Latest Posts by catradora333 - Page 4

The aggressive one also being the caregiver of the group. 

(aka the softer side of Kirin in The Wilds season 2)

Dean's face🤣🤣

Growing.

So, as a cook and a former intense athlete, I have to be hella conscious about keeping in shape and not gaining a shit ton of weight by inhaling everything I eat 24/7. This is why, when I can, I like to work with healthier shit to combat all the creamy, sugar and fat filled delicacies I make like 24/7. For everyone like me who’s working on staying in shape or being healthy, this recipes for you, my precious weeb losers. Based on the Honey Lemon Slices from Kuroko no Basuke (my current obsession), I decided to do my own take on this insanely good for you Japanese treat. OH. AND FUN FACT ABOUT THESE. IT’S A SNACK AND A DRINK ALL IN ONE. You’ll find out what I’m talking about later.

~ Honey Lemon Slices (serves: an entire fucking basketball team ayyoo)

-

Ingredients-

2 lemons

enough honey to fully cover all the lemons*

½ tsp cinnamon

½ tsp  ginger

7 mint leaves (for later)

4 cups water (for later)

*So fun fact for all your plebs out there: there’s like 5 million types of honeys that vary in not only flavor, but texture. For this recipe, I used a creamy clover honey mixed with a more transparent, thick chestnut honey to combat the sweetness with some bitterness from the chestnut. Use whatever the fuck you want, but if you’re using a raw, or creamy honey, mix it with some water to make it more liquidy and stuff.

~ Procedure-

Thinly slice the lemons, making sure you’re using basically everything but the ends and REMOVE ALL THE SEEDS HOLY SHIT.

Once they’re all sliced, mix your honey with the cinnamon and ginger until it’s all combined. Then, take a glass tupperware container thing and cover the bottom with a thin layer of your honey mixture.

On top of that, add one layer of lemon slices, and then just alternate between honey and lemon slices until you finished all the lemon slices. 

Once that’s done, pour in the remainder of your honey mixture so that it completely covers the lemons, and then cover that with a lid and throw it in the fridge.

Keep it chilled for at least 2 days, and no more than 3 days. Try and shake or mix the container at least twice a day so that the lemon juices can mix with the honey.

Once that’s all done, throw it in the freezer for about 10-15 minutes so that they’re hella chilled, and then remove the lemon slices from the container.

After they’re all plated and shit, combine 4 cups of water, 7 mint leaves, and hell, some ice cubes, with the liquid in the tupperware container.

Defeat your basketball foes with your incredible jumps and your moe qualities.

~ TADAH MOTHERFUCKER. You just made a hella healthy treat for you and your shit weeb friends to eat and drink while you’re watching kawaii dudes dripping glittery sparkle sweat all over the B-Ball courts.

Make this during the summer when you want something cold, sweet and healthy to devour, make em when you’re sick to get some radical antioxidants and vitamin C or whatever, just make them all the fucking time I dare you, you pieces of shit. ALRIGHTY. THAT’S ALL FOR THIS RECIPE. STAY TUNED FOR MORE RECIPES THAT WILL DEFINITELY NOT INVOLVE KUROKO NO BASUKE IN SOME WAY (maybe probably i think sort of) Later, nerds.   

be gay do crimes is queer live laugh love. i will not be answering questions

i am on my knees asking, BEGGING, for the PJO (tv series) fandom to not ship walker and leah.

first off, they’re both minors. second, they are actual people, they are not actually percy and annabeth.

i’ve been in far too many fandoms where the line between shipping two characters and shipping the actors that play them gets blurred, and it (more often than not) ruins their friendship irl. so PLEASE let these two CHILDREN be separate from their characters.

Shout out to all the Black ppl that can no longer participate directly in the fandom they love because of the stresses of racism 👍🏾 you contain multitudes of value and I'm sorry that the color of your skin and the power of your voice makes people not want to acknowledge that.

just remembered shows used to have 20-25 eps per season

theres something so beautiful about things becoming dirty from their job. like a painter's desk being covered in paint stains, or a gardeners pants having mud stains that wont wash out, or a cutting board being stained from all the foods that have been cut on it. just a clear, distinct telling of "this was used as intended and it shows" an object clearly showing it's been used and loved

I still can't get over how Eliot and Hardison do their "secret" handshake- even though Eliot is miffed that Hardison ate his sandwhich.

I still can't get over how Parker calls Eliot "Sparky," and he's scared enough to rip open his apple- because he actually thinks Parker somehow got a razor blade in it.

I still can't get over how Eliot tells Hardison that he won't help him if he goes to far with "Ice Man," and when Hardison calls him out on it- Eliot blames Parker.

I still can't get over how Hardison comes to Eliot when he needs help brushing up on wine.

I still can't get over how Parker goes to Eliot when she's looking for something to love and he teaches her to love food.

I still can't get over how Parker is allowed to poke and push Eliot.

I still can't get over how Hardison riles Eliot up and it's just reflex for Eliot to say; "DAMNIT Hardison."

I can't get over how they became a little family all on their own.

Hahah true

Sometimes when I'm cooking, I think to myself "would Eliot approve of this or would he have an aneurysm if he saw what I was putting in this meal?" Then I shrug and do it anyways because it's a win-win either way.

He has such a soft spot for kids

I adore them

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

Inspired by this post by @lemissingmask

The team holding Eliot back from violence, either with a simple gesture or by putting themselves in front of him.

And the time the violence was encouraged:

I love it on Leverage that Eliot is so gruff and grumpy all the time and you think he's so serious about his job but then occassionally he makes a joke or a quip after punching someone out and he grins to himself and gives a little chuckle and then you're like oh, ohhhhhh okay i get it now, he is enjoying himself. This is fun for him. And in that moment he becomes both a bit more normal and a bit more fucked up at the same time. My guy, Eliot Spencer.

I suddenly woke up stupid early on my day off with multiple weird random aches and pains and a revelation about the Leverage chess metaphors.

They’re all wrong.

Look, I obviously adore the white knight/black king motif, and it works really well for that very specific discussion of Nate’s shift in morality and position at the opening of the series. But the show as well as I and other fans have then tried to take that equation and apply it to other jobs and to the crew as a whole. This is fun and awesome, but I believe you’re going to get it wrong every time if you start from the white knight/black king line. 

Because in all other situations, Nate is not the king.

Couple important things about kings in chess: 1. They don’t move much. They can only move one space at a time, and for most of the game they stay in their own little box, well guarded by other pieces. This is because 2. When the king is checkmated (threatened with capture and no possible escape), it’s game over. There is no more hope. This is the sole requirement for losing the game. No matter who else is in play, if the king is down, you lose.

This is NOT how Nate operates. Yeah, he makes the plans, but he doesn’t just hide in the office while everybody else carries them out. He’s almost always right up in there playing the most obnoxious guy you’ve ever met or smashing windows or something. And if Nate gets captured, it’s not game over, in fact, it often isn’t even a PROBLEM. Let’s look at a few times that happens, just for fun: - In The King George Job, Nate’s getting beat up and Eliot slightly panics and is about to run to help, when Sophie says “NOPE, don’t do that, I can fix this without blowing our cover” and saunters in at her leisure. The jig isn’t up and she’s not even particularly concerned about him getting punched. I love it. - In the Maltese Falcon Job, Nate sacrifices himself to save the team. This is a classic thing to do in chess and chess metaphors, but, I cannot stress this enough, you cannot sacrifice your king. That’s just called LOSING. -In The Long Goodbye Job of course the whole con is structured around Nate getting caught. I guess this one kind of makes sense because the whole point is to look like they HAVE completely lost, but then at the end it appears that Nate’s going to secret prison and everyone else is escaping WITH the black book, so they STILL would be losing Nate but winning the job. 

So if Nate isn’t the king, who is?

Hardison.

Let’s look at our points about kings again:

1. Doesn’t move as far or as quickly: Yes, Hardison ALSO gets out there and participates in the cons, everybody does. But Hardison does stay in the background more often, because that’s where his power is. He does the behind the scenes tech stuff and the remote stuff, he can wreck your shop without showing up through the power of the internet. He also does the forgeries of identities and objects, which are also done in his own space. At the same time, he has less physical power and less range – you don’t want him in a fistfight, or a gunfight, and his grifts are notorious for being a little… uh… interesting. So he has limited physical range and power but at the same time… .

2. The game is over if you lose him. That far-reaching behind the scenes power is absolutely vital for 90% of the jobs. He does the massive amounts of research and hacking legwork needed just to START a job, even before you get to actually completing the job. You are pretty much dead in the water without Hardison. But that’s just from a practical standpoint. Losing Hardison is also a crisis from an emotional standpoint. He’s our moral compass and our sweet baby brother and when Hardison gets in trouble there is no “well he’ll be fine for a few minutes” and no “well he kinda had it coming.” No, when Hardison is in trouble everything else grinds to a halt and everyone comes running. (See: The Experimental Job, The Grave Danger Job, The Long Goodbye Job.)

So like, yes Nate is in charge. But the king isn’t in charge on a chessboard, the king is just a piece with a very unique role, which Hardison fills much better than Nate does. So, now that we have our real king, who are our other pieces?

Queen: Parker. This has nothing to do with her dating Hardison. The thing about the queen is she can do a little bit of everything – she can move in any direction, making her the most dangerous piece on the board. Parker’s whole character arc is about learning all the different roles and how to access the whole playing field. She’s the only one who plans and executes an entire episode-length job by herself (okay, with a little help from her girlfriend). Plus, the other cool thing about a queen is she has a built-in transformation story – a pawn that crosses the board can become a queen, which Parker mimics by initially being dismissed as “the crazy one” and ultimately becoming the mastermind.

Knight: Sophie. I know, I wanted Eliot to be the horsie too, but this makes more sense. The knight’s deal is that it’s sneaky – it’s the only piece that can turn corners – and it can jump over obstacles. Sophie’s whole philosophy of grifting is that she shouldn’t need to know about safes or security systems, she should be able to bypass (jump over) all that by insinuating herself with the mark (being sneaky by playing a character to get behind enemy lines)

Rook: Eliot. This is the straightforward one – it goes in a straight line. It also literally represents the castle walls. It’s also so, so fucking helpful to have around, I fucking hate losing my rooks. It’s your solid right hand man, basically. Is this a little reductive of Eliot? Absolutely, but I’m jamming five complex characters into five predetermined boxes, it’s not all gonna be nuanced. And I think Mr. Punchy would like being seen as the fortress that everybody depends on, and to let all the nuance go under the radar. That’s where he likes it. 

Bishop: Finally, here’s where Nate is hiding. While the rook can only go straight (lol), the bishop can only go diagonally. Nothing can be straightforward for the bishop, he always has to come at things from an angle. Like, you know, constantly looking at all the different angles of a situation and finding the right angle to come at a mark from. Also, the bishops sit right in the middle right next to the king and queen. I don’t know that this is historically accurate, but when my dad taught me to play he told me that was because the bishops were important councilors to the rulers, they were the ones who had important wisdom that would tell them the best plan of attack. So the king here isn’t necessarily the one making the plans – that’s the bishop. And finally, apparently the bishop is called lots of different things in other languages, but we’re operating in English, which means it makes Nate a priest, and that makes me happy.

oh my god season four of leverage is fucking DIABOLICAL. how the fuck are you gonna open with the long way down job, and then hit with the van gogh job carnival job AND the grave danger job in just the first half ??? i swear to god i was shaking out of my skin all through the second half of the grave danger job. and where is aldis hodge’s oscar ??? the shaky voice the constant tears the frantic ripping at the inside of the coffin ?? i was literally holding my phone at arm’s length trying not to cry for him i swear.

i have to appreciate the directors here because i think they did a fantastic job focusing on harrison’s situation and really emphasizing the peril and dread the whole team was working through. the fevered search of the city, the awful moment when parker and sophie have to abandon their shovels and duck for cover, and harrison is left panicked and alone— that shit HURT y’all. it HURT. (i will say that the way the coffin was apparently uncovered off screen was a bit off— they only got a few shovels in before the guy started shooting, i thought, but oh well)

and obviously the hugging at the end. fuck kissing on screen hugging is where it’s at. eliot literally diving over gravestones to get to the coffin and pull hardison out and then clutching him like he’s trying to absorb the poor guy into his bloodstream ??? i will simply never be the same. and the perfect touch of beth riesgraf looking absolutely fucking devastated before turning away because she’s so so so wrecked about this but she’s not ready for that hug…. leverage writers need to square up because that was one fucked up episode and it also delivered on every characterization front ever. leverage is the gift that fucking giving y’all

↳ Live Hardison Reaction:

LEVERAGE "The Nigerian Job" [S01E01]

Eliot: I stay close to protect Hardison and Parker. I suppose I’m third wheeling but if that’s what it takes to keep them safe then so be it

Hardison: Eliot is our boyfriend. We take him on dates all the time

Parker: he hasn’t figured it out yet

Hardison: I suggested we tell him

Parker: but this is more fun

Hardison: yeah it is

the dichotomy between an attack dog vs a guard dog is like. an attack dog is sent out to carry out violence. it's starved and abused to ensure aggression. it has no other purpose outside of Attacking at the whim of its master. it's constantly on guard because a threat can come from any direction at any time. it's the dog chained up in a basement that's only set loose when there's something to kill.

but a guard dog is protecting instead of attacking. instead of being sent out to fight, it comes home to defend the house. it may be constantly on watch for an external threat, but it is content to lay with the sheep until a wolf comes to the door. the guard dog has a warm place to sleep, and is well fed and treated like a member of the household. it's free to leave at any time but it stays to protect the house anyway. do u get it. do u understand.

he's fighting a beautiful buff lady. her shirt gets ripped and she's left in her slutty little tank top. "come on," you think. "why is the woman always wearing sexier things than her male counterparts." but fear not. now HE takes off his shirt and he's left in HIS slutty little tank top. equality. and then they kiss

I think it's a sign of good media when you have to reread or rewatch it to get the full experience. First time is for getting your brain blasted by the story and being confused second time is for knowing who's who and what's what and willingly getting your brain blasted again.

Criminal Minds Incorrect Quotes

~Reader Insert~

Reid: *Screams* Reader: *Screams louder to assert dominance*

Hotch: Should we do something?

Rossi, observing: No, I want to see who wins this.

Rossi: I think we’re missing something.

JJ: Teamwork?

Reid: Concentration?

Prentiss and Morgan: A general sense of what we’re doing?

Prentiss, setting down a card: Ace of spades.

Morgan, pulling out an Uno card: +4

Garcia, pulling out a pokémon card: Jolteon I choose you!

Reid, Trembling: What are we playing?!

I posted this while watching NCIS :)

Squeeze my hand three times in the back of the taxi I can tell that it's gonna be a long road...

Post-case night cab cuddles that were definitely happening off-page and Lucy just forgot to tell us about

#She finally gets to be who she's supposed to be: a kid. Not a warrior or a gift. A 12 years old girl.

something is so incredibly endearing, emotional, and beautiful in percy/walker’s final narration of saying “if you feel like you don’t belong in this world, then you might be [a demigod] too” which highlights so perfectly the thesis of the books in the first place! which is love and home for people who feel different!

it’s especially important to consider the origins of the book being rick’s son’s adhd and dyslexia, and rick wanting to create a world which gave meaning to these facets of his son that society has deemed hindrances. so when other kids out there who feel different— whether because they’re queer or have learning disabilities or they look different— are drawn to that world, to have the material explicitly include you and welcome you into the world instead of spinning that concept on its head and bragging about how widespread its fame is and how it’s for “everyone” is so important and life changing. like, things don’t have to be for everyone! this media so specially dedicated to outcasts and outsiders and that’s what I love <3

The warm lighting as Luke holds Percy at sword point because Percy trusts Luke. Luke would never hurt him.

Then Luke later betraying Percy in the very same woods and hurting him with the same sword as the lighting shifts to this ominous dark purple

i could write an essay on how the writers use lighting as a method of storytelling

Oh my god. The tears in Luke’s eyes when Percy says the betrayal line. The desperate pleading for them to run away. That he doesn’t want to hurt Percy. The tears in Percy’s eyes. The fear and shaking. Percy apologizing for actually hurting him. The look of horror on Luke’s face as Annabeth comes in. How horrified he looks when he looks down at Percy, who he HURT. The realization that Percy won’t join, and the equaled horror of hurting a twelve year old child.

Then he runs.