There' A She Wolf In The Closet Open Up And Set Her Free Awooo

I did something cute

*Wednesday is planning a murderin her head*

*Enid is literally just admiring how prettiest Wednesday are*

Person: I want a story where witches do everyday magic, like spells woven into clothing and charmed earrings and spells made from knitting-

Me: *grabs their face* The Circle of Magic series. The thing you are describing is Tamora Pierce’s Circle of Magic series.

Me: There are four main characters, a white girl who has power to control and and bespell textiles, a black lesbian who can shape and enchant metal, a fat girl very easily interpreted as asexual who can control weather and cause natural disasters, and a possibly aromantic boy of color who can talk to plants. Their mentors include two queer women in a relationship and a black man. The entire series revolves around their friendship and supporting and drawing strength from each other.

Me: Along with this are very strong feminist themes, and not that exclusively white woman feminism, like real anti-racism, anti-classism, and sexual liberation stuff, along with storylines about honoring your culture while breaking away from what is traditionally accepted, anti-war sentiments and dealing with grief and PTSD.

Me: This is literally everything tumblr has ever asked for and it has existed for nearly TWENTY YEARS

Me: Please read it.

i watched My Neighbor Totoro for the first time, here's my chronological viewing experience:

woo-hoo! dusty old japanese house with japanese architectural details aplenty

these kids got some ENERGY my goodness

family dynamic's adorable. peak quality dad humor

kids: our house is haunted. parents: that's so cool!

hell yeah, wrinkled old lady rep. we need more friendly old women with potato faces and warts like storybook witches. the backbone of society, these ladies

Plot Summary: Small Child Bothers Local Wildlife

sacred tree sacred tree sacred tree

Introducing Totoro! nobody said this fucker's got TEETH???

Uh-Oh! Inadequate Parental Supervision Detected

(you misplaced your four year old! you're not supposed to do that)

4-year-old: i met a magic forest spirit. dad: oh shit fr?

4-year-old: *angrily hugs sister* missed u bitch

this small child has a smile like a toad. like a really really cute toad. like the cutest toad in all existence. i love her she's perfection please just let this child be happy

rice paddies are so pretty....so back breaking....rice is such a prissy crop

*my crush is stranded in a rainstorm* takethisumbrellait'syoursnowBYE *runs away in panic im so good at flirting*

Giant Chinchilla Learns To Hold Umbrella, Is Fucking Delighted By Experience

take this, it will help you on your quest! *hands u trail mix wrapped in a leaf*

LO-FI HIP HOP STUDY LIST!!!!!!!!!!!!!!!!!!!

crouching down to peer at dirt--A++ top notch foundational childhood experience

mom has a big ass forehead

honey! the chinchillas are performing Rituals in the backyard again

help yeah let's jack and the bean stalk this shit

huh so we're all just climbing aboard the giant chinchilla's tiddies now ok

class trip!

the pure adrenaline of Vegetable Gardening

no! the small child is crying! she is bawling her eyes out. no no no. i can't cope with this. emotionally i cannot cope 🥺🥺🥺

i've only had Mei one hour but if anything happens to her i will raze this earth and everyone on it

please someone make this small child smile again

oh no the tall child is crying too

i can't take this. my heart can't take this.

i need a drink

small child running determined to deliver magic veggies to the hospital. this kid is my hero

she is also unsupervised. so, so unsupervised

babe you are FOUR

godDAMMIT ghibli, you cannot give me watercolor sunsets while a small child is missing. u are killing me. my heart is giving out. this is me, experiencing heart failure.

Totoro to the rescue!

no wait CATBUS to the rescue!

i admit i initially thought the cat was a creep. alice in wonderland prejudiced me. i have revised my notions of smiling cats

i've decided the cat is a metaphor for the magic of a robust public transport system

MEI'S OKAY!!!!!!!!!!!!!

and so is mom. she's a lovely lady im sorry for what i said about her forehead. it's a noble forehead.

happy ending YES bitch!!!!!!

ok. ok ok ok. that was magical.

(as a first-time adult viewer i was worried i wouldn't be able to Access the Magic. but i could and i did and it was incredible. that was culture. that was ART. joy distilled into animated form. holy rites of childhood. i understand now. how glorious, this world we grow out of. how full of marvels. i'm going outside to smell grass and sun and get dirt under my fingernails. miraculous.)

I slept in and just woke up, so here's what I've been able to figure out while sipping coffee:

Twitter has officially rebranded to X just a day or two after the move was announced.

The official branding is that a tweet is now called "an X", for which there are too many jokes to make.

The official account is still @twitter because someone else owns @X and they didn't reclaim the username first.

The logo is 𝕏 which is the Unicode character Unicode U+1D54F so the logo cannot be copyrighted and it is highly likely that it cannot be protected as a trademark.

Outside the visual logo, the trademark for the use of the name "X" in social media is held by Meta/Facebook, while the trademark for "X" in finance/commerce is owned by Microsoft.

The rebranding has been stopped in Japan as the term "X Japan" is trademarked by the band X JAPAN.

Elon had workers taking down the "Twitter" name from the side of the building. He did not have any permits to do this. The building owner called the cops who stopped the crew midway through so the sign just says "er".

He still plans to call his streaming and media hosting branch of the company as "Xvideo". Nobody tell him.

This man wants you to give him control over all of your financial information.

Hey, hey! Friendly reminder to make sure your supposedly “fearless” character gets their darkest fear revealed in the worst way possible so they break down into a vulnerable shaking mess in front of all the people they care about 

a little practice with colored lineart, used pink for this one!

commissions open!

Alright, to ao3's soon to be arriving Wattpad Refugees, a basic guide to general user culture:

1.) Unlike Wattpads vote system that let's you like each chapter, the ao3 equivalent kudos only allows one per work. Everyone is generally quietly annoyed about this. To engage with each chapter, you're heavily encouraged to comment. Trust me, it makes people's day.

2.) Ao3 has no algorithm. By default it's latest updated work first. You can find things to your taste through searches, filters and tags.

3.) 'No archive warnings apply' and 'user has chosen not to use archive warnings' mean two very different things. No archives warnings means the work is free from any content that could require a warning tag (character death, graphic depictions of violence, non-con, etc). User has chosen not to use archive warnings means it could contain any of the warning content, be it hasn't been explicitly tagged. Treat it like an allergen. No archive warnings apply is allergen free. User has chosen not to use archive warnings, may contain traces or whole chunks of the allergen. If you're likely to have a bad reaction, maybe don't take the risk.

4.) Speaking of warnings, ao3 has very few restrictions on the type of work that's allowed. Whatever your personal thoughts or feelings on that are, thats how the site is. You're likely to run across some dark subject matters and a lot of people are uncomfortable with reading that. You're well within your rights not like these works and have your opinion on whether they should be allowed, but harassing the authors of such works (or any works) is more likely to come back on you than them. Ao3 operates on a strong policy of 'don't like, don't read'. Use the tagging system to your full advantage to only engage with the kind of works you want to see.

We look forward to welcoming you all and seeing the fantastic works you create. Happy writing!

cue the orchestra in the back

you’re twelve years old and you break your father’s hand when he hi-fives you. the first thing you learn is that the smallest slip up can hurt the people you love. your (foster) father smiles and says it’s okay (it’s not). 

your parents are not your parents. the idyllic farming community that raised you is not your home. you’re a You-Don’t-Know-What from You-Don’t-Know-Where. all you know for sure is that you’re not human. 

so you can fly. so you can run fast. so you can lift cars. so what? why do you even have this power? what should you even do with it? 

your father said do what’s right, so that’s what you do. 

you stop a robbery. the man’s knife shatters against your skin and you see the same fear in his eyes that you saw in your father’s when you were twelve. you catch a falling child before it can hit the water. his mother looks at you like you’re a god. 

they love you, even though they don’t know you. the most powerful man in the world hates you because they love you. 

you wanted to write when you were younger. you wanted to tell stories that needed to be told. you never wanted to star in them. you never wanted super-geniuses and demi-goddesses looking to you for advice; like you have any idea how to handle threats to reality itself. you’re just a kid from smallville who’s trying to do the best he can with what he’s given. 

you try and get back to the farm as much as you can. it feels normal being back among the open wheat; where everyone smiles because you’re that nice Kent boy. 

when you were younger, you pretended to fly, hands out to your sides and running through the tall grass by the river. it doesn’t look as beautiful from on high; the details get lost and the colors of your hometown blur together from a mile above ground. 

the problem with flying is that it puts you so far above people you care about

I see a lot of new writers struggling with pacing dialogue so here's some tips. First off, unlearn your distaste for "said." If you need to quickly remind readers who is speaking without distracting them, put "said."

Second, if the dialogue is meant to be happening rapidly, cut tags out for several lines. Example:

"Give me the map."

"What map?"

"Don't play dumb with me. Hand it over."

"Not until you give me the keys."

"What keys?"

See how quickly this moves? Every beat is another piece of dialogue, feeding the exchange back and forth. We can slow this down by adding tags that carry some description. This makes the reader spend longer on the passage. Example:

"Give me the map," she demanded, holding out her hand.

"What map?" he asked, face a picture of perfect innocence.

"Don't play dumb with me," she said.

See how much slower this exchange feels now? We didn't add any new information and yet the beats have totally changed. Think of description as something that adds time. To demonstrate, consider this example:

"Don't play dumb with me. Hand it over."

He didn't answer right away. "Not until you give me the keys," he said finally.

How do we make the reader pause in a more natural and effective way? By adding description and tags. Example:

"Don't play dumb with me," she spat, voice dripping venom. "Hand it over."

He stared at her outstretched hand, palm empty. Somewhere in the distance, a coyote howled.

"Not until you give me the keys," he said with a sigh.

See? Without using a single time indicator, we showed a pause, by slowing down the reader and filling those beats with description. Remember that people visualize at the same speed they read. If you need to slow them down, make them read more words. For faster, more intense exchanges, skip all but necessary clarifying tags, as in the very first example.

Lastly, consider the rhythm of your passage. See this example:

"Give me the map," she spat, hand outstretched.

"What map?" he asked, shrugging.

"Don't play dumb with me," she said, narrowing her eyes.

This is repetitive. Avoid using the same pattern of tags and description two or more times in a row. You can fix this by reworking your passage to include more or different descriptions, but for a quick fix, try changing the tags into stand alone sentences and/or moving them before the dialogue. To fix the passage above, we might try this:

"Give me the map," she spat, hand outstretched.

He shrugged. "What map?"

"Don't play dumb with me," she said. Her eyes narrowed.

See how much more natural that is? And we changed nothing but the order and punctuation. Removing the repetition helps you avoid pulling the reader out of the story by reminding them that they're reading. A good dialogue passage should be remembered in your reader's minds as a movie scene.