Writing Resources - Blog Posts
Body Language: Eyes
So I stumbled across this really useful thing which I use for writing and wanted to share it with you all.
(source: changingminds.org)
The eyes are often called, with some justification, ‘the windows of the soul’ as they can send many different non-verbal signals. For reading body language this is quite useful as looking at people’s eyes are a normal part of communication (whilst gazing at other parts of the body can be seen as rather rude). When a person wears dark glasses, especially indoors, this prevents others from reading their eye signals. It is consequently rather disconcerting, which is why ‘gangsters’ and those seeking to appear powerful sometimes wear them.
Looking Up
When a person looks upwards they are often thinking. In particular they are probably making pictures in their head and thus may well be an indicator of a visual thinker.
When they are delivering a speech or presentation, looking up may be their recalling their prepared words.
Looking upwards and to the left can indicate recalling a memory. Looking upwards and the right can indicate imaginative construction of a picture (which can hence betray a liar). Be careful with this: sometimes the directions are reversed — if in doubt, test the person by asking them to recall known facts or imagine something.
Looking up may also be a signal of boredom as the person examines the surroundings in search of something more interesting.
Head lowered and eyes looking back up at the other person is a coy and suggestive action as it combines the head down of submission with eye contact of attraction. It can also be judgemental, especially when combined with a frown.
Looking Down
Looking at a person can be an act of power and domination. Looking down involves not looking at the other person, which hence may be a sign of submission (‘I am not a threat, really; please do not hurt me. You are so glorious I would be dazzled if I looked at you.’)
Looking down can thus be a signal of submission. It can also indicate that the person is feeling guilty.
A notable way that a lower person looks down at a higher person is by tilting their head back. Even taller people may do this.
Looking down and to the left can indicate that they are talking to themselves (look for slight movement of the lips). Looking down and to the right can indicate that they are attending to internal emotions.
In many cultures where eye contact is a rude or dominant signal, people will look down when talking with others in order to show respect.
Looking Sideways
Much of our field of vision is in the horizontal plane, so when a person looks sideways, they are either looking away from what is in front of them or looking towards something that has taken their interest.
A quick glance sideways can just be checking the source of a distraction to assess for threat or interest. It can also be done to show irritation (‘I didn’t appreciate that comment!’).
Looking to the left can indicate a person recalling a sound. Looking to the right can indicate that they are imagining the sound. As with visual and other movements, this can be reversed and may need checking against known truth and fabrication.
Lateral movement
Eyes moving from side-to-side can indicate shiftiness and lying, as if the person is looking for an escape route in case they are found out.
Lateral movement can also happen when the person is being conspiratorial, as if they are checking that nobody else is listening.
Eyes may also move back and forth sideways (and sometimes up and down) when the person is visualizing a big picture and is literally looking it over.
Gazing
Looking at something shows an interest in it, whether it is a painting, a table or a person. When you look at something, then others who look at your eyes will feel compelled to follow your gaze to see what you are looking at. This is a remarkable skill as we are able to follow a gaze very accurately.
When looking at a person normally, the gaze is usually at eye level or above (see eye contact, below). The gaze can also be a defocused looking at the general person.
Looking at a person’s mouth can indicate that you would like to kiss them. Looking at sexual regions indicates a desire to have sexual relations with them.
Looking up and down at a whole person is usually sizing them up, either as a potential threat or as a sexual partner (notice where the gaze lingers). This can be quite insulting and hence indicate a position of presumed dominance, as the person effectively says ‘I am more powerful than you, your feelings are unimportant to me and you will submit to my gaze’.
Looking at their forehead or not at them indicates disinterest. This may also be shown by defocused eyes where the person is ‘inside their head’ thinking about other things.
The power gaze is a short but intense gaze that is used to impose one’s will on another, showing power without aggression.
It is difficult to conceal a gaze as we are particularly adept at identifying exactly where other people are looking. This is one reason why we have larger eye whites than animals, as it aids complex communication.
People who are lying may look away more often as they feel guilty when looking at others. However, when they know this, they may over-compensate by looking at you for longer than usual. This also helps them watch your body language for signs of detection.
The acceptable duration of a gaze varies with culture and sometimes even a slight glance is unacceptable, such as between genders or by a lower status person.
Non-visual gaze patterns (NVGPs) involve rapid movements (saccades) and fixations while we are ‘inside our heads’, thinking. Rapid movements happen more when we are accessing long-term memory and fixations more when we are accessing working memory. This is useful to detect whether people are thinking about older events or recent events (or old events that are already brought to working memory).
Glancing
Glancing at something can betray a desire for that thing, for example glancing at the door can indicate a desire to leave.
Glancing at a person can indicate a desire to talk with them. It can also indicate a concern for that person’s feeling when something is said that might upset them.
Glancing may indicate a desire to gaze at something or someone where it is forbidden to look for a prolonged period.
Glancing sideways at a person with raised eyebrows can be a sign of attraction. Without the raised eyebrow it is more likely to be disapproval.
Eye Contact
Eye contact between two people is a powerful act of communication and may show interest, affection or dominance.
Doe Eyes
A softening of the eyes, with relaxing of muscles around the eye and a slight defocusing as the person tries to take in the whole person is sometimes called doe eyes, as it often indicates sexual desire, particularly if the gaze is prolonged and the pupils are dilated (see below). The eyes may also appear shiny.
Making Eye Contact
Looking at a person acknowledges them and shows that you are interested in them, particularly if you look in their eyes.
Looking at a person’s eyes also lets you know where they are looking. We are amazingly good at detecting what they are looking at and can detect even a brief glance at parts of our body, for example.
If a person says something when you are looking away and then you make eye contact, then this indicates they have grabbed your attention.
Breaking eye contact
Prolonged eye contact can be threatening, so in conversation we frequently look away and back again.
Breaking eye contact can indicate that something that has just been said that makes the person not want to sustain eye contact, for example that they are insulted, they have been found out, they feel threatened, etc. This can also happen when the person thinks something that causes the same internal discomfort. Of course, a break in eye contact can also be caused by something as simple as dried out contacts or any new stimulus in one’s immediate area, so it’s important to watch for other signals.
Looking at a person, breaking eye contact and then looking immediately back at them is a classic flirting action, particularly with the head held coyly low in suggested submission.
Long eye contact
Eye contact longer than normal can have several different meanings.
Eye contact often increases significantly when we are listening, and especially when we are paying close attention to what the other person is saying. Less eye contact is used when talking, particularly by people who are visual thinkers as they stare into the distance or upwards as they ‘see’ what they are talking about.
We also look more at people we like and like people who look at us more. When done with doe eyes and smiles, it is a sign of attraction. Lovers will stare into each others eyes for a long period. Attraction is also indicated by looking back and forth between the two eyes, as if we are desperately trying to determine if they are interested in us too.
An attraction signal that is more commonly used by women is to hold the other person’s gaze for about three seconds, Then look down for a second or two and then look back up again (to see if they have taken the bait). If the other person is still looking at them, they are rewarded with a coy smile or a slight widening of the eyes (‘Yes, this message is for you!’).
When done without blinking, contracted pupils and an immobile face, this can indicate domination, aggression and use of power. In such circumstances a staring competition can ensue, with the first person to look away admitting defeat.
Prolonged eye contact can be disconcerting. A trick to reduce stress from this is to look at the bridge of their nose. They will think you are still looking in their eyes.
Sometimes liars, knowing that low eye contact is a sign of lying, will over-compensate and look at you for a longer than usual period. Often this is done without blinking as they force themselves into this act. They may smile with the mouth, but not with the eyes as this is more difficult.
Limited eye contact
When a person makes very little eye contact, they may be feeling insecure. They may also be lying and not want to be detected.
In persuasion
Eye contact is very important for persuasion. If you look at the other person and they do not look back at you, then their attention is likely elsewhere. Even if they hear you, the lack of eye contact reduces the personal connection.
If you want to persuade or change minds, then the first step is to gain eye contact and then sustain it with regular reconnection.
Staring
Staring is generally done with eyes wider than usual, prolonged attention to something and with reduced blinking. It generally indicates particular interest in something or someone.
Staring at a person can indicate shock and disbelief, particularly after hearing unexpected news.
When the eyes are defocused, the person’s attention may be inside their head and what they are staring at may be of no significance. (Without care, this can become quite embarrassing for them).
Prolonged eye contact can be aggressive, affectionate or deceptive and is discussed further above. Staring at another’s eyes is usually more associated with aggressive action.
A short stare, with eyes wide open and then back to normal indicates surprise. The correction back to normal implies that the person would like to stare more, but knows it is impolite (this may be accompanied with some apologetic text).
When a person stares at another, then the second person may be embarrassed and look away. If they decide to stare back, then the people ‘lock eyes’ and this may become a competition with the loser being the person who looks away first.
The length of an acceptable stare varies across cultures, as does who is allowed to stare, and at what. Babies and young children stare more, until they have learned the cultural rules.
Following
The eyes will naturally follow movement of any kind. If the person is looking at something of interest then they will naturally keep looking at this. They also follow neutral or feared things in case the movement turns into a threat.
This is used when sales people move something like a pen or finger up and down, guiding where the customer looks, including to eye contact and to parts of the product being sold.
Squinting
Narrowing of a person’s eyes can indicate evaluation, perhaps considering that something told to them is not true (or at least not fully so).
Squinting can also indicate uncertainty (‘I cannot quite see what is meant here.’)
Narrowing eyes has a similar effect to constricted pupils in creating a greater depth of field so you can see more detail. This is used by animals when determining distance to their prey and can have a similar aggressive purpose.
Squinting can be used by liars who do not want the other person to detect their deception.
When a person thinks about something and does not want to look at the internal image, they may involuntarily squint.
Squinting can also happen when lights or the sun are bright.
Lowering of eyelids is not really a squint but can have a similar meaning. It can also indicate tiredness.
Lowering eyelids whilst still looking at the other person can be a part of a romantic and suggestive cluster, and may be accompanied with tossing back the head and slightly puckering the lips in a kiss.
Blinking
Blinking is a neat natural process whereby the eyelids wipe the eyes clean, much as a windscreen wiper on a car.
Blink rate tends to increase when people are thinking more or are feeling stressed. This can be an indication of lying as the liar has to keep thinking about what they are saying. Realizing this, they may also force their eyes open and appear to stare.
Blinking can also indicate rapport, and people who are connected may blink at the same rate. Someone who is listening carefully to you is more likely to blink when you pause (keeping eyes open to watch everything you say).
Beyond natural random blinking, a single blink can signal surprise that the person does not quite believe what they see (‘I’ll wipe my eyes clean to better see’).
Rapid blinking blocks vision and can be an arrogant signal, saying ‘I am so important, I do not need to see you’.
Rapid blinking also flutters the eyelashes and can be a coy romantic invitation.
Reduced blinking increases the power of a stare, whether it is romantic or dominant in purpose.
Winking
Closing one eye in a wink is a deliberate gesture that often suggests conspiratorial (‘You and I both understand, though others do not’).
Winking can also be a slightly suggestive greeting and is reminiscent of a small wave of the hand (‘Hello there, gorgeous!’).
Closing
Closing the eyes shuts out the world. This can mean ‘I do not want to see what is in front of me, it is so terrible’.
Sometimes when people are talking they close their eyes. This is an equivalent to turning away so eye contact can be avoided and any implied request for the other person to speak is effectively ignored.
Visual thinkers may also close their eyes, sometimes when talking, so they can better see the internal images without external distraction.
Damp
The tear ducts provide moisture to the eyes, both for washing them and for tears.
Damp eyes can be suppressed weeping, indicating anxiety, fear or sadness. It can also indicate that the person has been crying recently.
Dampness can also occur when the person is tired (this may be accompanied by redness of the eyes.
Tears
Actual tears that roll down the cheeks are often a symptom of extreme fear or sadness, although paradoxically you can also weep tears of joy.
Weeping can be silent, with little expression other than the tears (indicating a certain amount of control). It also typically involves screwing up of the face and, when emotions are extreme, can be accompanied by uncontrollable, convulsive sobs.
Men in many culture are not expected to cry and learn to suppress this response, not even being able to cry when alone. Even if their eyes feel damp they may turn away.
Tears and sadness may be transformed into anger, which may be direct at whoever is available.
Pupil Size
A subtle signal that is sometimes detected only subconsciously and is seldom realized by the sender is where the pupil gets larger (dilates) or contracts.
Sexual desire is a common cause of pupil dilation, and is sometimes called ‘doe eyes’ or ‘bedroom eyes’ (magazine pictures sometimes have deliberately doctored eyes to make a model look more attractive). When another person’s eyes dilate we may be attracted further to them and our eyes dilate in return. Likewise, when their pupils are small, ours may well contract also.
A fundamental cause of eye dilation is cognitive effort. When we are thinking more, our eyes dilate. This helps explain ‘doe eyes’ as when we like others people, looking at them leads to significant thinking about how we may gain and sustain their attention.
Pupils dilate also when it is darker to let in more light. Perhaps this is why clubs, bars, restaurants and other romantic venues are so dingy.
People with dark irises (the colored circle around the pupil) can look attractive because it is difficult to distinguish the iris from the pupil, with the effect is that their dark pupils look larger than they are. People with light irises make the pupils easier to see, so when their pupils actually do dilate then the signal is clearer to detect, making them more attractive ‘at the right time’.
The reverse of this is that pupils contract when we do not like the other person, perhaps in an echo of squint-like narrowing of the eyes. People with small pupils can hence appear threatening or just unpleasant.
Rubbing
When a person is feeling uncomfortable, the eyes may water a little. To cover this and try to restore an appropriate dryness, they person may rub their eye and maybe even feign tiredness or having something in the eye. This also gives the opportunity to turn the head away.
The rubbing may be with one finger, with a finger and thumb (for two eyes) or with both hands. The more the coverage, the more the person is trying to hide behind the hands.
=Tips for writers=
I used to be a really passionate writer and really enjoyed crafting language but it's been years since I've written anything that's not for school. I really want to start writing again but I don't have any story ideas that I'm excited about. What should I do to start writing again?
When you want to start writing again, but aren’t sure how to start:
1. Read a variety of books.
Various authors, various genres, the more you expand your examples the better because it means exposure to more ideas. Don’t be afraid to take up books you may not like since there’s a great deal of learning to be found in why you dislike something, and the depth it gets you thinking can help contribute to your own ideas. The “spite write” is also a thing, where you hate something, or some part of a thing, so much that you go off and do it yourself.
2. Engage with a writing community.
Every writer likes a different level of engagement, but writing communities can be extra helpful at providing idea discussion. It’s also okay if it takes a while for you to find the right one. Some writers are happy with the ones that are for pure fun and keep away from real critique whereas others want detailed critiques and a push to be better. The community you’re part of needs to align with your goals for writing.
3. Write what you know… so know interesting things.
Blatantly stolen from my own TbaBW post, but if you think your life is too boring for inspiration or you want to write about something but don’t know how, then get yourself out there and learn. Find new experiences, ask willing people about their lives, try new things even if you aren’t sure about them, research new subjects; increase your inspiration and well of knowledge so you can write what you know. You’re limited by your own knowledge and creativity, so work hard to make sure that limit does not exist.
4. Find prompts or guided writing exercises.
A lot of writers use prompts or guided exercises to get their writer's muscles moving. Aside from providing the base idea for you, they don’t require commitment and are just a form of practice, but can be turned into more polished stories if it really works out. The best use of these isn’t just reading them and deciding if you instantly like it or not, but taking some time to really think about how they can unfold.
5. Brainstorm.
While there are times when ideas just come to you, it’s common for creative people to have to brainstorm and put real effort into coming up with decent ideas. Brainstorming activities can look like, but aren’t limited to:
Inspiration from music. Some songs tell stories, some paint a scene, some capture a mood, and some are just good background music. Listening to music can be a good source of inspiration for writing.
Talk it out. Ask your friend and family what kind of stories they like to hear and why, or ask them anything about stories that you think will get them to talk. You may not want to write those exact things, but the dialogue can get some ideas thrown out there.
Inspiration from art. Similar to music, take a look at paintings, sketches, or maybe even dances that can provide something. Especially pay attention to the details and what the artist could potentially by trying to convey.
Ways to Develop Plot Ideas (link embedded) covers more idea generation!
6. Productivity can be worked on.
Most writers naturally go through a cycle of interest and disinterest in their projects or even writing in general. I have these linked posts for general info on increasing productivity:
Tips for Improving Writing Productivity, Pt 1
Tips for Improving Writing Productivity, Pt 2
Tips for Improving Writing Productivity, Pt 3
Tips for Improving Writing Productivity, Pt 4
You may also want to check out the Motivation and Discipline tag since there’s a lot of info related to productivity and getting back into writing, especially when you aren’t feeling so great about it.
7. Don’t be afraid of not being great.
It’s been a while since you’ve written and it’s normal for skills to get rusty. Your skills before may not even have been where you wanted to be, but all you can do is compare yourself to where you once were rather than other writers. Writing is personal journey and can be a tough skill to build, so don’t beat yourself up if you have trouble. You have to be bad at something before you’re good at it.
Good luck with your writing!
————————
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writers' resources
sick of using "very _____" ? : https://www.losethevery.com/
want to simplify your writing ? : https://hemingwayapp.com/
writing buddies / motivation ? : https://nanowrimo.org
word you're looking for but don't know ? : https://www.onelook.com/thesaurus/
need a fantasy name ? : https://www.fantasynamegenerators.com/
need a fantasy name ? : https://nameberry.com/
want a name with meaning ? : https://www.behindthename.com/
who wants a map maker! : https://inkarnate.com/
story building / dnd ? : https://www.worldanvil.com/
need some minimalistic writing time ? : https://zenpen.io/
running out of ideas ? : https://blog.reedsy.com/creative-writing-prompts/
setting a goal ? how about 3 pages / day ? : https://new.750words.com/
what food did they eat ? : https://www.foodtimeline.org/
questions on diversity within writing ? : https://writingwithcolor.tumblr.com/
now what was that colour called ? : https://ingridsundberg.com/2014/02/04/the-color-thesaurus/
want more? : https://www.tumblr.com/blog/lyralit :]
words to use when writing
Appetite:
craving, demand, gluttony, greed, hunger, inclination, insatiable, longing, lust, passion, ravenousness, relish, taste, thirst, urge, voracity, weakness, willingness, yearning, ardor, dedication, desire, devotion, enthusiasm, excitement, fervor, horny, intensity, keenness, wholeheartedness, zeal
Arouse:
agitate, awaken, electrify, enliven, excite, entice, foment, goad, incite, inflame, instigate, kindle, provoke, rally, rouse, spark, stimulate, stir, thrill, waken, warm, whet, attract, charm, coax, fire up, fuel, heat up, lure, produce, stir up, tantalize, tease, tempt, thrum, torment, wind up, work up
Assault:
attack, advancing, aggressive, assailing, charging, incursion, inundated, invasion, offensive, onset, onslaught, overwhelmed, ruinous, tempestuous, strike, violation, ambush, assail, barrage, bombard, bombardment, crackdown, wound
Beautiful:
admirable, alluring, angelic, appealing, bewitching, charming, dazzling, delicate, delightful, divine, elegant, enticing, exquisite, fascinating, gorgeous, graceful, grand, magnificent, marvelous, pleasing, radiant, ravishing, resplendent, splendid, stunning, sublime, attractive, beguiling, captivating, enchanting, engaging, enthralling, eye-catching, fetching, fine, fine-looking, good-looking, handsome, inviting, lovely, mesmeric, mesmerizing, pretty, rakish, refined, striking, tantalizing, tempting
Brutal:
atrocious, barbarous, bloodthirsty, callous, cruel, feral, ferocious, hard, harsh, heartless, inhuman, merciless, murderous, pitiless, remorseless, rough, rude, ruthless, savage, severe, terrible, unmerciful, vicious, bestial, brute, brutish, cold-blooded, fierce, gory, nasty, rancorous, sadistic, uncompromising, unfeeling, unforgiving, unpitying, violent, wild
Burly:
able-bodied, athletic, beefy, big, brawny, broad-shouldered, bulky, dense, enormous, great, hard, hardy, hearty, heavily built, heavy, hefty, huge, husky, immense, large, massive, muscular, mighty, outsized, oversized, powerful, powerfully built, prodigious, robust, solid, stalwart, stocky, stout, strapping, strong, strongly built, sturdy, thick, thickset, tough, well-built, well-developed
Carnal:
animalistic, bodily, impure, lascivious, lecherous, lewd, libidinous, licentious, lustful, physical, prurient, salacious, sensuous, voluptuous, vulgar, wanton, , coarse, crude, dirty, raunchy, rough, unclean
Dangerous:
alarming, critical, fatal, formidable, impending, malignant, menacing, mortal, nasty, perilous, precarious, pressing, serious, terrible, threatening, treacherous, urgent, vulnerable, wicked, acute, damaging, deadly, death-defying, deathly, destructive, detrimental, explosive, grave, harmful, hazardous, injurious, lethal, life-threatening, noxious, poisonous, risky, severe, terrifying, toxic, unsafe, unstable, venomous
Dark:
atrocious, corrupt, forbidding, foul, infernal, midnight, morbid, ominous, sinful, sinister, somber, threatening, twilight, vile, wicked, abject, alarming, appalling, baleful, bizarre, bleak, bloodcurdling, boding evil, chilling, cold, condemned, creepy, damned, daunting, demented, desolate, dire, dismal, disturbing, doomed, dour, dread, dreary, dusk, eerie, fear, fearsome, frightening, ghastly, ghostly, ghoulish, gloom, gloomy, grave, grim, grisly, gruesome, hair-raising, haunted, hideous, hopeless, horrendous, horrible, horrid, horrific, horrifying, horror, ill-fated, ill-omened, ill-starred, inauspicious, inhospitable, looming, lost, macabre, malice, malignant, menacing, murky, mysterious, night, panic, pessimistic, petrifying, scary, shadows, shadowy, shade, shady, shocking, soul-destroying, sour, spine-chilling, spine-tingling, strange, terrifying, uncanny, unearthly, unlucky, unnatural, unnerving, weird, wretched
Delicious:
enticing, exquisite, luscious, lush, rich, savory, sweet, tasty, tempting, appetizing, delectable, flavorsome, full of flavor, juicy, lip-smacking, mouth-watering, piquant, relish, ripe, salty, spicy, scrummy, scrumptious, succulent, tangy, tart, tasty, yummy, zesty
Ecstasy:
delectation, delirium, elation, euphoria, fervor, frenzy, joy, rapture, transport, bliss, excitement, happiness, heaven, high, paradise, rhapsody, thrill, blissful, delighted, elated, extremely happy, in raptures (of delight), in seventh heaven, jubilant, on cloud nine, overexcited, overjoyed, rapturous, thrilled
Ecstatic:
delirious, enraptured, euphoric, fervent, frenzied, joyous, transported, wild
Erotic:
amatory, amorous, aphrodisiac, carnal, earthy, erogenous, fervid, filthy, hot, impassioned, lascivious, lecherous, lewd, raw, romantic, rousing, salacious, seductive, sensual, sexual, spicy, steamy, stimulating, suggestive, titillating, voluptuous, tantalizing
Gasp:
catch of breath, choke, gulp, heave, inhale, pant, puff, snort, wheeze, huff, rasp, sharp intake of air, short of breath, struggle for breath, swallow, winded
Heated:
ardent, avid, excited, fervent, fervid, fierce, fiery, frenzied, furious, impassioned, intense, passionate, raging, scalding, scorched, stormy, tempestuous, vehement, violent, ablaze, aflame, all-consuming, blazing, blistering, burning, crazed, explosive, febrile, feverish, fired up, flaming, flushed, frantic, hot, hot-blooded, impatient, incensed, maddening, obsessed, possessed, randy, searing, sizzling, smoldering, sweltering, torrid, turbulent, volatile, worked up, zealous
Hunger:
appetite, ache, craving, gluttony, greed, longing, lust, mania, mouth-watering, ravenous, voracious, want, yearning, thirst
Hungry:
avid, carnivorous, covetous, craving, eager, greedy, hungered, rapacious, ravenous, starved, unsatisfied, voracious, avaricious, desirous, famished, grasping, insatiable, keen, longing, predatory, ravening, starving, thirsty, wanting
Intense:
forceful, severe, passionate, acute, agonizing, ardent, anxious, biting, bitter, burning, close, consuming, cutting, deep, eager, earnest, excessive, exquisite, extreme, fervent, fervid, fierce, forcible, great, harsh, impassioned, keen, marked, piercing, powerful, profound, severe, sharp, strong, vehement, violent, vivid, vigorous
Liquid:
damp, cream, creamy, dripping, ichorous, juicy, moist, luscious, melted, moist, pulpy, sappy, soaking, solvent, sopping, succulent, viscous, wet / aqueous, broth, elixir, extract, flux, juice, liquor, nectar, sap, sauce, secretion, solution, vitae, awash, moisture, boggy, dewy, drenched, drip, drop, droplet, drowning, flood, flooded, flowing, fountain, jewel, leaky, milky, overflowing, saturated, slick, slippery, soaked, sodden, soggy, stream, swamp, tear, teardrop, torrent, waterlogged, watery, weeping
Lithe:
agile, lean, pliant, slight, spare, sinewy, slender, supple, deft, fit, flexible, lanky, leggy, limber, lissom, lissome, nimble, sinuous, skinny, sleek, slender, slim, svelte, trim, thin, willowy, wiry
Moan:
beef, cry, gripe, grouse, grumble, lament, lamentation, plaint, sob, wail, whine, bemoan, bewail, carp, deplore, grieve, gripe, grouse, grumble, keen, lament, sigh, sob, wail, whine, mewl
Moving:
(exciting,) affecting, effective arousing, awakening, breathless, dynamic, eloquent, emotional, emotive, expressive, fecund, far-out, felt in gut, grabbed by, gripping, heartbreaking, heartrending, impelling, impressive, inspirational, meaningful, mind-bending, mind-blowing, motivating, persuasive, poignant, propelling, provoking, quickening, rallying, rousing, significant, stimulating, simulative, stirring, stunning, touching, awe-inspiring, energizing, exhilarating, fascinating, heart pounding, heart stopping, inspiring, riveting, thrilling
Need:
compulsion, demand, desperate, devoir, extremity, impatient longing, must, urge, urgency / desire, appetite, avid, burn, craving, eagerness, fascination, greed, hunger, insatiable, longing, lust, taste, thirst, voracious, want, yearning, ache, addiction, aspiration, desire, fever, fixation, hankering, hope, impulse, inclination, infatuation, itch, obsession, passion, pining, wish, yen
Pain:
ache, afflict, affliction, agony, agonize, anguish, bite, burn, chafe, distress, fever, grief, hurt, inflame, laceration, misery, pang, punish, sting, suffering, tenderness, throb, throe, torment, torture, smart
Painful:
aching, agonizing, arduous, awful, biting, burning, caustic, dire, distressing, dreadful, excruciating, extreme, grievous, inflamed, piercing, raw, sensitive, severe, sharp, tender, terrible, throbbing, tormenting, angry, bleeding, bloody, bruised, cutting, hurting, injured, irritated, prickly, skinned, smarting, sore, stinging, unbearable, uncomfortable, upsetting, wounded
Perverted:
aberrant, abnormal, corrupt, debased, debauched, defiling, depraved, deviant, monstrous, tainted, twisted, vicious, warped, wicked, abhorrent, base, decadent, degenerate, degrading, dirty, disgusting, dissipated, dissolute, distasteful, hedonistic, immodest, immoral, indecent, indulgent, licentious, nasty, profligate, repellent, repugnant, repulsive, revolting, shameful, shameless, sickening, sinful, smutty, sordid, unscrupulous, vile
Pleasurable:
charming, gratifying, luscious, satisfying, savory, agreeable, delicious, delightful, enjoyable, nice, pleasant, pleasing, soothing, succulent
Pleasure:
bliss, delight, gluttony, gratification, relish, satisfaction, thrill, adventure, amusement, buzz, contentment, delight, desire, ecstasy, enjoyment, excitement, fun, happiness, harmony, heaven, joy, kick, liking, paradise, seventh heaven
Rapacious:
avaricious, ferocious, furious, greedy, predatory, ravening, ravenous, savage, voracious, aggressive, gluttonous, grasping, insatiable, marauding, plundering
Rapture:
bliss, ecstasy, elation, exaltation, glory, gratification, passion, pleasure, floating, unbridled joy
Rigid:
adamant, austere, definite, determined, exact, firm, hard, rigorous, solid, stern, uncompromising, unrelenting, unyielding, concrete, fixed, harsh, immovable, inflexible, obstinate, resolute, resolved, severe, steadfast, steady, stiff, strong, strict, stubborn, taut, tense, tight, tough, unbending, unchangeable, unwavering
Sudden:
abrupt, accelerated, acute, fast, flashing, fleeting, hasty, headlong, hurried, immediate, impetuous, impulsive, quick, quickening, rapid, rash, rushing, swift, brash, brisk, brusque, instant, instantaneous, out of the blue, reckless, rushed, sharp, spontaneous, urgent, without warning
Thrust:
(forward) advance, drive, forge, impetus, impulsion, lunge, momentum, onslaught, poke, pressure, prod, propulsion, punch, push, shove, power, proceed, progress, propel
(push hard) assail, assault, attack, bear down, buck, drive, force, heave, impale, impel, jab, lunge, plunge, press, pound, prod, ram, shove, stab, transfix, urge, bang, burrow, cram, gouge, jam, pierce, punch, slam, spear, spike, stick
Thunder-struck:
amazed, astonished, aghast, astounded, awestruck, confounded, dazed, dazed, dismayed, overwhelmed, shocked, staggered, startled, stunned, gob-smacked, bewildered, dumbfounded, flabbergasted, horrified, incredulous, surprised, taken aback
Torment:
agony, anguish, hurt, misery, pain, punishment, suffering, afflict, angst, conflict, distress, grief, heartache, misfortune, nightmare, persecute, plague, sorrow, strife, tease, test, trial, tribulation, torture, turmoil, vex, woe
Touch:
(physical) - blow, brush, caress, collide, come together, contact, converge, crash, cuddle, embrace, feel, feel up, finger, fondle, frisk, glance, glide, graze, grope, handle, hit, hug, impact, join, junction, kiss, lick, line, manipulate, march, massage, meet, nudge, palm, partake, pat, paw, peck, pet, pinch, probe, push, reach, rub, scratch, skim, slide, smooth, strike, stroke, suck, sweep, tag, tap, taste, thumb, tickle, tip, touching, toy, bite, bump, burrow, buss, bury, circle, claw, clean, clutch, cover, creep, crush, cup, curl, delve, dig, drag, draw, ease, edge, fiddle with, flick, flit, fumble, grind, grip, grub, hold, huddle, knead, lap, lave, lay a hand on, maneuver, manhandle, mash, mold, muzzle, neck, nestle, nibble, nip, nuzzle, outline, play, polish, press, pull, rasp, ravish, ream, rim, run, scoop, scrabble, scrape, scrub, shave, shift, shunt, skate, slip, slither, smack, snake, snuggle, soothe, spank, splay, spread, squeeze, stretch, swipe, tangle, tease, thump, tongue, trace, trail, tunnel twiddle, twirl, twist, tug, work, wrap
(mental) - communicate, examine, inspect, perception, scrutinize
Wet:
bathe, bleed, burst, cascade, course, cover, cream, damp, dampen, deluge, dip, douse, drench, dribble, drip, drizzle, drool, drop, drown, dunk, erupt, flood, flow, gush, immerse, issue, jet, leach, leak, moisten, ooze, overflow, permeate, plunge, pour, rain, rinse, run, salivate, saturate, secrete, seep, shower, shoot, slaver, slobber, slop, slosh, sluice, spill, soak, souse, spew, spit, splash, splatter, spout, spray, sprinkle, spurt, squirt, steep, stream, submerge, surge, swab, swamp, swill, swim, trickle, wash, water
Wicked:
abominable, amoral, atrocious, awful, base, barbarous, dangerous, debased, depraved, distressing, dreadful, evil, fearful, fiendish, fierce, foul, heartless, hazardous, heinous, immoral, indecent, intense, mean, nasty, naughty, nefarious, offensive, profane, scandalous, severe, shameful, shameless, sinful, terrible, unholy, vicious, vile, villainous, wayward, bad, criminal, cruel, deplorable, despicable, devious, ill-intentioned, impious, impish, iniquitous, irreverent, loathsome, Machiavellian, mad, malevolent, malicious, merciless, mischievous, monstrous, perverse, ruthless, spiteful, uncaring, unkind, unscrupulous, vindictive, virulent, wretched
Writhe:
agonize, bend, jerk, recoil, lurch, plunge, slither, squirm, struggle, suffer, thrash, thresh, twist, wiggle, wriggle, angle, arc, bow, buck, coil, contort, convulse, curl, curve, fidget, fight, flex, go into spasm, grind, heave, jiggle, jolt, kick, rear, reel, ripple, resist, roll, lash, lash out, screw up, shake, shift, slide, spasm, stir, strain, stretch, surge, swell, swivel, thrust, turn violently, tussle, twitch, undulate, warp, worm, wrench, wrestle, yank
Words related to “afraid”:
jittery
jumpy
fearful
scared
rattled
shaken
startled
panicky
anxious
worried
terrified
hesitant
alarmed
agitated
shocked
petrified
spooked
timorous
unnerved
distraught
lily-livered
frightened
distressed
concerned
intimidated
fainthearted
yellowbellied
apprehensive
disconcerted
panic-stricken
Wow. His whole argument gets even stupider the more you look at it huh?
‘Life is very full of sex, or should be. As much as I admire Tolkien — and I do, he was a giant of fantasy and a giant of literature, and I think he wrote a great book that will be read for many years — you do have to wonder where all those Hobbits came from, since you can’t imagine Hobbits having sex, can you? Well, sex is an important part of who we are. It drives us, it motivates us, it makes us do sometimes very noble things and it makes us do sometimes incredibly stupid things. Leave it out, and you’ve got an incomplete world.’ George R R Martin (source)
no disrespect to george rr martin but this quote cracks me up bcos every time i see if I’m just like, no george… you can’t imagine hobbits having sex. ;P
discourse about redemption arcs would vastly improve if instead of always asking “is this character redeemable?” people started asking “what message would it send to redeem this character?” and “would it be logical or satisfying on a narrative level to redeem this character?”
some fucking resources for all ur writing fuckin needs
body language masterlist
a translator that doesn’t eat ass like google translate does
a reverse dictionary for when ur brain freezes
550 words to say instead of fuckin said
638 character traits for when ur brain freezes again
some more body language help
![ミドホラ福袋 [名前診断]](https://64.media.tumblr.com/2d4ae276674d7570bfee38c58b12556d/24a1dda802a198d1-65/s1280x1920/bb039b6cb0998212b8da91ca8091068b3a4b135b.jpg)
use this for writing midnight horror school fanfics
Hello! I hope you're well! I was wondering, do you have some advice for the best-friends-to-lovers trope? My characters have been best friends since childhood and start living together but I have trouble getting the romance going as they're already very affectionate towards each other.
I’ve written quite a few articles surrounding the subject that I thought might be helpful, so I’ve linked them below :)
Guide to Writing Friends To Lovers
Tips On Writing Skinny Love
Resources For Romance Writers
Resources For Describing Emotions
Relationships Between Characters With No Connection
Relationships Between Polar Opposites
Skinny Love Prompts
Enemies Turned Lovers Prompts
Best Friends Turned Lovers Prompts
Tol & Smol Prompts
Guide to Writing Enemies To Lovers
“Just Friends” Playlist Listen On Spotify
Childhood Friends to Lovers
Hope these can help you!
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I’d also really appreciate it if you would check out my separate blog dedicated to my current work in progress. I also run writing sprints over on snapchat.
Character Development : A Collection of Resources
Patreon || Ko-Fi || Masterlist || Work In Progress
–
Resources
Resources For Creating Characters
Resources For Describing Characters
Resources For Writing The Mafia
Resources For Writing Royalty
Commentary on Social Issues In Writing
General Tips
Guide to Character Development
How To Fit Character Development Into Your Story
Tips on Character Consistency
Designing A Character From Scratch
Making characters for your world
Characters First, Story Second Method
Understanding Your Character
Tips on Character Motivations
31 Days of Character Development : May 2018 Writing Challenge
How To Analyze A Character
Alternative Method of Character Creation
Connecting To Your Own Characters
Interview As Your Characters
Flipping Character Traits On Their Head
Character Driven vs. Plot Driven Stories
Traits
Tips On Writing About Mental Illness
Giving Your Protagonists Negative Traits
Giving Characters Distinct Voices in Dialogue
Giving Characters Flaws
Making Characters More Unique
Keeping Characters Realistic
Archetypes
Writing Good Villains
Creating Villains
Guide to Writing The Hero
Positive Character Development Without Romanticizing Toxic Behavior
Tips on Writing Cold & Distant Characters
Balancing Multiple Main Characters
Creating Diverse Otherworld Characters
Foreshadowing The Villain
–
Masterlist | WIP Blog
If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.
Shoutout to my $15+ patron, Douglas S.!
Resources for Writing Injuries
Patreon || Ko-Fi || Masterlist || Work In Progress
–
Head Injuries
General Information | More
Hematoma
Hemorrhage
Concussion
Edema
Skull Fracture
Diffuse Axonal Injury
Neck
General Information
Neck sprain
Herniated Disk
Pinched Nerve
Cervical Fracture
Broken Neck
Chest (Thoracic)
General Information
Aortic disruption
Blunt cardiac injury
Cardiac tamponade
Flail chest
Hemothorax
Pneumothorax (traumatic pneumothorax, open pneumothorax, and tension pneumothorax)
Pulmonary contusion
Broken Ribs
Broken Collarbone
Abdominal
General Information
Blunt trauma
Penetrating injuries (see also, gunshot wound & stab wound sections)
Broken Spine
Lung Trauma
Heart (Blunt Cardiac Injury)
Bladder Trauma
Spleen Trauma
Intestinal Trauma
Liver Trauma
Pancreas Trauma
Kidney Trauma
Arms/Hands/Legs/Feet
General Information | More
Fractures
Dislocations
Sprains
Strains
Muscle Overuse
Muscle Bruise
Bone Bruise
Carpal tunnel syndrome
Tendon pain
Bruises
Injuries to ligaments
Injuries to tendons
Crushed Hand
Crushed Foot
Broken Hand
Broken Foot
Broken Ankle
Broken Wrist
Broken Arm
Shoulder Trauma
Broken elbow
Broken Knee
Broken Finger
Broken Toe
Face
General Information
Broken Nose
Corneal Abrasion
Chemical Eye Burns
Subconjunctival Hemorrhages (Eye Bleeding)
Facial Trauma
Broken/Dislocated jaw
Fractured Cheekbone
Skin & Bleeding
General Information (Skin Injuries) | More (Arteries)
femoral artery (inner thigh)
thoracic aorta (chest & heart)
abdominal aorta (abdomen)
brachial artery (upper arm)
radial artery (hand & forearm)
common carotid artery (neck)
aorta (heart & abdomen)
axillary artery (underarm)
popliteal artery (knee & outer thigh)
anterior tibial artery (shin & ankle)
posterior tibial artery (calf & heel)
arteria dorsalis pedis (foot)
Cuts/Lacerations
Scrapes
Abrasions (Floor burns)
Bruises
Gunshot Wounds
General Information
In the Head
In the Neck
In the Shoulders
In the Chest
In the Abdomen
In the Legs/Arms
In the Hands
In The Feet
Stab Wounds
General Information
In the Head
In the Neck
In the Chest
In the Abdomen
In the Legs/Arms
General Resources
Guide to Story Researching
A Writer’s Thesaurus
Words To Describe Body Types and How They Move
Words To Describe…
Writing Intense Scenes
–
Masterlist | WIP Blog
If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.
Shoutout to my $15+ patrons, Jade Ashley and Douglas S.!
hey do you have any tips on plot development? how to do come up with relevant but dramatic things to keep the plot going? i also don’t want to make it too intense?
I actually have quite a lot of resources that I’ve created over the years surrounding plot development. I’ve linked as many as I could find for you:
Resources For Plot Development
Useful Writing Resources
Useful Writing Resources II
31 Days of Plot Development
Novel Planning 101
How To Write A Good Plot Twist
How To Foreshadow
What To Cut Out Of Your Story
Tackling Subplots
Things A Reader Needs From A Story
A Guide To Tension & Suspense In Your Writing
How To Turn A Good Idea Into A Good Story
Planning A Scene In A Story
21 Plot Shapes and the Pros and Cons Of Each
How To Outline Effectively
Tips On Writing Intense Scenes
Writing The First Chapter
Tips On Starting A Scene
Plot Structures
Finding & Fixing Plot Holes
Useful Writing Resources
This is an extensive list of resources for every problem you could come across while writing/planning/editing your novel. Use it well;)
{ *** } Indicate a Highly Reccommended Resource
Planning/outlining Your Work
How To Outline ***
Zigzag Method : Creating Plots
How to Plot a Romance Novel
Seven Great Sources of Conflict for Romances
Let’s talk about brainstorming
Writing Something With Meaning ***
Past Or Present Tense? : How To Decide
Writing Your Work
How To Write A Fabulous Chapter #1 ***
How to Build a Romance Thread in Your Story
The Big Book Of Writing Sex ***
6 Ways to Get Your Readers Shipping Like Crazy
Romance Writing Tips ***
20 Tips for Writing Lovable Romance Novel Heroes
7 Ways To Speed Up Your Writing ***
80+ Barriers to Love: A List of Ideas to Keep Romantic Tension High
9 Romance Writing Mistakes to Avoid
Removing the Creeps From Romance
19 Ways to Write Better Dialogue ***
50 Things Your Characters Can Do WHILE They Talk ***
How To Write Action And Fight Scenes
10 Steps To Write Arguments
9 Ways To Write Body Language
Writing Good Kissing Scenes
Writing Murders
Create And Control Tone ***
Tips for Writing Ghost Stories
Incorporating Flashbacks
12 Tips To Avoid Overwriting ***
Characters
Behind the Name
Top Baby Names
Looking for a name that means a certain thing? ***
7 Rules of Picking Names
Most Common Surnames ***
Minor Character Development
Writing Antagonists, Antiheroes and Villains
Characters With Enhanced Senses
5 Tips to Help You Introduce Characters
How Do You Describe a Character?
How To Write Child Characters
36 Core Values For Building Character
Questions To Answer When Creating Characters ***
4 Ways to Make Readers Instantly Loathe Your Character Descriptions
5 Ways to Keep Characters Consistent
Character Archetypes
25 Ways To Fuck With Your Characters
Building Platonic Relationships Between Female Characters
9 Simple and Powerful Ways to Write Body Language
33 Ways To Write Stronger Characters
Conveying Character Emotion
How to Make Readers Love an Unlikable Character…
How to Create Powerful Character Combos
How To Describe A Character’s Voice ***
Describing Clothing And Appearance ***
Career Masterpost ***
Creating Your Character’s Personality ***
Character Flaws ***
Editing
DON’T EDIT>>> REWRITE THE WHOLE THING FIRST
Ultimate Guide To Editing Each Aspect Of Your Work ***
Why You Would Read Your Novel Out Loud ***
Grammar and Punctuation ***
How To Write A Captivating First Sentence
10 Things Your Opening Chapter Should Do: A Check-List for Self-Editing ***
Saving Your Story: Finding Where It Went Wrong
How To Condense Without Losing Anything
The Stages Of Editing
Dialogue/Description Balance
3 Proofreading Tips
The Short Story Form
Chapter & Novel Lengths
Anatomy Of A Novel : Chapters and Parts ***
How To Write Chapter After Chapter Until You Have A Book ***
Where Chapter #2 Should Start
Step By Step Guide To Editing Your Draft
Writing Tool: CTRL-F (How And Why You Should Use It) ***
How To Kill A Character
25 Steps To Edit The Unmerciful Suck Out Of Your Story
5 Ways To Make Your Novel Helplessly Addictive ***
Setting
{Setting} How To Describe Setting In Your Stories ***
20 Questions To Enhance Setting
How To Bring Your Setting To Life
Miscellaneous Resources You Can Use In Between
How to Write from a Guy’s POV
The Emotional Wounds Thesaurus
Text To Speech Reader
Compare Character Heights
A Visual Dictionary of Tops
Writers Helping Writers
7 Tricks To Imrove Your Writing Overnight
Work Out/ Word Count : Exercise Between Writing ***
Most Important Writing Tips ***
Let’s talk about diversity in novels
Letting Go Of Your Story
Keeping A Healthy Writing Schedule And Avoiding Procrastination ***
How To Create A Good Book Cover
Write or Die
Tip of my Tongue
Character Traits Form
Online Thesaurus
Writing Sketchy/Medical/Law
Coma: Types, Causes, etc
Tips for writing blood loss
Gunshot Wound Care
Examples of Hospital Forms
Common Legal Questions
The Writer’s Forensics Blog
Brain Injury Legal Guide
Types of Surgical Operations
Types of Mental Health Problems
A Day in the Life of a Mental Hospital Patient
Global Black Market Information ***
Crime Scene Science
Examining Mob Mentality
How Street Gangs Work
Writers’ Block Help/ Productivity
Story Plot Generator
@aveeragemusings ‘ Cure To Writers’ Block ***
50 Romance Plot Ideas
Reading Like A Writer ***
Defeat Writers’ Block
Writing In A Bad Mood ***
Writers Block
When You’ve Lost Motivation To Write A Novel ***
What To Do When The Words Won’t Flow ***
9 Ways To Be A More Productive Writer
“I Cannot Write A Good Sentence Today” (How To Get Over It) ***
Real Writing Advice ***
Info You Need To Know & Words You Didn’t Think Of
A Writer’s Thesaurus ***
Words To Describe… ***
Words & Phrases To Use In Your Sex Scenes ***
Colors (An Extensive List Of Colors)
List Of Kinks & Fetishes ***
List Of Elemental Abilities
inkarnate.com : World Creator And Map Maker For Your Imaginary Setting
Body Language Phrases
List Of Legendary Creatures
How To Write Magic
Hairstyle References
Hemingway : Writing Checker
Body Types: Words To Describe Bodies and How They Move Around
Poisonous Herbs and Plants ***
The Psychology of Color
The Meaning behind Rose color
Types of Swords
Color Symbolism
How a handgun works
How to Write a Eulogy
Types of Crying
Avoiding LGBTQ Stereotypes ***
Superstitions and More
The 12 Common Archetypes
Language of Flowers
12 Realistic Woman Body Shapes
Using Feedback And Reviews
Turning Negative Reviews Into Positive Ones ***
Proofreading Marks : Easy Symbols To Make Reviewing/Feedback Easier ***
Authonomy Teen Ink Figment Fiction Press ReviewFuse
These Are Trusted Critique Sites ;)
Pauline’s book recs : a MASTERPOST (II)
Shit, it’s 2020 and I’ve updated this Behemoth again. There’s both old and new in here. If you’re having problems with links overlapping, it is most likely the app/dashboard glitching—try the permalink version, and everything should work out, even on mobile. And of course, HAVE FUN.
Also: I had to split this one in two otherwise the links just poof, disappear. Part one is here.
THEMATIC LISTS By character Works featuring Persephone Works featuring Kassandra Works featuring Mary Magdalene Works featuring Narcissus (more or less) Works featuring male protagonists written by women Works featuring the House as a character Works featuring brothers Works featuring assassins Works featuring mermaids Works featuring musicians Works about scorned women and complex character development Works featuring the femme fatale archetype Works featuring female villains Works with Nature as a character Works with supernatural entities as a human double Works with introspective characters Works with narcissistic characters Works with “fatally-flawed” (hubristic) characters Romances featuring softer male protagonists Trope : Star-crossed lovers Trope : Friends to lovers Trope : Villainous love Trope : Toxic mother figure Trope : adaptating Beauty and the Beast Trope : adaptating Bluebeard By theme LGBTQ+ (a terribly old and lacking list) About love: pretty much a whole bibliography Suspense galore: books with good foreshadowing Suspense galore: a few good plot-twists Books taking place in a single building Books taking place in one House Books taking place in a high school Books with dysfunctional families Books about seeing into the Future Books by the sea (and a few pirates) Books set in Paris Books about hubris Books about loneliness and solitude Books about finding one’s life purpose Books about girlhood Books about introspection and self-discovery Books about melancholy and sadness Books about happiness and hope Books with symbolism and atmosphere Books about moral corruption and spiritual decadence Books about sex politics and philosophy Books about the female rage Books about or taking place during World War I Books featuring suicides Poems for mothers Poems about poetry Great love stories Unusual love stories Idealised, bittersweet love ; more By genres Rewriting Greek and Roman myths Rewriting Fairy Tales ; and again Writing and rewriting Arthuriana Favourites free-to-play text-based games Experimental literature Gothic and neo-gothic Southern Gothic Magical realism ; a few more Dystopias Young Adult Horror novels (but check the gothic instead) Crime novels Thrillers (thriller night); more Medieval historical fiction Sweet sweet comfort reads Just, like, sappy stuff
By context Beach reading Travel reading Halloween reading (spooky!) Winter reading Summer reading ; another Lockdown reading (you can still ask!) By book Books similar to The Secret History Books similar to Wuthering Heights ; again Books similar to Memoirs of Hadrian Books similar to Brideshead Revisited Books similar to A Grief Observed Books similar to The Brothers Karamazov Books similar to On Being Ill Books similar to Eros the Bittersweet Books similar to Dracula Books that might remind you of Avatar the Last Airbender if you squint Excerpts similar to Dido and Aeneas’ parting in the Aeneid Recommended editions of Romeo and Juliet Recommended editions of Shakespeare’s Sonnets Recommended editions of Wuthering Heights Recommended translations of Tristan and Yseult Some links to Rainer Maria Rilke’s Book of Hours Some links to a few of Mary Oliver’s works Lit criticism on Dorian Gray Lit criticism on Sonnets to Orpheus Books adapted to the screen (1) Books adapted to the screen (2) By author Favourite French writers Favourite Contemporary writers What to read? By Women French writers What to read? By Anne Carson (And some prep reading for Anne Carson) What to read? By Richard Siken What to read? By Roland Barthes What to read? By Agatha Christie What to read? By E. A. Poe What to read? By Daphné du Maurier What to read? By Sylvia Plath What to read? By Priya Sarukkai Chabria What to read? By Hélène Cixous What to read? On and by Branwell Brontë What to read & which translation? For Marguerite Yourcenar Which translation? For Hafez If you love Anne Carson If you love Angela Carter ; more If you love Louise Glück If you love Virginia Woolf If you love Sylvia Plath If you love Marguerite Duras If you love Emile Zola If you love Colette
How To Foreshadow
Foreshadowing is a necessary part of any well-executed story. And yet, despite all its prevalence and importance, it’s actually a concept that many authors have a hard time getting their minds around. If we sift foreshadowing down to its simplest form, we could say that it prepares readers for what will happen later in the story.
At first glance, this may seem counter-intuitive. Why would we want readers to know what’s going to happen later in the story? If they know how the book turns out, they’ll have no reason to read on.
True enough. So let me reiterate. The point of foreshadowing is to prepare readers for what happens later in the story. Not tell them,just prepare them.
Foreshadowing’s great strength lies in its ability to create a cohesive and plausible story. If readers understand that it’s possible that someone in your story may be murdered, they won’t be completely shocked when the sidekick gets axed down the road. If, however, you failed to properly foreshadow this unhappy event,readers would be jarred. They would feel you had cheated them out of the story they thought they were reading. They would think you had, in essence, lied to them so you could trick them with this big shocker.
Readers don’t like to be cheated, lied to, or tricked. And that’s where foreshadowing comes into play.
Foreshadowing, Part 1: The Plant
We can break foreshadowing down into two parts. The first is the plant. This is the part where you hint to readers that something surprising and/or important is going to happen later in the book. If the bad guy is going to kidnap the good guy’s son, your plant might be the moment when your hero notices a creepy dude hanging around the playground. If your heroine is going to be left standing at the altar, your plant might be her fiancé’s ambivalence toward the wedding preparations.
Depending on what you’re foreshadowing, the plant can be blatant or subtle. Subtle is almost always better, since you don’t want to giveaway your plot twists. But, at the same time, your hints have to be obvious enough that readers will remember them later on.
Usually, the earlier you can foreshadow an event, the stronger and more cohesive an effect you will create. The bigger the event, the more important it is to foreshadow it early. As editor Jeff Gerke puts it in The First 50 Pages:
Basically, you need to let us in on the rules. If the climax of your book is going to consist of getting into a time machine and jumping away to safety, we had better have known in the first fifty pages that time travel is possible in the world of your story.
Foreshadowing, Part 2: The Payoff
Once you’ve got your plant in place, all that’s left is to bringthe payoff on stage. If you planted hints about kidnapping, jilting, or time travelling, this is the part where you now get to let these important scenes play out.
As long as you’ve done your job right with the plant, you probably won’t even need to reference your hints from earlier. In fact, you’re likely to create a more solid effect by letting readers put the pieces together themselves.
But you’ll also find moments, usually of smaller events that were given less obvious plants, that will benefit from a quick reference to the original hint (e.g., “George,you big meanie! Now I understand why you wouldn’t choose between the scarlet and the crimson for the bridesmaids’ dresses!”)The most important thing to remember about the payoff is that it always needs to happen. If you plant hints, pay them off. Just as readers will be confused by an unforeshadowed plot twist, they’ll also be frustrated by foreshadowing that excites them and then leads nowhere.
Foreshadowing vs. Telegraphing
The trick to good foreshadowing is preparing your readers on a subconscious level for what’s coming without allowing them to guess the ins and outs of the plot twist. You don’t want your hints to be so obvious that they remove all suspense. In her October 2012 Writer’s Digest article “Making the Ordinary Menacing: 5 Ways,” Hallie Ephron calls this “telegraphing”:
When you insert a hint of what’s to come, look at it critically and decide whether it’s something the reader will glide right by but remember later with an Aha!That’s foreshadowing. If instead the reader groans and guesses what’s coming, you’v etelegraphed.
Some clever readers will undoubtedly be able to interpret your hints, no matter how cagey you are. But if you can fool most of the readers most of the time, you can’t ask for more than that.
Foreshadowing vs. Foreboding
Foreboding—that skin-prickling feeling that somethinghorrible is going to happen—can be a useful facet of foreshadowing. By itself, foreboding isn’t specific enough tobe foreshadowing. Unlike the plants used for foreshadowing, foreboding is just an ambiguous aura of suspense. Jordan E. Rosenfeld describes it in Make a Scene:
[F]oreshadowing … hints at actual plot events to come, [but]foreboding is purely about mood-setting. It heightens the feeling of tension in a scene but doesn’t necessarily indicate that something bad really will happen.
Foreboding is useful in setting readers’ emotions on edge without giving them any blatant hints. But when it comes time to foreshadow important events, always back up your foreboding by planting some specific clues.Most authors have so intrinsic an understanding of foreshadowing that they plant it and pay it off without even fully realizing that’s what they’re doing. But the better you understand the technique, the better you can wield it. Using this basic approach to foreshadowing, you can strengthen your story and your readers’ experience of it.
Source x
Creating plots with the zigzag method
I’ve learned this method years ago and I’ve been using it ever since. The zigzag plot creator starts like this:
An crescent zigzag.
You can have as many up and downs as you want. I’ve drawn six to keep it simple. Alright, this zigzag is your storyline and every corner is an important event that will change everything:
Every down represents a bad thing happening to your main characters, taking them further away from their goal. Every up is a good event, taking them closer to their goal:
So, when the zigzag goes down, something bad must happen. When the zigzag goes up, something good must happen. The reason why we drew a crescent zigzag is because every down must be worse than the previous, and every up must be better than the previous. As the zigzag advances, events become more serious and relevant.
Let’s apply the zigzag method. My storyline is a detective trying to catch a serial killer in a futuristic city. Minutes later, this is what I’ve got:
Start: Detective, our protagonist, is just promoted
Down #1: Mass suicide happens in town, detective gets the case, the whole town thinks it might have been a religious suicide act, but detective suspects that someone single-handed killed all those people
Up #1: Detective finds clue about a possible killer
Down #2: A bigger mass murder happens, a true massacre, it’s a definitely a murder
Up #2: Detective finds the killer’s trail
Down #3: Thinking he is ahead of time, close to catching the killer, detective ends up dead in another mass murder
Up #3: Because of his notes and discoveries, the police is able to find the killer before they leave town
From this point on you can play with zigzag as much as you want. For example, changing the orientation of the zigzag for a bad ending:
Lots of ups and downs:
Or just a few:
It’s up to you (see what I did there?).
You can plot any type of story with the zigzag method. It’s a visual and easy process for a very complex task.
I wish I knew how to outline stories. I’ve tried so many times but I never get it.
I need an outlining coach or tutor or some shit. Someone who will sit me down, talk over what’s supposed to happen with me, and walk me through the process of outlining.
Because this fic is plot heavy and I’m a total pantser and I’m gonna screw it up or hit a writers’ block of the “uh…what’s supposed to happen now?” variety if I don’t get my shit together.
reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics
Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because they’re used to writing essays rather than prose. I don’t wanna be the asshole who complains about writing errors and then doesn’t offer to help, so here are the basics summarized as simply as I could manage on my phone (“dialogue tag” just refers to phrases like “he said,” “she whispered,” “they asked”):
“For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.
“But what if you’re using a question mark rather than a period?” they asked.
“When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.
“When breaking up a single sentence with a dialogue tag,” she said, “use commas.”
“This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”
“There’s no dialogue tag after this sentence, so end it with a period rather than a comma.” She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.
Writing Advice: tips, tricks & helpful links, from your friendly neighbourhood fanfic author ✨ (part two—the resources)
see part one—the advice here
verbiage: • show, don't tell—a guide by @lyralit • this crazy big list of dialogue tags from @slayingfiction
diversity & inclusive writing: • a collection of helpful posts about BIPOC, gender, and body neutral inclusion in writing collated by @lavenderursa • this post on writing disabled characters by @cripplecharacters if you're not writing from experience
adding depth to your characters: • exploring character backstory and good traits gone bad by @saraswritingtipps • dark past ideas from @sas-soulwriter • @lyralit's list of things to think about when crafting a character
story structure and depth: • plot structures and this story planning template from @wordsnstuff • this collection of links from @oflights including fantasy name generators, child development guides, and height comparison visuals • finally, @writingquestionsanswered full stop, they have some fantastic guides and advice on things like this post on how to deal with writer's block and this one on how to start a story.
smut (i'm not gonna lie, there's a lot of smut resources): • the classic—quinnanderson's 'ultimate guide to writing smut fic' on AO3 • smut synonyms from @plaidstiel-wormstache • @maybeeatspaghetti's smutty dictionary • another smut thesaurus from @prurientpuddlejumper • this list of praise kink dialogue, also a good site for sex positions • sex positions for deep penetration (with diagrams) • this guide by @void-my-warranty • and not quite smut, but this post on how to write a kiss scene from @youneedsomeprompts
writing software: • a collection of alternatives to google docs, by @the960writers • here is @yekokataa's AO3 template for scrivener
prompts, for when you want to write but need a nudge: • @creativepromptsforwriting • @deity-prompts (who also has an excellent masterlist of writer's advice)
I may update this list occasionally who knows, but for now I hope some of you find it helpful 💗
Writing Resources PDFs
As requested: https://www.writersarchive.com/
The documents contain sensitive themes and topics (e.g., related to death).
Some notes are from my old files, which may include outdated information. Others were made in response to a request. I also included a few references that are still in my queue & drafts.
Choose which tips & notes are most appropriate for your own writing. Some are just quick references. Thus, more research may be needed for your written work.
Updates may be made in irregular intervals for added material and/or corrections.
All PDFs are free. You can pay what you want/can here. There's a very small fee to keep the site up. But please don't feel obligated to, especially if you're in a rough patch at the moment—been there (+ it is the holiday season after all, which I know can be a tough time). Writing has always been a safe space for me, so if these references help you as well, that would be more than enough for me.
Thank you to everyone who had been so encouraging about this little project.
And thank you especially to @beforeyearning for creating the site ily (please follow his blog, he's a very talented writer).