I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›

I go bazoonkers whenever I see his neck and collarbones πŸ›πŸ›πŸ›

His neck looks so kissable and biteable

(RAWRARAWRWAAAHHHAJQBAJNDJQNARAWR)

I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›
I Go Bazoonkers Whenever I See His Neck And Collarbones πŸ›πŸ›πŸ›

Chest, jaw, hands and lips too.

If he needs a dog...I can moo 🍞

More Posts from Bxtchsimp and Others

1 year ago

bitches be like β€œhe’s my comfort character” and it’s just some dude covered in blood

10 months ago

Hello , I am Purity from Gaza-palestine and I am 21- years- old. I am diagnosed with diabetes type 1, recently I have become extremely sick and lose weight due to lack of enough money to get my insulin. The situation is getting worse day by day I really need your support argently.As a diabetic person, I find myself in a difficult situation and I'm in need of assistance for me to survive. Thank you in advance every 1 dollar can save a person's life. As you can imagine,I am really struggling to get my medication if you don't mind kindly support meπŸ™πŸ™πŸ™.

t.umblr.com
Redirecting...

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7 months ago

We all agree, right?

AI to write your novel is wrong

A bargain with a demon to write your novel is okay

9 months ago

Hello dear friends! β€πŸ€πŸ–€πŸ’š

πŸ‰I am Mahmoud Ayyad, a Palestinian from the besieged and destroyed Gaza 😭😭, coming from an extended family of young children, women and elderly people ❀❀ who have been suffering😭😭 for 300 difficult days from an aggressive war.

Our lives are harsh because we lack all the basic necessities of life. Everything has become scarce and unattainable. There is no food, no water, no medicine.

So, I ask you to help me keep my family safe and alive, especially after we had lost all our sources of livelihood.Please do not leave my family to struggle and suffer these difficult days alone. You can support my campaign by donating whatever you can or by sharing my posts to reach others who can help us survive the war to safety and peace. You are helping the lives of many people with your small contribution. Every donation makes a difference in our very difficult lives. But this is a legitimate campaign and has been checked by 90-ghost.

https://gofund.me/31c5cbe3

β€οΈπŸ–€πŸ€πŸ’š


Tags
9 months ago

Hello πŸ‘‹, I hope you're doing well.. My name is Mahmoud, and I'm a 17-year-old from Gaza. The ongoing war has devastated my city, destroyed my school, and made daily life incredibly challenging. Despite these hardships, I'm determined to continue my education and build a better future. I've been given a chance to study abroad, but I need help to cover the costs of leaving Gaza, as well as living expenses and other essentials abroad once the crossing opens.. If you can, please consider donating or sharing, your kindness can truly make a difference, and thanks for your time. πŸ™β€ https://gofund.me/bd3ccf0b

β€οΈπŸ–€πŸ€πŸ’š


Tags
1 year ago

as a writer, i fucking love being a reader more. like yes, tell me more about that character. let me know your characterization. you're so fucking talented i love it. tell me more about your oc. tell me their lore. omg this fic was inspired by a song?? love it. can i please fangirl over this masterpiece and ramble in the tags how this will stay in my mind for weeks??

1 year ago

Let's talk about transitions.

Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.

Here are some strategies to smoothly transition between different pacing levels:

Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.

Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.

Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.

Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.

Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.

Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.

Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.

See my post on pacing for more! ❀

1 year ago

Asking for permission

"Can I hold your hand?"

"Is it okay to kiss you?"

"Can I hug you?"

"Can I call you later?"

"Is it okay if I sleep here tonight?"

"Can I touch your hair?"

"I would love to spoil you, can I do this for you?"

"Can I tell people about us?"

"Would you allow me to walk you home?"

"Is it okay to randomly text you?"

"Can I take a picture of you?"

"Can I use a picture of you as my background?"

"Is it okay if we cuddled while watching the movie?"

"Would you let me take care of this for you?"

"Are you okay with me calling you my girl/boyfriend?"

1 year ago

Imagine laying together with them in bed one late evening with only the light of the moon streaming through the windows as a source of light. You just lay there together in each other’s arms with the soft sounds of the night filling the air. They lay their head on your chest, letting the sound of your heartbeat lull them to sleep, and you let their breaths do the same for you.

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