taste.
Good writing advice doesn’t spout shallow adages of what should be, it tells you all the things that could be; it opens your mind to possibilities and techniques. “Should” restrains creativity; the entire point of writing is to be creative. To be creative means to make something that has never existed before. And so one of the first things I tell my students is: You already know everything you need to know about your own writing. You already have good and important stories in you. You just have to sit down and write them.
“Show, Don’t Tell”
One such adage that still really gets to me is “show, don’t tell,” which a lot of writers believe. Many people take it to mean that you should describe the exterior circumstances of your narrator in order to allow the reader to interpret meaning. Instead of describing how your narrator feels, these people would rather have you describe their facial expression. But if you’re so interested in rendering the exterior rather than the interior, you’re better off becoming a director.
Others take it less literally: you show your story instead of tell your story, which, sure, is a valid personal belief for your own work but it’s ambiguous and impractical, and also denies the nature of people to tell stories. Fairy tales and fables are stories that are told. Telling stories came long before showing them.
In some ways, “show, don’t tell,” can be useful. If you spend a thousand words of character A lovingly and carefully describing every detail of character B, you don’t then need to say something like, “She was pining for him,” because you’ve allowed your description to do that work for you. So no, you don’t need to say it, but maybe you want to. Maybe you want to make it inarguable that character A is pining for character B; you don’t want a reader to say, “I think she’s paying that much attention because she wants to kill him and she’s looking for his weak points.”
And so that’s what it comes down to—choice. Ultimately, writing is about making decisions, and those decisions are stronger when you understand all your options.
Behind the adage is a more difficult truth to swallow: prose is both infinite in its potential and also frustratingly limited, because you have no control over your audience. You can lovingly describe every snowflake that falls in a blizzard, and your reader will be taking their own meaning from it—for people who can mentally visualize things, it’s the images their mind conjures; for those who can’t, it’s a mass of facts. And there are also those who are sleepy and missing details, or who are skimming to get to the bits they’re most interested in, or who accidentally dropped their book in the bath and now the bottom half of every page is warped and unreadable.
Or you can say, “It snowed.”
No matter what your beliefs are on “show, don’t tell,” the truth is that it’s a false dichotomy. The very nature of prose is to navigate this divide. Some stories call for more showing, for example when your narrator is at a distance, when we don’t have much access to their thoughts or feelings. Other stories will ask you to tell, especially if we’re deep in your narrator’s head and they’re giving us everything. Showing lends itself to setting, imagery, and plot. Telling lends itself to character, voice, and style. One is not inherently better than the other, in the same way that a screwdriver isn’t better than a hammer—the tool you use depends on the task at hand.
Any time you encounter a trite rule in writing, it’s usually pointing to something much greater and more fun to think about. In this case, showing and telling are two integral tools in meaning-making. For this week’s activity, we’re going to use both show and tell to make meaning.
Prompt time!
In Donald Barthelme's essay “Not-Knowing,” he calls objects magical. “What is magical about the object is that it at once invites and resists interpretation. Its artistic worth is measurable by the degree to which it remains, after interpretation, vital.”
So what does that mean? Although this essay is a hot mess (lovingly), part of its intended work is to be a mess. In fact Barthelme describes the mess of his desk and allows it to define him. It’s covered in coffee cups, cigarette ash, unpaid bills, and unwritten novels. In reality, those objects are just objects, but when rendered in prose, they give us an impression of this particular world and the character within it. The writer renders; the reader interprets. The things we own, that mean something to us, are also things that can define us. Who is the person who carries a leather wallet embossed with their initials, with the inside holding credit cards and a stack of neat bills? Who is the person who carries a canvas wallet with a faded Punisher logo on it, attached to a chain, and the only thing inside it is a Subway rewards card?
Objects are important. Especially in this world we live in where so many things have become virtual, tangibility will always be integral to us. We are a species that reaches out and touches. We like to hold things in our hands. We love things which cannot love us back.
For this week’s prompt fill, I want you to find a magical object for Show & Tell. Ideally, it’s something with a long personal history that’s important to you. Maybe it’s the object you would save in the event of a fire, or maybe it’s something you lost long ago.
First, I’d like you to show us the object by describing it. Then, tell us the story of it.
You can write about how you acquired it and the memories it conjures. Allow yourself to link and associate memories and feelings. Don’t box yourself in too much—just see where it takes you.
But you can also put a spin on it. Here are some ways you can do that:
If you want to try fiction, you can write the same story about your favorite character’s beloved object, or you could completely make up an object and its history.
If you want to try something experimental, you can write a story from the perspective of the object, and maybe its beloved thing is you.
If you want to try poetry, write a poem of your object. This is a separate lesson, but T.S. Eliot’s concept of an objective correlative may be illuminating to consider.
The purpose of this activity is to dig through your memories and/or observations, connect them, and use something external to conjure meaning from them. You begin with what your object is and it will eventually lead you to what it means.
Questions? Ask ‘em here before EOD Tuesday so @bettsfic can answer them on Wednesday. And remember to tag your work #tumblr writing workshop with betts if you want her to read your work and possibly feature it on Friday!
And, for those just joining us: @bettsfic is running a writing workshop on @books this month. Want to know more? Start here.
LEGO Monkie Kid Fand-Home Prints by @Kyri45
These can be found in 3 versions both as prints and T-Shirt on my RedBubble!
I've for a long time wanted to do a proper illustration from mob100! have the most likely last art for 2023
wydm i have to survive the winter without watching oscar drive in circles,,,,, screaming crying throwing up
Part 1!
..of the C.A.S. animated project:D
So...this is basically a little animation test we did to see if we can replicate the style of the original show. Turns out we can haha. And now that we know that, we want to do more~
Solid Helium Lizart Lotte
Aaand I put this thing on Tiktok and YouTube :D
_____
Quick Q&A: Yes, you can use this animation for gifs/icons/edits/headers/profile pics/redraws and other stuff. Just include the credits. Please:)
Okay so I was playing Pocket Morty's and I played the game awhile back and stopped playing (I don't remember why) for quite a bit so the mortys I caught where kinda high tier because I caught them before some updates but I'm also kind of really bad at the game so all my mortys where dazed except one who was at half health so I decided to try and see if I could grind a bit before he got dazed I didn't want to wast my items before a boss fight and I accidentally walked right in front of a trainer npc who challenged me I didn't really care as I thought I was going to lose so I half-assed it but right when I was on the npc's last morty (mine a level 10 scissor type his a level 9 rock type) his was on a fourth of his health mine at about 15 my attack missed and his hit and I just thought 'okay I'm dead' but my morty's hp landed on ONE and I attacked and the npc's morty died and mine grew a level and I just died laughing
TLTR: walked into a trainer battle with one morty at half hp walked out a level higher with four hp
BEHOLD!!! The winning prize for the IT Losers Ship Megabrawl bracket I had a while back! Bike on a bike!
This was a challenge because I don’t draw bikes or backgrounds but here we are! :]c
bill is biking back mike after the rock fight, and mike’s a lil sleepy hehe
hope u enjoy this as much as i enjoyed thinking abt this concept and continuously dying bc its so cute! Id love to do more IT brackets in the future, this was so fun! :D i love them sm ur honor!!!
I really hope Tumblr doesn't have a problem with this.
ANYONE KNOW THIS SONG? I saw this trending on TikTok and couldn't think of anything better. (This isn't part of my Au Mutant Apocalypse, it's part of what I consider... canon?)
You know, sometimes I think someone should tell Leo that it's not a good idea to throw your siblings off a really tall building, even though it was a desperate situation.
Something tells me Donnie needed more than an ibuprofen...
(mixed textile and embroidery)
reanimator (1985) • cat dead, details later
It works both ways actually they both need saving from the other
Hey random but do you have the Danny phantom google drive? I lost my copy sry sry
i looked all over but i can't find it im so sorry king
burbert weast.// +lineart cause i like how it came out